Category Archives: Drama

Christopher Robin

Christopher Robin            3 ½ stars

Christopher Robin brings us a new chapter in the story of the boy who went on adventures in the Hundred Acre Woods with his slow witted friend, Winnie the Pooh and his many friends.  This Disney movie picks up the story thirty years later when Pooh seeks out Christopher (Ewan McGregor), now a grown man with his family living in London and working for a luggage company.  It’s a charming story with a good family message about friends supporting each other through their trials.  The animal characters are done with CGI effects that make them look like talking stuffed animals and they keep their familiar characteristics from the cartoons.  This animation is much preferable to the new trend in Disney movies that make animals look as real as possible.  The character of Eeyore, the depressed donkey is especially entertaining as he always puts himself down and sees the worst side of every situation.  Christopher Robin isn’t quite as good as the original animated movies based on A. A. Milne’s children’s stories, but it is entertaining.  The audience is probably older than the children that enjoy Winnie the Pooh as there is certainly a darker tone of Christopher dealing with his family and work troubles.

The Smashing Machine

The Smashing Machine                  4 stars

The Smashing Machine by writer director Benny Safdie (Uncut Gems, Daddy Longlegs) is the recently released biopic about the life of Mark Kerr, the mixed martial arts star of the nineties and early 2000’s. It is not a conventional sports movie where a team or individual overcomes the challenges of their sport and triumphs in the end. Instead, the film focuses mostly on the character of Kerr (played by Dwayne Johnson, the former wrestling star and movie action hero, but forget about Red One) and the struggles he faces in his life within the sport and in his personal life. A few fights are represented, but they only take up a small portion of the total screen time, so don’t expect an MMA version of Rocky. I don’t know much about the sport that became the UFC, but it seems like the objective is to tackle your opponent, hold him on the floor while you beat him in the face turning it into a bloody mess until he gives up. (At least this is what I took from it. The nation will get a first-hand look at UFC next year when it will be featured on the White House lawn on the occasion of President Trump’s eightieth birthday.) Much of the film has the look of being a documentary using long takes, making it seem like you are watching the real Mark Kerr. It shows us the various sides of him. As played by Johnson he is the nicest guy you can imagine while dealing with the public. He is polite in the extreme to the average person, being very humble and restrained. But when he loses a fight for the first time and then only focuses on his next fight he becomes completely absorbed, shutting out those around him. This gets to be a problem for his girlfriend, Dawn (Emily Blunt) as she comes to resent Kerr’s silence at these times. Much of the story is about these two people who can’t understand each other and who question the motives of the other’s decisions. The role of Dawn is a complete change from how we are used to seeing Blunt. Normally, her characters are of women who are adventurous and in complete control of their lives. Here Blunt is not her normal movie star self (think The Fall Guy and Jungle Cruise) but has an understated presence and is subservient to boyfriend Kerr. It is a testament to her acting talents that she can blend into the feel of the movie so effectively. Blunt may be in line for an acting Academy Award nomination for this role. There also seems to be talk of Johnson getting an acting nomination as well. It would be well deserved. The film is recommended, but again you shouldn’t expect a lot of action leading up to a traditional final climactic finish. (I hope I’m not giving too much away, but what kind of sports movie has the winner being awarded the trophy because of a cancelled final match?) You should go to see a person dealing with setbacks in their life and finding a way to get through them.

One Battle After Another

One Battle After Another                             5 stars

It’s only October and I feel I may have seen one of the Best Picture nominees or even the Best Picture with Paul Thomas Anderson’s One Battle After Another. Anderson, the master storyteller (remember Licorice Pizza, Phantom Thread and There Will Be Blood) has created a film that is part social commentary and part family saga. It tackles matters that are relevant to today’s social situations and has some exceptional heart pounding action sequences. The main story follows an ex-revolutionary figure named Pat or Bob (Leonardo DiCaprio) and his sixteen-year-old daughter, Willa (Chase Infiniti in her first movie role) as they try to escape an enemy from their past, a certain army colonel named Lockjaw (Sean Penn) who is trying to hunt them both down. But first we must learn what led to this situation through the first part of the movie. Bob and Perfidia (Teyana Taylor) are part of an anti-establishment revolutionary group called the French 75, a loosely organized group of freedom fighters who try to free detained undocumented aliens and cause general chaos through destructive actions. Perfidia is one of leaders of the group while Bob has skills with explosives. Their actions could fit in almost any time period, but here it seems to be the early 2000’s. They run afoul of Colonel Lockjaw, a hardnosed tough as nails army officer with a really bad haircut who literally has a hard-on for black chicks. He is also part of a secret Neo-Nazi white supremacist society (called the Christmas Adventurers Club) which creates a conflict when he meets Perfidia during one of the 75’s missions. Pat and Perfidia have a baby daughter, who they are raising together that is, until most of the gang gets rolled up after a bank heist, including Perfidia. She is convinced to reveal names by Lockjaw and is placed into witness protection only to flee into the wind. Sixteen years go by during which time the gang goes dormant and Bob must live off the grid while raising the baby, now named Willa on his own. Bob is no criminal mastermind and by now has become a stoner regularly getting high and drunk. Other than his skills with explosives, he is not good for much. But DiCaprio is very convincing as a father who has a real attachment to his daughter. Bob has a real problem when he is alerted through his underground contacts that the authorities are on to them and he and Willa will need to disappear. Fortunately for Bob, there are still a few members of the group around that can help keep him and Willa out of the hands of the government. They include Sensai Sergio St. Carlos (Benicio del Toro also of Inherent Vice) and Deandra (Regina Hall of The Hate U Give) who finds Willa and gets her out of harm’s way (at least for a while). The latter part of the movie is very intense as Bob and Willa try to stay one step ahead of Lockjaw’s soldiers who are closing in. The scenes are aided by a fast-moving original score by Johnny Greenwood. The audience will really be glued to the screen during two car chase scenes, with an outcome that is not expected. (Also, look for Alana Haim in a small role. Anderson featured her in his film, Licorice Pizza.) I fully expect One Battle After Another to earn several Academy Award nominations. It could be Paul Thomas Anderson’s best to date. Do not miss it.

The Color Purple

The Color Purple              4 stars

In 1985 Steven Spielberg made the movie The Color Purple based on the 1982 book. Then in 2006 it was made into a Broadway musical and revived in 2015. In 2023 it was again brought to the screen. I just recently came to view it. By now the story of Celie, a poor uneducated black woman in early 20th century rural Georgia who suffers brutal abuse at the hands of her father and then her husband is familiar to audiences. In this musical version the role of Celie, originally done by Whoopie Goldberg in the Spielberg movie, is performed by Fantasia Barrino of American Idol fame. Her voice in her musical numbers and her acting in scenes as she quietly endures abuse from the men in her life are the best things about the movie. (She is actually reprising the role from the Broadway production and is certainly right for the part.) She is equally engaging in the moments of expressing joy when she is with her sister, Nettie (Halle Bailey and Ciara) and others that she loves. (According to Fantasia’s resume, this is her only notable film role.) Other actors of note are Danielle Brooks (Clemency) as the outspoken Sofia (originally done by Oprah) who won’t stand for the abuse heaped on women by men, but is later beaten into quiet submission by the blatant racism of the South, as well as Taraji P. Henson as blues singer Shug Avery who brings hope to Celie by showing her the sheer joy of living when one is near the ones they love. Also excellent is Colman Domingo in the part of Mister, Celie’s abusive husband who only sees her as the equivalent of a slave that must be regularly beaten into obedience. Not only do we experience his cruelty but get a sense of how he came to be this way, enduring his own pain, and we eventually see how he realizes the error of his ways and seeks to make amends. The musical numbers are lively and cinematic, but they tend to overshadow the central message of the story, which is love of family and treasuring time together. This movie directed by Blitz Bazawule is almost entirely focused on Celie as she overcomes adversity and finds her voice. Though I enjoyed the movie, I find that I prefer the original Spielberg film over this reimagining.

Bohemian Rhapsody

Bohemian Rhapsody       2 ½ stars

I finally got the chance to see Bohemian Rhapsody, the 2018 biopic about Freddy Mercury, the lead singer of the legendary rock group Queen of the seventies and eighties.  It has much in common with other biopics about music legends we have seen in the past twenty years, the genius of a young performer, the troubled relationships with family, the flashes of genius and the downward spiral.  One type of movie I really love are those that show the creative process of writing a new song, how it gradually gets put together.  Here the formula is applied to We Will Rock You and Another One Bites the Dust,(both I remember well from the eighties) but it’s like the song is instantly put together in the heat of an argument.  Rami Malek does a good job as Mercury, but the look of his teeth was overdone.  There was some mention of his life style and his contracting AIDS, but for the most part the movie was not about this aspect of his life.  It did serve as a reminder of what the eighties was like, when gay people had to remain hidden even in the music industry and AIDS was ripping through the gay community.  The final scene of the LIVE AID concert was certainly entertaining even though much of it had to be lip synced.  If you watch it on DVD there is an extended version of the concert scene that is even more enjoyable.  There are other musical biopics I liked much better.  The ones about Elton John and James Brown come to mind.

High Life

High Life              3 ½ stars

I missed High Life in the theaters but finally got the chance to see it on video. This highly unusual film by Claire Denis is a confusing science fiction story concerning a group of people, all young and attractive, on a space ship hurtling through the solar system.  The movie has a slow pace and includes little in the way of special effects for a science fiction film. It is filled with symbolism and morally ambiguous characters.  High Life starts with Monte (Robert Pattinson) and his baby daughter on the mysterious spaceship.  The ship is completely self-sustaining including a green house and recycling of human waste.  Before long it is discovered that there was a whole crew on the ship who are now all dead, leaving the two remaining passengers to carry on.  The rest of the movie is a flash back that shows us the crew on the voyage and reveals (sort of) what happened to them.  We learn that this is an experimental space ship where all of the crew are criminals who have committed capital crimes and they are on a mission to a mysterious black hole, never to return.  There is a doctor named Doctor Dibs (Juliette Binoche), also a murderer who is the one in charge and who also performs medical experiments on her subjects which include trying to get some of them pregnant without their knowledge.  The crew all have some type of aberrant behavior leading some to commit murder and suicide.  Some seem to be trying to atone for their past misdeeds such as Monte being a caring father or Dibs trying to create new life after taking lives while on Earth.  I have not seen many movies by Denis, but have read that she always tries to make the audience uncomfortable which she has certainly done this time.  I also must warn you that the ending may be less than satisfying!  Once again here is a fine performance by Robert Pattinson.

EO

EO                          4 stars

The movie EO by Polish filmmaker Jerzy Skolimowski from 2022 is very dramatic, highly unusual and not for everyone. It follows the life of a fictional donkey named EO as he moves from one environment involving humans to another, with everything told from the point of view of the donkey. EO is a very obedient and compliant animal who never hurts anyone (with one surprising exception). He encounters people that are kind to him, like the trainer, Kasandra in a circus act who he mourns when they are separated, as well as people who treat him poorly like the owner who ships him to a show horse ranch after going bankrupt. The imaginative aspect of the film is in the unusual cinematography and colorful hues in scenes where the donkey is wandering through the landscape. Some of it made me think of the last scenes of 2001: A Space Odessey. EO’s various encounters seem disconnected from one another, some caused by the humans involved and others just by random events as EO chooses his own route. He often sees other animals in situations that he may be relating to like the show horses in one scene, a wolf who is shot, or other animals in an animal hospital. But there are always people in each place. Some want to take care of him (like an animal doctor) while others are indifferent or would see him suffer (like a group of rowdy football players). There are a few funny moments like when EO knocks over shelves containing show horse trophies. Unfortunately, he will have to face the consequences of his actions. Toward the end there is a surprise appearance by Isabelle Huppert as the stepmother of one of EO’s caregivers. As usual, she gives an especially emotional performance. The movie seems to be mainly about morality as we see how various individuals treat someone who is completely defenseless and at the mercy of them. EO is mainly in Polish and English. It was nominated for Best International film in 2023. The film being highly unusual, you will have to decide whether to see it based on the subject matter and your own tastes.

Lizzie

Lizzie     4 stars

The psychological thriller Lizzie from 2018 is a retelling of the Borden family murders in Falls River, Massachusetts in 1892.  It was a personal project of Chloe Sevigny who served as producer and star and is made more relevant by the recent MeToo movement for women’s rights to be heard in cases of sexual abuse.  Sevigny has the title role with Kristen Stewart starring as Bridget, the hired maid for the rich family.  Lizzie’s oppressive situation is clearly outlined with her life being controlled by her domineering father Andrew (a lecherous Jamey Sheridan). The family also includes her step mother (Fiona Shaw) and her sister Emma.  Even though she is 32 years old she is not allowed to leave the house at night.  Lizzie strikes up a close kinship with Bridget (who is called the diminutive “Maggie” by Andrew Borden) especially when it is discovered that her father has been molesting her regularly. In this version their close relationship develops into more than being just friends.  The movie focuses little on the investigation of the murders and the trial and concerns itself mainly with the oppressive situation of the female characters and how they are trapped in their world and can see no escape from it.  Lizzie can’t even count on an inheritance as Andrew takes steps to ensure her life would be controlled by men even in the event of his death.  The way Sevigny plays the role and the way the scenes are shot gives the movie a closed in feeling.  Of course the gruesome scene of the actual murders is included so the audience has no doubt what happened even though the jury could not find a guilty verdict.  Lizzie brings new life to this classic American tragedy.

Blaze

Blaze                     4 stars

Blaze is a sad biopic about Texas singer songwriter Blaze Foley, a promising but tortured talent in folk/country music in the seventies and eighties. This film, written and directed by Ethan Hawke explores the music and life of this little-known musician through three different periods told in nonlinear fashion. We see his early life with Jewish girlfriend/wife Sybil (Alia Shawkat), his later days performing in local bars and diners shortly before his untimely death and a later radio interview where his songwriter friends, Townes and Zee talk about the almost legend. I had never heard of Blaze before who is compared to Willie Nelson and Merle Haggard. I am not really a fan of this type of country music, but the songs sung by star Ben Dickey, himself a rock/country artist are done well and are mesmerizing. The story of a talented musician who shows signs of greatness but whose life is destroyed by his own ego, addiction to drinking and a short temper are all too familiar in the long list of musician biopics we have seen. The largest part of the story is about his relationship with Sybil who does everything in her power to support Blaze and their marriage but is eventually doomed to failure. The tall and large Ben Dickey who is a friend of Ethan Hawke, does a nice job as Blaze making him appear like a poet/philosopher about life. This film seems to be his only acting credit. I recommend the movie to anyone who enjoys folk and country music and would like to learn about this near legend. Fans of Alia Shawkat (Maeby from Arrested Development) would enjoy the movie as well.

The Photograph

The Photograph                4 ½ stars

The Photograph from this year is a well told film about two different love affairs taking place in the past and present. It has an all black cast of mostly known actors and I found it refreshing to have such an all black movie that is not about police brutality and racial injustice. Michael (LaKeith Stanfield from Sorry to Bother You and Knives Out) is a magazine writer on a story about a photographer, Christina Eames who has just passed away. His investigation puts him in contact with Isaac, a New Orleans fisherman who has a relationship with her in the eighties and he is eventually led to Mae (Issa Rae of HBO’s Insecure and Little), a New York museum curator who is the deceased photographer’s daughter. Michael and Mae hit it off and try to have a relationship that has to deal with the complexities of their career intense lives. The other story about Christina and Isaac is also told as the two stories are intertwined. We see how young Christina resents being limited by her life with Isaac and wants more out of life. Her ambition is to be an artistic photographer is New York so life in New Orleans does not exactly appeal to her. There aren’t really any surprises in the movie and there aren’t any conflicts involving police or any other outside characters. It is basically a romance story about the challenges that these couples are facing through the realities of life. This is a nice relief given what we have been going through lately. Issa Rae shows that she can do more than comedy in this dramatic role. The movie also features Lil Rel Howery (from Get Out) as Michael’s brother and Rob Morgan (of Just Mercy, The Last Black Man in San Francisco and Mudbound) as the older Isaac. Law & Order fans might also recognize Courtney B. Vance as Mae’s father. The movie also features some smooth background music of R&B and jazz. I have seen only a few 2020 releases so this one has to be the best so far.