Category Archives: Romance

Long Shot

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Long Shot                            3 stars

It has been a long time since we’ve had a good rom-com at the movies.  This week’s offering of Long Shot attempts to address that drought and goes a long way towards succeeding.  The movie stars the beautiful Charlize Theron as Charlotte Field, the youngest Secretary of State in US history and the wildly comical Seth Rogen as an out of work sharp witted journalist named Fred Flarsky who crosses paths with the Secretary at a big Gala.  Remarkably, the two have a shared past that involves a shockingly amusing episode when the two were only teenagers.  The Secretary then pitches to Fred the idea of hiring him as a speech writer which he then accepts which leads to more awkward situations.  Since this is a Seth Rogen movie there are plenty of sight gags, awkward sexual encounters and some serious drug use.  As this is also a political comedy, there are gags involving world leaders and celebrities that are based on some pretty absurd circumstances, such as, the president wishing to leave after a single term to pursue a movie career.  (But then in these times we live in who am I to claim something is absurd.)  Although it has its funny moments, it doesn’t quite measure up to the comedy I’m used to seeing in an episode of Veep.  One sign of the film’s shortcomings is the use of actors for the roles of TV news anchors instead of casting real anchors to play themselves.  I felt that would have helped it to look a little more authentic, like other political comedies have done.   One surprise in the film is the casting of Andy Serkis as Parker Wembley, a wealthy billionaire and media owner seeking to influence the politicians to favor his personal political views.  He was amusing and completely unrecognizable.

The Drama

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The Drama          3 stars

When I saw the trailer for The Drama, I became curious about the premise behind this movie, directed by Kristoffer Borgli (2023’s Dream Scenario): A young couple meet, hit it off, get engaged, then just before the wedding she reveals the worst thing she ever did, and this changes the whole dynamic of the relationship. In the movie we first find Charlie (Robert Pattinson (Mickey 17, The Batman)) meeting Emma (Zendaya (Dune, Challengers and Spider-Man: No Way Home)) in a café by pretending that he is familiar with the novel that she is reading. After fumbling his way through the encounter, the pair succeed in staying together for two years and get engaged. Then in the pivotal scene before the wedding, Charlie and Emma are having dinner with their married friends in common Mike (Mamoudou Athie (By Design, Kinds of Kindness and Elemental)) and Rachel (Alana Haim of the pop-rock group Haim) where Rachel asks the group to share what’s the worst thing they have ever done. Each tells something from their past that is funny but relatively harmless. That is until it’s Emma’s turn to tell something and when she does the tone of the conversation takes a sudden dark turn. Rachel has the worst reaction, but Charlie tries to be understanding about it at first. Now, I am going to follow the example of the trailer and not tell you what Emma’s deed was so that you can be just as surprised as I was when I heard it. But I can say that Emma is the definite winner of this game. The whole movie takes a dramatic turn at this point from comedy to something much more troubling. The relationship between the two couples changes with Mike and Rachel not believing they can trust Emma anymore. Charlie isn’t sure what to make of the situation and tries to imagine Emma as the person he thought he knew, while harboring doubts at the same time. Emma becomes more withdrawn when seeing how her friends react as she remembers the challenges she was going through in her younger years. Charlie gets increasingly confused about the whole situation, while getting a coworker involved that only escalates the problem. Ultimately, we get to the wedding reception where things blow up with some of the most backhanded wedding speeches ever heard. Things are, shall we say awkward and go from bad to worse in a hurry. Borgli is definitely going for shock value like he did before in Dream Scenario, but falls short of the level of dark comedy in that movie. It’s hard to accept Charlie’s reactions to events, given the weird roles that Pattinson has had before. Charlie is supposed to be a relatively normal person here but doesn’t really seem to be. Zendaya though is an expert at displaying the array of emotions of her character. (Remember her performance in Challengers!) This uneven movie is not so much about drama as it is about how people react to unexpected events. It would be interesting to find out how others react to the film. At least I satisfied my own curiosity. Look for Zendaya in the upcoming Spider-Man: Brand New Day. Look for both Zendaya and Pattinson in the upcoming The Odyssey and in Dune: Part 3.

Never Look Away

Never Look Away                                             4 ½ stars

Never Look Away is an epic storytelling of a young German artist who lived through the time of Nazi Germany and Communist controlled East Germany growing as an artist and developing his own special kind of painting.  Its three hour length covers a great span of time from the thirties to the sixties, starting with 10 year old Kurt witnessing a display of “degenerate art” and the horrors accompanying the Nazi’s waging war against the world.  After the war, Kurt, the young man (Tom Schilling) works as an artist for the Communist regime of East Germany producing art of the Socialist workers, but you can tell his talent calls for him to be something better.  Fortunately, he meets Ellie, a young pretty woman supplying new pencils to the artists.  Of course the two fall for each other having secret night rendezvous destined for disaster, given that her father is a former SS Nazi in hiding.  Eventually, the two of them escape to the West at the time of the wall going up where Kurt’s artistic career is advanced with the help of prominent artists of the growing movement of contemporary art.  The movie is at its best when we see Kurt being inspired to do his best work by the beauty of the world around him, but also influenced by some of the horror he has experienced from his younger days.  He develops a way of painting photographic images while blending them together in haunting black and white images.  The story is apparently loosely based on the life of real life artist Gerhard Richter, an admired painter of the 20th century.  Never Look Away was nominated for Best Foreign Language Film at the Academy Awards and is one that should not be missed.

Crazy Rich Asians

Crazy Rich Asians                              4 stars

Last year’s Crazy Rich Asians was one of the big hits of the summer, a return of the rom-com that seems to have been missing from Hollywood for years.  Only this time it’s one featuring an all Asian cast, something extremely rare in mainstream Hollywood.  Rachel Chu, a young New Yorker is persuaded by her boyfriend, Nick to accompany him to his best friend’s wedding in Singapore.  But the thing she didn’t realize is that Nick’s family is rich, but not just that. They are insanely rich or crazy rich.  Also, Nick happens to be one of the most sought after bachelors in the country.  She meets his family and friends including Nick’s former girlfriend and learns about the trappings and baggage that goes along with belonging to a fabulously wealthy family.  She faces some sobering challenges and ultimately faces them making some tough choices.  The film is definitely a comedy with very funny moments featuring some funny cast members.  Included among these is Awkwafina who plays Rachel’s best friend, a role that seriously raised her profile in the industry.  Crazy Rich Asians doesn’t have a political statement to make but is special because of its all Asian cast which shows they are to be taken seriously.  It’s a light enjoyable movie that appeals to a wide audience and is something of a throwback to classic Hollywood comedies.  Among the notable cast is Michelle Yeoh (Captain Georgiou of Star Trek: Discovery) as Nick’s controlling mother in an especially outstanding role.

Wuthering Heights

Wuthering Heights          2 stars

Director Emerald Fennell gives us a very different take on the gothic novel Wuthering Heights by Emily Bronte by casting two of the hottest stars working in Hollywood today in the leading roles. I have never seen any of the many previous adaptations of the novel nor have I read the book. I only know that it has a reputation as a tragic love story. But I doubt that Bronte envisioned her story to be nearly as steamy as portrayed on the screen here. Previously, Fennell, the actor turned director brought us Promising Young Woman and Saltburn, two movies that combine revenge themes with sex and she continues that theme in Wuthering Heights. This movie has a lot of sex. And I mean a lot of sex! And it’s not just the two main characters either. Even the opening scene is very suggestive of what is to come. In the beginning we meet Catherine (Charlotte Mellington) as a twelve-year-old living with her father (Martin Clunes of Shakespeare in Love and Nativity 3: Dude, Where’s My Donkey?) in a large, isolated, but decaying house in the countryside called Wuthering Heights. Living with them is another girl, Nelly, who serves as a companion for Catherine, but also as a servant. They have other servants too, so they’re not exactly poor. One day, father brings a young boy home with him as he couldn’t stand seeing him wandering the streets with no one to care for him. Catherine takes to him immediately, calling him Heathcliff (Owen Cooper of Adolescence), the name of her dead brother. But Father thinks nothing of beating and whipping Heathcliff when he doesn’t live up to expectations. We flash forward several years and find Catherine (Margot Robbie of Barbie and The Wolf of Wall Street) and Heathcliff (Jacob Elordi of Frankenstein and Saltburn), now in their thirties and still living with her father along with a grown Nelly (Hong Chau). Things have changed and now they are quite poor, the father having gambled away his money. Catherine and Heathcliff (represented as two of the most perfect specimens of humans) now look at each other quite differently and you can see that things will soon take a turn. When a new neighbor moves to the area (five miles away), Catherine investigates and meets Mr. Edgar Linton (Shazad Latif), who is fabulously wealthy, has an enormous estate, and very stylish clothes, carriages and servants. There is also a young woman, Isabella, living with him who we never find out exactly how they are related. Naturally, since Catherine is poor, she must marry Edgar for the benefit of the family even though she is madly in love with Heathcliff. And this is where things go awry and jealousy takes over all sense of right and wrong. Both Catherine and Heathcliff make it their purpose to get revenge on each other for their circumstances but still end up meeting secretly repeatedly for sessions of mad sex. And they do it a lot, with most of it in the rain it seems. There is plenty of ill will and jealousy spread around between them and every other character as well. In fact, I would say that there is not a single character in the movie with redeeming qualities. Everyone wants to cause harm to someone or even themselves. The contrast between the two families is greatly exaggerated, showing Edgar’s extravagant wealth and Catherine’s beautiful clothes and jewels versus the dirty unkept look of the Wuthering Heights house. Not only is the selfish nature of the characters disturbing, all the rain and the fog make everything about the film depressing. I suppose that that’s what Fennell was going for, but I couldn’t enjoy it. I can’t say if that’s what Bronte’s original novel is like. (Perhaps it was, but without all the sex.) I will point out that most of the music was written and performed by Charlie XCX so it has that going for it.

Little

Little                      3 stars

For a film on the light side you can see Little, a comedy produced by and starring teen actor Marsai Martin from Black-ish.  Jordan Sanders (Regina Hall) runs her own company and is a tyrant in doing so.  Her employees including assistant April (Issa Rae) are run ragged trying to satisfy Jordan’s wishes.  That is until a little girl uses her magic powers to turn Jordan into her thirteen year old self (Marsai Martin) putting her back in middle school.  As fantastic as this turn of events seems it doesn’t take long for the characters to accept it as the new reality.  Despite being so young again Jordan still seems to see the world through her adult eyes and strives to manipulate people into doing her bidding.  The film certainly has its funny moments and some great music, but the story is unconvincing.

Judy

Judy       4 ½ stars

The highly anticipated biopic Judy features Renee Zellweger as the doomed singer-actress Judy Garland in her final months before she died.  This is truly a showcase of Zellweger’s talents as she clearly captures the decline of the health and stature of one of America’s greatest talents.  Those who remember Garland from the sixties will find Zellweger’s approach to the role as remarkable as she is engulfed by the character.  I am so glad that the story was not the usual biopic piece that covers a performer’s entire career, but rather only focuses on a brief period of Garland’s life, that being the London tour she went on in 1969 only six months before she died of a barbiturate overdose.  This allows us to see what feels like a complete story that doesn’t jump over large periods of time.  It also allows the supporting characters to have parts that blend in with the story.  There are flashbacks to Garland’s early years as a child star under the control of the studio headed by Louis B. Mayer.  These scenes are meant to show how she had no childhood as her personal life blends into her onscreen performances including how she was given amphetamines to keep her energy up.  The movie is not all tragedy though as the viewer will be delighted to see her with adoring fans and to see a moving rendition of Somewhere Over the Rainbow near the end of the movie.  A near certainty is that Renee Zellweger will be expected to take home the Best Actress Academy Award next year.

Ha-Chan, Shake Your Booty!

Ha-Chan, Shake Your Booty!       4 1/2 suns

I was especially pleased with Ha-Chan, Shake Your Booty! by Japanese director Josef Kubota Wladyka and starring Rinko Kikuchi which follows married couple Haru (Kikuchi) and Luis who regularly compete in competitive Latin ballroom dancing in Tokyo.  But then Luis suddenly dies leaving Haru all alone.  Fortunately, Haru’s sisters encourage her to get back out on the dance floor where she soon is taken up by her new dance instructor who is world famous and who also happens to be married.  One can see that this situation will lead to trouble and the movie does not disappoint.  It is an honest depiction of how hard (and messy) it is to deal with grief while delivering on many humorous situations.  It also includes some fantasy like aspects drawing from Japanese culture.  I enjoyed seeing the blending of the Japanese and Latin cultures which is a real thing in Japan. So far this is my favorite drama of the festival.

Colette

Colette                 4 ½ stars

Another movie from last year that I just caught up to is Colette, a film that created a lot of buzz at Sundance in 2018.  This film stars Keira Knightley as Sidonie-Gabrielle Colette, the acclaimed female French writer of the early twentieth century.  In the film, the young Colette from rural France marries the successful Parisian writer, known as Willy (Dominic West) and is transported to be among the intellectuals in Paris.  Willy is not really that much of a writer but he has created an industry of creating literary works by having writers ghost-write under his name.  Soon he figures out that Colette has a talent for writing and persuades her to write about her experiences creating the series of novels about “Claudine”.  What follows is a story of redefining gender roles and telling of stories that overcome the societal restraints of the time.  Some of these norms that are overcome even involve women in bisexual or homosexual relationships, quite a break from the traditions of the early 1900’s even in France.  Eventually, the couple reaches a crisis when Colette asks that she be given the rights to her own work.  The film was directed by Wash Westmoreland and was co-written by him and his partner, Richard Glatzer.  Sadly, Glatzer did not live to see his project reach the screen.  But you can have the opportunity to see Keira Knightley’s acting talents in this film based on the true story of one of France’s finest female writers.

Jumbo

Jumbo     3 stars (or suns in Sundance World)

Jumbo,  from Belgium by director Zoe Wittock tells us the story of a young withdrawn woman who lives with her very outspoken mother.  Jeanne is very shy and has trouble relating to men.  Her mother seems determined to do something about that.  Jeanne works in an amusement park as part of the cleanup crew. We find she has a certain fascination with the rides as she builds models of them out of pieces of metal and wire.  However, there is one particular ride she is fascinated by where the riders rotate in multiple directions that goes by the name of Move It. Jeanne’s name for it is Jumbo. She is so enamored by the ride that she imagines it has a soul and that it is something she can have a sexual relationship with.  So you can see it is your classic romance of girl meets machine,  girl gets machine,  girl loses machine,  then finally girl gets machine back.  It is certainly an odd movie and one hard to relate to. The filmmaker said she has been working on the movie for eight years and got the idea when she saw a story about a woman who “married” the Eiffel Tower.  The movie was done well enough with some excellent acting which helps make up for the very unconventional story.