Category Archives: Romance

Ha-Chan, Shake Your Booty!

Ha-Chan, Shake Your Booty!       4 1/2 suns

I was especially pleased with Ha-Chan, Shake Your Booty! by Japanese director Josef Kubota Wladyka and starring Rinko Kikuchi which follows married couple Haru (Kikuchi) and Luis who regularly compete in competitive Latin ballroom dancing in Tokyo.  But then Luis suddenly dies leaving Haru all alone.  Fortunately, Haru’s sisters encourage her to get back out on the dance floor where she soon is taken up by her new dance instructor who is world famous and who also happens to be married.  One can see that this situation will lead to trouble and the movie does not disappoint.  It is an honest depiction of how hard (and messy) it is to deal with grief while delivering on many humorous situations.  It also includes some fantasy like aspects drawing from Japanese culture.  I enjoyed seeing the blending of the Japanese and Latin cultures which is a real thing in Japan. So far this is my favorite drama of the festival.

Colette

Colette                 4 ½ stars

Another movie from last year that I just caught up to is Colette, a film that created a lot of buzz at Sundance in 2018.  This film stars Keira Knightley as Sidonie-Gabrielle Colette, the acclaimed female French writer of the early twentieth century.  In the film, the young Colette from rural France marries the successful Parisian writer, known as Willy (Dominic West) and is transported to be among the intellectuals in Paris.  Willy is not really that much of a writer but he has created an industry of creating literary works by having writers ghost-write under his name.  Soon he figures out that Colette has a talent for writing and persuades her to write about her experiences creating the series of novels about “Claudine”.  What follows is a story of redefining gender roles and telling of stories that overcome the societal restraints of the time.  Some of these norms that are overcome even involve women in bisexual or homosexual relationships, quite a break from the traditions of the early 1900’s even in France.  Eventually, the couple reaches a crisis when Colette asks that she be given the rights to her own work.  The film was directed by Wash Westmoreland and was co-written by him and his partner, Richard Glatzer.  Sadly, Glatzer did not live to see his project reach the screen.  But you can have the opportunity to see Keira Knightley’s acting talents in this film based on the true story of one of France’s finest female writers.

Jumbo

Jumbo     3 stars (or suns in Sundance World)

Jumbo,  from Belgium by director Zoe Wittock tells us the story of a young withdrawn woman who lives with her very outspoken mother.  Jeanne is very shy and has trouble relating to men.  Her mother seems determined to do something about that.  Jeanne works in an amusement park as part of the cleanup crew. We find she has a certain fascination with the rides as she builds models of them out of pieces of metal and wire.  However, there is one particular ride she is fascinated by where the riders rotate in multiple directions that goes by the name of Move It. Jeanne’s name for it is Jumbo. She is so enamored by the ride that she imagines it has a soul and that it is something she can have a sexual relationship with.  So you can see it is your classic romance of girl meets machine,  girl gets machine,  girl loses machine,  then finally girl gets machine back.  It is certainly an odd movie and one hard to relate to. The filmmaker said she has been working on the movie for eight years and got the idea when she saw a story about a woman who “married” the Eiffel Tower.  The movie was done well enough with some excellent acting which helps make up for the very unconventional story.

Cold War

Cold War                              4 stars

Cold War by director Pawel Pawlikowski is a passionate and tragic love story between two talented musicians who are caught up in the tensions between the East and West during the Cold War in Europe of the 1950’s and 1960’s.  Music teacher Wiktor meets young student Zula in a dance and music ensemble where the talented young people are taught folk songs and dance in post-war Poland.  The two are obsessed with each other while also training for performances that serve the communist state.  Eventually, Wiktor comes up with a plan to defect to the west, but Zula is reluctant to leave her home and travel to Paris where life would be foreign to her.  The movie then covers the period in the fifties when tensions were the highest, but still the pair are able to meet in various European cities as the ensemble goes on tour.  Even though the two have their own separate lives by now they still have a passion for each other accompanied with fierce disagreements and fighting.  This is all set against the background of musical performances that compare the communist influenced folk music of the East with the decadent jazz and pop music of the west.  And the entire movie is shot in black and white giving it a depressing feeling.  Pawlikowski says that his inspiration was the marriage of his parents which was characterized by separations and fighting and a tragic ending, thus he had a real story to tell.  Pawlikowski made the movie Ida, another tragedy set in Poland back in 2014. Cold War was nominated for the Best Foreign Film Academy Award last year.

Little Women

Little Women                    4 ½ stars

Greta Gerwig, the writer/director behind Lady Bird brings us her take on Louisa May Alcott’s classic Civil War era novel Little Women.  In her version, the tale of the four March sisters is blended with Alcott’s struggle to be a successful author placing older sister Jo, (played by Saoirse Ronan) as the creative writer of Little Women.  Another difference from earlier movies, of which there may be as many as seven, she puts the timelines in parallel showing us the older siblings trials alongside scenes of the girls living together in their family home with their mother (a good natured Laura Dern).  And it is done using the same actors in both settings where previous versions have used younger actors to portray the teenage sisters.  They may not all look like teenagers, but I thought the approach worked well especially with how active and energetic the actors are.  The movie shares the aspect of the earlier films that shows how dependent women were on finding a good husband in order to succeed in life.  Of special note is the role of Amy (Florence Pugh) as Gerwig makes it clear that she is the obstinate and ambitious one, as she is seen maturing the most of the sisters and the one who ends up with the boy next door, Laurie played by Timothee Chalamet.  The film is rather long but I find I didn’t really notice it all that much as the scenes seem to fly by at a fast pace keeping us engaged the whole time.  Gerwig is said to have read the book Little Women multiple times growing up and it is clear that she gave it her best effort as a writer/director.  Be sure you see it.  It is bound to earn a few Academy Award nominations.

Yesterday

Yesterday            3 stars

Recently we have been getting a string of movies that honor musicians of the past.  See Bohemian Rhapsody, Rocketman and Blinded by the Light.  Last year’s Yesterday was Danny Boyle’s tribute to the music of The Beatles which imagines what it would be like if the legendary British rock group never existed.  In this movie an alternate timeline suddenly appears where nobody remembers The Beatles except for one struggling British musician, Jack.  After a mysterious bus accident when the lights go out all over the world, Jack discovers that he is the only one who can remember the band’s songs.  Thus, he has moved into an alternate timeline where not only the Beatles, but also Coke and cigarettes do not exist.  Jack is so obsessed with remembering and recreating the songs that after singing them he goes a step further and claims that he actually the songs himself, a move that brings him wide acclaim and fame.  He even gets the aid of singer/songwriter Ed Sheeran who appears as himself.  In the end though the thing that is most important to Jack is his manager, Ellie, who he has known since childhood.  Thus, the movie becomes more of a romantic comedy than an exploration of what made the Beatles so great.  There is really no exploration of the group or the times that their music was born in.  I understand that the original script was more about the occurrence of the alternate timeline and less of a romantic comedy.  I can’t help but wonder what an interesting movie that would have been.  Nevertheless, it was very entertaining to hear many of the Fab Four’s great hits again.

Marriage Story

Marriage Story                  4 ½ stars

Marriage Story, written and directed by Noah Baumbach is probably his best work to date.  That is saying a lot as I have previously enjoyed Mistress America, While We’re Young, Frances Ha and Greenberg among others.  Unlike those earlier comedies this one is strictly drama as it tells us about a marriage that is coming apart.  It accurately shows the pain and emotion that comes with the impending divorce of Charlie and Nicole (played by Adam Driver and Scarlett Johansson).  The pair have decided to divorce but haven’t worked out the details when actress Nicole moves from New York to Los Angeles with the couple’s son, Henry, leaving Charlie a successful play director to work with his theater group in New York.  Things become serious when Nicole hires divorce lawyer Nora (Laura Dern) and she asks for full custody of their son.  The writing of the dialogue is first rate which coupled with convincing performances from the three main actors makes the discussions and conflicts all seem real.  You will feel the pain coming through as the couple go from loving each other to resentment and distrust.  Laura Dern especially is excellent showing that she deserves the Academy Award for her acting.  You won’t be laughing through this movie, but will be gripped by the performances.  If you are more interested in comedies though, you should check out Baumbach’s earlier screenwriting efforts.

Portrait of a Lady on Fire

Portrait of a Lady on Fire               4 ½ stars

Portrait de la Jeune Fille en Feu or Portrait of a Lady on Fire is a complex love story with only female characters set in eighteenth century France that is certainly very difficult to describe.  A young painter, Marianne is commissioned to paint a portrait of a noblewoman’s daughter (Heloise) who has spent her adult life in a convent and is to be married to a Milanese suitor.  The problem is Heloise is to think that Marianne is there as a companion and is not to know that her real purpose is to paint a portrait.  Thus, the painter has to do the painting in secret without the benefit of a posed subject.  The relationship between the two young women changes and grows throughout the slowly developing plot as we learn more about Heloise.  How she wants to enjoy her freedom and is less than enthused about her planned marriage, about the suicide of her sister and the failed attempt at a portrait by a previous painter.  It is a well put together love story about a slowly growing attraction between the characters and a resentment of the circumstances of their lives.  The story is told with very few characters and a minimum of dialogue.  An additional feature is how the film shows just how difficult it is for a painter to create a painting, something I don’t remember seeing before.  For those who love period romances, Portrait of a Lady on Fire is highly recommended.

Emma.

Emma.                                   4 ½ stars

The latest adaptation of Jane Austen’s novel Emma by director Autumn de Wilde is full of wit and social satire as it takes a look at the life of one Emma Woodhouse (Anya Taylor-Joy), the attractive and mettlesome daughter of a rich landowner (Bill Nighy) in a large country estate.  Since Emma is rich and “had lived nearly 21 years in the world with very little to distress or vex her”, she spends her time manipulating those around her, trying to pair people up or breaking them up according to her own liking.  There are plenty of parties, dances and picnics for the gentile, rich upper class that give Emma the chance to work her devilish charms on those she takes an interest in.  This film is more comedic than most Austen based movies as the characters often express themselves without being too direct about their intentions.  The one exception to this rule is performed by Mr. Knightley (Johnny Flynn), Emma’s friend from childhood who is often direct to Emma about her schemes and their effect on the lives of others.  Taylor-Joy’s mannerisms and expressions are perfect for role of Emma as one always gets the impression that there is a scheme going on behind those wide eyes.  And I cannot fail to mention the incredible costumes and hairstyling that plays a major part in the film.  All Jane Austen fans should definitely go see Emma.

Border

Border                                  4 ½ stars

The Swedish made movie, Border has to be one of the most unusual movies of 2018 or for that matter any year.  It concerns a young woman, Tina, who works as a customs inspector and possesses a most unusual and valuable talent.  She has the ability to smell emotions in people such as guilt, shame and fear which is instrumental in catching individuals trying to smuggle illegal goods into the country.  She even gets involved in a police investigation of a child trafficking ring.  Her unique qualities don’t end there though.  Tina’s appearance is especially striking as she has to be one of the most unattractive women ever to appear in film.  She has a protruding forehead and a very heavy jawline so one would always notice her in a crowd.  If I would have checked ahead I would have known that the film was nominated for the Academy Award category of Best Makeup and perhaps wouldn’t have been so surprised by her appearance.  Tina lives in her isolated shack of a house with her lazy boyfriend who likes to watch lots of TV and enter his dogs in dog shows.  Besides that she makes regular visits to her elderly father in a nursing home.  Then one day her world is changed forever when she meets a man on the job who resembles her in many ways including the facial features.  And she finds that her special skills don’t work on Vore which is very confusing to her.  As she spends more time with him she finds that they have much more in common such as an interest in walking through the woods, insects and worms and the occasional snack on maggots.  And that is far from the most bizarre thing about the movie.  As she makes a connection with Vore certain hidden aspects of her life become clearer to her especially when things get weird.  And then the movie gets even weirder.  And then when you think it’s as weird as it can get, it gets so weird that I can’t even describe it.  Something happens that I have never seen in a movie before and it might make you uncomfortable in mixed company.  It is certain that Vore has a very different take on people and the world than what Tina has ever felt.  Ultimately, I think the movie is about realizing who you are and finding your place in the world.  I know that despite all the weirdness I liked it.  I can’t spoil the surprises for you.  It will be more fun to find it out yourselves.