Category Archives: Action

Guardians of the Galaxy Vol. 3

Guardians of the Galaxy Vol 3     3 stars

I continue with my catch up on Marvel movies I missed with Guardians of the Galaxy Vol 3, the third iteration of these heroes who are always there to save the galaxy, courtesy of writer/director James Gunn. This one could be called the one where Rocket finally realizes that he is a racoon. While it has all the action and the wisecracking of the earlier two movies of 2014 and 2017, it does have a more somber tone to it. Both Peter Quill (Chris Pratt) and Rocket (Bradley Cooper) are in a funky mood near the beginning, and the end of the movie feels like the gang is breaking up. The heroes are tasked with a mission to save the life of Rocket who has been gravely injured. They must retrieve a computer file from a ship that seems to be made of living tissue that belongs to the High Evolutionary (Chukwudi Iwuji). We are introduced to Rocket’s backstory while he is in a coma and find out that when he was a small racoon cub, he was captured by this villain for the purpose of experimentation to produce a perfect species. (This explains Rocket’s extraordinary powers.) Now the High Evolutionary wants to capture Rocket again to learn his secrets, but in the meantime, he tries to destroy an entire civilization that he created since they are not perfect. (Does that sound like a familiar theme?) So, the stakes are certainly high enough to deserve the Guardian’s attention. The membership of the Guardians has expanded since the first movie with past differences being put aside. They include Gamora (Zoe Saldana), Drax (Dave Bautista), Mantis (Pom Klementieff), Nebula (Karen Gillan), of course a full-sized Groot (Vin Diesel), Kraglin (Sean Gunn) and Cosmo the Spacedog (Maria Bakalova). The movie is worth seeing based on the emotional way that Rocket’s story is told. However, the overall tone feels off with Peter Quill and others going through internal struggles that take away from the usual upbeat feel of these movies. Of course, the soundtrack features a variety of popular seventies rock music as always. The special effects are quite impressive which explains why Guardians earned a Best Visual Effects Academy Award nomination. The ending feels like this is the end of the franchise, though of course, you can’t be sure.

The Dead Don’t Die

The Dead Don’t Die         3 stars

The Dead Don’t Die by Jim Jarmusch puts a new comedic twist on an old genre, the zombie movie.  This light but bloody comedy brings together a very talented cast that includes Bill Murray, Adam Driver, Tilda Swinton, Danny Glover, Chloe Sevigny, Steve Buscemi, Rosie Perez, Iggy Pop, Selena Gomez, Carol Kane and Tom Waits.  With this group of actors you wonder how could this film possibly miss.  The movie has more hits than misses so has some moments that don’t hit the mark.  The premise is that polar fracking being done by corporations has caused the earth to move off of its axis leading to strange events throughout the world.  Of course this includes the dead rising from the graves to seek out human flesh to satisfy their appetite which is completely logical, right?  Much of the comedy is delivered by Murray and Driver who both give their lines in the most deadpan manner imaginable.  (Remember, the way to stop a zombie is to Kill the Head.)  Also making a significant contribution is Buscemi as Farmer Miller, the white racist whose accusations have little basis in reality.  There is an ongoing gag involving a new country song that bears the title from the movie.  Tilda Swinton has a most unusual role as the Irish undertaker, a new comer to the small town of Centerville.  It is a very strange role that only Swinton could deliver on.  It being a Jarmusch film, it wanders into the ridiculous at a couple of times that detracted from the overall feel of the movie.  The Dead Don’t Die is not the funniest Zombie movie I’ve seen, but if you are a zombie movie fan you should not miss this one.

Sirat

Sirat       4 ½ stars

At the opening of Sirat we see the words on the screen telling us that Sirat is the path between heaven and hell and that it is narrower than a strand of hair and sharper than a sword. These words serve as a warning for what the viewer is in for. Sirat, by Spanish film director Oliver Laxe, is the most slow-burning and harrowing film I have seen in a long time. As it progresses it becomes a test of endurance for the movie goer. The movie starts with hands building a large stack of speakers somewhere in the desert. Eventually, they are in place and the music starts. The sound we hear is that of loud rave music with a steady beat and non-melodic sound with over a hundred people seen dancing. They are some where in the Moroccan desert next to a mountain range. Luiz (Sergi López), a middle-aged Spanish man is wandering through the crowd with his young son, Estaban and their dog, showing a photo of his daughter to people asking if they have seen her. His daughter has been missing for months, and she was known to frequent these illegal rave events. Then a truck carrying armed soldiers appears, stopping the event and forcing the dancers to leave. As the crowd starts to drive away, a quintet of rave followers who are part of the crew drives off on their own path and Luiz decides to follow them in the hope that he may learn of the whereabouts of his daughter. There is another rave to be held in the desert in a few days, and they intend to get there driving through the desert. (They are driving a large truck and an RV, but Luiz and his son are in a mini-van that is not equipped for the rough roads.) We hear radio reports making vague references to there being a state of war. Later, they see troop convoys making their way through the desert. This movie is not about the search for a missing daughter, but something much more ominous and existential. Initially, it may look like a road trip movie, but it isn’t Thelma and Louise or even Mad Max. These travelers find themselves in one of the most isolated and unforgiving places imaginable. It is a place practically devoid of human or animal life. The mood of the film changes to something more ominous and is aided by a loud and hypnotic sounding score like nothing I have heard before. There are long stretches of the film showing the voyagers driving through the plains and on dangerous mountain roads with quiet rest stops along the way. As they make progress one gets the feeling of dread and heightened tension while wondering where the film is going. Then the sudden shock comes at the most unexpected time leaving the viewer completely stunned. The film may be described as an obscure arthouse film, but it is absolutely devastating and will not be forgotten. Besides López, all the cast are non-professionals who Laxe found among actual rave goers as he has followed the rave scene for the last six years. Thus, the actors are very authentic. Sirat is nominated for Academy Awards in the Best International Feature and Best Sound categories and is deserving in both categories. Of the nominated foreign films I have seen, I find only The Secret Agent to possibly be superior to this extraordinary film. You are warned though that this one is not for everyone.

Avatar: Fire and Ash

Avatar: Fire and Ash        3 stars

As incredible as it sounds it has now been seventeen years since James Cameron brought us Avatar, his spectacular CGI-3D movie about the blue-skinned inhabitants of a distant planet called Pandora and the efforts of humans to dominate and exploit it for its natural resources. The humans developed a technology that allowed them to blend in with the alien race in copies of their bodies. Then in 2022, came Avatar: The Way of Water, which followed a family of the Na’vi race who flee from their own tribe and come to live with the Metkayina, another tribe that has a close relationship with the sea and the creatures that dwell there. Both movies were noted for their colorful and overwhelming special effects using body capture technology and their tales of exploitation of native cultures by a technologically superior race in the search for valuable resources (an indictment of corporate greed). Cameron’s latest incarnation, Avatar: Fire and Ash continues the story, with most of the same characters and the same astounding special effects of the first two films. We follow Jake Sully (Sam Worthington), the fearless Neytiri (Zoe Saldaña) and their family through family drama, their dealings with their Metkayina hosts, adventures with some incredible animal inhabitants and the inevitable conflict with their human pursuers, who seem to never learn from their past experiences. Meanwhile, Jake’s enemy, Colonel Miles Quaritch (Stephen Lang), has not given up on tracking down Jake, who he regards as a traitor for “going native”. (You may remember that Jake and Quaritch were both humans who now inhabit Na’vi bodies, able to breathe the air of Pandora that is toxic to humans.) The movie feels like it has little to add to the story, featuring much of the same conflicts and action that we’ve seen before despite its three and a quarter hour running time. One very notable addition though is the villain, Varang, who leads her tribe, the Mangkwan, who prey on the vulnerabilities of other Na’vi tribes and steal whatever things of value they can find. Varang is ruthless and smart as well, able to adapt to new situations. It doesn’t take long for her to see the value in allying herself with the vengeful Quaritch. Oona Chaplin is perfect for the role of this native leader. (Chaplin is the granddaughter of the legendary Charlie Chaplin.) Overall, this third iteration seems like more of the same including the relentless greed of the humans and the spirituality of the native Na’vi. Of course, the movie did not need to be nearly this long. The word is that James Cameron is planning on two more movies in this series (each probably over three hours). I feel that the story has been played out and it is time to move on to something else. We will see if he follows through on this plan.
 

Hot Water

Hot Water.     4 1/2 suns

Hot Water is a light drama about family relationships with humor added to deal with the tension being faced by two family members.  It is by Lebanese director Ramzi Bashour and concerns an American boy being kicked out of high school in Indiana for a violent act and his Lebanese mom who is forced to deal with the situation, leading to a road trip across the country. The mother, played by Lubna Azabal is a professor at a university and a single mom to 19-year-old Daniel (Daniel Zolghadri who is biracial) . After being kicked out of school, the only option for Daniel is to move in with his dad who lives in California.  But to do that mother and son have to travel across the country by car and meet up with dad halfway.  Thus starts the mother and son road trip bringing together the pair who rarely see eye to eye but love each other, nonetheless. Of course, dad has a history of alcohol and drug abuse, so this decision seems questionable. There is plenty of beautiful scenery on the journey and some funny adventures too, like when they meet Sasha (Dale Dickey), a friend of dad, who brings them to a geothermal hot spring in Colorado where she proceeds to go for a dip completely naked. Along the way they confront their differences and find how they really care for one another.  (We finally do meet dad and find out just how weird he is.) Another interesting touch is the way that Mom displays that she is trilingual, speaking English, Arabic and French, easily switching from one language to another. I highly recommend Hot Water, which I expect to make it into theaters.  The director, Ramzi Bashour, Zolghadri and Dale Dickey were present for Q&A. I got to talk with Zolghadri who told how he loved to see the country this way.  

Zootopia 2

Zootopia 2           5 stars

Do you remember following the adventures of Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) as these two adventurers fought to solve crimes in the animal city of Zootopia? Well, they are back officially working together as partners on the police department in the Disney movie Zootopia 2. This time they really messed things up causing multiple mishaps and property damage, resulting in them being referred for remedial training for mismatched partners. In this colorful city where all species of land animals coexist, regardless of predator/prey statis or habitat, there are many amusing popular culture references to notice if you are watching close enough. They have streaming platforms like EweTube and HuluZoo. I saw references to Mulholland Drive, The Shining and Silence of the Lambs. I am sure if you look closer there will be a few more that I missed. In this film we learn of the origins of Zootopia as they are getting ready to celebrate the city’s centennial. Decades earlier the Weather Walls were designed by an ancestor of the Lynx family that made the city of animals possible. Only, all reptiles were excluded since they were regarded as enemies of the other animals and were not to be trusted, so they survive on the outskirts of the city. But at the city celebration Hopps and Wilde make acquaintance with Gary (Ke Huy Quan of Everything Everywhere All at Once), a snake who is out to clear his family’s name. Gary claims that it was his ancestor that created the Weather Walls and it was the Lynx family that stole it from the snakes. Hopps and Wilde are all too willing to accept his story and are off on a new quest to find out the truth. The charming thing about the movie is the way that Hopps and Wilde interact with one another. Hopps is very enthusiastic about the case, and Wilde is interested in his own safety but must go along with Hopps to keep her out of trouble. There is a certain amount of sexual tension between these male and female characters that reminded me a lot of Jake Peralta and Amy Santiago on my favorite cop show, Brooklyn Nine-Nine. (It’s interesting that Andy Samberg is in the cast but here he is Pawbert, one of the Lynx family.) Just like in Zootopia, there is a wide variety of amusing characters, including Dr. Fuzby (Quinta Brunson), Police Chief Bogo (Idris Elba) and a politician named Brian Winddancer (Patrick Warburton). There is even an appearance by the slow moving three toed sloth, Flash Slothmore, one of the favorites from the first movie. Zootopia 2 is fun for all ages and in Disney fashion, teaches a lesson of acceptance of others despite our differences. I look for Zootopia 2 to be nominated for the Best Animated Feature Academy Award and possibly win just like the original. Let me know if you have noticed more pop culture references in the movie.

KPop Demon Hunters

KPop Demon Hunters                     4 ½ stars

I finally decided to see what all the fuss was about for the Netflix animated movie KPop Demon Hunters, so I viewed it months after it was in theaters and viewed by record crowds. I know very little about KPop, having some awareness of BTS but that is about it. The movie is very colorful and action packed, following a very popular female musical trio called Huntrix, voiced by Arden Cho, Ji-young Yoo and May Hong. The story is rather light with the premise being that there are demons trying to get into the souls of music fans by means of capturing them with popular tunes. Huntrix can resist the threat with their own popular tunes as long as they can write and perform the best songs for their fans. The problem for them happens when the main demon character comes up with a scheme to defeat Huntrix by enlisting a boy band that challenges them to a competition to become more popular with their fans. At least that is what I took from it. The real entertainment comes from the very catchy and upbeat tunes in the movie. These include their top hit, Golden. (I kept hearing it in my head for days afterward.) So, if you are ready for some rather mindless entertainment, you should see it. Then you can understand what all the kids are excited about. I understand that it broke the box office record for animated movies. And it is sure to receive an Academy Award nomination for Animated Film and probably will win.

1917

1917                       5 stars

1917 is a war movie that features no great battles of armies and no grand strategies of generals.  Yet it succeeds in conveying the horrors of war and the dangers of being a soldier in one of the greatest conflicts in human history.  Sam Mendes tells us the story of two British Lance Corporals who are sent on a mission to deliver a message to the commander of a British force that is about to launch an attack into what is described as a trap set by the German army.  This force is otherwise cutoff from communication in the days before wireless radios, so these two must venture through No Man’s Land in daylight to deliver the critical message.  Mendes, through the miracle of today’s special effects and tiny mobile cameras manages to film the scenes with an absolute minimum of cuts.  The result is a feeling that the audience is right there with the soldiers as one horror after another unfolds before them.  In addition the effect is aided by a superb score from Thomas Newman that captures the feeling of dread in No Man’s Land and the fast pace of the action sequences when the enemy is confronted.  The sets are just as I imagine what World War I looked like including the dead soldier’s bodies peering from the mud and the contrast of the construction of British trenches vs. German trenches.  Mendes used two unknown actors in the parts of the Corporals in order not to distract from the film’s focus.  The two young men are very effective in their roles so he made a good choice.  There are some well-known actors in supporting roles including Colin Firth and Benedict Cumberbatch as commanding officers who perform well.  I had been rooting for Quentin Tarantino’s “Once Upon a Time in Hollywood“ to win the Academy Award for Best Picture, but now I will have to go with 1917.  I find it even more compelling than Dunkirk from a couple of years ago.

Incredibles 2

Incredibles 2                                       4 stars

After an absence of 14 years, Pixar has brought us the sequel to their animated hit, The Incredibles.  At least they did in 2018, but I just got around to this one.  The colorful animation and fast moving action scenes are all still here as Mr. Incredible and Elastigirl struggle to adapt to more mundane life as being a superhero has been declared illegal.  Apparently, the criminals didn’t get the message as first the Underminer tears up the city and then newcomer, Screenslaver arrives to take over the city.  The switch here is that it is now Elastigirl who must bring the criminals to justice while husband, Mr. Incredible stays home to take care of the kids.  Things of course don’t work out that way as it is discovered that baby Jack Jack has developed superpowers that outmatch anything the rest of the family has and then the criminal Screenslaver gets the upper hand over our superheroes.  It will be time for the whole family plus their friends to team up and protect the city from this threat.  There is plenty of action for the kids and funny dialogue for us adults in the two hour long return to The Incredibles world.  It’s too bad that we had to wait for 14 years for this sequel, perhaps one of Pixar’s best to find its way to the screen.

Ralph Breaks the Internet

Ralph Breaks the Internet            4 ½ stars

For my first movie while being stuck at home because of Coronavirus I picked Ralph Breaks the Internet, the sequel to Wreck It Ralph, the well received movie about a video arcade character from the eighties.  It’s appropriate to see this one as it includes the release of a virus that wreaks havoc on the population.  Ralph (John C. Reilly) spends his days either in his videogame at the arcade or hanging out with his best friend Vanellope (Sarah Silverman), that is, until an accident leaves Vanellope’s racing game, Sugar Rush, disabled making her a character without a game.  Ralph gets an idea when he learns about the internet and a thing called e-Bay, where almost anything can be found at a price, so the set off into the world of the internet where they meet all kinds of interesting characters.  The charm of the movie is the presentation of the things we run into when online, such as annoying pop-up ads, web searches, (Mr. KnowsMore), Chat pages and characters from popular movies.  Of course the best of these is the collection of all the Disney princesses in one place when they try to help out poor Vanellope.  The quest is aided by Yesss (Taraji P. Henson), the head algorithm of the website BuzzzTube who comes up with some hilarious ways for ralph to make money with ridiculous videos.  The breaking of the internet comes about with a misguided attempt by Ralph to try to change the path that Vanellope has chosen for herself.  It’s a funny family safe movie that has a lot going for it in spite of the virus.