Category Archives: Animation

Toy Story 4

Toy Story 4          5 stars

The movie that is currently killing at the box office and will be the best animated movie of the year is Toy Story 4, the 4th (obviously) installment of the Toy Story franchise from Pixar that features the adventures of Woody (Tom Hanks), Buzz Lightyear (Tim Allen) and Bo Peep (Annie Potts) and many others.  This time around the gang of toys are in the possession of Bonnie, a little girl who loves her toys only some more than others.  Woody is apparently not among the favorites.  Bonnie creates a new toy out of the trash at Kindergarten, a spork called Forky (Tony Hale) who seems to have a complex about being trash accompanied by a desire to throw himself back in the trash basket.  It then becomes Woody’s mission to get Forky to realize that he is a toy who is loved by little Bonnie.  Of course things get much more complicated than that when the family along with the toys go on a trip to an RV park.  A whole new adventure is to be had at an amusement park and an antique shop that involves a talking girl doll, Gabby (Christina Hendricks) who has designs on Woody’s voicebox to restore her own damaged voice.  Adding plenty of color and amusement to the story are Ducky and Bunny (Keegan-Michael Key and Jordan Peele) two stuffed amusement park prize animals.  I have not seen all of the Toy Story movies but I venture to say this one must be near the top of the series.  It is well suited for young audiences and adults alike.  Look for it to win Best Animated Movie Oscar next year.

Spider-Man: Across the Spider-Verse

Spider-Man: Across the Spider-Verse      4 ½ stars

Later this year we will have the newest Spider-Man film, Spider-Man: Brand New Day in theaters. So, I took this opportunity to see the second film of the Spider-Verse series, Spider-Man: Across the Spider-Verse, made is 2023. While related, the Spider-Verse series has its own take on the web shooting super-hero. The creators, Phil Lord and Christopher Miller have made a universe with a multitude of Earth timelines where superheroes and supervillains can freely travel between them, and each has its own unique Spider-Man. (Phil Lord and Christopher Miller also were the directors of Project Hail Mary.) This new film took a trio of directors to create it: Joachim Do Santos, Kemp Powers and Justin K. Thompson. In the previous Academy Award winning film, Spider-Man: Into the Spider-Verse our Earth’s Spider-Man, teenager Miles Morales (Shameik Moore) battled supervillains and met Spider-Woman Gwen Stacey (Hailey Steinfeld) from one of the other Spider-Verses. But now Gwen has been chosen by an elite squad of Spidey’s to help in the battle against a menacing supervillain called The Vulture, but first she returns to Miles’ Earth to help Miles with a troubling situation. Both superheroes are struggling with their crime fighting roles while keeping their secrets from each of their parents. Miles’ Spider-Man has had to deal with The Spot (Jason Schwartzman), an annoying villain who creates black holes at will, using them for his own type of crime. The Spot says that Spider-Man is his nemesis and is out to get even with him for destroying his life. Despite being grounded by his police officer father (Brian Tyree Henry) and mother (Luna Lauren Velez) for so many unexplained absences, young Miles ventures into the Spider-Verse to join the hundreds of other Spider-Men to track down and defeat The Vulture. Unfortunately, Miles learns that things are a lot more complicated in the Spider-Verse since as we know, in a multi-verse (or a time traveling situation) there is a space-time continuum and if it is upset, disaster can ensue. You cannot mess with a canon event! And poor Miles is at the center of it all. One of the attractions of the series is the fluidic nature of the animation that uses a fuzzy, colorful fast-moving appearance during the action sequences, and there is plenty of action to be sure. The characters constantly swing among the buildings of NYC rescuing the inhabitants while somehow not sustaining injuries despite getting beaten and falling from great heights. The movie also features voice performances from the likes of Oscar Isaac, Issa Rae, Shea Whigham, Daniel Kaluuya and Jake Johnson (as Peter Parker, but with a baby girl with Spidey powers). Despite the movie being 2 hours and 20 minutes long, it turns out to have a cliffhanger ending. Spider-Man: Beyond the Spider-Verse was planned for a 2024 release date, but that has been delayed until 2027. So, there is still plenty more Spider-Man to come!

Little Amélie or the Character of Rain

Little Amélie or the Character of Rain                      5 stars

The animated film Little Amélie or the Character of Rain co-directed by Mailys Vallade and Liane-Cho Han is short and simply drawn but presents a complex story of self-realization by a toddler. It is based on the writings of Amélie Northomb about her own life growing up in Japan. The story is set in 1970’s Japan where a Western family is living with their three children. The father is a Belgian diplomat. Amélie is the baby and is completely noncommunicative with the family, but she has a wild imagination as described by the narrator. She sees herself as God but is set apart from humanity. Or she sees herself as a tube, something that food passes through without changing. It isn’t until she is two and a half years old when her grandmother from Belgium visits and gives her some chocolate that she finally connects with the family and can immediately speak in complete sentences. (Her first word is vacuum cleaner.) She likes their Japanese housekeeper, Nishio-san the most, who introduces her to Japanese customs and the idea that Amélie’s name means rain. She becomes fascinated by rain and sea creatures, something that leads to a dangerous situation when she wanders off on her own. Even though Amélie is a Westerner, she sees herself as Japanese preferring the company of Nishio-san over her own family. Later though, she learns of the suffering caused by the war and the resentment of the Japanese landowner toward white people, but she is incapable of understanding such complex issues. The animation is done with few colors and without defined lines, preferring a fuzzy look in a minimalist style. The movie gives us some idea of how a toddler might see the world around them, doing all this in only 78 minutes. The movie is up for the Best Animated Feature Academy Award.

Avatar: Fire and Ash

Avatar: Fire and Ash        3 stars

As incredible as it sounds it has now been seventeen years since James Cameron brought us Avatar, his spectacular CGI-3D movie about the blue-skinned inhabitants of a distant planet called Pandora and the efforts of humans to dominate and exploit it for its natural resources. The humans developed a technology that allowed them to blend in with the alien race in copies of their bodies. Then in 2022, came Avatar: The Way of Water, which followed a family of the Na’vi race who flee from their own tribe and come to live with the Metkayina, another tribe that has a close relationship with the sea and the creatures that dwell there. Both movies were noted for their colorful and overwhelming special effects using body capture technology and their tales of exploitation of native cultures by a technologically superior race in the search for valuable resources (an indictment of corporate greed). Cameron’s latest incarnation, Avatar: Fire and Ash continues the story, with most of the same characters and the same astounding special effects of the first two films. We follow Jake Sully (Sam Worthington), the fearless Neytiri (Zoe Saldaña) and their family through family drama, their dealings with their Metkayina hosts, adventures with some incredible animal inhabitants and the inevitable conflict with their human pursuers, who seem to never learn from their past experiences. Meanwhile, Jake’s enemy, Colonel Miles Quaritch (Stephen Lang), has not given up on tracking down Jake, who he regards as a traitor for “going native”. (You may remember that Jake and Quaritch were both humans who now inhabit Na’vi bodies, able to breathe the air of Pandora that is toxic to humans.) The movie feels like it has little to add to the story, featuring much of the same conflicts and action that we’ve seen before despite its three and a quarter hour running time. One very notable addition though is the villain, Varang, who leads her tribe, the Mangkwan, who prey on the vulnerabilities of other Na’vi tribes and steal whatever things of value they can find. Varang is ruthless and smart as well, able to adapt to new situations. It doesn’t take long for her to see the value in allying herself with the vengeful Quaritch. Oona Chaplin is perfect for the role of this native leader. (Chaplin is the granddaughter of the legendary Charlie Chaplin.) Overall, this third iteration seems like more of the same including the relentless greed of the humans and the spirituality of the native Na’vi. Of course, the movie did not need to be nearly this long. The word is that James Cameron is planning on two more movies in this series (each probably over three hours). I feel that the story has been played out and it is time to move on to something else. We will see if he follows through on this plan.
 

Zootopia 2

Zootopia 2           5 stars

Do you remember following the adventures of Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) as these two adventurers fought to solve crimes in the animal city of Zootopia? Well, they are back officially working together as partners on the police department in the Disney movie Zootopia 2. This time they really messed things up causing multiple mishaps and property damage, resulting in them being referred for remedial training for mismatched partners. In this colorful city where all species of land animals coexist, regardless of predator/prey statis or habitat, there are many amusing popular culture references to notice if you are watching close enough. They have streaming platforms like EweTube and HuluZoo. I saw references to Mulholland Drive, The Shining and Silence of the Lambs. I am sure if you look closer there will be a few more that I missed. In this film we learn of the origins of Zootopia as they are getting ready to celebrate the city’s centennial. Decades earlier the Weather Walls were designed by an ancestor of the Lynx family that made the city of animals possible. Only, all reptiles were excluded since they were regarded as enemies of the other animals and were not to be trusted, so they survive on the outskirts of the city. But at the city celebration Hopps and Wilde make acquaintance with Gary (Ke Huy Quan of Everything Everywhere All at Once), a snake who is out to clear his family’s name. Gary claims that it was his ancestor that created the Weather Walls and it was the Lynx family that stole it from the snakes. Hopps and Wilde are all too willing to accept his story and are off on a new quest to find out the truth. The charming thing about the movie is the way that Hopps and Wilde interact with one another. Hopps is very enthusiastic about the case, and Wilde is interested in his own safety but must go along with Hopps to keep her out of trouble. There is a certain amount of sexual tension between these male and female characters that reminded me a lot of Jake Peralta and Amy Santiago on my favorite cop show, Brooklyn Nine-Nine. (It’s interesting that Andy Samberg is in the cast but here he is Pawbert, one of the Lynx family.) Just like in Zootopia, there is a wide variety of amusing characters, including Dr. Fuzby (Quinta Brunson), Police Chief Bogo (Idris Elba) and a politician named Brian Winddancer (Patrick Warburton). There is even an appearance by the slow moving three toed sloth, Flash Slothmore, one of the favorites from the first movie. Zootopia 2 is fun for all ages and in Disney fashion, teaches a lesson of acceptance of others despite our differences. I look for Zootopia 2 to be nominated for the Best Animated Feature Academy Award and possibly win just like the original. Let me know if you have noticed more pop culture references in the movie.

KPop Demon Hunters

KPop Demon Hunters                     4 ½ stars

I finally decided to see what all the fuss was about for the Netflix animated movie KPop Demon Hunters, so I viewed it months after it was in theaters and viewed by record crowds. I know very little about KPop, having some awareness of BTS but that is about it. The movie is very colorful and action packed, following a very popular female musical trio called Huntrix, voiced by Arden Cho, Ji-young Yoo and May Hong. The story is rather light with the premise being that there are demons trying to get into the souls of music fans by means of capturing them with popular tunes. Huntrix can resist the threat with their own popular tunes as long as they can write and perform the best songs for their fans. The problem for them happens when the main demon character comes up with a scheme to defeat Huntrix by enlisting a boy band that challenges them to a competition to become more popular with their fans. At least that is what I took from it. The real entertainment comes from the very catchy and upbeat tunes in the movie. These include their top hit, Golden. (I kept hearing it in my head for days afterward.) So, if you are ready for some rather mindless entertainment, you should see it. Then you can understand what all the kids are excited about. I understand that it broke the box office record for animated movies. And it is sure to receive an Academy Award nomination for Animated Film and probably will win.

Mirai

Mirai                      2 ½ stars

Mirai is a Japanese animated movie that came out last year by anime director Mamoru Hosoda.  The story is about a young boy of 5 or 6 who has to deal with the addition of a baby sister to the family, one that he has a hard time accepting.  There is a lot of misbehaving on the part of young Kun until he is visited by the young teenage version of his little sister who guides him through some odd crisis with his family.  He is also visited by the human version of the family dog who joins in the adventures.  Kum also goes through some other strange adventures when he leaves the house and encounters people that have key roles in his life.  I haven’t seen any of Hosoda’s previous work but I wasn’t thrilled by the story of a little boy who is something of a brat and is slow to respect others in his family.  It’s not up to the level of work by Hayao Miyazaki who brought us Spirited Away, Howl’s Moving Castle, Princess Mononoke and The Wind Rises.  Those were truly exceptional animated movies that I still remember.  Animation is a way to tell a story with some very fantastic elements that can’t be done with live action.  I hope that Hosoda can succeed in coming up with some truly fantastic stories with a moral message.

In Your Dreams

In Your Dreams                 4 stars

From Netflix comes the new animated film, In Your Dreams, that follows the adventures of twelve-year-old Stevie and her little brother Elliot as they venture into the world of dreams. This film arrives after Netflix’s wildly successful KPop Demon Hunters and may not have nearly its marketing or its originality of music, but it does have an impactful message that will appeal to a wide audience. Viewers of course will recognize some favorite tunes in the film including Mr. Sandman, Sweet Dreams and Enter Sandman that are woven into the story. Stevie seems to have a near perfect life with her two parents (Simu Liu and Cristin Milioti) but must put up with annoying little Elliot who came along a few years after her. She becomes concerned when there are signs of trouble in her parents’ marriage and she fears they could split up. One day the siblings discover an old book in a thrift store titled Legend of the Sandman, that tells about the Sandman who can make dreams come true if they believe in him. The two of them try out the instructions in the book and upon falling asleep, they enter the bizarre world of dreams where objects come to life, such as a bed they ride like a horse, breakfast cereal and Elliot’s favorite toy Baloney Tony, a stuffed giraffe who spouts wisecracks (played by Craig Robinson). The promise is that if they can find the Sandman he could make dreams come true and for Stevie this is getting her parents to stay together. The problem is they have to face dangerous situations in the dream land without waking up, something that proves very difficult. In one scene they must do battle with a giant teddy bear. It is all rather amusing but could have the potential of scaring young children. When they finally do find the Sandman (Omid Djalili) he shows them that if they can stay asleep long enough their dream can become reality, so Stevie is determined to make this work. And it does for a while; that is, until it all seems too good to be true. They also meet Nightmara, the creator of nightmares who tells the children that nightmares are there to help us face the bad things in life, but the Sandman wanted to avoid them and make dreams pleasant instead. The movie becomes a life lesson in facing the things that make life difficult and loving each other in spite of the problems that go with being part of a family. There is plenty of color and high intensity action as well as occasional fart jokes that should entertain the youngsters. At an hour and a half, it is about the right length. The writer/director is Alex Woo who previously worked for Pixar. This is his first effort in the director’s chair and I hope we see more to come from his vivid imagination. The movie is available on Netflix.

Missing Link

Missing Link                                        4 stars

Missing Link is yet another animated stop motion effort by Laika Studios, the company that made Coraline, Boxtrolls, Paranorman and Kubo and the Two Strings.  This time they take us on an adventure to find the legendary Bigfoot in the American Northwest.  Sir Lionel Frost, voiced by Hugh Jackman, wants to be accepted by an elitist club in London and thinks the way to do this is to discover an unknown giant creature.  When he receives an anonymous letter telling him where to find the legendary Sasquatch, he is off on an adventure, only to discover that the creature is not at all what he imagined.  The Sasquatch is a mild, friendly, educated giant furry creature that is lonely and only wants to be among his own kind.  In an interesting twist the voice is that of Zach Galifianakis, not exactly the loud tough guy type.  The rest of the movie has our characters traveling across the globe while being pursued by enemies and accompanied by Lionel’s old flame, Adelina, voiced by Zoe Saldana, trying to reach their destination of the Himalayas where the yeti are reputed to live.  The animation is first rate like the previous Laika movies, as the characters seem alive and there is plenty of intense action.  Missing Link may not be as off beat as the previous efforts, but it is definitely worth seeing.

Incredibles 2

Incredibles 2                                       4 stars

After an absence of 14 years, Pixar has brought us the sequel to their animated hit, The Incredibles.  At least they did in 2018, but I just got around to this one.  The colorful animation and fast moving action scenes are all still here as Mr. Incredible and Elastigirl struggle to adapt to more mundane life as being a superhero has been declared illegal.  Apparently, the criminals didn’t get the message as first the Underminer tears up the city and then newcomer, Screenslaver arrives to take over the city.  The switch here is that it is now Elastigirl who must bring the criminals to justice while husband, Mr. Incredible stays home to take care of the kids.  Things of course don’t work out that way as it is discovered that baby Jack Jack has developed superpowers that outmatch anything the rest of the family has and then the criminal Screenslaver gets the upper hand over our superheroes.  It will be time for the whole family plus their friends to team up and protect the city from this threat.  There is plenty of action for the kids and funny dialogue for us adults in the two hour long return to The Incredibles world.  It’s too bad that we had to wait for 14 years for this sequel, perhaps one of Pixar’s best to find its way to the screen.