Category Archives: Science Fiction

Minions & Monsters

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Minions & Monsters       4 ½ stars

I have mostly missed out on the Minions craze that has been delighting audiences over the last 16 years, having only seen one of the previous films that feature these small creators of mayhem. This week I took in the newest film in theaters, Minions & Monsters from Universal Studios. The filmmakers lose the villain Gru character altogether and concentrate solely on the yellow pill-shaped guys and their chaotic ways that confound anyone who makes their acquaintance. They seem to constantly give raspberries and hit each other over the head. The movie is divided into two halves with the first half giving us their origin story by means of a children’s field trip to a movie museum where a guide (Alison Janney) gives us their story throughout history. It seems they have wandered the planet since ancient times looking for the perfect villain for them to faithfully serve. Unfortunately, their antics always end in disaster for the chosen villain, mainly due to two of the Minions, James and Henry, forcing the Minions to repeatedly renew their search for another villain. This continues until they find a new prospect in the form of a wild west bandit being pursued by lawmen. To the Minions this seems perfect for them, so they join in the chase only to find that they are in the filming of a movie in old Hollywood. Here is where things really get fun. The Minions have arrived during the silent film era and meet the excitable director (Christoph Waltz) of the movie they have crashed. The director says he now must start over, but when the two studio heads (Jeff Bridges, voicing two parts) see the Minions on film, they think they have found a new star and the Minions are signed for many new movies. This part is interesting to film buffs as there are countless references to old Hollywood, like Modern Times, Singin’ in the Rain, The Maltese Falcon and Citizen Kane. George Lucas even makes a brief appearance. (There is even a globe that represents the globe from Charlie Chaplin playing Hitler in The Great Dictator.) (We even find out how the Minions got their familiar coveralls clothing.) But things go badly when talkies are introduced and people find out what Minion voices really sound like. So, it’s the end of the Minions’ movie career. But James has the idea to make a monster movie if he can only find the right monster! The second half of the movie begins with James and Henry conjuring a monster from an old spell book they saved from a long dead wizard, resulting in a tiny Cthulu monster (Trey Parker of South Park fame) who promises he can deliver a truly frightening monster for James’ dream. The antics continue through this portion of the film, but I didn’t find it quite as entertaining as the earlier portion. There is a new character introduced in the form of Dort (Jesse Eisenberg), a clumsy robot who lives in a rundown apartment and resembles the robot Gort from The Day the Earth Stood Still. In a fitting ending it is up to the Minions to save Earth from the very invading monsters that they brought back. The director, Pierre Coffin, has made something that is equally entertaining to both young and older audiences. I’m sorry I haven’t seen more of these little nuisances in their earlier movies. So, check out Minions & Monsters. It should be around for a long while.

Little Monsters

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Little Monsters.         4 stars

In the Q&A the director of this film from Australia was telling about his 5 year old son who he accompanied on a field trip with his class and his kindergarten teacher.  He said he was so impressed by how the teacher would look after all of the kids. While the vehicle was moving, it had to stop for some obstacle in the road so the situation had to be remedied.  He said then that it occurred to him what if that obstacle had been zombies.  Thus the idea for his new movie was born.  In Little Monsters, the main character, Dave, is challenged by his sister to take more responsibility so he volunteers to chaperone his 5 year old nephew’s kindergarten class on a field trip to a popular petting zoo. It doesn’t hurt that the teacher , Miss Caroline (Lupita N’yongo) is very charming and attractive. And so it just happens that the zombies being held captive at a nearby US Army base, manage to break out and head for the petting zoo!  It is up to Miss Caroline and Dave to see that no harm comes to the children in the ensuing zombie mayhem.  This movie is pure comedic fun with all that comes with disfigured slow walking zombies hungering for human flesh. It’s practically a laugh a minute. Also doing a great job is Josh Gad as a local children’s TV personality who is there to entertain the kiddies. I wouldn’t take any kids to the movie. It is filled with profanity and gore just like you would expect.

Backrooms

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Backrooms          2 ½ stars

I went to see the new horror film Backrooms after seeing the trailer and have to say it is one of the most unusual horror movies I remember seeing and maybe the most unsettling. It’s amazing how scenes of empty rooms or hallways with a few ordinary objects can cause terror but the maker of the movie, Kane Parsons somehow pulls it off. We meet Clark (Chiwetel Ejiofor (12 Years a Slave)), the owner of a discount furniture store in 1990 who has a temper and is going through a difficult time after his wife has kicked him out of the house. He has sessions with his therapist, Mary (Renate Reinsve (Sentimental Value, The Worst Person in the World)), who is trying to help him through his anger issues. Clark has been having electrical problems with the lights in the store turning on and off. An electrician has found some mysterious switches in the store’s lower level that should not be there. One night while sleeping in the store Clark discovers a hidden doorway below ground level and falls through it. There he finds a lit-up room that contains a pile of various furniture that looks very haphazardly arranged. He ventures further and finds hallways and rooms that seem to stretch endlessly, some lit and others dark. The walls are constructed in a way that makes no sense and in places the floor is slanted up or down to a small opening that a person can only crawl through it. In places there is furniture and other objects embedded in the floor or walls. Some places appear clean while others appear to be decaying and dirty. At one point we get a view of a man monitoring Clark on a closed-circuit TV without explanation. Eventually, Clark makes his way back to the doorway and tells others about the mysterious discovery. Among them is Mary who only halfway believes Clark after he sketches out what he thinks he saw. (Now, Mary has had her own problems having grown up with an unfit mother who kept her from going outdoors, so she has issues herself.) Later, when Clark doesn’t show up, Mary goes looking for him at the furniture store only to discover the secret door herself and enter this strange world. I won’t go into what happens to both of them, but what follows can be described as equally troubling and terrifying. There are more than inanimate objects down there. There are beings that may not be entirely human. We never find out what this place is about, but it is described as a minimized version of what places are. The place is like having a dream where you can only halfway remember what is there. Don’t expect there to be any resolution to the situation. I think the point is to make something beyond creepy for the viewer. If that is the point, it succeeds, but the movie is short on plot at best. The director, 20-year-old Kane Parsons, has never made a movie before and is known for making creepy YouTube videos as a teenager. Somehow, he got the backing to make this movie with studio A24 using A-list stars. Given the lack of resolution, I can’t say I enjoyed it. It is more like an extended version of a Twilight Zone episode than a movie. I will say that the production design team must have had a ball designing the sets for it. They outdid themselves at every turn. There is talk of Parsons making this into a series of movies in the future. I am sure he is full of more ideas.

I Love Boosters

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I Love Boosters                 4 stars

When I saw that the new film, I Love Boosters, was written and directed by Boots Riley, I knew that I had to see it. His first film Sorry To Bother You was at Sundance in 2018 and was a big hit. It was an absurd comedy starring LaKeith Stanfield that attacked the corporate structure of America and our class society. His second film is equally absurd and takes on the high fashion industry while glamourizing aspects of our criminal society. It stars Keke Palmer (One of Them Days, Nope, Alice) as Corvette who while out clubbing one night meets a man (LaKeith Stanfield (Judas and The Black Messiah)) and invites him back to her place. He doesn’t get what he is expecting though, since Corvette isn’t interested in sex. She wants to sell him some expensive clothes. (He does get some new shoes for his trouble.) You see, Corvette is in the business of Boosting. She, along with her two partners Sade (Naomi Ackie (Sorry, Baby and The Thursday Murder Club)) and Mariah (Taylor Paige (Zola)), (known as The Velvet Gang) seek out high-end fashion stores, steal expensive clothing and shoes and resell them to their customers at a deep discount. They have a particular interest in fashion magnate Christie Smith (Demi Moore of The Substance) who has a chain of stores for her fashion designs. Corvette sees herself as a fashion designer and wants revenge on Smith for stealing one of her designs, an outfit that has flaps on the arms and legs. The gang comes up with a plan to get jobs at one of Smith’s stores where they will rob the entire store on their lunch break. The store manager (Will Poulter) is very self-obsessed, talks down to his employees and makes them pay for their uniforms. But then someone else beats them to it and instantly removes the entire inventory of the store. This is where the movie becomes absurd. The gang catches up to the new robber, Jianhu (Poppy Liu of Hacks) who is Chinese and in possession of a transporter device developed by the Chinese government that she has stolen and has been using to transport the clothes back to China where they were originally made. Jianhu is doing this to stand up for the Chinese workers in the garment plants and against the owners and Christie Smith. So, Corvette realizes that they can all work together against their common enemy. After this point things get increasingly bizarre as it turns out the transporter can also transform things and people into an exaggerated form of themselves, leading to some very strange occurrences. There is also a skyscraper built at an angle creating slanted floors, making walking very difficult. There is a line of clothes from Smith called the hundred-thousand-dollar suits or skin suits that requires the wearers to have their skin removed to wear them and then there is the demon who is an expert in cunnilingus. Riley puts all this in the form of absurd comedy while also making a statement about workers’ rights and the injustice of the corporate culture of the fashion industry. This is the second movie I’ve seen this year attacking the high fashion world, the other being Mother Mary. The dialogue of the movie is very street urban and along with the type of comedy, bordering on slapstick, may not be for everyone. The name of the movie, I Love Boosters, was actually from a song written by Boots Riley a few years ago that sang praises to people who steal clothing and sell it to the less fortunate, portraying them as a modern Robin Hood. Obviously, Riley has had issues of race and social inequality on his mind for a long time. He has put them on display here in some very funny and odd set pieces.

Disclosure Day

Disclosure Day                   4 ½ stars

We are not alone. Movies and TV have been exploring this subject for decades. On TV there were episodes of The Twilight Zone and The X-Files. In the movies we have seen Men in Black, Arrival and Cowboys and Aliens. Then there are the Steven Spielberg films of E.T: The Extraterrestrial, Close Encounters of the Third Kind and War of the Worlds. They consider what it would be like if we are visited by beings from another world. This weekend we saw that Mr. Spielberg and screenwriter David Koepp (Jurassic World Rebirth and Indiana Jones and the Dial of Destiny) are still very much interested in this subject with the release of the much-anticipated Disclosure Day. Disclosure Day captures the current mood of the country with the backdrop of turmoil and distrust in the government. In the movie tensions start out high with the threat of a coming war. From the opening scenes we find out that there are government agents trying to prevent a closely guarded secret from getting out to the public. There is a not well-known private organization hired by the government called Wardex that is charged with hiding the fact that aliens have been visiting Earth ever since that first incident in Roswell back in 1947. (This organization is so secret that not even the President knows about it.) Wardex is led by the villainous Noah Scanlon (brilliantly played by Colin Firth) who will stop at nothing including murder to keep the secret from getting out. There is a pair of especially gifted individuals that Scanlon is after. Daniel Kellner (Josh O’Connor (Wake Up Dead Man: A Knives Out Mystery and Challengers)) is an ex-employee of Wardex who has joined a wider group of ex-Wardex folks led by Hugo Wakefield (Colman Domingo (The Color Purple and Drive-Away Dolls)). Hugo has entrusted Daniel with a backpack full of hard drives that contain decades worth of evidence about the truth, but Daniel is reluctant to take on this role. Then there is Margaret Fairchild (the extremely talented Emily Blunt in one of her best performances yet), the weather person at the local Kansas City TV station, who believes she belongs somewhere else. (Along the way she will discover talents she didn’t know she had, like the ability to speak and understand foreign languages and read minds.) Spielberg uses his established methods in storytelling by alternately allowing us to get to know the characters in personal conversations and then giving us an intense action sequence with lives on the line. The truth is an often-used term in the movie as some of the characters are determined that people must see the truth on what is referred to as Disclosure Day. The question of what the known presence of alien beings will do to the faith of the God-fearing public is raised, particularly by Daniel’s girlfriend, Jane (Eve Hewson). Will they still believe in a supreme being if they see that they are not alone? Unfortunately for Jane, at the hands of Scanlon she will experience a powerful alien technology that allows one person to invade the consciousness of another and influence their actions. Can she resist his evil intensions? Besides all the action and the fast-moving plot, the film delivers a message of empathy; that is, if we can just recognize the pain that others are going through, this will be a much better world. Spielberg has once again put together a communal experience that will blow our minds and open our thoughts to the possibilities that the future holds. Disclosure Day looks like the big movie of the summer. You should not miss it.

Indiana Jones and the Dial of Destiny

Indiana Jones and the Dial of Destiny      2 ½ stars

My tour of the Disney channel brought me back to the fifth and final installment of the classic Indiana Jones adventure movies first created by Steven Spielberg back in 1981: Indiana Jones and the Dial of Destiny. The movie appeared fifteen years after the previous film, Indiana Jones and the Kingdom of the Crystal Skull, where Jones (Harrison Ford) did battle with a Russian speaking Kate Blanchett, which I was not impressed by at the time. It’s not Spielberg this time, but James Mangold (A Complete Unknown, Logan, Wolverine) who is running things from the director’s chair for his second Indiana Jones movie. (Yes, he did Crystal Skull too.) Now it’s a nearly eighty-year-old Indy who must battle the bad guys while trying to recover a valuable ancient artifact, in 1969 New York City. But before all that we must travel back to the closing days of World War II when the younger Indy (thanks to the magic of de-aging special effects) was escaping from the Nazis and fighting to keep one half of the Antikythera or Archimedes’ Dial out of the hands of the evil Professor Jurgen Voller (Mads Mikkelsen (Another Round)), who believes it has time travel properties and that he can use it to change the outcome of the war. We get all the trademark scenes that the Indiana Jones movies are known for: the chase scenes at a breakneck pace and the narrow escapes as Indy dispatches the enemies, one by one. But then back in 1969, Jones is approached by Helena Shaw (Phoebe Waller-Bridge (Fleabag)), Indy’s goddaughter. She has been studying the circumstances of her father, Basil, and Indy’s encounter with the Nazis and thinks she has an idea of where the two halves of Archimedes’ Dial may be. But as things go before Indy can agree or not agree with Helena’s plan, Professor Voller, who has survived the war, appears and together with his former Nazi henchmen try to acquire the dial for themselves and get rid of Indy. So, it’s off to another wild chase, this one through the streets of New York (with Indy on horseback), in the middle of a parade that is honoring the three Apollo 11 astronauts who have returned from the first moon landing. And there also happen to be war protesters to add to the mayhem. But this is just the beginning. The adventure continues in places like Tangiers, Greece and Sicily, as Indy and Helena try to stay a step ahead of their Nazi pursuers, always with the obligatory fight scenes and imminent danger. And as usual, there is the required reference to Indy’s fear of snakes. Ultimately, we find out just what powers the dial does possess and they may not be what these villains expect. Mangold has incorporated all the elements of an exciting Indiana Jones here, but one cannot escape the feeling that this has all been done before and better. Perhaps it would be better to leave our favorite aging heroes be and just keep their heroic acts and death-defying feats active in our memories.

Captain Marvel

Captain Marvel                 3 stars

I had the chance to see Captain Marvel unexpectedly because I was looking for something else that turned out not to be playing at that theater.  There has been a lot of attention on this movie because it is the first Marvel Comics movie that features a female lead.  Brie Larson stars in the lead role as Carol Danvers/Veers.   Not being a comic book person, this character is not one that I am at all familiar with.  She is best known for fine previous roles in Short Term 12 and Room.  Larson is a fine actress but seems to go through much of this film without that much expression.  The story is interesting enough, set somewhere else in the galaxy where a war is going on between alien races The Kree and The Skrulls.  Our heroine is having strange dreams that show she has memories from two different lives.  Eventually, this condition will be explained but it certainly takes a while.  Her journey takes her to earth in about 1995 where we get plenty of references to 90’s pop culture and technology. (Blockbuster Video, Nine Inch Nails)  There she meets Agent Nick Fury of Shield played by a CGI version of Samuel L. Jackson.  He is aged backwards by computer effects back to his “A Time to Kill” self.  We get to see plenty of action and a few plot twists until the big climax where comic book magic takes over giving Captain Marvel practically unlimited powers which is the point things become boring for me.  This is usually my problem with superhero movies, when the characters display their super abilities that have no place in our own universe.  Captain Marvel is a step forward in allowing women to have major roles in Hollywood, but it is much the usual story about big budget comic book action movies that are overblown and ultimately lose my interest.

Guardians of the Galaxy Vol. 3

Guardians of the Galaxy Vol 3     3 stars

I continue with my catch up on Marvel movies I missed with Guardians of the Galaxy Vol 3, the third iteration of these heroes who are always there to save the galaxy, courtesy of writer/director James Gunn. This one could be called the one where Rocket finally realizes that he is a racoon. While it has all the action and the wisecracking of the earlier two movies of 2014 and 2017, it does have a more somber tone to it. Both Peter Quill (Chris Pratt) and Rocket (Bradley Cooper) are in a funky mood near the beginning, and the end of the movie feels like the gang is breaking up. The heroes are tasked with a mission to save the life of Rocket who has been gravely injured. They must retrieve a computer file from a ship that seems to be made of living tissue that belongs to the High Evolutionary (Chukwudi Iwuji). We are introduced to Rocket’s backstory while he is in a coma and find out that when he was a small racoon cub, he was captured by this villain for the purpose of experimentation to produce a perfect species. (This explains Rocket’s extraordinary powers.) Now the High Evolutionary wants to capture Rocket again to learn his secrets, but in the meantime, he tries to destroy an entire civilization that he created since they are not perfect. (Does that sound like a familiar theme?) So, the stakes are certainly high enough to deserve the Guardian’s attention. The membership of the Guardians has expanded since the first movie with past differences being put aside. They include Gamora (Zoe Saldana), Drax (Dave Bautista), Mantis (Pom Klementieff), Nebula (Karen Gillan), of course a full-sized Groot (Vin Diesel), Kraglin (Sean Gunn) and Cosmo the Spacedog (Maria Bakalova). The movie is worth seeing based on the emotional way that Rocket’s story is told. However, the overall tone feels off with Peter Quill and others going through internal struggles that take away from the usual upbeat feel of these movies. Of course, the soundtrack features a variety of popular seventies rock music as always. The special effects are quite impressive which explains why Guardians earned a Best Visual Effects Academy Award nomination. The ending feels like this is the end of the franchise, though of course, you can’t be sure.

Spider-Man: Across the Spider-Verse

Spider-Man: Across the Spider-Verse      4 ½ stars

Later this year we will have the newest Spider-Man film, Spider-Man: Brand New Day in theaters. So, I took this opportunity to see the second film of the Spider-Verse series, Spider-Man: Across the Spider-Verse, made is 2023. While related, the Spider-Verse series has its own take on the web shooting super-hero. The creators, Phil Lord and Christopher Miller have made a universe with a multitude of Earth timelines where superheroes and supervillains can freely travel between them, and each has its own unique Spider-Man. (Phil Lord and Christopher Miller also were the directors of Project Hail Mary.) This new film took a trio of directors to create it: Joachim Do Santos, Kemp Powers and Justin K. Thompson. In the previous Academy Award winning film, Spider-Man: Into the Spider-Verse our Earth’s Spider-Man, teenager Miles Morales (Shameik Moore) battled supervillains and met Spider-Woman Gwen Stacey (Hailey Steinfeld) from one of the other Spider-Verses. But now Gwen has been chosen by an elite squad of Spidey’s to help in the battle against a menacing supervillain called The Vulture, but first she returns to Miles’ Earth to help Miles with a troubling situation. Both superheroes are struggling with their crime fighting roles while keeping their secrets from each of their parents. Miles’ Spider-Man has had to deal with The Spot (Jason Schwartzman), an annoying villain who creates black holes at will, using them for his own type of crime. The Spot says that Spider-Man is his nemesis and is out to get even with him for destroying his life. Despite being grounded by his police officer father (Brian Tyree Henry) and mother (Luna Lauren Velez) for so many unexplained absences, young Miles ventures into the Spider-Verse to join the hundreds of other Spider-Men to track down and defeat The Vulture. Unfortunately, Miles learns that things are a lot more complicated in the Spider-Verse since as we know, in a multi-verse (or a time traveling situation) there is a space-time continuum and if it is upset, disaster can ensue. You cannot mess with a canon event! And poor Miles is at the center of it all. One of the attractions of the series is the fluidic nature of the animation that uses a fuzzy, colorful fast-moving appearance during the action sequences, and there is plenty of action to be sure. The characters constantly swing among the buildings of NYC rescuing the inhabitants while somehow not sustaining injuries despite getting beaten and falling from great heights. The movie also features voice performances from the likes of Oscar Isaac, Issa Rae, Shea Whigham, Daniel Kaluuya and Jake Johnson (as Peter Parker, but with a baby girl with Spidey powers). Despite the movie being 2 hours and 20 minutes long, it turns out to have a cliffhanger ending. Spider-Man: Beyond the Spider-Verse was planned for a 2024 release date, but that has been delayed until 2027. So, there is still plenty more Spider-Man to come!

Project Hail Mary

Project Hail Mary             4 ½ stars

He has been half of a duo in a decades long love affair, a Brooklyn school teacher who makes it a habit of getting high, a man with a doll for a girlfriend, an astronaut walking on the moon and a man who started life as a doll. This time around Ryan Gosling is both a schoolteacher and an astronaut in Phil Lord’s and Christopher Miller’s buddies in space movie Project Hail Mary. Gosling occupies the screen for the entire movie going from well-regarded scientist to public middle school teacher to astronaut to savior of humanity and looks good while doing it. We first find Ryland Grace (Gosling) waking up after a long sleep on a spaceship while sporting a long beard not able to understand where he is. He sees a giant star and realizes that it isn’t the sun so he must be a long way from home. Then he discovers that he is all alone as the rest of the ship’s crew has not survived. Through effective use of flashbacks, we learn the background of his story. Grace was a biologist who published a theory that water may not be necessary to sustain life on other planets, was ridiculed for it then became a schoolteacher in Brooklyn where he inspires his students in science. When it was discovered that there is a space bacteria eating the sun that will eventually make life on Earth extinct, Grace is recruited by Eva Stratt (Sandra Huller of Anatomy of a Fall) to join in the massive research project she leads, to stop the bacteria and save the planet. The team discovers that the bacteria has spread to many stars in the galaxy except for one that has escaped this fate. Thus, if it can be discovered what is unique about this distant star and its planet, a cure could be found. A spaceship that can travel at near light speed is built but before the journey to the mystery planet begins, circumstances change leaving Grace as the best option to join the crew and figure out why that planet was spared. The catch is that there is only enough fuel to get there and not to return, so it will be a one-way trip for the crew. They will have to send their “solution” back to Earth using a deep space probe. (Of course, there are a few credibility issues with the science, such as the large amount of open space inside a spaceship meant to be crewed by only three people.) But that is only half the story. Upon reaching this planet, Grace meets another spaceship that is manned by a lone being from another civilization suffering the same fate as Earth. This species is very different from anything on Earth, having a different chemistry that doesn’t depend on water and looks like a pile of rocks with rock arms. Grace and “Rocky” as he is called cannot share the same atmosphere and have completely different languages, but that doesn’t stop the pair from gradually becoming acquainted and finding a way to work together to solve their common problem. So, it turns out to be a buddy in space movie. “Rocky” depends on the puppetry of James Ortiz who created the puppet and does the translated voice as well. Everything is done to make Rocky appear cute and endearing to the audience so that he feels like another character. Through their struggles, Grace and Rocky grow to really care for each other and as we see they would lay down their life for the other. Besides being an entertaining sci-fi movie, Project Hail Mary gives a message about forming bonds and caring for others that are very different from us. And it likely couldn’t be done nearly as well without the star qualities of Ryan Gosling who has hardly missed in his film roles yet. (Let’s forget about Only God Forgives.) The movie also respects the scientific process and the scientists that work to increase our understanding of the natural world, something we can use today. It is bound to be one of the big hits of the year.