Category Archives: 2023

Golda

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Golda                    2 stars

If you are as old as me, you can remember the days in 1973 when there was a war raging when Israel was attacked by the armies of Syria and Egypt that was called the Yom Kippur War. This was the fourth of the Arab-Israeli wars and a very closely fought one that lasted for 19 days. The outcome was uncertain until Israel succeeded in trapping and isolating an Egyptian army forcing a cease fire. The movie Golda tells that story, but mainly from the perspective of Israeli Prime Minister Golda Meir with an unrecognizable Hellen Mirren buried in makeup in the role of Meir. The movie focuses primarily on her interactions with the cabinet and the generals as they struggle to make the best decisions to save Israel and her conversations with US Secretary of State Henry Kissinger (Liev Schrieber of Asteroid City and Ray Donovan: The Movie). There are also frequent scenes of Meir, who is suffering from lymphoma, being cared for by her personal assistant (Camille Cottin of A Haunting in Venice and House of Gucci). What’s missing are any battle scenes showing what is going on in the field. Instead, we have the generals discussing the situation over battle maps and radio transmissions from commanders and soldiers yelling of how they are being swarmed and killed by the Egyptians. We get no background of what led to the war or even much about the general international situation. While Mirren’s acting talents are on full display here, showing Meir’s pain over the casualties suffered by the Israeli troops, we don’t get much in the way of her own background. Golda is mainly a history lesson about this war of long ago and not a very good one.

Society of the Snow

Society of the Snow        4 ½ stars

You have probably heard the story before. I know I have a few times. In 1972 a plane carrying a Uruguayan rugby team and friends and family crashed in the snow-covered Andes mountains while on their flight to Chile. The plane had 40 passengers. Several of the passengers survived the crash. Weeks later after the search was abandoned two members of the team crossed the Andes on foot and told the world that they were alive. 16 people were still alive having survived in part by resorting to cannibalism on the bodies of those who died. The incredible story was previously made into the English language movie Alive in 1993. Society of the Snow is a Spanish language telling, made by J. A. Bayona, who previously made The Impossible, the story of a family caught in the Indian Ocean tsunami in 2004. The new film depicts the events of the tragedy including acts of heroism performed by several of the young victims who were mostly young men in their twenties. It shows the initial crash that most of the passengers somehow survived, the hope for a rescue that didn’t come, and an avalanche hitting the fuselage taking more lives. The movie shows how they were forced to choose to use the dead as nourishment and how a select few had the task of retrieving the food so that the rest would not know who it was they were consuming. The film also focuses on the emotional aspects of the ordeal and the members’ devotion to one another. Bayona and the actors have made the film one about survivalist adventure but also about spirituality. At times it is a tough one to watch but is certainly worth it. It was nominated for two Academy Awards in 2024. The film is available on Netflix. If you see it be sure to check out the How the movie was made, video. The roles were all filled with non-actors, and they had to do the scenes chronologically so they could lose weight progressively during the filming.

Flamin’ Hot

Flamin’ Hot         2 ½ stars

A few years ago, we saw the release of Flamin’ Hot, a movie about the inventor of a new flavor of Frito Lays Cheetos, matching the name of the movie. Although I had heard of the film at the time I hadn’t seen it until now. It tells the story about Richard Montañez, a poor, young Mexican-American man trying to support a family who snagged a job at the local Frito Lay plant in the early eighties as a janitor and then had and sold the idea of making a new, spicy flavor of Cheetos that came to be known as Flamin’ Hot. This is another of the corporate success movies that have shown up in recent years, like Air, Tetris and Blackberry that tell of the people behind a successful product. It is also the directorial debut of Eva Longoria who you may recognize from TV shows like Only Murders in the Building and Desperate Housewives. There are appealing things about Flamin’ Hot like the enthusiasm of the main character, Richard (Jesse Garcia) and his never say quit attitude toward his mission to save the jobs of those who work in the factory and his love of family. His story is inspirational as he goes against the protocol of the corporate structure to try to sell his idea of a product that would appeal to the Hispanic community despite his being just a janitor. Unfortunately, according to a few sources the story is mostly untrue with events in the movie being exaggerated. Parts of the movie I found corny like the narration that Garcia gives and scenes where the executives speak like Mexican fighting cholos voiced by Garcia. Though parts of the movie were entertaining, I couldn’t lose sight of the fact that it was selling a story of identity consumerism that apparently is not quite true. The movie earned an Academy Award Nomination for Original Song for “The Fire Inside” in 2024.

Robot Dreams

Robot Dreams   4 ½ stars

I had not heard of Pablo Berger’s animated movie, Robot Dreams before but after viewing it I have to call it a masterpiece about lost friendships. Set in 1980’s NYC, the movie is based on a graphic novel by Sarah Varon. Using a simple style of animation with no dialogue, all the characters are animals living in a busy urban environment. The main character, DOG, lives alone in a small apartment and is very alone. That is, until he sees an ad for a mail order robot, which he acts on. After a few days he receives a package in the mail containing the mechanical robot, plus some assembly instructions. Before long ROBOT is up and running and a fresh relationship blossoms. The pair become fast friends, sharing activities in the city as ROBOT takes it all in with a sense of awe. DOG is equally inspired as they go roller-skating to Earth, Wind and Fire and hang out under the Queensboro bridge. They spend a day at Oceans Beach going swimming and sunning, until ROBOT suddenly freezes up and can’t move since salt water is bad for his circuitry. The tone changes as DOG is forced to abandon his friend at the beach but hopes to return to retrieve ROBOT the following summer. This is where the movie turns sad, as DOG pursues other activities such as sled riding alone and endures the abuse of other riders like an evil pair of anteaters and going bowling with a snowman. ROBOT, still alone on the beach encounters other creatures too, some abusive, but others caring. We also find out that this mechanical being can dream as he fantasizes of being reunited with his new friend. As time goes by, the close friendship slowly fades and the relationship becomes a thing of the past, though each character treasures the memories. The audience is left wondering if the two friends will find a way to reunite. And if they do, what will it be like. This is the Spanish film director’s first effort at an animated film. Previously, he made Biancanieves, a take on Snow White. He has an effective style of portraying human emotions in his characters using facial expressions and a lack of any dialogue. Aspects of the film have been compared to Charlie Chaplin, who the director is a fan of, as he gives us moments of hilarious comedy alternating with a punch in the gut. The movie is available on Disney + and Hulu. If you see it, I advise that you be emotionally prepared and be ready to be humming EW&F’s September. The movie is also appropriate for children. Robot Dreams was nominated for the Animated Feature Academy Award but lost out to The Boy and the Heron in 2024.

Indiana Jones and the Dial of Destiny

Indiana Jones and the Dial of Destiny      2 ½ stars

My tour of the Disney channel brought me back to the fifth and final installment of the classic Indiana Jones adventure movies first created by Steven Spielberg back in 1981: Indiana Jones and the Dial of Destiny. The movie appeared fifteen years after the previous film, Indiana Jones and the Kingdom of the Crystal Skull, where Jones (Harrison Ford) did battle with a Russian speaking Kate Blanchett, which I was not impressed by at the time. It’s not Spielberg this time, but James Mangold (A Complete Unknown, Logan, Wolverine) who is running things from the director’s chair for his second Indiana Jones movie. (Yes, he did Crystal Skull too.) Now it’s a nearly eighty-year-old Indy who must battle the bad guys while trying to recover a valuable ancient artifact, in 1969 New York City. But before all that we must travel back to the closing days of World War II when the younger Indy (thanks to the magic of de-aging special effects) was escaping from the Nazis and fighting to keep one half of the Antikythera or Archimedes’ Dial out of the hands of the evil Professor Jurgen Voller (Mads Mikkelsen (Another Round)), who believes it has time travel properties and that he can use it to change the outcome of the war. We get all the trademark scenes that the Indiana Jones movies are known for: the chase scenes at a breakneck pace and the narrow escapes as Indy dispatches the enemies, one by one. But then back in 1969, Jones is approached by Helena Shaw (Phoebe Waller-Bridge (Fleabag)), Indy’s goddaughter. She has been studying the circumstances of her father, Basil, and Indy’s encounter with the Nazis and thinks she has an idea of where the two halves of Archimedes’ Dial may be. But as things go before Indy can agree or not agree with Helena’s plan, Professor Voller, who has survived the war, appears and together with his former Nazi henchmen try to acquire the dial for themselves and get rid of Indy. So, it’s off to another wild chase, this one through the streets of New York (with Indy on horseback), in the middle of a parade that is honoring the three Apollo 11 astronauts who have returned from the first moon landing. And there also happen to be war protesters to add to the mayhem. But this is just the beginning. The adventure continues in places like Tangiers, Greece and Sicily, as Indy and Helena try to stay a step ahead of their Nazi pursuers, always with the obligatory fight scenes and imminent danger. And as usual, there is the required reference to Indy’s fear of snakes. Ultimately, we find out just what powers the dial does possess and they may not be what these villains expect. Mangold has incorporated all the elements of an exciting Indiana Jones here, but one cannot escape the feeling that this has all been done before and better. Perhaps it would be better to leave our favorite aging heroes be and just keep their heroic acts and death-defying feats active in our memories.

Guardians of the Galaxy Vol. 3

Guardians of the Galaxy Vol 3     3 stars

I continue with my catch up on Marvel movies I missed with Guardians of the Galaxy Vol 3, the third iteration of these heroes who are always there to save the galaxy, courtesy of writer/director James Gunn. This one could be called the one where Rocket finally realizes that he is a racoon. While it has all the action and the wisecracking of the earlier two movies of 2014 and 2017, it does have a more somber tone to it. Both Peter Quill (Chris Pratt) and Rocket (Bradley Cooper) are in a funky mood near the beginning, and the end of the movie feels like the gang is breaking up. The heroes are tasked with a mission to save the life of Rocket who has been gravely injured. They must retrieve a computer file from a ship that seems to be made of living tissue that belongs to the High Evolutionary (Chukwudi Iwuji). We are introduced to Rocket’s backstory while he is in a coma and find out that when he was a small racoon cub, he was captured by this villain for the purpose of experimentation to produce a perfect species. (This explains Rocket’s extraordinary powers.) Now the High Evolutionary wants to capture Rocket again to learn his secrets, but in the meantime, he tries to destroy an entire civilization that he created since they are not perfect. (Does that sound like a familiar theme?) So, the stakes are certainly high enough to deserve the Guardian’s attention. The membership of the Guardians has expanded since the first movie with past differences being put aside. They include Gamora (Zoe Saldana), Drax (Dave Bautista), Mantis (Pom Klementieff), Nebula (Karen Gillan), of course a full-sized Groot (Vin Diesel), Kraglin (Sean Gunn) and Cosmo the Spacedog (Maria Bakalova). The movie is worth seeing based on the emotional way that Rocket’s story is told. However, the overall tone feels off with Peter Quill and others going through internal struggles that take away from the usual upbeat feel of these movies. Of course, the soundtrack features a variety of popular seventies rock music as always. The special effects are quite impressive which explains why Guardians earned a Best Visual Effects Academy Award nomination. The ending feels like this is the end of the franchise, though of course, you can’t be sure.

Spider-Man: Across the Spider-Verse

Spider-Man: Across the Spider-Verse      4 ½ stars

Later this year we will have the newest Spider-Man film, Spider-Man: Brand New Day in theaters. So, I took this opportunity to see the second film of the Spider-Verse series, Spider-Man: Across the Spider-Verse, made is 2023. While related, the Spider-Verse series has its own take on the web shooting super-hero. The creators, Phil Lord and Christopher Miller have made a universe with a multitude of Earth timelines where superheroes and supervillains can freely travel between them, and each has its own unique Spider-Man. (Phil Lord and Christopher Miller also were the directors of Project Hail Mary.) This new film took a trio of directors to create it: Joachim Do Santos, Kemp Powers and Justin K. Thompson. In the previous Academy Award winning film, Spider-Man: Into the Spider-Verse our Earth’s Spider-Man, teenager Miles Morales (Shameik Moore) battled supervillains and met Spider-Woman Gwen Stacey (Hailey Steinfeld) from one of the other Spider-Verses. But now Gwen has been chosen by an elite squad of Spidey’s to help in the battle against a menacing supervillain called The Vulture, but first she returns to Miles’ Earth to help Miles with a troubling situation. Both superheroes are struggling with their crime fighting roles while keeping their secrets from each of their parents. Miles’ Spider-Man has had to deal with The Spot (Jason Schwartzman), an annoying villain who creates black holes at will, using them for his own type of crime. The Spot says that Spider-Man is his nemesis and is out to get even with him for destroying his life. Despite being grounded by his police officer father (Brian Tyree Henry) and mother (Luna Lauren Velez) for so many unexplained absences, young Miles ventures into the Spider-Verse to join the hundreds of other Spider-Men to track down and defeat The Vulture. Unfortunately, Miles learns that things are a lot more complicated in the Spider-Verse since as we know, in a multi-verse (or a time traveling situation) there is a space-time continuum and if it is upset, disaster can ensue. You cannot mess with a canon event! And poor Miles is at the center of it all. One of the attractions of the series is the fluidic nature of the animation that uses a fuzzy, colorful fast-moving appearance during the action sequences, and there is plenty of action to be sure. The characters constantly swing among the buildings of NYC rescuing the inhabitants while somehow not sustaining injuries despite getting beaten and falling from great heights. The movie also features voice performances from the likes of Oscar Isaac, Issa Rae, Shea Whigham, Daniel Kaluuya and Jake Johnson (as Peter Parker, but with a baby girl with Spidey powers). Despite the movie being 2 hours and 20 minutes long, it turns out to have a cliffhanger ending. Spider-Man: Beyond the Spider-Verse was planned for a 2024 release date, but that has been delayed until 2027. So, there is still plenty more Spider-Man to come!

American Symphony

American Symphony                      4 ½ stars

The 2023 film American Symphony by filmmaker Matthew Heineman started as a project to follow musician Jon Batiste as he worked on his classical composition “American Symphony” but turned into a much bigger story about life. In 2021 The band leader of Stephen Colbert’s The Late Show had just been nominated for 11 Grammys and granted Heineman access to his life as he worked on this piece. Batiste was writing a classical piece but making it more modern using new styles and musicians from a variety of backgrounds to make it avant-garde compared to traditional classical music. It was quite unusual for a pop musician to enter this genre let alone a black musician, but Batiste gives it all the attention and effort he can. But while this is transpiring on screen, it is discovered that Batiste’s girlfriend/wife Suleika Jaouad has had a recurrence of bone cancer and must undergo lengthy chemotherapy treatments. So, on top of writing the new piece and preparing for the Grammys, Batiste was dealing with the crisis of supporting Suleika through this new crisis. Jaouad is herself a writer and painter producing her own works of art, continuing her efforts through the treatment. The two of them go through tough challenges, encouraging each other, while surprisingly still granting the filmmaker access to their lives. One type of film I especially enjoy is those that show the unfolding creative process of writing music. In American Symphony we see not only Batiste’s struggles with creating his masterpiece, but also the intimate look at a couple going through a difficult time in their lives. The film ends with the finished product being performed for one time only in front of a packed crowd in Carnegie Hall. It is a triumphant finish to a very emotional story. The movie was nominated for the Academy Award for Best Original Song for the song It Never Went Away which is played at the end of the movie.

The Color Purple

The Color Purple              4 stars

In 1985 Steven Spielberg made the movie The Color Purple based on the 1982 book. Then in 2006 it was made into a Broadway musical and revived in 2015. In 2023 it was again brought to the screen. I just recently came to view it. By now the story of Celie, a poor uneducated black woman in early 20th century rural Georgia who suffers brutal abuse at the hands of her father and then her husband is familiar to audiences. In this musical version the role of Celie, originally done by Whoopie Goldberg in the Spielberg movie, is performed by Fantasia Barrino of American Idol fame. Her voice in her musical numbers and her acting in scenes as she quietly endures abuse from the men in her life are the best things about the movie. (She is actually reprising the role from the Broadway production and is certainly right for the part.) She is equally engaging in the moments of expressing joy when she is with her sister, Nettie (Halle Bailey and Ciara) and others that she loves. (According to Fantasia’s resume, this is her only notable film role.) Other actors of note are Danielle Brooks (Clemency) as the outspoken Sofia (originally done by Oprah) who won’t stand for the abuse heaped on women by men, but is later beaten into quiet submission by the blatant racism of the South, as well as Taraji P. Henson as blues singer Shug Avery who brings hope to Celie by showing her the sheer joy of living when one is near the ones they love. Also excellent is Colman Domingo in the part of Mister, Celie’s abusive husband who only sees her as the equivalent of a slave that must be regularly beaten into obedience. Not only do we experience his cruelty but get a sense of how he came to be this way, enduring his own pain, and we eventually see how he realizes the error of his ways and seeks to make amends. The musical numbers are lively and cinematic, but they tend to overshadow the central message of the story, which is love of family and treasuring time together. This movie directed by Blitz Bazawule is almost entirely focused on Celie as she overcomes adversity and finds her voice. Though I enjoyed the movie, I find that I prefer the original Spielberg film over this reimagining.

Woman of the Hour

Woman of the Hour        4 stars

Last year’s Woman of the Hour is a true crime thriller that is based on the time that an actual serial killer appeared on a TV game show, The Dating Game as a contestant. In 1978 Rodney Alcala had been murdering women for years by luring them to remote locations while posing as a photographer. He appeared on the game show as Bachelor Number 3 where he answered questions from female contestant Cheryl Bradshaw and was chosen by her to go on a date. The movie, directed by and starring Anna Kendrick introduces us to Cheryl (Academy Award nominee Kendrick) and Alcala (Daniel Zovatto) separately before the fateful episode of the iconic TV show. We see how Alcala uses his charm to convince the victims to accompany him before he kills each one. As the killer, Zovatto is alternately likeable and menacing in the role. Cheryl is a struggling actress having a difficult time finding roles when her agent lands her an appearance on a TV show, which happens to be The Dating Game. She is not very thrilled about the idea but goes along with the idea as it will give her some exposure. So, she does the show where she is expected to look pretty and ask each of the three bachelors prearranged questions that will appeal to the audience. There is more to the movie though, as it is set in the 1970’s, a time defined by sexism. Cheryl must calmly endure sexist remarks from men about her appearance. She has to be overly polite with her male neighbor in conversations to make sure she doesn’t hurt his feelings. But when the big moment comes for her TV appearance, she decides she has had enough of pleasing men and asks her own challenging questions of the three bachelors that includes one dimwit and one sleazebag, causing them to squirm and upsetting the TV host (Tony Hale). Finally, when the two meet face to face, Cheryl has a conversation with Alcala and gets the sense that there is something not right about the guy which leads to the intense final confrontation between them. The way women are poorly treated is further exemplified by a scene when one woman recognizes Alcala as a suspect in a murder and is routinely dismissed by the police and other men. The movie is more than a true crime story as it paints a picture of the seventies showing how women are objectified in this man’s world. This was a challenging subject for Kendrick to choose for her first effort at directing. Let’s hope to see more projects from her.