Category Archives: Drama

Killers of the Flower Moon

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Killers of the Flower Moon           5 stars

In the year when the movie Oppenheimer was making headlines as an epic masterpiece telling an important piece of American history, there was another equally epic movie that told of a long forgotten, shameful part of our history. Martin Scorsese’s Killers of the Flower Moon tackles the subject of Davd Grann’s true crime book of the same name, bringing this tale of greed and genocide and the ensuing federal investigation to the big screen. The subject of the film is the mysterious deaths that plagued the Osage Indians in 1920’s Oklahoma after the tribe became wealthy following the discovery of oil on their land. Their good fortune attracted the attention of whites moving to the area and what followed can be described as a systematic murder of these beautiful people. Only, Scorsese tells this story on a personal level. Ernest Burkhart (Leonardo DiCaprio in what may be his best performance) returns from World War I and needs to find work. Ernest is none too bright and loves money and whiskey. He is prone to being manipulated, which is an attractive trait to Ernest’s uncle, William Hale (Robert De Niro). Hale sees himself as a friend to the Osage people, calling himself King. He sees an opportunity and encourages Ernest to become acquainted with a young Osage woman, Mollie (Lily Gladstone). If they get married, then Ernest will become heir to Molly’s oil money should something happen to her. The two do get married and have children. Similar schemes are carried out throughout the region that include many mysterious deaths of the Osage people. Some of the deaths involve Hale and Ernest revealing the strange thing about Ernest’s character. Simultaneously, he loves his wife but also helps to carry out the murders of her family. Somehow, he is able to justify this in his mind or maybe it is just the control that his uncle holds over him. Whatever it is DiCaprio portrays the character’s confusion brilliantly. But the film really belongs to Gladstone as she makes the audience feel the pain she is going through with each death in her family and her growing mistrust of her husband. Her subtle expressions convey her feelings with a simple look or glance at Ernest. She certainly deserved the Academy Award nomination for Best Supporting Actress. The latter part of the movie covers the investigation of the murders, also a subject of the book. After seeing the film, one wonders how this scheme could have gone on for so long. It is a real American tragedy that should not be forgotten. I should note that in Scorsese fashion this movie is nearly three and a half hours long, but I felt that I never lost interest in it.

Mudbound

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Mudbound                         4 ½ stars

One of the most culturally relevant films of last year was Mudbound, written and directed by Dee Rees, takes of back to 1940’s Mississippi, where the Jim Crow laws are strictly enforced.  This story brings two families together, one white and one black as they each struggle against the odds to make a living farming in the Mississippi Delta, while dealing with the social norms of the time.  The McAllans (Jason Clarke and Carey Mulligan) just moved here after buying a farm they hope will fulfil their dreams.  The Jacksons are poor black tenants who work under them and are led by the father, strong and quiet Hap (Rob Morgan) and the mother, Florence (May J. Blige).  These families are of course very different, but must depend on each other to survive the realities of farm life.  At the same time the strong undercurrent of racism is always present and threatens to upend their world at any time.  Some of the most interesting moments are the scenes with younger brother Jamie McAllan and Hap’s son, Ronsel, both returned from World War II as war heroes as they share their stories of the war.  The title of the movie perfectly describes the conditions the families face as most of the farm scenes depict the dirty conditions these people face daily, there being no electricity or running water for these poor farmers.  Hollywood has seen plenty of movies portraying the deep roots of racism in the deep South, but Mudbound presents it in a dramatic fashion that keeps us interested throughout.  The movie is long at 2 hours and 15 minutes.  It was nominated for Academy Awards in Supporting Actress (Mary J. Blige), Cinematography and Adapted Screenplay.

First Reformed

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First Reformed                  4 stars

First Reformed has been described as a comeback for writer director Paul Schrader, who is known for writing Taxi Driver, Raging Bull and The Last Temptation of Christ.  He has not produced any real notable films of late until First Reformed showed up earlier this year.  The film tells a dark story of Rev. Ernst Toller (Ethan Hawke), an ill, alcoholic pastor of a small declining, but historic church who is facing a crisis of faith.  Toller is asked to counsel a troubled young man by the man’s wife (Amanda Seyfried) who happens to be pregnant with their first child.  The husband is an active environmentalist and is very troubled by the amount of pollution that the planet is seeing.  He may even be teetering on the edge of self destruction. Things take a dramatic turn for the worse and Toller sinks ever deeper into depression and his drinking.  This is all going on at the same time that a 250th anniversary of the church is being planned for the church which is subsidized by a nearby megachurch led by Rev. Jeffers (the comedian Cedric Kyles, aka Cedric the Entertainer).  These events serve as devices that drive the film to a very startling and intense conclusion.  The film has a very stark and slow moving style that is unlike most films from Hollywood.  One can see that the director’s religious background has a lot to do with the message being told.  Be forewarned.  Some parts of the film are disturbing, but it is certainly worth seeing if only as a means of discussing one’s own faith.  First Reformed is also greatly aided by the strong performances of all of its main stars, especially Ethan Hawke.  This is likely one of his best performances to date.

The Girl in the Spider’s Web

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The Girl in the Spider’s Web                        2 ½ stars

The Girl in the Spider’s Web is the new reboot of the “Girl With the Dragon Tattoo” series of movies that first came from Sweden , then remade in the US.  It is the first based on a novel not written by author Stieg Larsson nor was it directed by David Fincher.  This movie continues the story of Lisbeth Salander (Claire Foy), a brilliant cyber tech hacker and vigilante against men who hurt women.  The journalist she teamed up with before, Mikael Blomkvist is still here but has a much smaller role in this film, so the chemistry between the two has completely vanished this time around.  Also missing is the personal nature of the conflicts that are so unique to the earlier films.  Instead Salander has almost become a female James Bond who is seeking to protect the world from a nuclear threat posed by a sinister international terrorist organization called the Spiders.  There is plenty of action as Lisbeth makes many daring escapes and rescues the targets of these terrorists.  There is also a certain amount of intrigue as the intensions of many players are only slowly revealed, a trademark of any good international thriller.  The use of technological gadgetry leads to some amazing scenes that sometimes stretches the limits of believability.  I found that to be somewhat distracting at times.  Also, I found that there were a little too many references to the name Spider.  About the sixth time that a spider crawls out of a hole or crevice I wanted to scream “OK. I get it already. It’s about spiders!”  Hopefully, this will be the last of the Dragon Tattoo series.  This story has been pretty well spent.

Io Capitano

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Io Capitano         5 stars

In Matteo Garrone’s Io Capitano we follow the journey of two teenage boys from their home in Dakar, Senegal across Africa to Tripoli and then across the Mediterranean Sea to Italy as they follow their dream for a better life. After earning what they think is a lot of money, Seydou and his cousin Moussa leave their mothers without telling them and despite all the warnings of how dangerous this journey is. Along the way through Africa they are taken advantage of by anyone who senses they have money, including a passport forger; they ride in the back of a pickup truck with up to twenty men across the Sahara Desert and when one man falls out the driver will not stop, leaving him to die in the desert, they are robbed by the police in Libya and sent to prison where they are tortured so that they will call home for more money. And they are finally put on a boat crammed full of refugees where Seydou is forced to be the one piloting the boat without any experience. Fortunately, along the way they do encounter some kind souls that help them out. Besides this being Seydou’s story, it is also the story of so many refugees who risk death and deplorable conditions to make it to Europe for the promise of a better life. The movie is remarkable in two ways. It shows the immensity of the landscape these people are facing making you wonder how bad things must be for them to attempt such a punishing trip. And it displays the acting skills of young Seydou Sarr as Seydou who genuinely displays the emotions of joy and terror and back again as his character endures unimaginable cruelty at the hands of those who only see these unfortunate people as a way of profit. The movie received an Academy Award Nomination for Best International Feature in 2024 and must have been in contention to win. After seeing this movie, you will not think of boat people the same way.

Defending Your Life

Defending Your Life         4 ½ stars

I recently took in Defending Your Life, the 1991 Albert Brooks movie about an advertising exec who is killed in an auto accident and ends up in an afterlife where the new arrivals must face a sort of trial and defend how they lived their life. Brooks is quite the master at writing material that is bitingly funny, taking aim at the selfish nature of people. Unfortunately, of the seven movies that Brooks has written and/or directed, I can’t recall seeing any of them before; (though I do remember seeing the shorts he created for Saturday Night Live in the seventies.) In Life, Daniel finds that instead of going to heaven he is in an existence between lives in Judgment City, a place he shares with many other recently departed souls. The place is nothing like how the afterlife is depicted in many other movies with clouds and angels with wings, but instead resembles corporate America with spotless hotels, restaurants and trams to carry the inhabitants to various destinations. The staff is polite and makes sure that the arrivals are comfortable. In Judgment City the subjects are assigned a defense attorney and a prosecutor and face a trial where their lives are reviewed and a judgment is rendered based on whether they have done enough to face their fear during their lives and thus either advance to the next level of existence or be returned to Earth where they will live another life. In the more advanced levels people learn to use an ever-increasing portion of their brain. Daniel is assigned to Bob Diamond (Rip Torn) for his defense and to Lena (Lee Grant) as his prosecutor and must view segments of his life showing what he did in certain stressful situations. Both sides argue their case in front of the judges. During his stay, Daniel meets a young, sweet woman, Julia (Meryl Streep) who is also facing trial and quickly forms a bond with her. (It does seem odd to Daniel that Julia has scored a much nicer hotel than he did.) Thus, besides being an imaginative take on the afterlife, the movie is a romantic comedy as well. Albert Brooks has created a movie that is low key, very funny and conveys a good message about how people live their lives and try to meet expectations. And even better, it has a happy ending that will make everyone feel good about it. Apparently, Defending Your Life is much less harsh than Brooks’ other movies, especially Lost in America. But I haven’t seen them so have to take the critics word for it. I do know that you can’t go wrong with this movie, so I highly recommend it.

Kinds of Kindness

Kinds of Kindness                             2 stars

If you are a big fan of movies like me you remember the unusual movies made by Yorgos Lanthimos, the Greek filmmaker. His most memorable movie, Poor Things, in 2023 featured Emma Stone as a sort of Frankenstein monster created from body parts by an eccentric doctor played by Willem Dafoe. Last year (2025) he made Bugonia, also starring Stone as a woman taken prisoner by a fanatic played by Jesse Plemons who believed her to be an alien from space. Both of those films are known for their extremely bizarre plots and surprise endings. In between there was another lesser-known film that I finally watched called Kinds of Kindness. It stars Stone, Plemons and Dafoe as well as Margaret Qualley, Hong Chau and Mamoudou Athie. This film consists of three separate tragic, comedic stories all of which are very strange and meant to say something about human behavior. None of them really exhibits aspects of the title as far as I could tell. All of them feature death in some way and are hard to watch at times. In the first of the three stories, Robert (Plemons) is a man whose whole life is controlled by a father figure, Raymond (Dafoe) who provides his house, his job, tells him who he can marry and whether he can have children. In return Robert must do as Raymond says and that includes trying to kill a man by colliding with him with his car. Robert tries to follow this request but is unsuccessful. At the hospital, Robert meets Rita (Stone) and finds that she is also under the control of Raymond. Since Robert is unwilling to make a second effort at the killing, Raymond withdraws his support as this is a sign that Robert does not love him anymore. This all leads to a shocking ending that I won’t reveal. The other two stories are equally strange and brutal. There are bizarre death scenes as well as sex scenes in unexpected circumstances. The movie is described as a triptych fable using dark comedy to describe human nature. They all use the same group of actors, all in different roles. The actors are certainly talented, but some of the dialogue seems to be purposely stilted which is Lanthimos’ style. Though I liked his other movies, I found Kinds of Kindness to be too weird for my taste. I haven’t found any new planned productions from him in the works but look forward to any that turn up. I do recommend that you go back and find The Favourite from 2018. It stars Emma Stone, Olivia Colman and Rachel Weisz and was one of the best movies of that year. But you should skip Kinds of Kindness.

Toy Story 5

Toy Story 5                          3 stars

No, I still haven’t seen either of the two major blockbusters of the summer, but I did finally see Toy Story 5, the fifth installment of Pixar’s flagship franchise that started back in the nineties. After four of these popular animated movies that chronicle the adventures of Woody, Buzz Lightyear, Jessie and Bo Peep, one might ask do we need another one. How can the story be expanded beyond what has already been told? The answer is, of course we do, so that more money can be made for the studio and all the others involved. Back in Toy Story 4 the familiar toys have been separated into two groups, one is led by cowgirl Jessie (Joan Cusack) and are the toys belonging to an introverted child, Bonnie. The second are the abandoned toys that Woody the cowboy (Tom Hanks) keeps together. Little Bonnie is a lonely girl without any friends. She would like to play with the twins next door but is too shy to talk to them. Besides they don’t play with toys. Instead, they spend their time playing on their tech devices, called LiliPad, where kids can talk online and watch videos. This is the new villain that has entered the Toy Story universe and threatens to destroy everything special about childhood and kid’s toys. In order to get Bonnie connected with other kids, her parents get her a new Lilipad (Greta Lee). This leads to a sleepover that goes horribly wrong for Bonnie and creates havoc in the toy collection. Some of the toys even get placed in storage in the garage! Now taking center stage, Jessie and her steed Bullseye are the ones that must correct things. While on her mission Jessie discovers another girl, Blaze, who lives in the same house that Jessie shared with her first child owner. Blaze does play with toys, so Jessie’s new mission is to bring the two children together somehow. (We see that Jessie must work through her own abandonment issues as she has now been left by two children.) She is aided by Smarty Pants, a toy used for potty training. (It is so appropriate that Conan O’Brien is the voice of Smarty Pants. Be ready for an abundance of bathroom humor.) There is also a pair of old tech toys, a toy camera and a GPS toy that join in. Eventually, Jessie calls in the help of Woody and an army of Buzz Lightyears (Tim Allen) that all work together through more misadventures and action scenes. Naturally, everything will eventually work out all right for all involved. After five movies telling this story, it feels there is little originality left to present. It was technology that made the Toy Story style of animation possible. Now technology has become the villain. Can we just realize that this story has been beaten to death over these thirty plus years and that it is time to put these characters to bed?

The Favourite

The Favourite                    4 ½ stars

The Favourite is the latest film from director Yorgos Lanthismos who famously brought us The Lobster and The Killing of a Sacred Deer. The film is an unusual costume drama to say the least that covers part of the reign of Queen Anne of England in the early Eighteenth century when England was at war with France in the War of Spanish Succession.  The English forces under the command of the Duke of Marlborough were victorious over the French.  The great cost of the war created a division in policy between the war hungry Whigs and Tories who pushed for a peace settlement.  None of the above matters much in the course of the movie as it is mainly concerned with the relationships between the Queen (Olivia Colman) and her close friend Lady Sarah Churchill (Rachel Wiesz) who is the wife of the Duke of Marlborough, and a new arrival at the palace, a lowly maid formerly from an aristocratic family, Abigail (Emma Stone).  This is no ordinary period costume film.  It is a roudy and uproarious comedy full of sharp wit and sexual innuendo.  The movie never leaves the setting of the palace and we only hear about the war through the reports that some English nobles provide.  In fact, all but the main three women in the cast fulfil fairly minor roles.  The movie is completely carried by Colman, as the ailing Queen who requires constant attention from the staff, Wiesz, who constantly manipulates the Queen to get what she wants and Stone, as she apples her womanly charms to gain favor in the Queen’s eyes.  Sarah and Abigail spend most of the film finding ways to better one another and become the Queen’s favourite friend and advisor.  I would say the movie portrays a completely irreverent depiction of English royalty which contributes to its success.  I believe the movie will be rewarded when awards time comes around and thoroughly recommend it.  Also, the movie reveals a little known fact, that there were plenty of lesbian love affairs going on in the English palace in this period, something I had not heard in any history courses.

Boy Erased

Boy Erased          4 stars

Writer-Director-Actor Joel Edgerton brings to film the true story of Jared (Lucas Hedges), an eighteen year old boy who is outed as gay to the shock and disapproval of his parents.  In order to get over the shame felt by his father (Russel Crowe) young Jared is convinced he should undergo gay conversion therapy and be sent away to a camp for an undetermined period of time where little is known of the practices there.  The movie gives us a peek into the world of Conversion Therapy, as it is usually carried out on underage children, where they are to be converted into heterosexuals.  This practice is nearly unanimously condemned by psychologists as ineffective and harmful, but it still exists in most states.  The leader of the therapy sessions is Victor Sykes (Joel Edgerton) who employs techniques that can only be described as cruel and disturbing.  The methods used only seem to instill a sense of self-loathing in the young subjects.  The movie also shows us the attitudes toward homosexuality held by most in certain religious institutions, in the case, Southern Baptist and the weight of guilt that can be placed on young people.  Despite the dark material of this movie there is eventually an uplifting feel to it by the time the credits role.  Last year’s “Call Me by Your Name” gives a sharp contrast of a parent’s reaction to realizing they have a gay son.  In that movie, the father had an accepting and even loving treatment toward his son.  In “Boy Erased”, there is the threat of being expelled from the family if the gayness is not removed.  I found all of the performances in the film to be first rate, especially that of young Hedges who is building a long resume of significant dramatic roles.