Category Archives: Drama

The Invite

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The Invite            4 ½ stars

In The Invite, now in theaters we meet Joe (Seth Rogen of Dumb Money and Long Shot) and Angela (Olivia Wilde of Don’t Worry Darling and Meadowland), a married couple whose marriage is clearly headed for trouble. Joe has anger issues and is dissatisfied with his job as an associate professor at a music conservatory. Angela is a stay-at-home mom who takes care of their tween daughter and loves to decorate the house (apartment) tastefully. From the moment Joe arrives home one evening, the bickering starts and I was wondering what I am in for. Before long Angela reveals that she has invited the upstairs neighbors for an evening dinner and learns that Joe has forgotten to pick up some wine for the occasion. In fact, Joe can’t remember the evening plans at all and is in no mood to be entertaining guests, so the arguing continues. When the couple, Hawk (Edward Norton of A Complete Unknown and Glass Onion: A Knives Out Mystery) and Piña (Penélope Cruz (who is amazing in everything)) arrives it doesn’t take long before we see that Joe resents them over their noisy amorous activities at night while he and Angela are trying the sleep. We find out that Hawk used to be a firefighter while Piña is a “sexologist”. (The story also depends on the strategic placement of certain windows in the apartment that I find difficult to explain.) Also, it soon becomes apparent that this new couple has a certain agenda in mind for their hosts that will play out through the evening. The Invite, directed by Olivia Wilde (her third time out directing after Booksmart and Don’t Worry Darling), is actually a remake of the Spanish film, The People Upstairs, one of a few sex comedies that have appeared over the years. Her direction combined with the writing of Rashida Jones and Will McCormack have given us a smart sex comedy driven by the talents of these four great actors. This is a well written comedy that depends on the dialogue of the actors and the well-coordinated interaction between them. They easily go from what seems to be a friendly conversation to something that turns into a conflict revealing deep resentment. This is not at all the kind of comedy that usually typifies a Seth Rogen movie. You feel like you are watching a real dinner party with layers of deep feelings being slowly peeled away. If this type of smart comedy sounds appealing to you, then you should be sure to see it while you can.

Golda

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Golda                    2 stars

If you are as old as me, you can remember the days in 1973 when there was a war raging when Israel was attacked by the armies of Syria and Egypt that was called the Yom Kippur War. This was the fourth of the Arab-Israeli wars and a very closely fought one that lasted for 19 days. The outcome was uncertain until Israel succeeded in trapping and isolating an Egyptian army forcing a cease fire. The movie Golda tells that story, but mainly from the perspective of Israeli Prime Minister Golda Meir with an unrecognizable Hellen Mirren buried in makeup in the role of Meir. The movie focuses primarily on her interactions with the cabinet and the generals as they struggle to make the best decisions to save Israel and her conversations with US Secretary of State Henry Kissinger (Liev Schrieber of Asteroid City and Ray Donovan: The Movie). There are also frequent scenes of Meir, who is suffering from lymphoma, being cared for by her personal assistant (Camille Cottin of A Haunting in Venice and House of Gucci). What’s missing are any battle scenes showing what is going on in the field. Instead, we have the generals discussing the situation over battle maps and radio transmissions from commanders and soldiers yelling of how they are being swarmed and killed by the Egyptians. We get no background of what led to the war or even much about the general international situation. While Mirren’s acting talents are on full display here, showing Meir’s pain over the casualties suffered by the Israeli troops, we don’t get much in the way of her own background. Golda is mainly a history lesson about this war of long ago and not a very good one.

Imaginary Order

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Imaginary Order.     4 1/2 stars

Imaginary Order by director Debra Eisenstaedt is likely the best comedy playing here at Sundance. Cathy played by comedic actor Wendy McLendon-Covie is a married suburban mom who encounters an unusual family while house sitting for her sister. She tries to connect with the mom, dad and their teenage son all individually and things go horribly wrong as she gets more involved with each member of this odd family. It also doesn’t help that Cathy suspects her husband of having an affair, her teenage daughter is having a tough time making friends at school and she lost her sister’s car that she is caring for. It all gets completely overwhelming for poor Cathy as she is forced to deal with each crisis that comes along. McClendon-Covie does a great job with the character and the director said originally she was cast as the sister in a small role, but she made the choice to make her the lead instead. The choice paid off nicely. Another great cast member was Max Burkholder as Xander, the teenage son. He was absolutely infuriating as he worked his into Cathy’s life as a character only interested in manipulating other people. The film was filled with funny moments and made the characters seem real which is often hard to do in a comedy. Eisenstadt’s previous works include Before the Sun Explodes and The Limbo Room. Mclendon- Covie is known for The Goldbergs and Bridemaids. I remember her mainly from Rules of Engagement and I saw her here at Sundance getting pictures taken with fans on Main Street. Hoping that the movie does well in the balloting.

Hala

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Hala       4 stars

One very relevant movie for young first generation immigrants is Hala. And especially suitable for young Muslims experiencing the clash of cultures in America.  The main character,  Hala is a seventeen year old girl, the only child to immigrant parents from Pakistan.  She is experiencing the usual thrills and challenges of being a teenager in high school with the added pressure of dealing with very traditional parents who believe in the practices of the old country.  And that includes their attitudes toward boys and dating.  Hala has a friendship with a white American boy that she is hiding from her parents while they are thinking of matching her with a boy from a Pakistani family for marriage.   This all leads to much pain and drama pitting parents against child and husband against wife.  This is a very engaging story and has good acting from the main cast.  The filmmaker was present for Q&A and said while the movie wasn’t her own story she knew of plenty of experiences to draw from. It was one of my favorites that I saw after hearing others talking about it.

Them That Follow

Them That Follow.       4 1/2 stars

Them That Follow is a first time feature by two new directors that takes place in the Appalachians of Kentucky.  It is about a young woman who is part of the snakehandling Pentacostal Church. The church is under the control of the pastor played by Walter Goggins who sets all the rules of the small mountain community.  He is aided by Sister Hope played remarkably by the incredible Olivia Coleman who keeps a watchful eye over the flock.  The church is often persecuted by the outside world because of their practices with handling poisonous snakes as part of their rituals. The real story starts when we see that the pastor’s daughter has a secret she is hiding that could impact many lives of this small fellowship.  The story was well put together and was aided by some top notch acting. Also in the cast was Jim Gaffigan the comedian in a very uncharacteristic role.  I warn you there are some very intense and graphic scenes. Some of it was too much for some audience members.  I especially liked this one which I picked because of the casting of Coleman in a key role.

Society of the Snow

Society of the Snow        4 ½ stars

You have probably heard the story before. I know I have a few times. In 1972 a plane carrying a Uruguayan rugby team and friends and family crashed in the snow-covered Andes mountains while on their flight to Chile. The plane had 40 passengers. Several of the passengers survived the crash. Weeks later after the search was abandoned two members of the team crossed the Andes on foot and told the world that they were alive. 16 people were still alive having survived in part by resorting to cannibalism on the bodies of those who died. The incredible story was previously made into the English language movie Alive in 1993. Society of the Snow is a Spanish language telling, made by J. A. Bayona, who previously made The Impossible, the story of a family caught in the Indian Ocean tsunami in 2004. The new film depicts the events of the tragedy including acts of heroism performed by several of the young victims who were mostly young men in their twenties. It shows the initial crash that most of the passengers somehow survived, the hope for a rescue that didn’t come, and an avalanche hitting the fuselage taking more lives. The movie shows how they were forced to choose to use the dead as nourishment and how a select few had the task of retrieving the food so that the rest would not know who it was they were consuming. The film also focuses on the emotional aspects of the ordeal and the members’ devotion to one another. Bayona and the actors have made the film one about survivalist adventure but also about spirituality. At times it is a tough one to watch but is certainly worth it. It was nominated for two Academy Awards in 2024. The film is available on Netflix. If you see it be sure to check out the How the movie was made, video. The roles were all filled with non-actors, and they had to do the scenes chronologically so they could lose weight progressively during the filming.

Selah and the Spades

Selah and the Spades.      4 stars

One movie that was something of a surprise is Selah and the Spades. It was written and directed by a very young filmmaker named Tayarisha Poe who is probably all of 28. She was present for the Q&A afterwards. The story takes place is an exclusive boarding school where the students are self divided into 5 different factions that each perform their own illicit activity. Selah, a seventeen year old African American girl is the leader of the Spades, the faction that supplies the illegal drugs to students. Since she is a senior she needs to find her successor before graduation. She finds Paloma, a new student who has transferred into the school and believes she is good material for a Spade. There is plenty of mean girl activity and power plays and betrayals in the time that follows that culminates in a conflict at an unsponsored school prom that will test the characters` loyalty and trust to one another. For someone that is so young I was very impressed by the quality of the final product. The director had been working on the idea since she was in college. I only hope to hear more of her work in coming years.

Give Me Liberty

Give Me Liberty.      3 1/2 stars

Give Me Liberty is a comedy that I saw on the first night of Sundance. This film by a Russian-American follows a young Russian-American man through a single day as he drives a van for elderly and disabled people. His job has to be one of the toughest jobs there is as he personally has to move people, move obstacles and sometimes persuade his customers to cooperate. On top of that he has an impatient boss and there is a riot going on in his normal route. He faces many challenges that have a comedic quality and also has to deal with problems from his own family. At the same time that the story is unfolding, the film shows us issues of life including life for the disabled and the racial divisions that are the reality of urban living. It was filmed in Milwaukee and uses many untrained actors who are local residents of the area. It was not one that was on my must see list, but I am glad for having the chance to see it.

I Love Boosters

I Love Boosters                 4 stars

When I saw that the new film, I Love Boosters, was written and directed by Boots Riley, I knew that I had to see it. His first film Sorry To Bother You was at Sundance in 2018 and was a big hit. It was an absurd comedy starring LaKeith Stanfield that attacked the corporate structure of America and our class society. His second film is equally absurd and takes on the high fashion industry while glamourizing aspects of our criminal society. It stars Keke Palmer (One of Them Days, Nope, Alice) as Corvette who while out clubbing one night meets a man (LaKeith Stanfield (Judas and The Black Messiah)) and invites him back to her place. He doesn’t get what he is expecting though, since Corvette isn’t interested in sex. She wants to sell him some expensive clothes. (He does get some new shoes for his trouble.) You see, Corvette is in the business of Boosting. She, along with her two partners Sade (Naomi Ackie (Sorry, Baby and The Thursday Murder Club)) and Mariah (Taylor Paige (Zola)), (known as The Velvet Gang) seek out high-end fashion stores, steal expensive clothing and shoes and resell them to their customers at a deep discount. They have a particular interest in fashion magnate Christie Smith (Demi Moore of The Substance) who has a chain of stores for her fashion designs. Corvette sees herself as a fashion designer and wants revenge on Smith for stealing one of her designs, an outfit that has flaps on the arms and legs. The gang comes up with a plan to get jobs at one of Smith’s stores where they will rob the entire store on their lunch break. The store manager (Will Poulter) is very self-obsessed, talks down to his employees and makes them pay for their uniforms. But then someone else beats them to it and instantly removes the entire inventory of the store. This is where the movie becomes absurd. The gang catches up to the new robber, Jianhu (Poppy Liu of Hacks) who is Chinese and in possession of a transporter device developed by the Chinese government that she has stolen and has been using to transport the clothes back to China where they were originally made. Jianhu is doing this to stand up for the Chinese workers in the garment plants and against the owners and Christie Smith. So, Corvette realizes that they can all work together against their common enemy. After this point things get increasingly bizarre as it turns out the transporter can also transform things and people into an exaggerated form of themselves, leading to some very strange occurrences. There is also a skyscraper built at an angle creating slanted floors, making walking very difficult. There is a line of clothes from Smith called the hundred-thousand-dollar suits or skin suits that requires the wearers to have their skin removed to wear them and then there is the demon who is an expert in cunnilingus. Riley puts all this in the form of absurd comedy while also making a statement about workers’ rights and the injustice of the corporate culture of the fashion industry. This is the second movie I’ve seen this year attacking the high fashion world, the other being Mother Mary. The dialogue of the movie is very street urban and along with the type of comedy, bordering on slapstick, may not be for everyone. The name of the movie, I Love Boosters, was actually from a song written by Boots Riley a few years ago that sang praises to people who steal clothing and sell it to the less fortunate, portraying them as a modern Robin Hood. Obviously, Riley has had issues of race and social inequality on his mind for a long time. He has put them on display here in some very funny and odd set pieces.

Flamin’ Hot

Flamin’ Hot         2 ½ stars

A few years ago, we saw the release of Flamin’ Hot, a movie about the inventor of a new flavor of Frito Lays Cheetos, matching the name of the movie. Although I had heard of the film at the time I hadn’t seen it until now. It tells the story about Richard Montañez, a poor, young Mexican-American man trying to support a family who snagged a job at the local Frito Lay plant in the early eighties as a janitor and then had and sold the idea of making a new, spicy flavor of Cheetos that came to be known as Flamin’ Hot. This is another of the corporate success movies that have shown up in recent years, like Air, Tetris and Blackberry that tell of the people behind a successful product. It is also the directorial debut of Eva Longoria who you may recognize from TV shows like Only Murders in the Building and Desperate Housewives. There are appealing things about Flamin’ Hot like the enthusiasm of the main character, Richard (Jesse Garcia) and his never say quit attitude toward his mission to save the jobs of those who work in the factory and his love of family. His story is inspirational as he goes against the protocol of the corporate structure to try to sell his idea of a product that would appeal to the Hispanic community despite his being just a janitor. Unfortunately, according to a few sources the story is mostly untrue with events in the movie being exaggerated. Parts of the movie I found corny like the narration that Garcia gives and scenes where the executives speak like Mexican fighting cholos voiced by Garcia. Though parts of the movie were entertaining, I couldn’t lose sight of the fact that it was selling a story of identity consumerism that apparently is not quite true. The movie earned an Academy Award Nomination for Original Song for “The Fire Inside” in 2024.