Category Archives: 2018

Vice

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Vice                                       4 stars

In what has to be one of the zaniest movies of the year screenwriter Adam McKay and actor Christian Bale take on a biopic of Vice-President Dick Cheney, following him from a drunk and college drop out to becoming the most powerful man in the world as the VP to George W. Bush.  Bale does an amazing job of immersing himself in the part, gaining over 40 pounds to become the short speckles wearing Cheney.  He has the speech patterns and mannerisms down perfectly.  The film takes us through many decades as Cheney takes an assignment working for Donald Rumsfeld (Steve Carell), becomes Chief of Staff for President Ford, Secretary of Defense for President George H. W. Bush and finally the VP to George W. Bush (Sam Rockwell in another great performance)  The film does an outlandish take on everything you may remember from the Bush administration, the Iraq war, the surveillance of US citizens, the enhanced interrogation techniques and the black sites for holding prisoners.  We see how he took control of the situation during 9/11 while Bush was still on Air Force One.  Cheney’s brashness is sometimes shown in comedic fashion as he doesn’t hesitate tell others what needs to be done.  Especially enlightening is his conversation with Bush before he accepts the nomination when he suggests that the Vice President take care of mundane things like foreign policy, intelligence, budgetary matters and defense leaving the president take handle the important things.  The film also takes time to show a softer side of him in the moments with his wife Lynne (Amy Adams, which you have to see) and his two daughters.  He even handles Mary’s coming out as gay well.  Though it is mostly a comedy, it leaves us something to contemplate as it alludes to the current administration and how it is that we have reached this point in history.  Look for Vice to get substantial attention this awards season.

Mary Queen of Scots

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Mary Queen of Scots                      2 ½ stars

Mary Queen of Scots is a partly historical, partly fictional account of sixteenth century England when Mary Stuart (Saoirse Ronan), the teenage queen returns to Scotland to claim the crown and threatened the rule of Queen Elizabeth I (Margot Robbie) over England.  The film is remarkable in its sets, costumes and dialogue, but gets bogged down in the story that focuses on the men who serve the monarchs as they scheme to gain power and influence for themselves.  We are frequently bombarded with the message that these two “sisters” could accomplish great things if they could find a way to work together and unite the two kingdoms.  Elizabeth’s authority is questioned by the fact that she has not produced a royal heir and Mary is despised by many of her own people because she is both a Catholic and a woman in a mainly Protestant land.  I was confused a bit by the multitude male characters all sporting beards with their English accent, so had some trouble keeping them straight.  Since there are two different kingdoms involved, the two main characters never come together except for one seemingly fabricated scene near the end.  The film does deliver one clear message being most of the men are unwilling to accept the authority of a woman which is still a relevant message today.  The film is still worth seeing for the performances of both Ronan and Robbie who are genuine talents in Hollywood.  David Tennant appears as John Knox, the Protestant leader who preaches against the whorish ways of Mary and is unrecognizable in the long beard and heavy accent.  This year a more entertaining movie than Mary Queen of Scots about British royalty is The Favourite.

If Beale Street Could Talk

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If Beale Street Could Talk              5 stars

A leading contender for a Best picture nomination this year has to be If Beale Street Could Talk, Barry Jenkins follow up film to 2016’s Moonlight.  This film, set in the early seventies in Harlem is based on a novel by African American writer and novelist James Baldwin and is about racial injustice as it affects the two families in the story.  However, the movie is mainly a love story between the two young lovers, Tish (newcomer Kiki Layne) and Fonny (Stephen James), childhood friends who have gotten engaged and are about to spend their lives together.  Their world is suddenly shattered when Fonny is wrongfully accused of a rape that he did not do and is caught in a legal system that has little regard for the truth or justice.  It is when Tish comes to visit Fonny in jail that the news is broken that she is pregnant with their child, so the injustice spreads further.  In one very dramatic scene, Fonny’s family is invited over to Tish’s family where the news is broken to all.  Then we really find out the family dynamics involved, especially when Fonny’s holy roller mother come down hard on young Tish condemning her for her sins causing all sorts of fireworks to come out.  Regina King is perfect as Tish’s mother struggling to hold the family together and do what she can to get to the truth and free Fonny.  The masterly done scene set ups and dialogue gives the film a very authentic feel.  Much attention to detail went into the costumes and sets making it seem like the early seventies again.  Much of the film is told in a nonlinear fashion so we see the loving couple together interspersed with scenes dealing with lawyers and prison guards showing the peril the characters are in.  Count on Best Picture and Best director nominations for If Beale Street Could Talk.  And look for it in theaters as it goes into wider release.

Second Act

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Second Act                          2 stars

Jennifer Lopez is back for another romantic comedy, something she does so well based on previous efforts like Maid in Manhattan, The Wedding Planner and Shall We Dance.  Unfortunately, the story isn’t quite up to her talents in this Peter Segal directed film.  Maya (Lopez) is single, has a boyfriend (Milo Ventimiglia) and is a talented employee who knows the products working in a big box store.  She is up for a promotion but gets passed over for a man with a better education who she finds difficult to respect.  Maya is encouraged by her friends to find something better and applies for something out reach on Madison Avenue.  One of her friends happens to be very tech savvy and he sets up a fake job profile for her much more attractive to the Madison Avenue execs.  She lands the big consultant job and settles in for the huge challenges ahead.  It is then that things take an unexpected twist and one of the greatest coincidences takes place that changes the course of the lives involved.  I won’t go into it here, but suffice it to say some past relationships resurface in surprise fashion.  The most interesting time I had was trying to identify the many supporting actors that appeared in the movie that I immediately recognized.  Leah Remini is Maya’s best friend Joan.  Vanessa Hudgens of High School Musical is a product developer and the daughter of the company executive (Treat Williams from What Happens in Vegas).  Charlyne Yi from Knocked Up and Paper Heart is one of Maya’s assistants.  The usually evil Dave Foley from the Middle and The New Adventures of Old Christine is here in a typical role.  Larry Miller from the Christopher Guest/Eugene Levy comedies is the manager at the big box store.  And Annaleigh Ashford of masters of Sex shows up as one of the employees hoping to take down Maya in the competition for best new product.  Things get very tense for the main character in this comedy, but things will work out in the end as they inevitably do.  See Second Act if you are a Jennifer Lopez fan like me, but otherwise I am sure you can find other more interesting films.

Destroyer

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Destroyer                            4 stars

In the new crime drama, Destroyer by director Karyn Kusama, Nicole Kidman gives her most gritty and unusual performance of her career.  She is Erin Bell, a corrupt and substance abusing detective with an appearance to match.  Her look is absolutely unrecognizable with bad skin and sunken eyes and a stare that can nearly kill.  In the story she is on the path of a criminal from her past, Silas, a leader of a gang of bank robbers who has resurfaced after nearly twenty years.  On a past undercover assignment, she failed to stop the deaths of several people in a robbery that Silas masterminded.  Now she is on a personal mission to right past wrongs as if she was somehow responsible for the deaths herself.  Along the way she has to deal with a sixteen year old daughter who is becoming a juvenile delinquent.  The story is likely similar to past police/crime dramas featuring a tough anti-hero, the difference being that here the main character is a woman.  There is no modern technology used here like we see in police procedurals today.  Erin Bell uses good basic police work in tracking down her target.  There are some creditable supporting roles here including Sebastian Stan as Bell’s undercover partner and Toby Kebbell as the evil Silas.  It is Kidman that is the true heart of the film as she is in virtually every scene.  One can’t help get the feeling that she is stretching for awards glory is taking on such a difficult role.  She already has received a Golden Globe nomination for the film.  One warning for viewers is that you need to pay close attention to the plot as it is told in a nonlinear fashion.  All is not as it initially appears.

2018 Oscar Nominated Animated Shorts

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2018 Oscar Nominated Animated Shorts

The animated shorts showed a wide variety of styles and dealt with some serious matters, but included some healthy comedy as well.  The subjects included separation of parents and children, issues of aging, the challenges of divorced parents and connections of parents to children even after the parent’s passing.  My own favorite was the pure comedy in the bunch.  This was called Animal Behavior.  The premise involved a therapy session for a variety of animals all with personal problems being led by a pit bull therapist.  The cast includes a leach with needy tendencies, a bird who ate his own brother out of selfishness, a praying mantis who can’t get dates because she has a thousand offspring, a pig who can’t stop eating and an ape with anger management problems.  There is also a cat who is obsessed with keeping clean and constantly licks herself.  This was easily the funniest of the bunch.  Another very notable film was One Small Step about a young girl who dreams of being an astronaut and is encouraged to follow her dream by her father even after he has passed away.  I am hoping that Animal Behavior ends up as the winner.

2018 Oscar Nominated Live Action Shorts

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2018 Oscar Nominated Live Action Shorts

There was a wide variety of subjects addressed in this year’s short films, but all were very serious.  Not one of the shorts could be called a comedy which is unusual.  Perhaps that is a sign of the times we live in.  Four out of the five actually involved children being placed in danger strangely enough so several of them should be considered disturbing.  The one I liked the best was called Mother is from Spain.  The short largely consists of one single continuous scene where the only people on screen are a young woman who is a mother and her mother.  The two go about their business in the apartment as normal until the mother receives a phone call from her six year old son who is calling from an unknown beach.  It seems he was with his father, but now the father is missing and the boy is left all alone on a barren beach with no one in sight.  The mother is forced to deal with this terrifying situation, trying to figure out where he is and notifying the police of the terrible predicament.  It is a harrowing, well-acted scene.  My guess is that the eventual winner will be Skin which deals with the matter of hate and violence between the white and black characters.

Blindspotting

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Blindspotting                     4 ½ stars

Blindspotting deals with some very familiar issues to the movies but does things differently from what we are used to.  Two friends, Collin and Miles are childhood friends, one white and one black.  They work together at a moving company and Collin has three days left on probation stemming from an assault charge because of a bar fight.  Then he witnesses a police shooting of an unarmed black man which has a profound effect on his life.  Both characters go through some challenging situations where they realize that all individuals have many aspects to their lives, but others tend to limit their view of them, thus creating the term Blindspotting, invented by the filmmakers.  The film was co-written by the two main actors (Daveed Diggs and Rafael Casal) who have been friends for many years.  The film is set against the backdrop of Oakland, California as it undergoes a transformation brought about by rapid gentrification.  Also, many scenes in the movie are done in spoken verse, also known as hip-hop.  The movie was one of the main features at the 2018 Sundance Film Festival and received some rave reviews.  There are some very violent scenes to be aware of as expected for this kind of movie.

Roma

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Roma                    5 stars

Last year’s Roma, by master filmmaker, Alfonso Cuaron brings us an expertly told story of a house maid in 1970’s Mexico City working for a well off middle class family.  Filmed in black and white and spoken in Spanish and an indigenous language with subtitles, seems simple in outlook, but looks at many broad issues with its choice of scenes and character interactions.  The whole movie is told from the point of view of young Cleo (Yalitza Apaticio) the dark skinned poor maid and nanny of the white family consisting of a father, mother, four children and a grandma and dog.  She is not closely involved with the family but is just close enough for us to get the sense that something is wrong in their world.  The movie takes place in the early seventies and has sets that look exactly like you would think they would.  The turbulent times are reflected in scenes of civil unrest and there are even references to the pop culture of the times like a recording of Jesus Christ Superstar.  The most obvious theme of the movie is the disparity between the wealthy employers and the poverty of the world around them characterized by Cleo’s situation.  Another theme relevant for our times is the role of the women in maintaining order while the men are the one’s responsible for most of the suffering going on.  Alfonso Cuaron previously gave us Gravity, Children of Men and Harry Potter and the Prisoner of Azkaban.  Roma is possibly his best work so far and may be the best film of the year in spite of the choice made this week by the Academy of Motion Pictures.  However, Cuaron was appropriately rewarded with three Oscars including Best Director.  A special warning should be made that there are a couple of scenes in the movie that may be hard to watch.

Greta

Greta                                    2 ½ stars

Greta by writer/director Neil Jordan brings a different twist to the stalker movie genre.  It stars Chloe Grace Moretz as young naïve Frances who having recently moved to New York City finds herself making friends with a French widow named Greta (Isabelle Hubbert) whom she has recently met.  The two met after Frances returned a lost handbag to the woman after finding it left on the subway.  The two seem like a good match since Frances has recently lost her mother.  Of course this is all too good to be true as we find out that Greta has some rather sinister motives that put poor Frances in peril.  Fortunately for her (and the movie) she has a very concerned roommate with good advice and a beautiful apartment in Manhattan who is played by Maika Monroe (from that great horror film It Follows).  The film follows much of the formula that goes along with your standard stalker movies including misfortunes befalling a pet (a dog in this case).  There was nothing especially noteworthy about this film other than the performance by Hubbert who is especially well-suited to the role of Greta.  Also present in the film is Zawe Ashton of Velvet Buzzsaw fame.