Category Archives: 2018

The Favourite

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The Favourite                    4 ½ stars

The Favourite is the latest film from director Yorgos Lanthismos who famously brought us The Lobster and The Killing of a Sacred Deer. The film is an unusual costume drama to say the least that covers part of the reign of Queen Anne of England in the early Eighteenth century when England was at war with France in the War of Spanish Succession.  The English forces under the command of the Duke of Marlborough were victorious over the French.  The great cost of the war created a division in policy between the war hungry Whigs and Tories who pushed for a peace settlement.  None of the above matters much in the course of the movie as it is mainly concerned with the relationships between the Queen (Olivia Colman) and her close friend Lady Sarah Churchill (Rachel Wiesz) who is the wife of the Duke of Marlborough, and a new arrival at the palace, a lowly maid formerly from an aristocratic family, Abigail (Emma Stone).  This is no ordinary period costume film.  It is a roudy and uproarious comedy full of sharp wit and sexual innuendo.  The movie never leaves the setting of the palace and we only hear about the war through the reports that some English nobles provide.  In fact, all but the main three women in the cast fulfil fairly minor roles.  The movie is completely carried by Colman, as the ailing Queen who requires constant attention from the staff, Wiesz, who constantly manipulates the Queen to get what she wants and Stone, as she apples her womanly charms to gain favor in the Queen’s eyes.  Sarah and Abigail spend most of the film finding ways to better one another and become the Queen’s favourite friend and advisor.  I would say the movie portrays a completely irreverent depiction of English royalty which contributes to its success.  I believe the movie will be rewarded when awards time comes around and thoroughly recommend it.  Also, the movie reveals a little known fact, that there were plenty of lesbian love affairs going on in the English palace in this period, something I had not heard in any history courses.

Boy Erased

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Boy Erased          4 stars

Writer-Director-Actor Joel Edgerton brings to film the true story of Jared (Lucas Hedges), an eighteen year old boy who is outed as gay to the shock and disapproval of his parents.  In order to get over the shame felt by his father (Russel Crowe) young Jared is convinced he should undergo gay conversion therapy and be sent away to a camp for an undetermined period of time where little is known of the practices there.  The movie gives us a peek into the world of Conversion Therapy, as it is usually carried out on underage children, where they are to be converted into heterosexuals.  This practice is nearly unanimously condemned by psychologists as ineffective and harmful, but it still exists in most states.  The leader of the therapy sessions is Victor Sykes (Joel Edgerton) who employs techniques that can only be described as cruel and disturbing.  The methods used only seem to instill a sense of self-loathing in the young subjects.  The movie also shows us the attitudes toward homosexuality held by most in certain religious institutions, in the case, Southern Baptist and the weight of guilt that can be placed on young people.  Despite the dark material of this movie there is eventually an uplifting feel to it by the time the credits role.  Last year’s “Call Me by Your Name” gives a sharp contrast of a parent’s reaction to realizing they have a gay son.  In that movie, the father had an accepting and even loving treatment toward his son.  In “Boy Erased”, there is the threat of being expelled from the family if the gayness is not removed.  I found all of the performances in the film to be first rate, especially that of young Hedges who is building a long resume of significant dramatic roles.

Creed II

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Creed II                 4 ½ stars

The sequel to 2015’s Creed continues the story of Adonis Creed (Michael B. Jordan) after he has achieved his goal of heavy weight champion and has to defend the title against a challenging adversary.  Rocky Balboa (Sylvester Stallone) is back again at Creed’s side at the right time to help Creed through circumstances that have tied the two together.  Ivan Drago (Dolph Lungren) who Rocky defeated over thirty years earlier has returned to have his Russian boxing legend son, Victor challenge Creed to a fight.  Since it was Drago who killed Adonis father in the ring, Adonis cannot turn down the fight and it will be up to Rocky to get Creed to understand his desire to face this opponent and to get properly trained for this life changing event.  To further complicate things for Creed, he has married his girlfriend Bianca (Tessa Thompson returning in the role) and learned that he will soon be a father.  This movie brings much of the thrill of the earlier movie and combines it with the heartfelt moments when the fighter has to question what is really important in his life.  The choreography of the fight scenes combined with a sound track that combines the old Bill Conti songs with a modern rap style music will keep your attention on the action.  Much about the movie is meant to appeal to a black audience, but there is a solid about perseverance through life’s challenges that all viewers should love.  The director of the first Creed, Ryan Coogler stepped aside for this one in favor of new comer Steven Caple, Jr. whom I have not heard of before.  Judging by this effort he should have a long future ahead as a director.

Welcome to Marwen

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Welcome to Marwen                     4 stars

Welcome to Marwen from director Robert Zemeckis employs some very imaginative techniques to tell the story of Mark Hogencamp (Steve Carell), an illustrator who lost his memory after being beaten by some local thugs.  Having lost his drawing talent Mark has created a fantasy world made up of miniatures dolls and models in an imaginary town in Brussels during World War II.  Mark has an alter ego named Hoagie represented by an American airman doll who frequently takes on Nazi soldiers aided by some very courageous women who make up the town’s population.  Each of the women figures represents a woman who plays a part in Mark’s life.  Mark lives alone outside of town and seems to be a broken man, but he manages to stay connected to people through his town called Marwen which he photographs creating intricate stories about his characters.  I found the movie quite engaging with the way it moves from the fantasy world to reality and how the events in Marwen are related to things going on in Mark’s real world.  The special effects are well done using stop action photography and animation to create some great action sequences.  The story is based on the actual true events of Mark Hogencamp who created this imaginary world and became famous through exhibitions of his photography.  I found the movie uplifting and entertaining which apparently most movie critics don’t see based on the mostly negative reviews it has been getting.  Robert Zemeckis has been making movies for ages and I am sure most viewers have seen some which includes Back to the Future, Who Framed Roger Rabbit, Cast Away and Forrest Gump.  In my opinion he has another winner that more people should be seeing.

Stieg Larsson: The Man Who Played With Fire

Stieg Larsson: The Man Who Played With Fire.  4 1/2 stars

This documentary by Henrik Georgsson tells us much of the life story of the renowned author Stieg Larsson who wrote The Girl With the Dragon Tattoo. Before he died in 2004 he worked tirelessly as a journalist dedicated to exposing the right wing racist groups who were and continue to become a stronger political force in Sweden. This he did despite the attacks and death threats against the small group of reporters working at his publication. The movies follows him from the time he was a small boy until his death. It shows the rise of the hate groups in the nineties after nobody in the seventies imagined that Nazi type organizations could resurface again. The director used his access to those close to the subject and his materials to give us a vivid picture of this man who believed in Democracy and that it is necessary to defend it from those who would undermine it because of their fear of those who look different from them. The movie serves a warning to those in many other countries as well that fascism is not yet defeated. In that respect it has much in common with The Edge of Democracy which I viewed earlier. Both are my highest rated documentaries.

Vice

Vice                                       4 stars

In what has to be one of the zaniest movies of the year screenwriter Adam McKay and actor Christian Bale take on a biopic of Vice-President Dick Cheney, following him from a drunk and college drop out to becoming the most powerful man in the world as the VP to George W. Bush.  Bale does an amazing job of immersing himself in the part, gaining over 40 pounds to become the short speckles wearing Cheney.  He has the speech patterns and mannerisms down perfectly.  The film takes us through many decades as Cheney takes an assignment working for Donald Rumsfeld (Steve Carell), becomes Chief of Staff for President Ford, Secretary of Defense for President George H. W. Bush and finally the VP to George W. Bush (Sam Rockwell in another great performance)  The film does an outlandish take on everything you may remember from the Bush administration, the Iraq war, the surveillance of US citizens, the enhanced interrogation techniques and the black sites for holding prisoners.  We see how he took control of the situation during 9/11 while Bush was still on Air Force One.  Cheney’s brashness is sometimes shown in comedic fashion as he doesn’t hesitate tell others what needs to be done.  Especially enlightening is his conversation with Bush before he accepts the nomination when he suggests that the Vice President take care of mundane things like foreign policy, intelligence, budgetary matters and defense leaving the president take handle the important things.  The film also takes time to show a softer side of him in the moments with his wife Lynne (Amy Adams, which you have to see) and his two daughters.  He even handles Mary’s coming out as gay well.  Though it is mostly a comedy, it leaves us something to contemplate as it alludes to the current administration and how it is that we have reached this point in history.  Look for Vice to get substantial attention this awards season.

Mary Queen of Scots

Mary Queen of Scots                      2 ½ stars

Mary Queen of Scots is a partly historical, partly fictional account of sixteenth century England when Mary Stuart (Saoirse Ronan), the teenage queen returns to Scotland to claim the crown and threatened the rule of Queen Elizabeth I (Margot Robbie) over England.  The film is remarkable in its sets, costumes and dialogue, but gets bogged down in the story that focuses on the men who serve the monarchs as they scheme to gain power and influence for themselves.  We are frequently bombarded with the message that these two “sisters” could accomplish great things if they could find a way to work together and unite the two kingdoms.  Elizabeth’s authority is questioned by the fact that she has not produced a royal heir and Mary is despised by many of her own people because she is both a Catholic and a woman in a mainly Protestant land.  I was confused a bit by the multitude male characters all sporting beards with their English accent, so had some trouble keeping them straight.  Since there are two different kingdoms involved, the two main characters never come together except for one seemingly fabricated scene near the end.  The film does deliver one clear message being most of the men are unwilling to accept the authority of a woman which is still a relevant message today.  The film is still worth seeing for the performances of both Ronan and Robbie who are genuine talents in Hollywood.  David Tennant appears as John Knox, the Protestant leader who preaches against the whorish ways of Mary and is unrecognizable in the long beard and heavy accent.  This year a more entertaining movie than Mary Queen of Scots about British royalty is The Favourite.

If Beale Street Could Talk

If Beale Street Could Talk              5 stars

A leading contender for a Best picture nomination this year has to be If Beale Street Could Talk, Barry Jenkins follow up film to 2016’s Moonlight.  This film, set in the early seventies in Harlem is based on a novel by African American writer and novelist James Baldwin and is about racial injustice as it affects the two families in the story.  However, the movie is mainly a love story between the two young lovers, Tish (newcomer Kiki Layne) and Fonny (Stephen James), childhood friends who have gotten engaged and are about to spend their lives together.  Their world is suddenly shattered when Fonny is wrongfully accused of a rape that he did not do and is caught in a legal system that has little regard for the truth or justice.  It is when Tish comes to visit Fonny in jail that the news is broken that she is pregnant with their child, so the injustice spreads further.  In one very dramatic scene, Fonny’s family is invited over to Tish’s family where the news is broken to all.  Then we really find out the family dynamics involved, especially when Fonny’s holy roller mother come down hard on young Tish condemning her for her sins causing all sorts of fireworks to come out.  Regina King is perfect as Tish’s mother struggling to hold the family together and do what she can to get to the truth and free Fonny.  The masterly done scene set ups and dialogue gives the film a very authentic feel.  Much attention to detail went into the costumes and sets making it seem like the early seventies again.  Much of the film is told in a nonlinear fashion so we see the loving couple together interspersed with scenes dealing with lawyers and prison guards showing the peril the characters are in.  Count on Best Picture and Best director nominations for If Beale Street Could Talk.  And look for it in theaters as it goes into wider release.

Second Act

Second Act                          2 stars

Jennifer Lopez is back for another romantic comedy, something she does so well based on previous efforts like Maid in Manhattan, The Wedding Planner and Shall We Dance.  Unfortunately, the story isn’t quite up to her talents in this Peter Segal directed film.  Maya (Lopez) is single, has a boyfriend (Milo Ventimiglia) and is a talented employee who knows the products working in a big box store.  She is up for a promotion but gets passed over for a man with a better education who she finds difficult to respect.  Maya is encouraged by her friends to find something better and applies for something out reach on Madison Avenue.  One of her friends happens to be very tech savvy and he sets up a fake job profile for her much more attractive to the Madison Avenue execs.  She lands the big consultant job and settles in for the huge challenges ahead.  It is then that things take an unexpected twist and one of the greatest coincidences takes place that changes the course of the lives involved.  I won’t go into it here, but suffice it to say some past relationships resurface in surprise fashion.  The most interesting time I had was trying to identify the many supporting actors that appeared in the movie that I immediately recognized.  Leah Remini is Maya’s best friend Joan.  Vanessa Hudgens of High School Musical is a product developer and the daughter of the company executive (Treat Williams from What Happens in Vegas).  Charlyne Yi from Knocked Up and Paper Heart is one of Maya’s assistants.  The usually evil Dave Foley from the Middle and The New Adventures of Old Christine is here in a typical role.  Larry Miller from the Christopher Guest/Eugene Levy comedies is the manager at the big box store.  And Annaleigh Ashford of masters of Sex shows up as one of the employees hoping to take down Maya in the competition for best new product.  Things get very tense for the main character in this comedy, but things will work out in the end as they inevitably do.  See Second Act if you are a Jennifer Lopez fan like me, but otherwise I am sure you can find other more interesting films.

Destroyer

Destroyer                            4 stars

In the new crime drama, Destroyer by director Karyn Kusama, Nicole Kidman gives her most gritty and unusual performance of her career.  She is Erin Bell, a corrupt and substance abusing detective with an appearance to match.  Her look is absolutely unrecognizable with bad skin and sunken eyes and a stare that can nearly kill.  In the story she is on the path of a criminal from her past, Silas, a leader of a gang of bank robbers who has resurfaced after nearly twenty years.  On a past undercover assignment, she failed to stop the deaths of several people in a robbery that Silas masterminded.  Now she is on a personal mission to right past wrongs as if she was somehow responsible for the deaths herself.  Along the way she has to deal with a sixteen year old daughter who is becoming a juvenile delinquent.  The story is likely similar to past police/crime dramas featuring a tough anti-hero, the difference being that here the main character is a woman.  There is no modern technology used here like we see in police procedurals today.  Erin Bell uses good basic police work in tracking down her target.  There are some creditable supporting roles here including Sebastian Stan as Bell’s undercover partner and Toby Kebbell as the evil Silas.  It is Kidman that is the true heart of the film as she is in virtually every scene.  One can’t help get the feeling that she is stretching for awards glory is taking on such a difficult role.  She already has received a Golden Globe nomination for the film.  One warning for viewers is that you need to pay close attention to the plot as it is told in a nonlinear fashion.  All is not as it initially appears.