Category Archives: Crime

Roman J. Israel, Esq.

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Roman J. Israel, Esq.                        3 stars

Roman J. Israel, Esq. features a wonderful performance by Denzel Washington in a movie that had great potential but falls short in the writing department.  Washington stars as Roman, an idealistic lawyer who is the junior partner in a criminal defense practice when the well-known senior partner is suddenly incapacitated by a heart attack.  Roman may be very talented in how well he knows the law, but suffers from a lack of social skills, like someone who has Asperger’s syndrome.  He gets the chance to work for a first rate lawyer played by Colin Farrell, but takes some convincing before taking on a new role.  I found that I felt for the character who has his flaws but ultimately wants to do the right thing.  The story seemed to wander for a while before it finally turns into a thriller that won’t end well for somebody.  The writer and director, Dan Gilroy could have worked out a more interesting plot before starting the production.  At least two of his earlier works, Nightcrawler and The Bourne Legacy were must more compelling.  The film is also notable for a nice performance by Carmen Ejogo as Maya, a dedicated social activist.  We’ve seen her before in It Comes at Night, Fantastic Beasts and Where to Find Them and Selma.  Denzel Washington received a well deserved Oscar nomination for this role.  Let’s hope he does even better on his next outing.

You Can See Everything

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You Can See Everything                 5 stars

In 2018 Elizabeth Holmes, the founder and CEO of the blood test startup Theranos, was convicted of defrauding investors over making false claims that their product could test for multiple diseases from a single drop of blood. Everyone can remember the fall of this seemingly brilliant entrepreneur who made the cover of Forbes magazine. Books, documentaries, podcasts and a mini-series have been made on the subject. Before her eleven-year prison sentence was to begin Holmes and her partner, Billy Evans, invited the film company A24 to document her story in an attempt to rehabilitate her image. Thus, the documentary You Can See Everything begins with director Nathan Fielder visiting them in a San Diego cottage on the beach 46 days before the incarceration is to begin. What follows over the next three hours is one of the most fascinating documentaries I can remember. The movie can be thought of in three parts. In the first, Fielder questions Holmes and Evans about their circumstances and why he was even chosen to begin with. (Fielder’s background is a comedian, certainly not someone with knowledge of medical devices.) We can see that he must tread very lightly with his questioning as he must maintain trust while at the same time seeking to get into the mind of his host. Holmes is eager to engage, but when the subject of the device and the defrauding is discussed, it is clear that she does not believe she did anything illegal or immoral. The claim about the device’s capabilities is just a matter of semantics, a misunderstanding. She believes the device actually works despite the evidence. Fielder takes one occasion to show her the famous Abbott and Costello Who’s On First? comedy routine to show her how words and phrases could mean different things to different people, but she doesn’t seem to get the reason why it is funny. Holmes and Evans even talk about starting a new Theranos again. They are committed to the cause. What? Throughout their talks, Fielder and Holmes seem to connect, but you’re not sure if either is faking it. Finally, the film crew follows her to the Texas prison where she will serve her sentence. The second part picks up after Holmes has been in prison for two years with the film crew visiting Billy Evans at their house in Texas. There they find him actively pursuing the couple’s business interests. He has regular visits with Holmes and has taken over her X account, creating messages as if he were her. Evans has become a control freak telling the director what he can and cannot talk about while filming. In the final part, Fielder takes us back to the impetus of the film. He brings Amanda Seyfried, the actress who portrayed Holmes in the mini-series The Dropout, into the movie discussing the unusual situation. Seyfried becomes a stand-in for recreations of scenes that happened when Fielder and the executives began talks about the film. There we see how controlling Billy was from the start, so we wonder: Is he manipulating Holmes through this entire endeavor? Just how much does Holmes know about Billy’s demands? The recreated scenes continue with Seyfried as Holmes when Fielder gets permission to visit Holmes in prison alone. The questions only expand in this final meeting. Who is Elizabeth Holmes? Is she a misunderstood victim, a master manipulator or pathological liar? What is the truth about her? The audience must be the judge. Psychologists will be studying this case for years. Nathan Fielder has created a masterpiece of a documentary. Look for it to get plenty of attention when the awards season starts.

Verity

Verity    1 ½ stars

Verity is Latin for the word truth. It is also the title of the new psychological thriller by Michael Showalter (The Idea of You, The Eyes of Tammy Faye) based on the novel by Colleen Hoover. Truth can come in many forms, it may not be shared by different people, and it may be very hard to find. This is especially true in Verity. The movie stars Dakota Johnson as Lowen Ashleigh, a published yet not very successful fiction writer, Anne Hathaway (who is in about half of the new movies this year) as Verity Crawford, a highly successful writer of fiction and Josh Hartnett as Verity’s husband, Jeremy. Now, do you remember my advice of what to do if a billionaire invites you to their private mansion/island/compound? Apparently, the same applies if a famous writer invites you to their secluded house in the woods. At the outset of the movie, Lowen is walking to a meeting with a publisher when she happens to meet Jeremy at a street corner where she witnesses a bicyclist get killed by a passing car and she ends up covered in the cyclist’s blood. (What a way to introduce a character.) Sympathetic Jeremy helps her get cleaned up and lends her his shirt so she can still make it to her meeting. (Never mind how traumatized she must be.) When she asks him about his reaction to the tragedy, his response is “I’ve seen worse”. Who says that? But then, Jeremy shows up at her meeting as the one making the offer to Lowen for her to be a ghost writer for his wife, Verity to continue writing her wildly successful book series. After some convincing from her agent (Ismael Cruz Cordova), Lowen accepts, but first she must move into the couple’s isolated luxury home so she can research Verity’s materials on her books. Upon arrival she meets their son, Crew, who is about five and finds out that Verity is paralyzed and in a comatose state, requiring round-the-clock care. Lowen is told that this is the result of a recent car accident. (The creepiness expands.) Lowen continues with her mission, delving into Levity’s notes and books that show that Levity writes about some very dark stuff, always from the point of view of the villain. Things take a long time to get going, but eventually we find out that these are some really fucked up people that have an extremely twisted view of things. (One thing though, with this group of actors there is no shortage of steamy sex.) Without giving too much away, Lowen is drawn into a world of deceit that will consume her. The audience too, will become uncertain of what to believe as each layer of complexity is revealed. The more I thought about what I saw, the less I liked it. The actions of the characters are so convoluted and absurd you will leave thinking that no one could think like that. By the final reveal, I was thinking why did I come see this movie. The critics mostly panned it, but it was a box office success. The author, Colleen Hoover has had three other books made into movies: “It Ends with Us”, “Regretting You” and “Reminders of Him”. I have not seen any of them. The movies are described as dull by critics but have made billions of dollars. Now I know that I don’t need to see any of them.

A Simple Favor

A Simple Favor                  4 ½ stars

A Simple Favor starring Anna Kendrick and Blake Lively seems to be a movie that is many things.  It starts as a buddy comedy movie, turns into a mystery suspense and then into a thriller.  All this is done in a good entertaining way that keeps our interest throughout as the plot brings a few unexpected twists our way.  It brings together the two talented actresses Anna Kendrick (without her Pitch Perfect singing) and Blake Lively (my favorite shark fighter girl from The Shallows) as best friends until one of them suddenly disappears without explanation leaving the other to solve the mystery of what happened together with the missing woman’s husband (Henry Golding).  The comedic Kendrick and well-paced plot is further aided by the most interesting choice of French pop music as a background that I have heard in quite a while.  Just be sure you don’t step out and miss any of the surprises along the way.  It can be a challenge to keep up with at times.

Bad Times at the El Royale

Bad Times at the El Royale           4 ½ stars

From the man who wrote The Martian and World War Z comes one of the most fun movies I have seen in a while.  Bad Times at the El Royale brings seven strangers together at a rundown hotel on the border of California and Nevada for a fateful night when someone is bound to die.  This movie is full of surprises with several turns that makes you wonder what is coming next.  Plus it has one amazing cast bringing together the talents of Jeff Bridges, Jon Hamm, Chris Hemsworth, Dakota Johnson and a relative newcomer Cynthia Erivo.  It starts with the near simultaneous arrival of four guests at the previously mentioned El Royale hotel, a place that was once a great attraction for celebrities and stars but is now rundown and has lost its appeal.  But there is something very sinister about the place, something that our guests will discover very soon.  The story is told in a nonlinear fashion as it slowly reveals secrets of each of our unfortunate characters until the shocking scene that will determine everyone’s fate.  The best scenes have to be those shared by Bridges and Erivo as they go from acquaintances to enemies to trusted allies.  This is one movie lovers need to see and I am surprised to see it hasn’t gotten more attention.  I hope we will hear more from writer director Drew Goddard in the future.

The Old Man & the Gun

The Old Man & the Gun                 4 ½ stars

There is yet another fine movie showing in the theaters now. That is The Old Man & the Gun featuring two long time legends of Hollywood, Robert Redford and Sissy Spacek.  It is a movie driven by the two main characters that really doesn’t have a lot going on.  It is based on the true story of Forrest Tucker, a convict who in the early eighties escaped from prison and carried out a string of bank robberies at age seventy that confounded the police.  What really drives the movie is Redford’s charm and his smile.  The most enjoyable parts are when he is talking with or charming Jewel (Spacek) while she thoroughly enjoys his company while believing little of what he tells her about himself.  Casey Affleck contributes to rounding out the film as he portrays the Texas lawman trying to track down Tucker and his Over the Hill gang as the crime spree spreads from one state after another.  Redford has said that this is his last picture as an actor.  I don’t know if that is true, but The Old Man & the Gun is a brilliant send off in any case.

Killers of the Flower Moon

Killers of the Flower Moon           5 stars

In the year when the movie Oppenheimer was making headlines as an epic masterpiece telling an important piece of American history, there was another equally epic movie that told of a long forgotten, shameful part of our history. Martin Scorsese’s Killers of the Flower Moon tackles the subject of Davd Grann’s true crime book of the same name, bringing this tale of greed and genocide and the ensuing federal investigation to the big screen. The subject of the film is the mysterious deaths that plagued the Osage Indians in 1920’s Oklahoma after the tribe became wealthy following the discovery of oil on their land. Their good fortune attracted the attention of whites moving to the area and what followed can be described as a systematic murder of these beautiful people. Only, Scorsese tells this story on a personal level. Ernest Burkhart (Leonardo DiCaprio in what may be his best performance) returns from World War I and needs to find work. Ernest is none too bright and loves money and whiskey. He is prone to being manipulated, which is an attractive trait to Ernest’s uncle, William Hale (Robert De Niro). Hale sees himself as a friend to the Osage people, calling himself King. He sees an opportunity and encourages Ernest to become acquainted with a young Osage woman, Mollie (Lily Gladstone). If they get married, then Ernest will become heir to Molly’s oil money should something happen to her. The two do get married and have children. Similar schemes are carried out throughout the region that include many mysterious deaths of the Osage people. Some of the deaths involve Hale and Ernest revealing the strange thing about Ernest’s character. Simultaneously, he loves his wife but also helps to carry out the murders of her family. Somehow, he is able to justify this in his mind or maybe it is just the control that his uncle holds over him. Whatever it is DiCaprio portrays the character’s confusion brilliantly. But the film really belongs to Gladstone as she makes the audience feel the pain she is going through with each death in her family and her growing mistrust of her husband. Her subtle expressions convey her feelings with a simple look or glance at Ernest. She certainly deserved the Academy Award nomination for Best Supporting Actress. The latter part of the movie covers the investigation of the murders, also a subject of the book. After seeing the film, one wonders how this scheme could have gone on for so long. It is a real American tragedy that should not be forgotten. I should note that in Scorsese fashion this movie is nearly three and a half hours long, but I felt that I never lost interest in it.

The Girl in the Spider’s Web

The Girl in the Spider’s Web                        2 ½ stars

The Girl in the Spider’s Web is the new reboot of the “Girl With the Dragon Tattoo” series of movies that first came from Sweden , then remade in the US.  It is the first based on a novel not written by author Stieg Larsson nor was it directed by David Fincher.  This movie continues the story of Lisbeth Salander (Claire Foy), a brilliant cyber tech hacker and vigilante against men who hurt women.  The journalist she teamed up with before, Mikael Blomkvist is still here but has a much smaller role in this film, so the chemistry between the two has completely vanished this time around.  Also missing is the personal nature of the conflicts that are so unique to the earlier films.  Instead Salander has almost become a female James Bond who is seeking to protect the world from a nuclear threat posed by a sinister international terrorist organization called the Spiders.  There is plenty of action as Lisbeth makes many daring escapes and rescues the targets of these terrorists.  There is also a certain amount of intrigue as the intensions of many players are only slowly revealed, a trademark of any good international thriller.  The use of technological gadgetry leads to some amazing scenes that sometimes stretches the limits of believability.  I found that to be somewhat distracting at times.  Also, I found that there were a little too many references to the name Spider.  About the sixth time that a spider crawls out of a hole or crevice I wanted to scream “OK. I get it already. It’s about spiders!”  Hopefully, this will be the last of the Dragon Tattoo series.  This story has been pretty well spent.

Minions & Monsters

Minions & Monsters       4 ½ stars

I have mostly missed out on the Minions craze that has been delighting audiences over the last 16 years, having only seen one of the previous films that feature these small creators of mayhem. This week I took in the newest film in theaters, Minions & Monsters from Universal Studios. The filmmakers lose the villain Gru character altogether and concentrate solely on the yellow pill-shaped guys and their chaotic ways that confound anyone who makes their acquaintance. They seem to constantly give raspberries and hit each other over the head. The movie is divided into two halves with the first half giving us their origin story by means of a children’s field trip to a movie museum where a guide (Alison Janney) gives us their story throughout history. It seems they have wandered the planet since ancient times looking for the perfect villain for them to faithfully serve. Unfortunately, their antics always end in disaster for the chosen villain, mainly due to two of the Minions, James and Henry, forcing the Minions to repeatedly renew their search for another villain. This continues until they find a new prospect in the form of a wild west bandit being pursued by lawmen. To the Minions this seems perfect for them, so they join in the chase only to find that they are in the filming of a movie in old Hollywood. Here is where things really get fun. The Minions have arrived during the silent film era and meet the excitable director (Christoph Waltz) of the movie they have crashed. The director says he now must start over, but when the two studio heads (Jeff Bridges, voicing two parts) see the Minions on film, they think they have found a new star and the Minions are signed for many new movies. This part is interesting to film buffs as there are countless references to old Hollywood, like Modern Times, Singin’ in the Rain, The Maltese Falcon and Citizen Kane. George Lucas even makes a brief appearance. (There is even a globe that represents the globe from Charlie Chaplin playing Hitler in The Great Dictator.) (We even find out how the Minions got their familiar coveralls clothing.) But things go badly when talkies are introduced and people find out what Minion voices really sound like. So, it’s the end of the Minions’ movie career. But James has the idea to make a monster movie if he can only find the right monster! The second half of the movie begins with James and Henry conjuring a monster from an old spell book they saved from a long dead wizard, resulting in a tiny Cthulu monster (Trey Parker of South Park fame) who promises he can deliver a truly frightening monster for James’ dream. The antics continue through this portion of the film, but I didn’t find it quite as entertaining as the earlier portion. There is a new character introduced in the form of Dort (Jesse Eisenberg), a clumsy robot who lives in a rundown apartment and resembles the robot Gort from The Day the Earth Stood Still. In a fitting ending it is up to the Minions to save Earth from the very invading monsters that they brought back. The director, Pierre Coffin, has made something that is equally entertaining to both young and older audiences. I’m sorry I haven’t seen more of these little nuisances in their earlier movies. So, check out Minions & Monsters. It should be around for a long while.

I Love Boosters

I Love Boosters                 4 stars

When I saw that the new film, I Love Boosters, was written and directed by Boots Riley, I knew that I had to see it. His first film Sorry To Bother You was at Sundance in 2018 and was a big hit. It was an absurd comedy starring LaKeith Stanfield that attacked the corporate structure of America and our class society. His second film is equally absurd and takes on the high fashion industry while glamourizing aspects of our criminal society. It stars Keke Palmer (One of Them Days, Nope, Alice) as Corvette who while out clubbing one night meets a man (LaKeith Stanfield (Judas and The Black Messiah)) and invites him back to her place. He doesn’t get what he is expecting though, since Corvette isn’t interested in sex. She wants to sell him some expensive clothes. (He does get some new shoes for his trouble.) You see, Corvette is in the business of Boosting. She, along with her two partners Sade (Naomi Ackie (Sorry, Baby and The Thursday Murder Club)) and Mariah (Taylor Paige (Zola)), (known as The Velvet Gang) seek out high-end fashion stores, steal expensive clothing and shoes and resell them to their customers at a deep discount. They have a particular interest in fashion magnate Christie Smith (Demi Moore of The Substance) who has a chain of stores for her fashion designs. Corvette sees herself as a fashion designer and wants revenge on Smith for stealing one of her designs, an outfit that has flaps on the arms and legs. The gang comes up with a plan to get jobs at one of Smith’s stores where they will rob the entire store on their lunch break. The store manager (Will Poulter) is very self-obsessed, talks down to his employees and makes them pay for their uniforms. But then someone else beats them to it and instantly removes the entire inventory of the store. This is where the movie becomes absurd. The gang catches up to the new robber, Jianhu (Poppy Liu of Hacks) who is Chinese and in possession of a transporter device developed by the Chinese government that she has stolen and has been using to transport the clothes back to China where they were originally made. Jianhu is doing this to stand up for the Chinese workers in the garment plants and against the owners and Christie Smith. So, Corvette realizes that they can all work together against their common enemy. After this point things get increasingly bizarre as it turns out the transporter can also transform things and people into an exaggerated form of themselves, leading to some very strange occurrences. There is also a skyscraper built at an angle creating slanted floors, making walking very difficult. There is a line of clothes from Smith called the hundred-thousand-dollar suits or skin suits that requires the wearers to have their skin removed to wear them and then there is the demon who is an expert in cunnilingus. Riley puts all this in the form of absurd comedy while also making a statement about workers’ rights and the injustice of the corporate culture of the fashion industry. This is the second movie I’ve seen this year attacking the high fashion world, the other being Mother Mary. The dialogue of the movie is very street urban and along with the type of comedy, bordering on slapstick, may not be for everyone. The name of the movie, I Love Boosters, was actually from a song written by Boots Riley a few years ago that sang praises to people who steal clothing and sell it to the less fortunate, portraying them as a modern Robin Hood. Obviously, Riley has had issues of race and social inequality on his mind for a long time. He has put them on display here in some very funny and odd set pieces.