Category Archives: Crime

Killers of the Flower Moon

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Killers of the Flower Moon           5 stars

In the year when the movie Oppenheimer was making headlines as an epic masterpiece telling an important piece of American history, there was another equally epic movie that told of a long forgotten, shameful part of our history. Martin Scorsese’s Killers of the Flower Moon tackles the subject of Davd Grann’s true crime book of the same name, bringing this tale of greed and genocide and the ensuing federal investigation to the big screen. The subject of the film is the mysterious deaths that plagued the Osage Indians in 1920’s Oklahoma after the tribe became wealthy following the discovery of oil on their land. Their good fortune attracted the attention of whites moving to the area and what followed can be described as a systematic murder of these beautiful people. Only, Scorsese tells this story on a personal level. Ernest Burkhart (Leonardo DiCaprio in what may be his best performance) returns from World War I and needs to find work. Ernest is none too bright and loves money and whiskey. He is prone to being manipulated, which is an attractive trait to Ernest’s uncle, William Hale (Robert De Niro). Hale sees himself as a friend to the Osage people, calling himself King. He sees an opportunity and encourages Ernest to become acquainted with a young Osage woman, Mollie (Lily Gladstone). If they get married, then Ernest will become heir to Molly’s oil money should something happen to her. The two do get married and have children. Similar schemes are carried out throughout the region that include many mysterious deaths of the Osage people. Some of the deaths involve Hale and Ernest revealing the strange thing about Ernest’s character. Simultaneously, he loves his wife but also helps to carry out the murders of her family. Somehow, he is able to justify this in his mind or maybe it is just the control that his uncle holds over him. Whatever it is DiCaprio portrays the character’s confusion brilliantly. But the film really belongs to Gladstone as she makes the audience feel the pain she is going through with each death in her family and her growing mistrust of her husband. Her subtle expressions convey her feelings with a simple look or glance at Ernest. She certainly deserved the Academy Award nomination for Best Supporting Actress. The latter part of the movie covers the investigation of the murders, also a subject of the book. After seeing the film, one wonders how this scheme could have gone on for so long. It is a real American tragedy that should not be forgotten. I should note that in Scorsese fashion this movie is nearly three and a half hours long, but I felt that I never lost interest in it.

The Girl in the Spider’s Web

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The Girl in the Spider’s Web                        2 ½ stars

The Girl in the Spider’s Web is the new reboot of the “Girl With the Dragon Tattoo” series of movies that first came from Sweden , then remade in the US.  It is the first based on a novel not written by author Stieg Larsson nor was it directed by David Fincher.  This movie continues the story of Lisbeth Salander (Claire Foy), a brilliant cyber tech hacker and vigilante against men who hurt women.  The journalist she teamed up with before, Mikael Blomkvist is still here but has a much smaller role in this film, so the chemistry between the two has completely vanished this time around.  Also missing is the personal nature of the conflicts that are so unique to the earlier films.  Instead Salander has almost become a female James Bond who is seeking to protect the world from a nuclear threat posed by a sinister international terrorist organization called the Spiders.  There is plenty of action as Lisbeth makes many daring escapes and rescues the targets of these terrorists.  There is also a certain amount of intrigue as the intensions of many players are only slowly revealed, a trademark of any good international thriller.  The use of technological gadgetry leads to some amazing scenes that sometimes stretches the limits of believability.  I found that to be somewhat distracting at times.  Also, I found that there were a little too many references to the name Spider.  About the sixth time that a spider crawls out of a hole or crevice I wanted to scream “OK. I get it already. It’s about spiders!”  Hopefully, this will be the last of the Dragon Tattoo series.  This story has been pretty well spent.

Minions & Monsters

Minions & Monsters       4 ½ stars

I have mostly missed out on the Minions craze that has been delighting audiences over the last 16 years, having only seen one of the previous films that feature these small creators of mayhem. This week I took in the newest film in theaters, Minions & Monsters from Universal Studios. The filmmakers lose the villain Gru character altogether and concentrate solely on the yellow pill-shaped guys and their chaotic ways that confound anyone who makes their acquaintance. They seem to constantly give raspberries and hit each other over the head. The movie is divided into two halves with the first half giving us their origin story by means of a children’s field trip to a movie museum where a guide (Alison Janney) gives us their story throughout history. It seems they have wandered the planet since ancient times looking for the perfect villain for them to faithfully serve. Unfortunately, their antics always end in disaster for the chosen villain, mainly due to two of the Minions, James and Henry, forcing the Minions to repeatedly renew their search for another villain. This continues until they find a new prospect in the form of a wild west bandit being pursued by lawmen. To the Minions this seems perfect for them, so they join in the chase only to find that they are in the filming of a movie in old Hollywood. Here is where things really get fun. The Minions have arrived during the silent film era and meet the excitable director (Christoph Waltz) of the movie they have crashed. The director says he now must start over, but when the two studio heads (Jeff Bridges, voicing two parts) see the Minions on film, they think they have found a new star and the Minions are signed for many new movies. This part is interesting to film buffs as there are countless references to old Hollywood, like Modern Times, Singin’ in the Rain, The Maltese Falcon and Citizen Kane. George Lucas even makes a brief appearance. (There is even a globe that represents the globe from Charlie Chaplin playing Hitler in The Great Dictator.) (We even find out how the Minions got their familiar coveralls clothing.) But things go badly when talkies are introduced and people find out what Minion voices really sound like. So, it’s the end of the Minions’ movie career. But James has the idea to make a monster movie if he can only find the right monster! The second half of the movie begins with James and Henry conjuring a monster from an old spell book they saved from a long dead wizard, resulting in a tiny Cthulu monster (Trey Parker of South Park fame) who promises he can deliver a truly frightening monster for James’ dream. The antics continue through this portion of the film, but I didn’t find it quite as entertaining as the earlier portion. There is a new character introduced in the form of Dort (Jesse Eisenberg), a clumsy robot who lives in a rundown apartment and resembles the robot Gort from The Day the Earth Stood Still. In a fitting ending it is up to the Minions to save Earth from the very invading monsters that they brought back. The director, Pierre Coffin, has made something that is equally entertaining to both young and older audiences. I’m sorry I haven’t seen more of these little nuisances in their earlier movies. So, check out Minions & Monsters. It should be around for a long while.

I Love Boosters

I Love Boosters                 4 stars

When I saw that the new film, I Love Boosters, was written and directed by Boots Riley, I knew that I had to see it. His first film Sorry To Bother You was at Sundance in 2018 and was a big hit. It was an absurd comedy starring LaKeith Stanfield that attacked the corporate structure of America and our class society. His second film is equally absurd and takes on the high fashion industry while glamourizing aspects of our criminal society. It stars Keke Palmer (One of Them Days, Nope, Alice) as Corvette who while out clubbing one night meets a man (LaKeith Stanfield (Judas and The Black Messiah)) and invites him back to her place. He doesn’t get what he is expecting though, since Corvette isn’t interested in sex. She wants to sell him some expensive clothes. (He does get some new shoes for his trouble.) You see, Corvette is in the business of Boosting. She, along with her two partners Sade (Naomi Ackie (Sorry, Baby and The Thursday Murder Club)) and Mariah (Taylor Paige (Zola)), (known as The Velvet Gang) seek out high-end fashion stores, steal expensive clothing and shoes and resell them to their customers at a deep discount. They have a particular interest in fashion magnate Christie Smith (Demi Moore of The Substance) who has a chain of stores for her fashion designs. Corvette sees herself as a fashion designer and wants revenge on Smith for stealing one of her designs, an outfit that has flaps on the arms and legs. The gang comes up with a plan to get jobs at one of Smith’s stores where they will rob the entire store on their lunch break. The store manager (Will Poulter) is very self-obsessed, talks down to his employees and makes them pay for their uniforms. But then someone else beats them to it and instantly removes the entire inventory of the store. This is where the movie becomes absurd. The gang catches up to the new robber, Jianhu (Poppy Liu of Hacks) who is Chinese and in possession of a transporter device developed by the Chinese government that she has stolen and has been using to transport the clothes back to China where they were originally made. Jianhu is doing this to stand up for the Chinese workers in the garment plants and against the owners and Christie Smith. So, Corvette realizes that they can all work together against their common enemy. After this point things get increasingly bizarre as it turns out the transporter can also transform things and people into an exaggerated form of themselves, leading to some very strange occurrences. There is also a skyscraper built at an angle creating slanted floors, making walking very difficult. There is a line of clothes from Smith called the hundred-thousand-dollar suits or skin suits that requires the wearers to have their skin removed to wear them and then there is the demon who is an expert in cunnilingus. Riley puts all this in the form of absurd comedy while also making a statement about workers’ rights and the injustice of the corporate culture of the fashion industry. This is the second movie I’ve seen this year attacking the high fashion world, the other being Mother Mary. The dialogue of the movie is very street urban and along with the type of comedy, bordering on slapstick, may not be for everyone. The name of the movie, I Love Boosters, was actually from a song written by Boots Riley a few years ago that sang praises to people who steal clothing and sell it to the less fortunate, portraying them as a modern Robin Hood. Obviously, Riley has had issues of race and social inequality on his mind for a long time. He has put them on display here in some very funny and odd set pieces.

Touch of Evil

Touch of Evil                       5 stars

I recently viewed Orson Welles’ classic film about an ethical lawman facing off against a corrupt police captain, Touch of Evil, starring Charton Heston as Mike Vargas, the Mexican drug enforcement officer, and Welles as Hank Quinlan, the corrupt American police captain. It is a film full of notable performances but is equally known for Welles’ inventive ways of filming shots and for its labyrinthine plot. It’s important to note that I saw the restored version that was made in 1998 based on the extensive notes that Welles wrote after his disappointment with the edited version that the studio released in 1958. The story takes place in and around a Mexican-American border town with rundown storefronts, hotels and brothels. In one of Hollywood’s best known long takes we follow a doomed car with a planted bomb driven by a wealthy American through the streets of the town for 3 minutes and 20 seconds before it finally explodes. (In the restored version we hear the sounds of the street and background music instead of the theme music the studio used.) The investigation is led by the very heavy and alcoholic Quinlan with bystander Vargas inconveniently inserting himself into the case. Vargas’ new American wife, Susan (Janet Leigh) is accompanying him and eventually finds herself the subject of attention of a local gang. The story becomes rather complicated but basically involves Quinlan trying to frame the car bomb crime on a local Mexican boy with Vargas getting in the way, then Quinlan getting revenge by setting up Vargas and his wife to take the blame for murder and drug crimes. With the longer restored version the plot becomes easier to follow than in the original studio version. As the plot progresses, the drunken Quinlan, who has a history of faking evidence, becomes more obsessed and reckless with a scheme to stop Vargas. Toward the end of the movie in a scene with a fortune-telling madam (Marlene Dietrich), Quinlan asks, “Come on, read my future for me.” She responds prophetically, “You haven’t got any.” Quinlan is racist and has contempt for the local Mexicans he encounters. My only criticism is that Heston does not make a convincing Mexican. He has only a couple of short lines spoken in Spanish. Otherwise, Touch of Evil is a masterpiece by Welles and his cinematographer, Russell Metty. They implement multiple tracking shots with a moving camera in Welles’ innovative style. Two other notable appearances are Zsa Zsa Gabor as a strip club owner and Dennis Weaver as a very odd night clerk at a seedy motel. The film was named the best picture at the 1958 Brussels World Fair, but got even more recognition much later from film critics in the late 1990’s. If you can find it be sure it is the 1998 restored version. You will be pleased.

Destroyer

Destroyer                            4 stars

In the new crime drama, Destroyer by director Karyn Kusama, Nicole Kidman gives her most gritty and unusual performance of her career.  She is Erin Bell, a corrupt and substance abusing detective with an appearance to match.  Her look is absolutely unrecognizable with bad skin and sunken eyes and a stare that can nearly kill.  In the story she is on the path of a criminal from her past, Silas, a leader of a gang of bank robbers who has resurfaced after nearly twenty years.  On a past undercover assignment, she failed to stop the deaths of several people in a robbery that Silas masterminded.  Now she is on a personal mission to right past wrongs as if she was somehow responsible for the deaths herself.  Along the way she has to deal with a sixteen year old daughter who is becoming a juvenile delinquent.  The story is likely similar to past police/crime dramas featuring a tough anti-hero, the difference being that here the main character is a woman.  There is no modern technology used here like we see in police procedurals today.  Erin Bell uses good basic police work in tracking down her target.  There are some creditable supporting roles here including Sebastian Stan as Bell’s undercover partner and Toby Kebbell as the evil Silas.  It is Kidman that is the true heart of the film as she is in virtually every scene.  One can’t help get the feeling that she is stretching for awards glory is taking on such a difficult role.  She already has received a Golden Globe nomination for the film.  One warning for viewers is that you need to pay close attention to the plot as it is told in a nonlinear fashion.  All is not as it initially appears.

Blindspotting

Blindspotting                     4 ½ stars

Blindspotting deals with some very familiar issues to the movies but does things differently from what we are used to.  Two friends, Collin and Miles are childhood friends, one white and one black.  They work together at a moving company and Collin has three days left on probation stemming from an assault charge because of a bar fight.  Then he witnesses a police shooting of an unarmed black man which has a profound effect on his life.  Both characters go through some challenging situations where they realize that all individuals have many aspects to their lives, but others tend to limit their view of them, thus creating the term Blindspotting, invented by the filmmakers.  The film was co-written by the two main actors (Daveed Diggs and Rafael Casal) who have been friends for many years.  The film is set against the backdrop of Oakland, California as it undergoes a transformation brought about by rapid gentrification.  Also, many scenes in the movie are done in spoken verse, also known as hip-hop.  The movie was one of the main features at the 2018 Sundance Film Festival and received some rave reviews.  There are some very violent scenes to be aware of as expected for this kind of movie.

BlackkKlansman

BlackkKlansman                 5 stars

I finally watched the Spike Lee movie BlackkKlansman from last year and have to say the wait was worth it.  This film about a black cop in Colorado Springs in the seventies who infiltrates the local Ku Klux Klan chapter in every bit as relevant today as it is for the times that it portrays.  The movie is quite graphic with the colorful language that the white racists to describe the blacks that live in their city.  There is little left to the imagination here.  And the cops who are working undercover to infiltrate “The Organization” have to appear to be every bit as racist as those they are investigating.  I understand that when Lee was introduced to the book it is based on, he took an immediate interest in it and wanted to include some comedic elements that he is known for and he wanted to relate it to events today.  To that end he shows us the confrontation that happened in Charlottesville in 2017 so that we are reminded that this hateful element of American society is still here and shows no signs of lightening.  Both John David Washington and Adam Driver were excellent in their roles.  And Topher Grace does a creditable job of portraying David Duke, the leader of the Klan.  The film well deserved its Oscar for Best Adapted Screenplay and will provide plenty of opportunity for discussion and analysis.

Shoplifters

Shoplifters          5 stars

I had not heard much about Shoplifters before, last year’s Best Foreign Language film from Japan.  It’s about a very poor family living in a shack in Japan and what they have to do to survive including shoplifting from local stores.  It appears that there is a father, Osamu, a mother, Nobuyo, a grandmother and a teenage daughter and young son.  The couple find a little girl of about five freezing in the cold one night and take her in.  Rather than take her to the police they keep her and care for her as they surmise she was not treated well by her own family.  This movie develops very slowly and I thought that it was a movie mainly about the characters and how they relate to each other without much of a plot, something that shows how the less fortunate live.  However, there are signs along the way that suggest there is more going on here at first glance, so later in the film we learn that there are some hidden secrets that when revealed will test the strength of the ties holding this group together.  I was very presently surprised and impressed with how the film ended.  Rotten Tomatoes rated Shoplifters the second best foreign film of the year after Roma.

The Insult

The Insult            2 ½ stars

Critics and audiences alike seemed to like this courtroom drama set in Lebanon about a Lebanese man taking a Palestinian refugee to court over an incident in which the Lebanese man provoked an insult from the Palestinian.  The courtroom battle spills over into a giant media circus as the case gets nationwide attention and the population takes sides according to their political beliefs.  It was well acted and directed but I had a tough time relating to the story as the premise seemed somewhat farfetched to me.  Most people would settle such an incident privately.  And of course not being from the Middle East it is hard to relate to the cultural differences that would exist among the ethnic groups in Lebanon.  The Insult received an Academy Award nomination for Best Foreign Language film.