Category Archives: Music

Rocketman

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Rocketman         4 stars

From Director Dexter Fletcher comes Rocketman, a dramatic musical telling of the rise of musical prodigy Reginald Dwight into international superstar Elton John.  The film tells the story in a most unconventional way as it uses John’s songs as part of the narrative with characters doing some of the singing to describe their part.  Taron Egerton does a convincing performance as the adult Elton John including doing his own singing.  A central part of the movie is John’s checking into rehab after realizing his problem with drugs and alcohol where he recounts the story of his life to the members of the group.  Key to Elton John’s success is his collaborating partner, Bernie Taupin (Jamie Bell) who stood with him through his difficult journey.  John was a producer of the film and made sure that it told about his many problem’s through the seventies and eighties that included his addictions and lack of acceptance as a homosexual by his family and others.  Bryce Dallas Howard is memorable as the mother of the young Reginald in the movie’s early scenes.  Mostly though the movie is a joy to watch as it shows his many musical creations came to be.

Sirat

Sirat       4 ½ stars

At the opening of Sirat we see the words on the screen telling us that Sirat is the path between heaven and hell and that it is narrower than a strand of hair and sharper than a sword. These words serve as a warning for what the viewer is in for. Sirat, by Spanish film director Oliver Laxe, is the most slow-burning and harrowing film I have seen in a long time. As it progresses it becomes a test of endurance for the movie goer. The movie starts with hands building a large stack of speakers somewhere in the desert. Eventually, they are in place and the music starts. The sound we hear is that of loud rave music with a steady beat and non-melodic sound with over a hundred people seen dancing. They are some where in the Moroccan desert next to a mountain range. Luiz (Sergi López), a middle-aged Spanish man is wandering through the crowd with his young son, Estaban and their dog, showing a photo of his daughter to people asking if they have seen her. His daughter has been missing for months, and she was known to frequent these illegal rave events. Then a truck carrying armed soldiers appears, stopping the event and forcing the dancers to leave. As the crowd starts to drive away, a quintet of rave followers who are part of the crew drives off on their own path and Luiz decides to follow them in the hope that he may learn of the whereabouts of his daughter. There is another rave to be held in the desert in a few days, and they intend to get there driving through the desert. (They are driving a large truck and an RV, but Luiz and his son are in a mini-van that is not equipped for the rough roads.) We hear radio reports making vague references to there being a state of war. Later, they see troop convoys making their way through the desert. This movie is not about the search for a missing daughter, but something much more ominous and existential. Initially, it may look like a road trip movie, but it isn’t Thelma and Louise or even Mad Max. These travelers find themselves in one of the most isolated and unforgiving places imaginable. It is a place practically devoid of human or animal life. The mood of the film changes to something more ominous and is aided by a loud and hypnotic sounding score like nothing I have heard before. There are long stretches of the film showing the voyagers driving through the plains and on dangerous mountain roads with quiet rest stops along the way. As they make progress one gets the feeling of dread and heightened tension while wondering where the film is going. Then the sudden shock comes at the most unexpected time leaving the viewer completely stunned. The film may be described as an obscure arthouse film, but it is absolutely devastating and will not be forgotten. Besides López, all the cast are non-professionals who Laxe found among actual rave goers as he has followed the rave scene for the last six years. Thus, the actors are very authentic. Sirat is nominated for Academy Awards in the Best International Feature and Best Sound categories and is deserving in both categories. Of the nominated foreign films I have seen, I find only The Secret Agent to possibly be superior to this extraordinary film. You are warned though that this one is not for everyone.

Mary Poppins Returns

Mary Poppins Returns   3 1/2 stars

I finally got to see last year’s Mary Poppins Returns, the long overdue sequel to the original Mary Poppins from the sixties starring Julie Andrews.  This time around it is Emily Blunt taking on the title role, a daunting task that she lives up to very well, capturing the personality and always in control attitude of the magical nanny.  This time she is back to take care of the new Banks family with young Michael (Ben Whishaw) who is widowed and Jane (Emily Mortimer) all grown up and in a crisis as Michael’s own employer is about to foreclose on the family house.  Mary takes the three children on some thrilling adventures through animated lands much like in the original movie and finds time to rescue the family from their troubles.  It is also fun to see Lin-Manuel Miranda as the always smiling and cheerful lamplighter, Jack and Dick Van Dyke in a brief special role as the owner of the bank.  There also memorable appearances by Meryl Streep, Colin Firth and Angela Lansbury.  It is very tough to be compared to such a masterpiece as Mary Poppins, a movie I loved watching repeatedly as a child.  The musical numbers may not be quite up to the level of the creations that made the original movie so memorable.  The tunes don’t stick with me the way they did, but then I’m not a nine year old anymore.  Maybe today’s kids will find Mary Poppins Returns to be as enchanting as the original seemed to me way back then.

Judy

Judy       4 ½ stars

The highly anticipated biopic Judy features Renee Zellweger as the doomed singer-actress Judy Garland in her final months before she died.  This is truly a showcase of Zellweger’s talents as she clearly captures the decline of the health and stature of one of America’s greatest talents.  Those who remember Garland from the sixties will find Zellweger’s approach to the role as remarkable as she is engulfed by the character.  I am so glad that the story was not the usual biopic piece that covers a performer’s entire career, but rather only focuses on a brief period of Garland’s life, that being the London tour she went on in 1969 only six months before she died of a barbiturate overdose.  This allows us to see what feels like a complete story that doesn’t jump over large periods of time.  It also allows the supporting characters to have parts that blend in with the story.  There are flashbacks to Garland’s early years as a child star under the control of the studio headed by Louis B. Mayer.  These scenes are meant to show how she had no childhood as her personal life blends into her onscreen performances including how she was given amphetamines to keep her energy up.  The movie is not all tragedy though as the viewer will be delighted to see her with adoring fans and to see a moving rendition of Somewhere Over the Rainbow near the end of the movie.  A near certainty is that Renee Zellweger will be expected to take home the Best Actress Academy Award next year.

Cats

Cats                                       1 ½ stars

I am sure that everyone has heard about the screen adaptation of the Broadway musical Cats that recently hit theaters.  There has been plenty of controversy about it mainly about the CGI effects making the cast look like some sort of human-cat hybrids.  So I had to see it for myself and it was something of a shock.  There are plenty of stars on the screen in a story that is confusing at best.  I will try to give some description of what is going on.  The story concerns a tribe of cats called the Jellicles that hang out around an abandoned theater in London.  One night a new cat called Victoria portrayed by ballerina Francesca Hayward, is tossed on the street where she is introduced to an array of felines that all have their own stories.  It happens to be the annual night of the Jellicle Ball when the old cat Deuteronomy (Dame Judy Dench) makes the choice of which of the eligible cats is worthy to be chosen to ascend into the Heaviside Layer and be rewarded with a new life.  Each of the possible choices gets a featured performance involving music and dance which includes Rebel Wilson’s fat and comical Jennyanydots, James Cordon’s Bustopher Jones, Jason Derulo’s Rum Tum Tugger, Ian McKellen’s Gus the Theater Cat (in one of the best performances), Jennifer Hudson’s Grizabella, who sings the powerful “Memory” and Laurie Davidson as the classic Mr. Mistoffelees, the mysterious magical cat.  Unfortunately, there is a scheming villain, the evil Macavity (Idres Elba) who uses his magic powers to exile each of the felines onto a boat in the Thames where his henchman Growitiger (Ray Winstone) holds them all prisoner.  This way Macavity plans to be the one to achieve the coveted Heaviside Layer for himself.  Macavity is enabled by his associate, Bombalurina, a wily cat played by Taylor Swift who puts her own spell on the Jellicles using her own brand of catnip.  Can the Jellicles overcome these magic spells and defeat Macavity?  By this time does anybody care?  The CGI costumes are very distracting with the cat ears, cat tails and other features applied to the cast.  And then there are the miniature creatures featuring dancers representing the mice and cockroaches that the cats are hungry for.  I felt the film may have had more success if it was just treated as a stage production on film without all the special effects.  They could have saved themselves a lot of money besides.  So now you know what Cats is all about.  Now you will be able to save yourselves the torture of enduring this mad spectacle.

Cold War

Cold War                              4 stars

Cold War by director Pawel Pawlikowski is a passionate and tragic love story between two talented musicians who are caught up in the tensions between the East and West during the Cold War in Europe of the 1950’s and 1960’s.  Music teacher Wiktor meets young student Zula in a dance and music ensemble where the talented young people are taught folk songs and dance in post-war Poland.  The two are obsessed with each other while also training for performances that serve the communist state.  Eventually, Wiktor comes up with a plan to defect to the west, but Zula is reluctant to leave her home and travel to Paris where life would be foreign to her.  The movie then covers the period in the fifties when tensions were the highest, but still the pair are able to meet in various European cities as the ensemble goes on tour.  Even though the two have their own separate lives by now they still have a passion for each other accompanied with fierce disagreements and fighting.  This is all set against the background of musical performances that compare the communist influenced folk music of the East with the decadent jazz and pop music of the west.  And the entire movie is shot in black and white giving it a depressing feeling.  Pawlikowski says that his inspiration was the marriage of his parents which was characterized by separations and fighting and a tragic ending, thus he had a real story to tell.  Pawlikowski made the movie Ida, another tragedy set in Poland back in 2014. Cold War was nominated for the Best Foreign Film Academy Award last year.

Yesterday

Yesterday            3 stars

Recently we have been getting a string of movies that honor musicians of the past.  See Bohemian Rhapsody, Rocketman and Blinded by the Light.  Last year’s Yesterday was Danny Boyle’s tribute to the music of The Beatles which imagines what it would be like if the legendary British rock group never existed.  In this movie an alternate timeline suddenly appears where nobody remembers The Beatles except for one struggling British musician, Jack.  After a mysterious bus accident when the lights go out all over the world, Jack discovers that he is the only one who can remember the band’s songs.  Thus, he has moved into an alternate timeline where not only the Beatles, but also Coke and cigarettes do not exist.  Jack is so obsessed with remembering and recreating the songs that after singing them he goes a step further and claims that he actually the songs himself, a move that brings him wide acclaim and fame.  He even gets the aid of singer/songwriter Ed Sheeran who appears as himself.  In the end though the thing that is most important to Jack is his manager, Ellie, who he has known since childhood.  Thus, the movie becomes more of a romantic comedy than an exploration of what made the Beatles so great.  There is really no exploration of the group or the times that their music was born in.  I understand that the original script was more about the occurrence of the alternate timeline and less of a romantic comedy.  I can’t help but wonder what an interesting movie that would have been.  Nevertheless, it was very entertaining to hear many of the Fab Four’s great hits again.

American Symphony

American Symphony                      4 ½ stars

The 2023 film American Symphony by filmmaker Matthew Heineman started as a project to follow musician Jon Batiste as he worked on his classical composition “American Symphony” but turned into a much bigger story about life. In 2021 The band leader of Stephen Colbert’s The Late Show had just been nominated for 11 Grammys and granted Heineman access to his life as he worked on this piece. Batiste was writing a classical piece but making it more modern using new styles and musicians from a variety of backgrounds to make it avant-garde compared to traditional classical music. It was quite unusual for a pop musician to enter this genre let alone a black musician, but Batiste gives it all the attention and effort he can. But while this is transpiring on screen, it is discovered that Batiste’s girlfriend/wife Suleika Jaouad has had a recurrence of bone cancer and must undergo lengthy chemotherapy treatments. So, on top of writing the new piece and preparing for the Grammys, Batiste was dealing with the crisis of supporting Suleika through this new crisis. Jaouad is herself a writer and painter producing her own works of art, continuing her efforts through the treatment. The two of them go through tough challenges, encouraging each other, while surprisingly still granting the filmmaker access to their lives. One type of film I especially enjoy is those that show the unfolding creative process of writing music. In American Symphony we see not only Batiste’s struggles with creating his masterpiece, but also the intimate look at a couple going through a difficult time in their lives. The film ends with the finished product being performed for one time only in front of a packed crowd in Carnegie Hall. It is a triumphant finish to a very emotional story. The movie was nominated for the Academy Award for Best Original Song for the song It Never Went Away which is played at the end of the movie.

Christopher Robin

Christopher Robin            3 ½ stars

Christopher Robin brings us a new chapter in the story of the boy who went on adventures in the Hundred Acre Woods with his slow witted friend, Winnie the Pooh and his many friends.  This Disney movie picks up the story thirty years later when Pooh seeks out Christopher (Ewan McGregor), now a grown man with his family living in London and working for a luggage company.  It’s a charming story with a good family message about friends supporting each other through their trials.  The animal characters are done with CGI effects that make them look like talking stuffed animals and they keep their familiar characteristics from the cartoons.  This animation is much preferable to the new trend in Disney movies that make animals look as real as possible.  The character of Eeyore, the depressed donkey is especially entertaining as he always puts himself down and sees the worst side of every situation.  Christopher Robin isn’t quite as good as the original animated movies based on A. A. Milne’s children’s stories, but it is entertaining.  The audience is probably older than the children that enjoy Winnie the Pooh as there is certainly a darker tone of Christopher dealing with his family and work troubles.

The Color Purple

The Color Purple              4 stars

In 1985 Steven Spielberg made the movie The Color Purple based on the 1982 book. Then in 2006 it was made into a Broadway musical and revived in 2015. In 2023 it was again brought to the screen. I just recently came to view it. By now the story of Celie, a poor uneducated black woman in early 20th century rural Georgia who suffers brutal abuse at the hands of her father and then her husband is familiar to audiences. In this musical version the role of Celie, originally done by Whoopie Goldberg in the Spielberg movie, is performed by Fantasia Barrino of American Idol fame. Her voice in her musical numbers and her acting in scenes as she quietly endures abuse from the men in her life are the best things about the movie. (She is actually reprising the role from the Broadway production and is certainly right for the part.) She is equally engaging in the moments of expressing joy when she is with her sister, Nettie (Halle Bailey and Ciara) and others that she loves. (According to Fantasia’s resume, this is her only notable film role.) Other actors of note are Danielle Brooks (Clemency) as the outspoken Sofia (originally done by Oprah) who won’t stand for the abuse heaped on women by men, but is later beaten into quiet submission by the blatant racism of the South, as well as Taraji P. Henson as blues singer Shug Avery who brings hope to Celie by showing her the sheer joy of living when one is near the ones they love. Also excellent is Colman Domingo in the part of Mister, Celie’s abusive husband who only sees her as the equivalent of a slave that must be regularly beaten into obedience. Not only do we experience his cruelty but get a sense of how he came to be this way, enduring his own pain, and we eventually see how he realizes the error of his ways and seeks to make amends. The musical numbers are lively and cinematic, but they tend to overshadow the central message of the story, which is love of family and treasuring time together. This movie directed by Blitz Bazawule is almost entirely focused on Celie as she overcomes adversity and finds her voice. Though I enjoyed the movie, I find that I prefer the original Spielberg film over this reimagining.