Category Archives: Drama

The Insult

The Insult            2 ½ stars

Critics and audiences alike seemed to like this courtroom drama set in Lebanon about a Lebanese man taking a Palestinian refugee to court over an incident in which the Lebanese man provoked an insult from the Palestinian.  The courtroom battle spills over into a giant media circus as the case gets nationwide attention and the population takes sides according to their political beliefs.  It was well acted and directed but I had a tough time relating to the story as the premise seemed somewhat farfetched to me.  Most people would settle such an incident privately.  And of course not being from the Middle East it is hard to relate to the cultural differences that would exist among the ethnic groups in Lebanon.  The Insult received an Academy Award nomination for Best Foreign Language film.

Mother Mary

Mother Mary     4 stars

I can’t say that Mother Mary by director David Lowery was not what I expected, since I went into the movie without first knowing anything about it. I can say that it is not about what you would think after viewing the first half of the movie and that it defies categorizing in any specific genre. We start out seeing the pop icon, called Mother Mary (Anne Hathaway (The Devil Wears Prada)) on stage at a stadium filled with screaming fans as the voice of someone else is heard expressing hate filled thoughts lambasting the object of their contempt. Mother Mary is a huge pop star a la Madonna or Lady Gaga, who is typically dressed in the most elaborate costumes one can imagine. But she has experienced a sort of nervous breakdown on stage that went viral, and now she feels she is not able to perform for her next gig because the dress designed for her does not feel right. So, she seeks out her former fashion designer, Sam Anselm (Michaela Coel (Chewing Gum, Black Panther: Wakanda Forever)) who was a close friend until a few years earlier. Sam now lives on a large English country estate where she is arranging a show for her work. Mary asks (or begs) her to make a new dress for her show in only three days. Despite being occupied with her own show, Sam agrees but only after making a few passive aggressive remarks to her desperate former friend, revealing how she felt betrayed by Mary. In her enormous barn that serves as her workshop, Sam and Mary have a very long discussion about what the dress should be like that takes up to half of the movie. But this discussion is not really about a dress at all. It’s about two people expressing their pain over a damaged relationship, just as the movie is not just about a pop star and a fashion designer. These two actresses perform the roles expertly, bringing an ever-increasing feeling of pain to the screen. As they delve into the past with previous performances of Mary’s played out on screen, the entire mood of the film changes and it becomes more of a psychological thriller, eventually blowing up into a nightmare. We find out that the two have even more in common than a past friendship. Let’s just say that there is a mysterious creepy presence and that a séance is involved (featuring the artist FKA Twigs). There will be chance for healing but only after the two suffer through some intense pain. David Lowery is previously known for a movie called A Ghost Story, about a couple that shares a connection. This gives a clue as to what Mother Mary is about. The pair of Anne Hathaway and Michaela Coel couldn’t be better matched to play their roles opposite each other. Both are top notch actresses. And it doesn’t hurt that some of the music was written by British pop star Charlie XCX. Hathaway is presently featured in The Devil Wears Prada 2 and Coel is starring in The Christophers, now in theaters. So, there is opportunity to see more performances of both!

At Eternity’s Gate

At Eternity’s Gate            4 stars

At Eternity’s Gate is director Julian Schnabel’s portrayal of painter Vincent Van Gogh through the last years of his life, when he produced some of his best paintings.  This film stars Willem Dafoe as the master painter in a truly outstanding role.  The story is not told as a typical biopic however, as it includes some very artistic expressions of the emotions that Van Gogh experiences in his life.  Some of these methods may turn off some viewers, but they certainly are imaginative.  Despite the troubles that Van Gogh has, the movie tries to show us the great optimism he has as he tells how he feels about nature and how it can lead people to meaningful experiences and bring us together.  It also shows how he was misunderstood which led to his being placed in an asylum for a period and the alternate theories surrounding his mysterious death.

Diane

Diane                                    4 ½ stars

I happened upon Diane purely by accident as I was intending to see something different but was foiled in getting to the theater on time.  Diane is a low key movie starring Mary Kay Place as a sixty something woman living in a rural area who selflessly looks after the well-being of those around her who are in need, whether they be sick friends, the poor needing to be fed at the soup kitchen or her drug addicted adult son whose life is a wreck.  At the same time she loathes those who could make their lives better but refuse.  While Diane appears to be a saint there is something in her past that she clearly regrets and has not gotten over how she wronged someone close to her.  This movie is something you don’t see very often in film, a serious treatment of a person from rural America as a realistic subject.  I really got the feeling that this was a real person going through some very troubling times, thanks to the very realistic and emotional performance by Mary Kay Place.  The film was aided by some outstanding performances by the supporting cast as well.  If you run across this film in your search for movies don’t pass this one up.

The Miseducation of Cameron Post

The Miseducation of Cameron Post          4 stars

I recently saw The Miseducation of Cameron Post, a little seen movie from last year by director Desiree Akhavan and recipient of the Sundance Film Festival Grand Jury Prize.  The film tackles the subject of gay conversion therapy for wayward teens in 1993, which was a prevalent thing then.  It stars Chloe Grace Moretz as Cameron Post, the teen girl caught making out with her female best friend who then gets sent off to a Christian gay conversion camp by her relatives.  The topic has been tackled before but feels real here as Moretz gives a convincing performance that is aided by two costars playing teens that she connects with at the camp.  The camp directors (John Gallagher Jr. and Jennifer Ehle) use half thought out methods on their subjects that seem to mainly make the kids feel badly about who they are.  (Each has to create an iceberg on paper that lists what they don’t like about themselves.)  One nice thing about it is how the film is not all heavy drama but includes several moments of comedy (making it different from Boy Erased also from last year).  Miseducation does show us the pain that these young people go through as they experience what can only be described as abuse.  One scene near the end involving a troubled teen is especially shocking.  See it if you can find it.  It is just too bad that so few people saw it when it hit the theaters.

The Voice of Hind Rajab

The Voice of Hind Rajab                5 stars

One of the most important films of 2025 must be The Voice of Hind Rajab, written and directed by Kaouther Ben Hania of Tunisia. She heard of an incident that happened in Gaza in January 2024 where during the war, a six-year-old girl named Hind Rajab was killed by the IDF. The manner of her death was most harrowing. For hours she was trapped inside a car with the dead bodies of family members and was in telephone contact with volunteers at the Palestine Red Crescent Society. The volunteers tried frantically to get an ambulance to her while dealing with the bureaucratic nightmare of messages being passed to the Red Cross, then the IDF Cogat, then to the IDF in Gaza and back again. Ben Hania chose to represent the events by confining the action to the call center in Ramallah where four actors played the roles of the volunteers who were on the phone with the girl and with the government agencies. She chose not to represent Hind Rajab with an actor but instead used the actual audio recordings of her voice as part of the movie. The results are some of the most intense moments I can remember seeing on the screen. The three volunteers, Rana, Omar and Nisreen go from frantic to reassuring as they deal with the frustration of the situation but also try to keep the child calm in the face of danger, while Mahdi is trying to relay the urgency of the danger to the bureaucrats on the line. The scenes are gut-wrenching as we hear Hind Rajab’s small voice describing the terror around her but also calm as the volunteers try to reassure her that help is coming. But, alas, it never comes. The movie was honored with a nomination for the Best International Academy Award. I recall one other movie with a similar setup, limiting the action to a call center with voices on the phone, that being The Guilty, in 2018. That one though was entirely fictional, but still equally dramatic. I recommend The Voice of Hind Rajab if you are up for something this intense.

Breathless

Breathless           5 stars

I took the chance to see one of the great films of the classic film era. According to many lists Breathless or À Bout de Souffle by French director Jean-Luc Godard ranks as one of the best films ever made. It is part of the French New Wave era in film or Nouvelle Vague, films that appeared rougher than the traditional films of the time. It was released in 1960 and is listed as number 12 on the Films 101 list of the 100 greatest films of all time and stars two actors who went on to have many notable film roles later. The movie was filmed in Paris on a shoestring budget and is entirely in black and white. The story is a simple one. Michel (Jean-Paul Belmondo) is a small-time criminal who wears a fedora, always has a cigarette in his mouth and thinks of himself as a tough Humphrey Bogart. But, in fact he is quite unattractive. He survives by pickpocketing and stealing cars and is being hunted by the police for killing a police officer. He has fallen for Patricia (Jean Seberg), a young American journalism student working for the Paris edition of the New York Herald Tribune and wants to enroll at the Sorbonne. Michel begs her to run away to Italy with him and hangs out at her small apartment while he’s not out trying to score some cash. Patricia is all too willing to go along with him despite his being a criminal and his appearance. There is something about his confidence that attracts her. The pair go well together because of their shared narcissism, and their being oblivious to what is going on in the world around them. The film is notable for several things. Godard invented a technique of editing where he cut segments of film within a scene creating jumps. He said he wanted to make the scenes shorter by cutting out the boring parts. (This practice is now common in action films.) Some of the actors were actually the filmmakers themselves including the screenwriter, Pierre Boulanger, writer of the original story, Francois Truffaut, Godard himself and the assistant director, Pierre Rissient. This helped keep the budget quite small. Godard even used handheld cameras in a time when cameras were quite heavy. The film is full of references to other great works or Easter Eggs as they are called. One extended scene in the middle of the film is exceptional where Patricia comes home to her apartment and finds Michel there in her bed. They talk on and on, flirt with each other and finally end up in bed together. The 21-year-old American Seberg who left the US after some bad film reviews to be in French films speaks excellent French and is quite beautiful. She steals every scene she is in. Breathless was Godard’s first directing effort and is considered to be one of the greatest directorial debut films ever, next to Citizen Kane. Godard, of course, went on to make more influential films in the 1960’s. I am glad to have finally seen this classic.

The Drama

The Drama          3 stars

When I saw the trailer for The Drama, I became curious about the premise behind this movie, directed by Kristoffer Borgli (2023’s Dream Scenario): A young couple meet, hit it off, get engaged, then just before the wedding she reveals the worst thing she ever did, and this changes the whole dynamic of the relationship. In the movie we first find Charlie (Robert Pattinson (Mickey 17, The Batman)) meeting Emma (Zendaya (Dune, Challengers and Spider-Man: No Way Home)) in a café by pretending that he is familiar with the novel that she is reading. After fumbling his way through the encounter, the pair succeed in staying together for two years and get engaged. Then in the pivotal scene before the wedding, Charlie and Emma are having dinner with their married friends in common Mike (Mamoudou Athie (By Design, Kinds of Kindness and Elemental)) and Rachel (Alana Haim of the pop-rock group Haim) where Rachel asks the group to share what’s the worst thing they have ever done. Each tells something from their past that is funny but relatively harmless. That is until it’s Emma’s turn to tell something and when she does the tone of the conversation takes a sudden dark turn. Rachel has the worst reaction, but Charlie tries to be understanding about it at first. Now, I am going to follow the example of the trailer and not tell you what Emma’s deed was so that you can be just as surprised as I was when I heard it. But I can say that Emma is the definite winner of this game. The whole movie takes a dramatic turn at this point from comedy to something much more troubling. The relationship between the two couples changes with Mike and Rachel not believing they can trust Emma anymore. Charlie isn’t sure what to make of the situation and tries to imagine Emma as the person he thought he knew, while harboring doubts at the same time. Emma becomes more withdrawn when seeing how her friends react as she remembers the challenges she was going through in her younger years. Charlie gets increasingly confused about the whole situation, while getting a coworker involved that only escalates the problem. Ultimately, we get to the wedding reception where things blow up with some of the most backhanded wedding speeches ever heard. Things are, shall we say awkward and go from bad to worse in a hurry. Borgli is definitely going for shock value like he did before in Dream Scenario, but falls short of the level of dark comedy in that movie. It’s hard to accept Charlie’s reactions to events, given the weird roles that Pattinson has had before. Charlie is supposed to be a relatively normal person here but doesn’t really seem to be. Zendaya though is an expert at displaying the array of emotions of her character. (Remember her performance in Challengers!) This uneven movie is not so much about drama as it is about how people react to unexpected events. It would be interesting to find out how others react to the film. At least I satisfied my own curiosity. Look for Zendaya in the upcoming Spider-Man: Brand New Day. Look for both Zendaya and Pattinson in the upcoming The Odyssey and in Dune: Part 3.

Three Billboards Outside Ebbing, Missouri

Three Billboards Outside Ebbing, Missouri             5 stars

I finally got around to seeing Three Billboards Outside Ebbing, Missouri a full year and a half after it was released and now that I have I can say that it is the movie that should have won Best Picture for 2017.  The movie stars Francis McDormand as Mildred Hayes who has lost patience with the local law enforcement’s failure to find any suspects in her daughter’s murder, to the point that she puts up a message on three billboard near her home to bring attention to the case.  This move is not appreciated by the local sheriff (Woody Harrelson) and his second in command racist deputy (Sam Rockwell).  All three lead performances are superb in this complex story about loss, anger and reconciliation as the characters rage against one another and eventually come to see one another’s points of view.  Not only is the story interesting, but the filmmaker, Martin McDonagh seems to have gotten the perfect blend of drama and humor.  The most impressive aspect of the movie to me was how each of the actors were able to display the pain and anguish that each was going through.  I only wish I would have seen this gem much earlier when it was getting so much attention.

The Dead Don’t Die

The Dead Don’t Die         3 stars

The Dead Don’t Die by Jim Jarmusch puts a new comedic twist on an old genre, the zombie movie.  This light but bloody comedy brings together a very talented cast that includes Bill Murray, Adam Driver, Tilda Swinton, Danny Glover, Chloe Sevigny, Steve Buscemi, Rosie Perez, Iggy Pop, Selena Gomez, Carol Kane and Tom Waits.  With this group of actors you wonder how could this film possibly miss.  The movie has more hits than misses so has some moments that don’t hit the mark.  The premise is that polar fracking being done by corporations has caused the earth to move off of its axis leading to strange events throughout the world.  Of course this includes the dead rising from the graves to seek out human flesh to satisfy their appetite which is completely logical, right?  Much of the comedy is delivered by Murray and Driver who both give their lines in the most deadpan manner imaginable.  (Remember, the way to stop a zombie is to Kill the Head.)  Also making a significant contribution is Buscemi as Farmer Miller, the white racist whose accusations have little basis in reality.  There is an ongoing gag involving a new country song that bears the title from the movie.  Tilda Swinton has a most unusual role as the Irish undertaker, a new comer to the small town of Centerville.  It is a very strange role that only Swinton could deliver on.  It being a Jarmusch film, it wanders into the ridiculous at a couple of times that detracted from the overall feel of the movie.  The Dead Don’t Die is not the funniest Zombie movie I’ve seen, but if you are a zombie movie fan you should not miss this one.