Category Archives: Drama

Emma.

Emma.                                   4 ½ stars

The latest adaptation of Jane Austen’s novel Emma by director Autumn de Wilde is full of wit and social satire as it takes a look at the life of one Emma Woodhouse (Anya Taylor-Joy), the attractive and mettlesome daughter of a rich landowner (Bill Nighy) in a large country estate.  Since Emma is rich and “had lived nearly 21 years in the world with very little to distress or vex her”, she spends her time manipulating those around her, trying to pair people up or breaking them up according to her own liking.  There are plenty of parties, dances and picnics for the gentile, rich upper class that give Emma the chance to work her devilish charms on those she takes an interest in.  This film is more comedic than most Austen based movies as the characters often express themselves without being too direct about their intentions.  The one exception to this rule is performed by Mr. Knightley (Johnny Flynn), Emma’s friend from childhood who is often direct to Emma about her schemes and their effect on the lives of others.  Taylor-Joy’s mannerisms and expressions are perfect for role of Emma as one always gets the impression that there is a scheme going on behind those wide eyes.  And I cannot fail to mention the incredible costumes and hairstyling that plays a major part in the film.  All Jane Austen fans should definitely go see Emma.

Sorry, Baby

Sorry, Baby         4 stars

I had heard of the title Sorry, Baby from when it played at the Sundance Film Festival but didn’t know anything about it before seeing it this past week. The film is written by, directed by and starring Eva Victor, a standup comic and improv player. Victor stars as Agnes, a full English professor at a New England liberal arts university who lives alone in a house outside of town with her cat. One weekend she is visited by her friend Lydie (Naomi Ackie of Star Wars: The Rise of Skywalker and Mickey 17) who she knows from her graduate school days at the same college. The two are very close and loyal to one another. They can talk endlessly about all sorts of subjects including men. During the visit Lydie reveals that she is pregnant and expecting a baby with her partner. This is a happy occasion except that Agnes wants to make sure that Lydie will still love her, not the expected response. They go out to see other friends from grad school for dinner at their house, when we get the sense that something is not right with Agnes. She has a panic attack and must excuse herself. At other times she is wary of her surroundings when alone. This film is a character study that focuses on one character, someone who makes us wonder what is going on with them as they seem to be alternately strong, then weak. We then go back in time a few years to the time when Agnes and Lydie are both still graduate students working on their theses in the same mentor group. They share the same mentor, an older man named Preston Decker (Louis Cancelmi) who is a handsome academic type. He is very impressed by Agnes’ writing and tells her so. There is a convenient reason for Agnes to stop by Decker’s house for more consultation on her thesis, where we find out the reason for all her anxiety. We never see anything happening. The only hint is a very long shot of the exterior of the house, until Agnes leaves looking disturbed. She then drives home in a reckless matter. From then on, we watch as Agnes deals with the trauma with Lydie’s support, following all the prescribed actions when one has faced an attack. For the remainder of the movie Agnes must go about her life but her interactions with other people are always affected by what she went through. She has moments of rage hoping for some form of retribution and at other times she is in need of reassurance, even at one time from her cute guy neighbor next door, Gavin (Lucas Hedges of Boy Erased and Manchester by the Sea), who she asks rather graphically for sex. The title of the film is indicative of things we say to people going through something difficult that may or may not be genuine. Don’t get the wrong impression of the movie. Despite the heavy subject matter it has many moments of comedy that will generate laughs. The final scene of the movie is especially heart wrenching. A few weeks ago, I saw another film on a similar subject, After the Hunt. Sorry, Baby is far superior as it has characters that seem very real and that the audience can relate to.

The Invisible Man

The Invisible Man                             4 stars

If you are ready to experience something more terrifying than the Coronavirus you can check out the new remake of The Invisible Man.  This film by Leigh Whannell reimagines the 1933 classic horror movie setting it in modern times and bringing several surprises and shocking moments with it.  Cecelia (Elizabeth Moss in Us last year) does a daring nighttime escape from her violent boyfriend, Adrian who is essentially holding her captive in his luxury home.  She is aided by her sister and a childhood friend James, a police officer (Aldis Hodge of Straight Outta Compton).  Adrian also happens to be a wealthy and brilliant scientist who has some interesting projects he is working on.  Before long while Cecilia is still in hiding she learns of the suicide of Adrian, but refuses to believe it.  She suspects it was faked and that it is just part of his scheme to control her.  At this point things get interesting when strange things start to happen in James’ house where she is hiding.  The film uses many slow panning shots where the camera shows us parts of the rooms with no one in them, but Cecelia is certain there is a presence there nonetheless.  As the tension rises so does the certainty that Adrian is out there but he is unseen, because, well, he is invisible.  The filmmaker comes up with an ingenious explanation for how this is all accomplished which I cannot share with you.  The shock comes from experiencing it for yourself.  But rest assured, many people will die before the end of the movie which you had to expect.  Leigh Whannell is probably best known for his work in the Saw series of films, only one of which I ever saw.  They weren’t movies that I cared to see, but The Invisible Man is well worth the ticket if you are in for two hours of shock and terror.

Khartoum

Khartoum                                            5 stars

This is the last movie I saw in the theater before the Coronavirus shut down all the movie theaters in the state. Khartoum is the 1966 film that tells of the 1884 conflict in Sudan that occurred between the British led Egyptians and Sudanese against a Muslim army led by Muhammad Ahmad.  At the time Egypt was part of the British Empire and Ahmad was determined to take Egypt and the entire Arab world away from the Western powers and rule it himself.  I remember hearing the story of General Gordon and his doomed quest to keep the Egyptians and Sudanese from falling victim to the madman at the city of Khartoum on the Nile River.  In a purely political move the British Prime Minister, Gladstone knew he could not defend the city so he sent General Gordon, a hero in the eyes of the Sudanese, to the city to effect an evacuation of the city’s population, so that if he failed the blame would not fall on the British government.  The film brings these events to the big screen telling it as an epic tale aided with scenes involving hundreds of extras and a wide colorful screen.  The film stars the legendary Charlton Heston as General Gordon and Laurence Olivier as the evil and very tanned Ahmed.  These stars along with supporting cast of Richard Johnson and Ralph Richardson bring some of the most dramatic dialogue I’ve seen of the era.  One can compare it to the truly epic Lawrence of Arabia to give you an idea.  There is action too involving some well produced armed conflict in the desert, but the main attraction is the story itself.  It’s mainly about a man’s quest to do the right thing in the face of unbeatable odds.  I am really glad I finally got the chance to see it.  I don’t know when I will get the chance to go to the theaters again, unfortunately.

Annihilation

Annihilation                                        2 ½ stars

Annihilation by Alex Garland is a movie I was curious about when it came out in 2018 but didn’t see then.  It has a look of a fantasy adventure from the previews with its characters venturing into a strange landscape full of new plants and creatures giving it a biodiversity look.  Let me assure you that that is not what it is like.  It’s a full-fledged science fiction horror movie with a strange alien presence that has invaded earth.  For reasons I won’t go into the biologist character Lena (Natalie Portman) volunteers for a mission to enter an area on the Florida coastline taken over by the alien presence that is referred to as The Shimmer. It’s an area surrounded by a strange force field defeating all communication with those inside.  She is joined by psychologist Dr. Ventress (Jennifer Jason Leigh), physicist Josie Tessa Thompson), paramedic Anya (Gina Rodriguez), and anthropologist Cass (Tuva Novotny).  It doesn’t help our confidence to hear that a previous expedition has never been heard from again.  The group discovers that they have lost some of their memories after entering and encounter strange plants and animals that are growing and taking on characteristics of other species.  Soon one member is attacked by a giant crocodile that the women dispatch with heavy machinegun fire.  (They are very well armed.)  One by one, the group are either picked off by strange creatures or by their own actions as their minds turn them against one another.  Until Lena must face the alien presence alone.  One can compare this movie to the science fiction film Solaris as there is a similar theme.  The film is based on a book, Southern Reach by Jeff VanderMeer and has been compared to the ancient myth of Orpheus.  It has a very slow moving and menacing tone to it with plenty of ominous music.  It’s very pretty to look at with some shocking surprises but it doesn’t make my list of great science fiction films.

Border

Border                                  4 ½ stars

The Swedish made movie, Border has to be one of the most unusual movies of 2018 or for that matter any year.  It concerns a young woman, Tina, who works as a customs inspector and possesses a most unusual and valuable talent.  She has the ability to smell emotions in people such as guilt, shame and fear which is instrumental in catching individuals trying to smuggle illegal goods into the country.  She even gets involved in a police investigation of a child trafficking ring.  Her unique qualities don’t end there though.  Tina’s appearance is especially striking as she has to be one of the most unattractive women ever to appear in film.  She has a protruding forehead and a very heavy jawline so one would always notice her in a crowd.  If I would have checked ahead I would have known that the film was nominated for the Academy Award category of Best Makeup and perhaps wouldn’t have been so surprised by her appearance.  Tina lives in her isolated shack of a house with her lazy boyfriend who likes to watch lots of TV and enter his dogs in dog shows.  Besides that she makes regular visits to her elderly father in a nursing home.  Then one day her world is changed forever when she meets a man on the job who resembles her in many ways including the facial features.  And she finds that her special skills don’t work on Vore which is very confusing to her.  As she spends more time with him she finds that they have much more in common such as an interest in walking through the woods, insects and worms and the occasional snack on maggots.  And that is far from the most bizarre thing about the movie.  As she makes a connection with Vore certain hidden aspects of her life become clearer to her especially when things get weird.  And then the movie gets even weirder.  And then when you think it’s as weird as it can get, it gets so weird that I can’t even describe it.  Something happens that I have never seen in a movie before and it might make you uncomfortable in mixed company.  It is certain that Vore has a very different take on people and the world than what Tina has ever felt.  Ultimately, I think the movie is about realizing who you are and finding your place in the world.  I know that despite all the weirdness I liked it.  I can’t spoil the surprises for you.  It will be more fun to find it out yourselves.

After the Hunt

After the Hunt                   2 stars

What can I say about Luca Guadagnino’s new drama After the Hunt? It has some of the most pretentious, condescending, full of themselves characters I can remember, but played by some of the greatest stars working in Hollywood today. We have two university professors of philosophy Alma (Julia Roberts) and Hank (Andrew Garfield) at Yale who are heavily involved in campus politics, being among the most elite in higher education. The movie has a theme of questioning cancel culture and wokeness and does it in a very heavy-handed way. The story focuses on Maggie, a PhD student (Ayo Edebiri of The Bear, Opus and Bottoms) who is a close admirer of these two professors and unfortunately gets a little too close to Hank and must decide whether to report his assaulting her to the administration but first must seek Alma’s advice. So, the characters get into questions about the MeToo movement and the impact of these accusations on their futures. Questions also arise about Maggie’s integrity as she is accused of plagiarism so there is plenty of bad behavior to go around. Alma’s husband (Michael Stuhlbarg), a therapist, is included with those with annoying behavior without being detestable other than his questioning Maggie’s motives. Before it’s all over there will be suffering and destroyed careers as a result of bad behavior. All the actors give excellent performances, but of very flawed people that one has no empathy for. I did not enjoy this movie. Guadagnino has made some good movies lately that include Queer, Challengers and Bones and All. Unfortunately, After the Hunt won’t be among them. It generally has not been getting good reviews. (Incidentally, if you like horror movies check out Suspiria by Guadagnino.)

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse           4 stars

I made a real departure from the usual movies I see and took a look at Spider-Man: Into the Spider-Verse, 2018’s animated version of the web slinging superhero from the Marvel universe.  I have not seen all of the Spiderman movies, but I’ve seen enough to be familiar with his story and some of his various enemies.  This animated movie bears little resemblance to the earlier live action versions and looks much more like a comic book, with its bright colors and fast moving action sequences.  It departs from the usual story as it creates a new Spiderman character in the form of a black teenager who gets his spider powers in the usual way, but is very unsure of himself through much of the film.  The story is quite bizarre with a large assortment of villains brought together by the sinister Kingpin who is conspiring to build a giant supercollider in order to kill everyone or some such plot.  It also involves a collection of other Spidermen gathered from alternate dimensions that are brought together to defeat the evil Kingpin.  One interesting one is Spider-Ham, a cartoon pig Spiderman (voiced by John Mulaney) who always has a clever wisecrack in any situation.  The movie collected some of the highest marks for an animated movie so I decided to finally take it in for a change of pace.  The story absolutely does not stick to the standard Marvel background.  It’s perfectly suited to the younger viewers out there.

After the Wedding

After the Wedding           2 ½ stars

When I was at Sundance last year one of the hottest tickets was for Bart Freundlich’s movie After the Wedding.  I could not score a ticket for it there so finally caught up to now.  The movie is a complex family drama with a plot that is a little too involved to fully explain here.  It is actually a remake of a 2006 movie of the same name from Denmark.  The two main characters are Isabel (Michelle Williams) and Theresa (Julianne Moore). Isabel is a dedicated humanitarian who is part of the staff for a large financially strapped orphanage in India.  Theresa is head of her own media company and is very well off.  The orphanage is contacted by Theresa’s company saying they want to make a substantial contribution to the orphanage, but in order to go through with it, Isabel must travel to New York to meet with Theresa.  The two meet at a very short and terse meeting when Theresa invites Isabel to stay longer and attend the wedding of her daughter, Grace, which she does.  It is at that point, after the wedding that all the drama starts as it is realized that Isabel and Theresa’s husband, Oscar (Billy Crudup) had a previous relationship years earlier and everybody’s world is turned upside down.  The movie is a story of family relationships and people’s choices and their consequences, showing how little control we have over our own lives.  The parts played by the two main characters are done very well by two actresses that I admire a great deal.  I saw the original Danish version back in 2006.  In that movie the two leads were men, so in the remake they were made female characters.  I can remember being more interested in the story with the male characters than I was this time.  It is still a very emotional drama, but I preferred the original version.

Damsel

Damsel                                 3 stars

I went looking for movies that premiered at Sundance Film Festival again and found Damsel, a comedy western made by the Zellner brothers (David and Nathan).  Previously, they brought us Kumiko, The Treasure Hunter, a very quirky comedy.  Here we follow Samuel Alabaster (Robert Pattinson), a pioneer who has come out west to marry his sweetheart, Penelope (Mia Wasikowska) and is accompanied by Butterscotch, a miniature horse as a wedding gift.  Samuel has enlisted the service of Parson Henry (David Zellner, also the writer and director), a drunkard and a preacher, so that he can immediately marry Penelope.  The surprise is that this is not only a romantic journey, but is also a rescue mission as it seems that Penelope has been kidnapped and is being held captive in a cabin deep in the woods.  To give you an idea of the comedy of the movie, the opening scene of a pair of travelers waiting for a stage coach at an isolated station, where one of them loses his mind seems unrelated to the rest of the movie.  The characters play their roles seriously and very well, especially Pattinson and Wasikowska, so the comedy comes with the absurdity of the situations the characters find themselves in.  Just as you think what you just saw was strange, something even more peculiar will follow.  Besides the miniature horse, there is a perpetually bent rifle barrel still in use, an abundance of dynamite and the bizarre reactions of Pastor Henry who is always lost in his life journey.  The pace of the movie is rather slow and it has a type of comedy that may not be for everyone.  Robert Pattinson previously has starred in The Lighthouse and High Life showing he is equally comfortable in drama, horror and comedy.  And I am looking forward to seeing him in the upcoming sci-fi thriller Tenet!