Roma                    5 stars

Last year’s Roma, by master filmmaker, Alfonso Cuaron brings us an expertly told story of a house maid in 1970’s Mexico City working for a well off middle class family.  Filmed in black and white and spoken in Spanish and an indigenous language with subtitles, seems simple in outlook, but looks at many broad issues with its choice of scenes and character interactions.  The whole movie is told from the point of view of young Cleo (Yalitza Apaticio) the dark skinned poor maid and nanny of the white family consisting of a father, mother, four children and a grandma and dog.  She is not closely involved with the family but is just close enough for us to get the sense that something is wrong in their world.  The movie takes place in the early seventies and has sets that look exactly like you would think they would.  The turbulent times are reflected in scenes of civil unrest and there are even references to the pop culture of the times like a recording of Jesus Christ Superstar.  The most obvious theme of the movie is the disparity between the wealthy employers and the poverty of the world around them characterized by Cleo’s situation.  Another theme relevant for our times is the role of the women in maintaining order while the men are the one’s responsible for most of the suffering going on.  Alfonso Cuaron previously gave us Gravity, Children of Men and Harry Potter and the Prisoner of Azkaban.  Roma is possibly his best work so far and may be the best film of the year in spite of the choice made this week by the Academy of Motion Pictures.  However, Cuaron was appropriately rewarded with three Oscars including Best Director.  A special warning should be made that there are a couple of scenes in the movie that may be hard to watch.