Category Archives: Thriller

John Wick

John Wick            4 stars

Having seen the latest sequel in The John Wick series, John Wick: Chapter 4, I had to go back and see the original entry from 2014. This simple story about a retired hitman in New York City from writer Derek Kolstad and director Chad Stahelski introduces us to John Wick (Keanu Reeves who returned to the screen after a notable absence) who has just lost his loving wife, when some Russian gangsters notice his 1969 Ford Mustang. The gangsters, including Iosef Tarasov (Alfie Allen), not realizing who John Wick is, decide to deprive him of the car and in the process they kill his pet beagle puppy in what is likely the most famous movie dog killing since Old Yeller. Naturally, Wick must avenge the theft and the killing of his beloved pet by putting on his perfectly fitting black suit and arming himself with a myriad of weapons and seek out Tarasov who is the son of Russian crime boss Viggo Tarasov (Michael Nyqvist of The Girl with the Dragon Tattoo). The elder Tarasov realizes what is at stake and alerts his army of henchmen placing a bounty on Wick’s head in order to protect the dimwitted Iosef. What follows can only be described as a bloodbath as Wick kills off each armed criminal coming after him whether it is in a crowded night club or on the city streets. We also get introduced to the Continental Hotel where Wick’s friend Winston (Ian McShane) is in charge. According to the strict code of the underworld, the hotel is a safe haven for hitmen where “business” must not be conducted under penalty of death. The level of violence while shocking does not quite compare to what is achieved in the later sequels but it is enjoyable for B action movie fans. I only wish I had checked this series sooner. John Wick is not somebody that you want to mess with!

Guy Ritchie’s The Covenant

Guy Ritchie’s The Covenant                         4 stars

If you have seen any of Guy Ritchie’s earlier films you know that they are action packed and have a style all his own. His movie The Covenant that includes his name in the title certainly lives up to his standards. This time we follow the exploits of an army sergeant, John Kinley (Jake Gyllenhaal) and an Afghan interpreter, Ahmed (Dar Salim) as Kinley and his squad are tasked with hunting down IED factories somewhere in the wilderness of Afghanistan. It is 2018 so it is near the end of the war and Kinley is dedicated to this near impossible task with the threat of a Taliban attack at every turn. Ahmed is there because he is drawn to the job for the money and the promise of a visa to the US for him and his family. He also hates the Taliban for killing his son. As the pair face this challenge they learn to rely on one another despite the great cultural differences especially when they are being hunted by every available Taliban fighter in the area. The characters are not based on any particular men, but their story is symbolic of how the American military came to rely on the Afghan interpreters who were promised relocation to America and safety from the Taliban. The real meaning of the film’s title comes later when Kinley is sent back to the US with his family after being severely wounded, but feels the responsibility to get Ahmed and his family out of Afghanistan. He personally endures the frustration of dealing with government red tape and finally hires high priced mercenaries to help find Ahmed who has gone into hiding and get him to safety. The movie is thrilling as a war movie should be and full of harrowing scenes, and also shows the dedication of an American soldier and the loyalty to his fellow man. This is one that comes highly recommended.

No Time to Die

No Time to Die                  4 stars

I finally took in the most recent James Bond film, No Time to Die from 2021 and was not disappointed. It’s hard to believe that it has been 15 years and five films since Daniel Craig took on the role of MI6’s most daring and successful secret agent, 007. This is Craig’s last outing as Bond and it is very emotional as well. There are all the usual attributes of a James Bond film, the international locations, the over the top action scenes, the villains scheming to dominate the world, Bond’s high tech gadgets and of course the fem fatales. This time around Bond has officially retired from service to MI6 and is living in Jamaica with Dr. Madeline Swann (a returning and stunning Lea Seydoux), but his friend Felix Leiter (Jeffrey Wright also returning) of the CIA shows up telling Bond there is a new threat endangering the world and his help is sorely needed. It seems a Russian scientist (David Dencik) has access to a technology of a tiny nanobot virus capable of killing people based on their DNA structure and that can spread throughout the world. Somehow MI6’s M (Ralph Fiennes) plays a role in this, but the plan has gone wrong with the weapon of choice falling into some very dangerous hands. Also returning are Q (Ben Wishaw) and Moneypenny (Naomie Harris). There are other notable characters played by actors bringing the franchise into the 2020’s: new MI6 agent Nomi (Lashana Lynch) who is very resourceful and a scrappy fighter, a suspicious CIA agent (Billy Magnussen of Bridge of Spies and Velvet Buzzsaw) and a newcomer agent, Paloma (a very sexy Ana de Armas of Knives Out and Blonde) who puts up a good fight when needed. For the bad guys there is the captured head of Spectre, Ernt Stavro Blofeld, a name that goes back to the Bond movies of the seventies. This time he is played by Christoph Waltz (of Inglourious Basterds and Django Unchained fame) to great dramatic effect. But the real villain this time is a man named Lyutsifer Safin (a very menacing Rami Malek), who plays a notorious role in Dr. Swann’s past. The director, Cary Joji Fukunaga, new to Bond films has put this all together, but it is Craig who makes it more than just another action movie and brings some emotional depth to a character who has plenty to lose but must carry on to save the world one more time. Even though this is Daniel Craig’s last time out as 007, we are assured that James Bond will return.

Mission: Impossible – Dead Reckoning, Part One

Mission: Impossible – Dead Reckoning, Part One  4 ½ stars

Returning to the screen in true summer blockbuster form is the seventh Mission Impossible installment in Mission Impossible – Dead Reckoning, Part One. The awkward sounding name teams up Tom Cruise in his iconic role of Ethan Hunt, leader of the IMF team with director Christopher McQuarrie, who directed earlier MI films and last year’s big hit Top Gun: Maverick. The action thriller features no less than a car chase through a European city (featuring a miniature Fiat), a desert gun battle, a thrilling cat and mouse hunt through an airport with a possible explosive, daring hand to hand combat amid the canals of Venice, all capped off with a thrilling confrontation on the orient Express through the Austrian Alps. As usual, these action scenes feature Cruise doing most of his own stunts which includes jumping off a mountain peak on a motorcycle with a parachute. This time around Hunt has accepted a mission with his IMF team to stop The Entity, a digital sentient AI being that threatens to control the world. I hope this is very far-fetched. The key to stopping it is a literal key, the possessor of which could control the entity if they can get the key to the right place. This is all that is needed to set up the usual action sequences vital to a successful Mission Impossible film. Despite the name of the film, it really does stand on its own as a complete film. We are promised a Part Two coming next year which is rumored to be Cruise’s final entry of the franchise. Returning as part of Hunt’s IMF team are Luther (Ving Rhames), Benji (Simon Pegg) and Ilsa Faust (Rebecca Ferguson) who Hunt considers as family and perhaps his weakness. Villainous figures from the past appear including Gabriel (Esai Morales) and the White Widow (Vanessa Kirby) who vie for control of the Entity. One new character deserving attention is a pickpocket appearing at a very inopportune time in the form of Grace (Hayley Atwell) who is “persuaded” to join the IMF team when there is no other choice. The CIA suits who would like to control Hunt are portrayed by Henry Czerny as Kittridge, head of the CIA and Shea Whigham as Briggs, a government agent who seems to follow Hunt’s every movie. Rounding out the villains is Paris (Pom Klementieff) who is mostly silent but very well versed in car chases and hand to hand combat. (You may have seen her as Mantis in the Marvel movies.) The movie strikes the right balance between action sequences and cooled down scenes allowing the audience to catch its breath so that you don’t notice the two-and-three-quarter hour running time of the film. The AI themed plot of the movie is appropriate to our current times and one hopes it isn’t predictive of what is to become. Now I will be looking with anticipation to 2024’s release of Mission Impossible – Dead Reckoning, Part Two!

Talk to Me

Talk to Me                          4 stars

Talk to Me from Australian newcomers Danny and Michael Philippou answers the question of what would a group of suburban teenagers do if they found a cursed mummified hand. If you said they would take turns using it to conjure dead spirits at a party while filming it with their iPhones you would be correct. This film which debuted at Sundance is easily the most intriguing horror movie I have seen so far this year. Teenager Mia (Sophie Wilde) who has recently lost her mother goes with her best friend, Jade (Alexandra Jensen) and Jade’s little brother Riley (Joe Bird) to a party of friends where the main event is to take turns grasping said cursed hand while strapped into a chair and saying the words “Talk to Me”. At this point the person sees a decaying human body staring back at them. If they can keep their composure they then say the words “I Let You In”, at which point a dead human spirit enters their body causing them to utter some threatening phrases and perhaps thrash about in strange contortions. But care must be taken to make sure the period of possession does not exceed 90 seconds. Sounds like a load of fun, doesn’t it? Mia takes a special interest in the activity when she believes this is a mechanism for her to communicate with her dead mother who died under mysterious circumstances, but something goes wrong resulting in severe injuries to the very young Riley. Naturally things take a dark turn as the teenagers try to find out the story behind the detached hand and Mia pursues ways to contact her dead mother. But there is a question as to whether it is her mother or something more sinister. Are you hooked yet? The movie does an effective job of showing us Mia’s grief (thanks to Miss Wilde) and includes some real mind grabbing special effects. I can also promise you a satisfying ending if you stick it out. The movie premiered at Sundance earlier this year. I saw it in an empty theater and now think it would have been a real blast to have seen it at Sundance with a fun full-size crowd. Look for it in theaters.

Cat Person

Cat Person          3 stars

The movie Cat Person begins with a quote by Margaret Atwood: “Men are afraid that women will laugh at them. Women are afraid that men will kill them.” In one scene early in the movie 20-year-old college student, Margot (Emilia Jones of CODA and Fairyland) has a vision of a dog standing over the decapitated body of a fellow dormitory resident. These are early signs that things will not work out well for the movie’s characters. The movie is notable for being based on a New Yorker short story that created a sensation and for one of the most cringeworthy sex scenes ever to appear in cinema. Not having read the short story I can’t comment on it, and I won’t go into the history of the making of Cat Person. (But it did show at Sundance this year.) I can say the movie adaptation is a commentary on the perils of misinterpreted signals between men and women as well the dangers of basing a new relationship primarily on text messaging. The aforementioned sex scene takes place midway through the movie where it is clear that Margot is not into the first date awkward sex with Robert (Nicholas Braun of Succession), the 33-year-old man she met on her job at the local movie theater concession stand that shows revival films and monster movies. The scene is painful to watch as Margot has a conversation with her out of body self in a debate about whether to put a stop to it or just see it through out of pity to the insecure Robert. Prior to the scene we see how conflicted Margot is toward Robert as she alternately pictures Robert at a job, or in therapy sessions with a psychiatrist, but also as a serial killer who might try to murder her! We also see examples of women’s needs to please men such as a musical scene where Margot and her mom (Hope Davis) perform a dance routine to “My Heart Belongs to Daddy” for her stepdad. Fortunately for Margot she has a college roommate in Taylor (Geraldine Viswanathan) who provides the voice of reason telling her how she should handle her situation. Unfortunately I thought, is how the film eventually wanders into all out stalker movie mode in the stunning conclusion. I would have preferred that it stuck with the theme of differing expectations of men vs. women in a new relationship and stayed away from the more horror aspects. On the positive side, as we saw in the movie CODA (for which she received numerous awards), Emilia Jones looks like a major acting talent with a long future. Doctor Who fans can find her in a role on the show in Season seven. The film’s director, Susanna Fogel is also noted as having directed the 2019 hilarious female comedy, Booksmart. See Cat Person if you can tolerate the uncomfortable sex scene and some hateful text messaging.

Anatomy of a Fall

Anatomy of a Fall              5 stars

Last summer when I was in France, I saw many ads for Justine Triet’s movie Anatomy of a Fall (or Anatomie d’une Chute as the French say) so I was naturally very curious about it. The movie was shown at Cannes and won the Palme d’Or award, so it deserves some attention. The movie starts with Sandra Voyter (Sandra Hüller), a famous writer being interviewed by a student in a secluded chalet in the French Alps. After a few minutes the interview is interrupted by loud music being played that Sandra explains is from her husband who needs the music when he is writing. When it becomes impossible to carry on a conversation the interviewer leaves and we are left with a feeling that something is not quite right in this home. Shortly after, the couple’s sight impaired son, 11-year-old Daniel, returns from a walk in the woods to find the body of his father, Samuel outside the home, where it is apparent that he suffered a fatal fall from the attic window. The police start an investigation and Sandra obtains the help of a defense attorney in Vincent Renzi (Swann Arlaud) who gets Sandra’s version of what happened that day. Sandra is soon indicted for murder and we have a courtroom drama on our hands. While the movie is a murder mystery/thriller, it is also an analysis of a good marriage that has been falling apart for years. In this respect it is like Marriage Story, only as a possible murder. During the trial we learn that Samuel blamed himself for the accident that took Daniel’s sight at 4 years old, and that Sandra had one or more affairs during their once happy marriage. The couple moved to Samuel’s French hometown so he could better focus on his work, leaving London where Sandra was happy. Being a native German, she struggles in the new setting as she is less than fluent in French. More facts are revealed in the trial leading to more doubt about her story, until it is revealed there is a recording Samuel made of a fight they had the day before the accident that is played in real time in court, showing just how damaged their marriage was as they both resent the accusations launched by the other. The scene is played as a flash back and is the only scene we see Samuel speaking. The writing of the scene and the superb acting by Hüller will have you wondering is Sandra sincere or is this all an act. Hüller can also be seen in two earlier excellent movies, Requiem and Tony Erdmann. Anatomy of a Fall is mainly in French with English subtitles, but most of Hüller’s dialogue is in English. The movie is currently playing in theaters.

Saltburn

Saltburn               4 ½ stars

It was in 2020 that I saw Promising Young Woman (at Sundance), the revenge movie written and directed by Emerald Fennell, who went on to win an Oscar for Best Screenplay, about a woman on a mission of revenge on behalf of women who are raped by men preying on them on the local bar scene. So, I had to see her new movie, Saltburn where she takes on the superrich and the war of class society in Britain. This is a movie about desire and deceit and the need to get whatever one wants no matter the cost. (And all set in the picturesque English countryside). We meet Oliver Quick (Irish actor Barry Keoghan who made quite an impression in The Banshees of Inisherin and The Killing of a Sacred Deer and has a face you will never forget), a working-class young man who is starting to attend Oxford in the early 2000’s. Oliver is smart but is a bit dorky and doesn’t make friends easily. Then one day he happens to let a fellow student, Felix Catton (Jacob Elordi of Priscilla as Elvis Presly) borrow his bike when Felix’s bike is broken. Felix is incredibly handsome and well-liked by guys and girls alike and most importantly is from a family of vast inherited wealth. Oliver is very fortunate to have this new rich friend who is so willing to help him out in situations at the college. But other students around them insist that this friendship is misguided and won’t work out. At the end of the school year, Oliver finds that he has no place to go due to an unfortunate family situation. But that is no problem when Felix insists that Oliver come and stay at Saltburn, the Catton family estate and mansion in the English countryside. At this grossly opulent and gargantuan property Oliver meets the family consisting of mother Elspeth (Rosamund Pike), father Sir James Catton (Richard E. Grant), and sister Venetia (Alison Oliver). Also, there is another one of Felix’s school friends Farleigh (Archie Madekwe) and a friend of Elspeth’s, “Poor Dear Pamela” (a fiery redheaded and tattooed Carey Mulligan like we have never seen). Saltburn is the kind of place where people lie naked in the grass but play tennis in tuxedos. There are also servants that are nameless to Felix and extravagant dinner parties. It is then that we see how things change as Oliver appears much smarter and manipulative than we had imagined and is driven by a desire to get what he can out of this family. He appears to be in love with the handsome Felix as we gather from certain homoerotic scenes but is also not above seducing the confused Venetia. And he can strike back at Farleigh in revenge when Farleigh embarrasses him at a party. But Oliver is not the only one controlling people as he learns when Felix is not fooled by Oliver’s act and tries to turn the tables on him. Like the thriller Promising Young Woman, events spiral further into the unexpected and we wonder how far it will go, and then yes, the movie delivers and goes even further. The film defines obsession showing us no limit as to what certain people will do to fulfil their wants. There are sex acts and total nudity abounding especially as the film reaches its climax. Perhaps Emerald Fennell will be earning more awards including Academy Awards with this one. It’s not one that will bore you.

Nimona

Nimona                 4 stars

From the studios of Annapurna and Netflix comes the animated movie, Nimona, originally a graphic novel by ND Stephenson. This energetic story takes place in a futuristic medieval kingdom where knights wear suits of armor, carry swords that fire energy beams and ride around in flying cars through the streets of a busy metropolis. Everyone there is aware of the legend of Gloreth, who defeated a fearsome monster a thousand years ago and is still revered. In the present we meet Ballister (Riz Ahmed), a knight who has few friends, but is close to fellow knight, Ambrosius Goldenloin, a descendant of Gloreth. It is clear that the two men have a romantic relationship, with this being the most gay-friendly animated movie I can remember. Early is the story, poor Ballister is framed for a murder and the knights of the kingdom are tasked with hunting him down. But Ballister is befriended by a young girl named Nimona (Chloe Grace Moretz) who isn’t all she appears to be at first. Nimona is a shapeshifter, a being that is not human and can assume the appearance of any creature in an instant and is practically invulnerable to things that would be fatal to a human. She is also a thousand years old and the only one of her kind. Ballister and Nimona see something in each other with Nimona wanting to protect Ballister and clear his name of the crime. She protects him by changing into a rhinoceros, an ostrich, a small bird and even a whale among other animals and runs circles around the hapless knights. Besides fighting knights she loves to wreck things destroying structures and statues that get in the way and doing it all in a bright shade of pink. It is apparent that the character is a stand in for a transperson. She is reviled by all and at one point says she doesn’t know what is worse, knowing that everyone wants to drive a sword through her heart or wanting them to do it. Nimona is seen as a monster to the population, but we learn that this image is really a creation by a society unwilling to accept someone that is different from everyone else. She is alone in this world and desperately needs to connect to someone. Besides the message, the movie has plenty of comic bits for the kids and plenty of action that will keep their attention. The movie was originally a project of Blue Sky Studios, which was acquired by Disney. Disney apparently thought the film was too gay for them and shut it down at which point Annapurna took over to complete it. The LGBTQ nature of the characters will not be lost on anyone. Good for the filmmakers for having the vision to see the project through.

Limbo

Limbo    4 ½ stars

Limbo is a film noir set in the Australian desert that follows the investigation or “review” of the murder of an indigenous girl that occurred 20 years earlier. Director/screenwriter Ivan Sen has created something very stark and bleak in this film depicting the disregard for indigenous people’s lives by the white population of Australia. Besides directing and writing, Sen was also responsible for the cinematography, the music, the editing, and the casting. He doesn’t star in the movie though. That is up to Simon Baker who plays Travis, the officer who must question those originally involved and affected by the case 20 years earlier. If you remember Baker from the TV show The Mentalist, you won’t recognize him. He has a buzz cut, is sporting a beard, and has glasses and many tattoos. Travis arrives in the town of Limbo where the crime occurred. He takes up residence at the Limbo Motel, an isolated building dug out of the earth. The town has few buildings and is sparsely populated with some indigenous and some white inhabitants, all of whom are poor. Many live in homes that are carved out of the earth like the hotel in order to escape from the heat of the desert. The name of the town is symbolic of the conditions they live in, seemingly in the middle of nowhere. Travis, who besides being a cop is a heroin addict, sets out to question the murdered girl’s relatives and others who were originally questioned years before. There is a brother and a sister of the girl who resent that so little was done by the police after the disappearance. It would have been very different if it were a white girl. There are others who were questioned by the police before, but that investigation went nowhere. Travis with his drug use and way of speaking, appearing distant makes him seem very aware of what this world is like. The movie isn’t so much about solving the crime as it is about exploring the hopelessness of these characters and how they have to struggle to survive. The landscape appears vast and barren using wide shots, including drone footage with everything filmed in black and white. It makes the people of the town appear small and insignificant. Don’t expect there to be any justice realized in this case. None of the characters do, including Travis. I have seen other Australian movies depicting the divide between the races in the country and this one is among the starkest and most unnerving among them. Ivan Sen is noted for directing a crime drama TV show set in the outback called Mystery Road. Judging by his work in Limbo that would be a series to check out.