Category Archives: Thriller

Relic

Relic       4 stars

The last time I was at Sundance I saw several good horror movies, but at the end of the festival ran into one moviegoer who said he had one more to see called Relic that was supposed to be pretty interesting. I finally sat down to watch Relic as it was just released and I wasn’t disappointed. The movie is by a new filmmaker and concerns the effects of a loved one’s dementia on their family. The movie is set in a big house is an Australian town that is home to an elderly woman, Edna (Robyn Nevin). Edna is reported missing which brings her daughter (Emily Mortimer) and granddaughter (Bella Heathcote) to the house to investigate. After a few days of searching, Edna suddenly reappears without explanation of where she was. Although she is physically fine it’s clear something is wrong here. As daughter and granddaughter stay to take care of her, the house seems to mysteriously decay as a black growth slowly appears on the walls. This coincides with Edna hearing strange noises and having conversations with someone that’s not there. She behaves in ever increasing erratic and violent ways that confuses her family. The large house is full of cluttered hallways and mysterious doorways that helps to add to all the confusion the family members are experiencing. There is a background story about an ancestor who had a horrible death that offers some explanation of the seemingly supernatural happenings, like all good horror movies need to have. The movie does a slow moving buildup to an eventual frenzy of frightening events that will overwhelm the viewers. Although the movie is not quite at the level of The Babadook or of Hereditary, it’s good if you are up for some good family horror and clicks in at only 90 minutes long.

Honey Don’t

Honey Don’t                       3 ½ stars

Honey O’Donoghue is a female private detective solving cases in and around Bakersfield California where she mainly sees clients who need to know if their spouse or partner is cheating on them. The movie poster says “She only has two desires and one of them is justice”. It doesn’t take long before you figure out what the other one is. Margaret Qualley is Honey in Ethan Coen and Tricia Cooke’s new film Honey Don’t. She is a rock-solid detective almost like that of a Raymond Chandler private eye who talks like one of those B movie film noir detectives out of the forties. Her one weakness is that she can’t turn down flirtatious women and often ends up in the sack with them. As the movie begins O’Donoghue becomes involved in a case of a fatal car accident in the desert where one of her potential clients has been found dead. A local police officer, Marty Metakawitch (Charlie Day) on the scene believes it to be a simple car accident, but O’Donoghue thinks there is more to it. A running gag in the film is Marty asking Honey to join him in a drink, but she says “I Like Girls” to which the clueless Marty says “You always say that.” It doesn’t take long until more murders are discovered, and O’Donoghue finds leads that indicate that a local church called the Four-Way Temple may be somehow involved. The church is led by the Reverend Drew Devlin (Chris Evans) who is a real douchebag who likes to engage his female parishioners in sex and has some side businesses going on too that sometimes require the elimination of certain problems. During her investigations Honey encounters MG Falcone (Aubrey Plaza), a female police officer who also happens to be gay and Honey does not miss the opportunity. (But don’t worry. The sex scenes are pretty tame.) Honey also has a sister who has a large brood of children which Honey is very protective of. All of the female characters seem to have one thing in common and that is having bad relationships with their fathers, especially true for Honey and her sister. When one of the sister’s girls (who was beaten by her idiot boyfriend) goes missing, O’Donoghue pays the boyfriend a visit in his trailer asking where she is. Not getting a good answer, Honey gives him what he deserves and let’s just say you had better not mess around with Honey. Like other Coen movies there is plenty of ironic violence and moronic villains to go around. The movie falls apart somewhat due to a plot that isn’t quite coherent. I felt there were some things being left out leaving it less than satisfying. But I will say that Margaret Qualley’s performance makes up for the film’s shortcomings. I would love to see her in a sequel. She has been in some great roles including those in Once Upon a Time… In Hollywood, Poor Things and The Substance. This movie by Coen and Cooke (who is Ethan Coen’s wife) is the second in a planned B-movie trilogy that are centered around lesbian characters. The first was last year’s Drive-Away Dolls that also starred Qualley as a girl on a road trip with her very uptight friend. (Along the way they encounter some very inept crooks and an all-lesbian soccer team.) It is one that I recommend. The third installment is still in the works. I have no idea what Coen and company have in mind yet, but I will certainly watch for it. Also, I am convinced that I have no need to visit Bakersfield, California.

The Rental

The Rental                          4 stars

With The Rental, actor Dave Franco shows that he can direct an effective thriller/horror film that will keep you on the edge of your seat. It’s hard to describe this movie without giving away spoilers so I can’t go into great detail. In the movie, a group of four friends decide to celebrate Dan’s successful business venture by renting an oceanside house for the weekend. Dan, his wife Michelle, his brother Josh and his business partner Mina travel to the house they found online planning a drug fueled fun weekend. Josh and Mina also happen to be starting their own relationship with each other. Tensions start to mount when they meet the caretaker who has racist tendencies toward Mina who has a foreign name. As in a good thriller, things get progressively more tense as we see that some of the characters are less than honest with each other. Suspicions arise when Josh’s dog, Reggie suddenly disappears. When one pair of our friends discovers evidence that someone has been watching them, the fear of revealing secrets set in and accusations are made. It is here that what starts as a character driven thriller suddenly transforms into something more sinister and the violence finds its way into the story. The movie is aided by effective cinematography, some well placed foggy night scenes and four good performances by the actors portraying some rather narcissistic and not so nice people. As in most horror movies, the characters make some very questionable choices that only make their situation worse. The Rental is good entertainment that takes its time to develop and does not rely on sudden scare scenes, but it will only work for true horror fans.
 

Loaded

Loaded                 1 star

The 1994 British made indie thriller Loaded can be described as an exercise in navel gazing involving a bad LSD trip. The movie has a group of London teenagers traveling to a remote old mansion where they aim to make a bad horror movie. Along the way there is lots of philosophizing about life and what they hope to get out of it. One character, Neil, theorizes that thoughts toward a person can make one responsible for what befalls them and this may be a premonition. Two of the characters have real ambitions of becoming filmmakers with one of them having an obsession with real psychopaths. Eventually, when the group takes LSD the consequences are severe as one of their members ends up dead. Then the group must decide together what actions to take. The movie is only notable for early roles for two of the actors, Catherine McCormack and Thandie Newton. This film is a collection of clichés, self-pity and nineties hair styles. It should be avoided.

Underwater

Underwater                       2 stars

While watching Underwater, the movie about a deep sea research facility that is suddenly attacked by strange sea creatures, I had the distinct impression that I had seen it before. Much of the elements of it are taken from The Abyss and Alien, both about mysterious creatures attacking a small group of survivors. This does not bode well. In Underwater we have a group of six survivors that must crawl their way through the wreckage of the laboratory that happens to be seven miles below the surface. As you would expect the suspense comes in as you wonder which one will be the next to die. The sets and effects look very authentic so this was an expensive movie to make. We know little about the characters as they try to stay together to protect each other and maintain sanity. The movie was derivative and you might say boring.

Alien Covenant

Alien: Covenant                 4 stars

Alien: Covenant I believe is the fifth movie in the franchise and sees the return of Ridley Scott as the director. You may recall the original trilogy of the seventies and eighties in which Sigourney Weaver battles killer aliens found on a distant planet. This installment set two decades before the original Alien is just as horrifying and is aided by the modern CGI effects common to science fiction movies today. The movie is set on a colony spaceship with over 2,000 people on a multi years journey to a planet that is to be a new settlement for humans and occurs ten years after the events of Prometheus, another doomed space mission. A constant in the Alien movies is the presence of a synthetic, an artificially created humanoid who serves his human creators. The role of the emotionless but curious synthetic Walter is filled again by the amazing Michael Fassbender. As a result of a mishap on the Covenant in which the captain is killed, the crew learns of a previously unknown nearby planet that can support human life, so the new captain (Billy Crudup) decides to alter the plan and investigate and possible avoid years of hypersleep. Of course, this is the first mistake of many. The planet happens to be the same one of the events of the ill-fated Prometheus! When the landing party including the captain and Walter arrives, other than and intense storm, things seem normal enough. That is, until the pathogen born creatures start to show up and kill off the crew! The synthetic, David (also Michael Fassbender) who was the only survivor of Prometheus finds the crew and explains to them what happened here. Unfortunately, he leaves out a few key details that would explain what happened here. The movie is perhaps less original than Prometheus, and more like the original movies thanks to Scott. It is heavy on the interactions of the characters and an action driven plot. The scenes involving two Michael Fassbender’s are especially intriguing. Also, as expected the movie is heavy on blood and gore, so be forewarned! (This one is far better than last week’s Underwater.)

The Batman

The Batman        4 stars

In 2022 we got yet another incarnation of the most depicted, depressed superhero in movies, TV or comic books. This time it is Matt Reeves (two iterations of The Planet of the Apes movies) giving us his version of the caped crusader, otherwise known as Batman. What can he do that Tim Burton, Christopher Nolan or Joel Schumacher haven’t already done? Apparently, it is creating the darkest and moodiest Batman yet to hit the big screen. This Batman (Robert Pattinson) has seemingly been suffering from PTSD ever since his parents were murdered some twenty years before. He regularly goes skulking around Gotham City looking for criminal gangs to beat up on and shows them no mercy. Bruce Wayne, the millionaire, does appear in a few scenes, as well as his butler, Alfred (Andy Serkis), but he is not the playboy type that has been seen in other Batman movies. He typically shares in Batman’s moodiness. The entire movie takes place at night, with much of it in the rain to add to the gloomy feel of it. There isn’t even a hint of comedy throughout the movie. In Reeves’ movie Batman isn’t just a crime fighter. He must also take on the role of detective when a series of high-profile murders are taking the lives of the most prominent men in the city including the mayor and the DA. At each crime scene a letter is left addressed to Batman with a puzzling riddle that he, together with Commissioner Gordon (Jeffrey Wright (probably the finest actor in the movie)) must find the answer to. Slowly it is revealed that a web of corruption has infected every level of the local government, and this hidden psychopath has made it his mission to clean things up while also believing he can get Batman to help in the endeavor. Each victim seems to have ties to a crime boss named Carmine Falcone (John Turturro), a real slimeball who operates an exclusive club and hangout for criminals in Gotham City. One other character figures prominently in the story. Selina Kyle (Zoë Kravitz in her most athletic role yet) is a showgirl at Falcone’s club and wants answers as to what happened to her missing friend there. She can help Batman in finding the truth but tends to go off on her own with a vengeance. (She also provides a home for several cats.) There are hints of a love interest as well. When the murdering psychopath (Paul Dano) is finally unmasked, it seems that he and Batman are like two sides of the same coin, each having a deep need to root out the corruption in the city, only the murderer doesn’t care who gets hurt in the process. The Batman combines elements of what we’ve seen in the comics and the more recent movies as well as traditional detective noir stories. It has plenty of action and story packed into its almost three-hour running time. And there is word of another The Batman movie in the works!

28 Years Later

28 Years Later                    5 stars

It has been a long time since Great Britain was overrun by hordes of infected rampaging humans hungry for flesh in Danny Boyle’s (127 Hours and Slumdog Millionaire) 28 Days Later. That movie was a survivalist story of a few remaining sane humans trying to survive against the angry zombie like creatures that inhabit the island kingdom. Fortunately, humanity was able to limit the disease from spreading to the rest of the world, leaving Britain in a state of quarantine. In the just out sequel, 28 Years Later, Boyle and his collaborator Alex Garland bring us back to this hellscape to see what has transpired in the intervening years. But first we must be brought up to date with scenes of what happened in the first place when the rampage started. We visit a house where the infected overrun a family and one young boy named Jimmy escapes only to see the village priest torn apart by the horde. Scenes of battling and destruction are accompanied by a horrifying 1915 reading of a Rudyard Kipling poem with a steady escalating beat. (You should look up the trailer on YouTube.) Finally, we come to the present on a small island off the coast of Britain where the inhabitants carry on isolated from the rest of the world, constantly on guard against the threat on the mainland. In this community we meet 12-year-old Spike (newcomer Alfie Williams), his father Jamie (Aaron Taylor-Johnson of Nosferatu and Bullet Train) and mother Isla (Jodie Comer of The Bikeriders). It is time for Spike to go on his first hunt on the mainland, with his father to hunt down and kill the infected. They are told that once they leave the island there are no rescue parties. On the mission, we find out that there are now varieties of infected people. There are the sprinting dead who rush madly at their target. There are the starving dead who look like skin covered skeletons. There are the crawlers, who are extremely overweight and can only crawl on the ground and eat worms, but still attack people. Then there are the Alpha’s who are like a new superior species of humans who only flinch when they are hit square with an arrow. After this brief adventure when father and son return to their island having killed a few of the loonies, Spike is very concerned about his sick mother and learns of a legendary old doctor who stayed on the mainland. Since there is no such thing as a doctor on the island, Spike believes that finding this doctor could save his mother from dying, so off to the mainland go Spike and Mom, unknown to poor Dad. Eventually after surviving more attacks, they do find the old doctor whose name is Dr. Kelson (Ralph Fiennes of Schindler’s List) who brings a sense of wisdom, morality and politeness to the movie. Even his monuments to the dead, built out of human bones, bring us a reassuring feeling. Up to this point it was all paranoia as the characters had to endure one frenzied attack after another from the crazed infected beings who are always naked. (After 28 years nobody wants to deal with putting on clothes anymore.) The doctor’s outlook brings a sense of hope and optimism to the crazy world we see in the movie. Before 28 Days Later, zombie movies were something of a rarity being restricted to the George Romero variety. Since then, they have become quite commonplace. But 28 Years Later applies a real sense of art to the subject even if the choices made by the characters often make little sense. I have read that 28 Years Later is to be followed up with two sequels starting with The Bone Temple next year. So, let’s see what Danny Boyle and company have planned for us. I’ll be watching for it!

The Trial of the Chicago 7

The Trial of the Chicago 7              5 stars

It may be a cliché to say it but if you see one new movie this holiday season make it The Trial of the Chicago 7. While not a documentary, writer/director Aaron Sorkin has put together a dramatic recreation of the 1969 federal trial of the leaders of the protests held in Chicago during the Democratic National Convention. The movie is mainly a courtroom drama with eight defendants charged with conspiracy to incite a riot. It blends in archival footage of the Chicago riots and flashbacks showing the protests that started in Grant Park. I was too young at the time of the trial to be aware of it, but I do remember the news of the riots and some of the names of the main participants. While not a completely accurate portrayal of the trial, it does show real events like Bobby Seale of the Black Panthers being bound and gagged in the courtroom and the testimony of the former Attorney General Ramsey Clarke. The movie is supported by several first rate performances including Eddie Redmayne as Tom Hayden of the Students for a Democratic Society, Sasha Baron Cohen as Abbie Hoffman and Jeremy Strong as Jerry Rubin of the Youth International Party (Yippies), Yahya Abdul-Mateen II as Bobby Seale, and Mark Rylance as William Kunstler, the liberal defense attorney for the defendants. Frank Langella is notable as the judge Hoffman who frequently loses control of the trial and frequently hands out contempt charges. Michael Keaton makes a brief dramatic appearance as Attorney General Ramsey Clarke who severely damages the government’s case. (It’s too bad the judge wouldn’t let the jury hear it.) The movie serves as a reminder of what the country went through in 1969 and how easy it is to lose our constitutional freedoms and as an education to those who weren’t here to see the events. It’s a safe bet to be nominated for the Best Picture Academy Award as well as a few others.

The Phoenician Scheme

The Phoenician Scheme                 4 stars

If you’ve seen a Wes Anderson movie before you already have an idea of what to expect. His best includes The Royal Tenenbaums, Moonrise Kingdom, The Grand Budapest Hotel and Asteroid City. (Also, remember The Fantastic Mr. Fox). Anderson has a unique style identified by faded colors, stationary cameras, and characters with stilted and rapid fire speaking that is instantly recognizable. His new film, The Phoenician Scheme, is no different and shares themes as well as actors from previous films. Common devices he uses are espionage and parental challenges, both of which are present in this one. There are two main characters that cover the entire film. There is the shady industrialist, Zsa Zsa Korda (Benicio Del Toro of Sicario and The French Dispatch) who has an uncanny ability to survive multiple plane crashes and his estranged daughter, Liesl (Mia Threapleton who is a newcomer) who he wants to leave his empire to and who happens to be a nun. Korda is in the process of setting up a vast infrastructure project to secure his legacy, but he needs the cooperation of a series of odd characters to “cover the gap”; that is, to help fund his project. Thus, his travels to various parts of the globe to try to secure their cooperation by doing odd things like having a basketball shooting contest in a railroad tunnel. It’s also clear that these various businessmen have not been treated all that well by Korda. There is also an assembly of rival industrialists who are trying to thwart Korda’s plans, thus the assassination attempts. The all-star supporting cast includes Jeffrey Wright, Benedict Cumberbatch, Tom Hanks, Bryan Cranston, Riz Ahmed and Scarlett Johansson. Bill Murray, a Wes Anderson regular even makes an appearance as God in what appears to be scenes of the afterlife. Throughout the movie it’s the great pairing of Del Toro and Threapleton with a little help from Michael Cera as Bjorn, a Norwegian tutor that really makes the movie. They have a good sense of comic timing while applying Anderson’s trademark style of deadpan delivery. Amid all the zany happenings lies a message of the care of a parent for their child even if it’s not delivered well. Considering all the movies that have been made by Wes Anderson over the past thirty years, The Phoenician Scheme is one of the better ones even if the style is very familiar.