Category Archives: Romance

The Persian Version

The Persian Version  4 1/2 stars

The Persian Version has to be one of the funniest comedy-dramas at the festival.  It is the story of an Iranian-American family in New York City as told by daughter Leila who has seven brothers.  The story begins with the family gathering when the father has to have a heart transplant.  The movie is about the difference in cultures between the US and Iran and how the characters have to adapt to it. It spans a time from the sixties up to near the present.  As far as the story itself,  it is an amusing way of showing the conflict between mother and daughter,  done brilliantly by actors Layla Mohammadi and Niousha Noor. There are many funny moments including times when the main characters directly address the camera.  Despite their differences we see how mother and daughter are both determined to do things their way and to survive in a foreign culture.  The Persian Version won the Audience Award for US Dramatic and is one of the favorites among fans.

Sometimes I Think About Dying

Sometimes I Think About Dying  4 stars

Despite the title this movie has a very positive message.  It is a close look at the life and private thoughts of its main character, Fran, a young woman working in a small seaside town in Oregon.  Daisy Ridley stars as the woman who seems to have a rather dull life working in a small office,  only interacting with her coworkers when needed.  The movie starts by showing her normal work and home routine using long stretches of silence,  but blended in are private scenes that convey her thoughts about death or ways to die. One day a new worker, a man in his forties joins the team and he and Fran make a connection and arrange to see each other from time to time.  They find that there are more things that they don’t have in common than things they do,  which leads to some awkward moments in their conversations. Both of the characters are driven to express honest thoughts that can be hurtful.  The film conveys a message of acceptance of others despite the differences we have.  I should also emphasize that Fran’s thoughts on death do not represent any suicidal tendencies.  They are a way of showing the private thoughts we have that are hidden from the outside world. For Ridley this is a real departure from her work on the Star Wars movies. It is one to check out if you find it. 

Bones and All

Bones and All                     4 stars

From director Luca Guadagnino comes a story of two young lovers on a road trip travelling across the country in the 1980’s in a search for purpose. Timothee Chalamet is Lee, reuniting with the Call Me by Your Name director, and Taylor Russell is a teenage girl, Maren in this teenage romance horror as a young pair learning to deal with the secret that they both share. I won’t reveal what that secret is but let’s just say that it involves a lot of blood and they are not vampires. Bones and All is actually based on a young adult novel by the same name where the heat between the two young travelers gradually intensifies as they drive from one rundown  Midwestern town to another. The story is actually reminiscent of Badlands or Natural Born Killers as they commit certain crimes against the unsuspecting victims. We must understand that this is not a matter of choice. It’s just that this is who they are. Maren is on this journey to try to find her birth mother accompanied by a cassette recording from her father and her own birth certificate that reveals her mother’s hometown. She encounters Lee by scent, revealing that they share something in common. Oh, and there is an old man she meets along the way (Mark Rylance of Bridge of Spies) who teaches her some things about their kind. (This has to be the creepiest role of Rylance’s career to date! He plays it perfectly.) He will show up at the most unexpected of times. The well paced movie alternates between slow cinematic scenes of the country and loving interaction to scenes of utter bloody horror. There are also a few single scene roles for some well known actors including Michael Stuhlbarg, Chloe Sevigny, David Gordon Green and Jessica Harper. Despite their acting skills the movie mainly belongs to Taylor Russell who is very believable as the young Maren. Besides 2017’s Call Me by Your Name, Guadagnino is also known for his films Suspiria (also a horror film), and I am Love. This one is probably best meant to be viewed by the strictly horror movie fans. I look forward to his next project, Challengers, starring Zendaya coming in 2023.

Marry Me

Marry Me            2 ½ stars

I have seen a large number of romantic comedies including some that are really thin on plot. Marry Me starring pop icon Jennifer Lopez and talented funny guy Owen Wilson has to count among the lightest of them. From director Kat Coiro, we get the Cinderella story of recording superstar Kat Valdez (Lopez) who is scheduled to get married to equally super popstar Bastain (Colombian superstar Maluma) during a live concert. This is done to promote her hit song, Marry Me. But moments before the planned ceremony word of Bastian’s infidelity spreads leaving Kat at the altar. What can she do but shout to a single dad in the audience and say she will marry him, (literally some guy)? The guy happens to be Charlie (Wilson) who is a middle school math teacher who is there to accompany his tween daughter, Lou to the concert, along with a work friend (Sarah Silverman). Charlie actually goes ahead with the ceremony in front of everyone, but later has doubts about what he has done. But who wouldn’t want to marry a famous popstar? Kat’s production team is all over the plan as it is great for publicity. The rest of the movie is entirely predictable as the unlikely couple go from reluctance, to being friends, to involved only to run into the inevitable crisis that will bring about the moment of truth. It is good to see these two, who are among the most likable stars in the industry today, but they both deserve more interesting material than Marry Me. Both of them have done better in romantic comedies in the past. I do look forward to seeing Owen Wilson in his upcoming movie, “Paint” later this year.

Past Lives

Past Lives            5 stars

Past Lives is another of the Sundance movies from this year that I did not see in Park City. Fortunately, it has hit the big screen and can be seen by all audiences. The movie brings out the concept of In-Yun, a Korean belief that people that are connected to one another and will reunite in other ways in other lives at different times, hence the name of the film. This movie Is a real emotional tear-jerker that is aided by some great performances from the main actors. The story takes place in three time periods. We first meet Na Young and Hae Sung as 12 year olds in South Korea where they are close friends, But Na Young’s family is about to immigrate to Canada so they must separate. Later the story jumps ahead twelve years and Na Young now goes by the name Nora (Greta Lee previously appearing only in supporting roles) and is trying to get established as a writer in New York. Hae Sung (Teo Yoo) stayed in Korea and is doing his mandatory military service, but has never forgotten his childhood friend, so he has done an online search for her and finally found her. The pair carry on an on-screen relationship where the pair relate well to each other and they are obviously close, but they must end things. Seeing one another in person is not practical. In the third act, an additional twelve years later, Nora has married Arthur, an American man, (John Magaro) another writer and received her Green Card. Hae Sung still has not forgotten his friend and arranges a trip to see her in New York. One may think this would create a very awkward situation but the writing of first time director, Celine Song is so honest and subdued that she makes the characters seem very real. There is still an obvious attraction between the two main characters, but the reality of their situations determines that they must remain friends. Hae Sung even says that it hurts to like Arthur, Nora’s husband so much. Greta Lee is impressive as an actress who can express feeling with a simple look and through long pauses that tell a great deal. By the end you are wondering what will be in store in their next lives. Some people have already said this is one of the best films of the year.

No Hard Feelings

No Hard Feelings              2 stars

After taking some time off to be a mom, actress Jennifer Lawrence of The Hunger Games and X-Men fame tries her acting chops in the R rated raunchy sex comedy No Hard Feelings, written and directed by Gene Stupnitsky. We know that Lawrence can hold her own in comedies. (Remember the David O. Russell movies Silver Linings Playbook and American Hustle?) Here she takes on the role of an older woman trying to “date” an introverted nineteen-year names Percy who is about to go to Princeton. It seems that his rich parents, (Laura Benanti and Matthew Broderick) are worried about his lack of experience with women so they put an ad on Craig’s List offering a Buick to a woman who would try to bring Percy (Andre Barth Feldman) out of his shell. Maddie (Lawrence) is in trouble financially since all the rich people moving into town have been forcing her property taxes up, so she is willing to try out this offer. Lawrence can deliver on the comedy which includes a few amusing physical bits, but there is something lacking in the writing making it not feel very authentic. It doesn’t go as far as many raunchy comedies like The Sweetest Thing or Neighbors, but it’s also not quite a romantic comedy given the premise. It feels predictable too as Percy is not supposed to know of this arrangement, but it is inevitable that he will find out, which of course he does. There are also a number of appearances by supporting cast that seem to go nowhere, making me wonder why they were even there. (What was the point for Kyle Mooney to be here?) Unless you are a real Jennifer Lawrence fan you can pass this one up and not lose much. You should check out the movie Causeway from earlier this year that featured Lawrence with Brian Tyree Henry.

Asteroid City

Asteroid City      4 stars

Viewers of Wes Anderson’s Asteroid City will immediately recognize the picturesque style and rapid storytelling techniques of the acclaimed director. This is apparently the eleventh film of Anderson’s going back to Bottle Rocket in the nineties. This one may be the most imaginative one yet. Here we get a story within a story as the film starts with a TV host in a 1950’s Actors’ Studio show telling us about the writing efforts of a famed playwright working on his play, Asteroid City. This part of the movie is in black and white, but when we travel to the play, set in a 1950’s southwestern town in the desert the screen switches to bright pastel colors so typical of Anderson’s movies. The town is the location of the annual Junior Stargazer/Space Cadet convention because it is the site of a crater created by an asteroid many centuries before. There, we see a large collection of interesting characters portrayed by many well-known Hollywood actors, including some regulars that Wes Anderson works with. They include Jason Schwartzman as a war photographer traveling with his Brainiac son, Scarlet Johansson as a Hollywood film star and Tom Hanks as a rich grandfather. Some of the actors have double roles portraying their Asteroid City characters and the actors in the play when they interact with the play’s director (Adrien Brody). There are too many notable characters for me to list here. You will have to see the movie to get the full experience. Eventually, there is a life changing event in the small town that brings the attention of the US military. We do get a fascinating story told with rapid fire dialogue and narration that’s familiar as was done in movies of the forties and fifties. You may experience some confusion about what’s going on as expressed by Schwartzman’s Jones Hall does when talking to the director, Schubert Green (Brody). His advice: “Don’t worry about it, just keep telling the story.” Wes Anderson’s movies aren’t always cohesive. They are more about being something to experience and Asteroid City is all about the experience.

Shotgun Wedding

Shotgun Wedding            1 ½ stars

I didn’t so much as watch Shotgun Wedding as endure it. Jennifer Lopez as Darcy does her latest performance in a wedding dress in this campy action comedy as a bride going to her wedding at a DIY destination event in the Philippines. Her fiancé, Tom (Josh Duhamel) has booked the location for its cost savings. Nevermind the fact that the location has a reputation for pirate attacks. When the pirates arrive, taking hostages and demanding ransom from Darcy’s father (Cheech Marin), Darcy and Tom somehow were missed and now must devise a plan to thwart the pirates and rescue their families and guests. Obviously zaniness ensues and all sorts of unlikely events happen highlighting the ineptitude of the pirates. It does turn out there is more to the crimes than what first appears and Tom is quick to see through the charade. One person who contributes well to the comedy is Jennifer Coolidge who always delivers with classy deadpan coolness. While watching this one I couldn’t help but feel this was another version of The Lost City (which also featured a dress but on Sandra Bullock), but a much less funny one. I usually see anything that features Ms. Lopez. This one was a lot more miss than hit.

Flora and Son

Flora and Son                     4 ½ stars

I returned again this week to a film that appeared at Sundance but missed at the festival. Flora and Son is the latest creation of writer/director John Carney, who previously brought us Begin Again, Sing Street and his masterwork, Once. Again, the Irish filmmaker has created a simple story about conflict in a relationship that centers around and is resolved by the process of song writing. This time the story is about a young, Irish, working class, single mother, Flora (Eve Hewson (daughter of Bono)) who is struggling to raise her 14-year-old son, Max (Orén Kinlan) in a small Dublin apartment. Max, unfortunately has a habit of stealing and getting into trouble at school and is facing the prospect of being sentenced to a juvenile facility. In an effort to keep him out of trouble, she recovers a discarded guitar, has it restored and gives it to the troubled teen, hoping to get him interested in music. Max wants no part of this plan, but Flora is drawn to the guitar and goes in search of online guitar lessons, and in so doing finds Jeff (Joseph Gordon-Levitt), a musician in Los Angeles who hires himself out for personal lessons online. The pair discuss the chords on a guitar and what it means to write a good song and before long Flora is critiquing Jeff’s songs and suggesting ways to make them better. The discussions get quite personal as they discuss the feelings created by a song and refer to song terms like the verses, the chorus and the bridge, something you only see in a John Carney movie. Occasionally, Jeff is shown in the same room with Flora to show how they are connecting over their discussions. (The viewer must ignore the fact that performing music together via Zoom is not practical due to the time delay.) Carney is always interested in his characters getting closer together, but also in the process of writing good music which I love to see. And ultimately there is hope for her son, Max as he reveals some musical talent as he learns to use a synthesizer to create rap music, and mother and son find that they do have a common bond in music. The movie has the right amount of humor and successfully dealing with family conflict without getting too sappy though it is probably not Carney’s best movie. Flora and Son is newly released in theaters so I suggest you see it there while you can. It is also available on Apple TV+.

Poor Things

Poor Things        5 stars

What if you took Mary Shelley’s Frankenstein about a mad scientist reanimating a human of stitched together body parts in the 19th century, but substituted a woman for the monster, made it a comedy and oh, added a lot of sex? You would have Poor Things, the new movie by director Yorgos Lanthimos (known for his previous outings Dogtooth, The Lobster and The Favourite). The Greek director has created a sort of alternate world set in Victorian London, but with a mixture of odd architecture and transportation and clothing styles that shouldn’t exist. Behind the dark comedy and the science fiction aspects is a story of discovery of the depravity of the modern world and female empowerment. Early in the film in London we meet Dr. Godwin Baxter (Willem Dafoe), our mad scientist who has a very disfigured face, along with a young woman named Bella Baxter (Emma Stone), who is his “experiment”. In his household are a few of his earlier experiments on live animals such as a dog with a goose head and a chicken with a pig’s head. Bella killed herself before Godwin (or “God” as she calls him) retrieved her body and then brought her back to life but with a few changes. Her mind is wiped clean, and she is being retrained in how to live. She can barely talk and struggles to walk and eat normally. Behaving like a toddler without inhibitions, Stone pulls off the act with comic effect. With the aid of a medical student as God’s assistant, Max (Ramy Youssef) Bella gradually learns to behave more normally and is taught about the outside world, but also discovers free will and masturbation. She is confined to the house, but when a self-centered lawyer (Mark Ruffalo) finds her and is stricken with her he convinces her to join him in travels across Europe. Leaving Dr. Baxter, Bella sees the world and is enlightened about many things like dancing and fashion and how others perceive her. She also learns about pain and suffering in the world and has empathy toward the unfortunate. But there is also the sex that she finds so enjoyable or as she calls it, “the furious jumping”. She even finds out that women can make money by having sex with men and becomes very accomplished at it in a Paris brothel! Lanthimos uses some innovative techniques like filming the first part of the movie in black and white to make it look older and using wide lens shots at low angles. The music is unquestionably strange throughout. The selection of placing the movie during Victorian times when women were especially subservient to men makes Bella’s transformation into an independent, confident woman who won’t be owned by a man all the more stark. There are several characters that can be regarded as cads, but strangely, Dr. Baxter isn’t one of them. He could be described as being paternal toward Bella, wanting to protect her from the evils of the world. The movie held my interest throughout and had many fun moments of satirical comedy, and did I mention there is lots of sex?