Category Archives: Drama

The Quiet Girl

The Quiet Girl    5 stars

The Quiet Girl is the third award winning movie featuring the Irish I have seen this year, the others being The Banshees of Inisherin and Aftersun. This one actually deserves more attention than it received having been nominated for Best International Feature at The Academy Awards. The film is the first by writer/director Colm Bairead and is one of the most emotional ones I have seen lately. We meet Cait (newcomer Catherine Clinch) a girl of 9 or 10 who is painfully shy and who obviously has a tough life both at home and school. At home she lives with her parents and five siblings on a farm where money is short as is any empathy. Her father is both a drunkard and a gambler and not much of a farmer either. He even complains about how much his children eat. Now her mother is pregnant with the sixth child. The parents agree that in order to make things more manageable, Cait should spend a few months with a relative on a distant rural farm where she can be cared for until the baby arrives. There is no explanation of why her and not any of the other children. The relatives are an older couple and are obviously better off financially than Cait’s family. The woman, Eibhlin (Carrie Crowley) provides attention and care to young Cait like she has never had before. The man, Sean (Andrew Bennett) is at first aloof but then warms up to her, allowing her to help out on the dairy farm and challenging her to run to retrieve the mail as fast as she can. They even buy her new clothes and shows. Cait is still shy through this, clearly a cry for help, but gradually she becomes more talkative, using the dialect of Gaeilge. (Fortunately, the entire movie uses subtitles.) Eventually, we learn of events from the couple’s past that bring these people closer together. It is never forgotten that this arrangement is temporary which makes the ending of the film a truly memorable and emotional moment. The Quiet Girl should especially be seen by anyone who is a parent as well as a wider audience. It could have easily received a nomination for Best Picture. I hope that we see more from director Colm Bairead in the future.

Human Flowers of Flesh

Human Flowers of Flesh                2 stars

German director Helena Wittmann’s new movie Human Flowers of Flesh has been described as an exercise in elusiveness, with a procession of predominantly maritime imagery (Clayton Dillard). The film is about a woman who lives on a yacht with her crew who sails from Marseilles to Algeria where she becomes fascinated with the French Foreign Legion and then decides to travel to the headquarters of the Legion. I know this from reading the Imdb description of the film as I was not able to discern it from watching the movie. There is very little dialogue in the film itself and what little there is consist of short snatches of conversation among the crew about myths, the work on the ship and the collecting of letters and samples of plant specimens. The woman whose name we rarely hear speaks even less, but does spend much time swimming in the sea. The film focuses mainly on some spectacular images of the sea and marine life. There are some extended shots of a snail crawling a short distance and a long shot of microscopic creatures moving about the screen. The writer/director may be saying something about life being adrift with so much time spent at sea, but I find that very hard to tell from watching the movie one time. I don’t object to a movie having very little plot, but I at least expect to learn something about the characters and what motivates them. We don’t get much of that here. I very much liked Wittmann’s earlier film, Adrift, about a couple on a wrecked yacht trying to survive. But Human Flowers of Flesh left me very confused.

Guy Ritchie’s The Covenant

Guy Ritchie’s The Covenant                         4 stars

If you have seen any of Guy Ritchie’s earlier films you know that they are action packed and have a style all his own. His movie The Covenant that includes his name in the title certainly lives up to his standards. This time we follow the exploits of an army sergeant, John Kinley (Jake Gyllenhaal) and an Afghan interpreter, Ahmed (Dar Salim) as Kinley and his squad are tasked with hunting down IED factories somewhere in the wilderness of Afghanistan. It is 2018 so it is near the end of the war and Kinley is dedicated to this near impossible task with the threat of a Taliban attack at every turn. Ahmed is there because he is drawn to the job for the money and the promise of a visa to the US for him and his family. He also hates the Taliban for killing his son. As the pair face this challenge they learn to rely on one another despite the great cultural differences especially when they are being hunted by every available Taliban fighter in the area. The characters are not based on any particular men, but their story is symbolic of how the American military came to rely on the Afghan interpreters who were promised relocation to America and safety from the Taliban. The real meaning of the film’s title comes later when Kinley is sent back to the US with his family after being severely wounded, but feels the responsibility to get Ahmed and his family out of Afghanistan. He personally endures the frustration of dealing with government red tape and finally hires high priced mercenaries to help find Ahmed who has gone into hiding and get him to safety. The movie is thrilling as a war movie should be and full of harrowing scenes, and also shows the dedication of an American soldier and the loyalty to his fellow man. This is one that comes highly recommended.

The Starling Girl

The Starling Girl                4 stars

The Starling Girl, the first feature film from director Laurel Parmet appeared at this year’s Sundance and was just released in theaters. It concerns a young seventeen-year-old girl, Jem Starling (Eliza Scanlen of Little Women and Sharp Objects) who is coming of age in a small rural town in Kentucky where she and her parents are part of a fundamentalist congregation. Jem is very devout in her faith, but is starting to realize her sexuality and the limits placed on her in this patriarchal society. She takes pride in the dance troupe she is in, but must heed the warnings from adults not to make it about her and to keep God first. One must be very careful in this setting as straying from the fold can result in requiring a confession in front of the congregation and being sent to a disciplinary camp for rehabilitation. Owen Taylor (Lewis Pullman), a handsome thirty-year-old youth pastor returns from an assignment in Puerto Rico with his wife, having a deep impact on Jem’s world. It is then that the story takes a darker turn with Jem pursuing a relationship with the pastor which he is all too willing to accommodate. The naïve Jem sees it as part of God’s plan to get them together while the audience knows what Owen is up to and that only disaster can result. To some extent the story is predictable, but it is made believable because of the acting ability of the young Eliza Scanlen. I don’t know anything about Laurel Parmet’s background but the film was useful in framing the Christian fundamentalist view of life and the outside world and of the effect on young people within the fundamentalist community.

You Hurt My Feelings

You Hurt My Feelings     4 ½ stars

The new movie You Hurt My Feelings, written and directed by Nicole Holofcener first premiered at Sundance this past year and was one of those I heard good things about but didn’t get the chance to see. Now it is in theaters and thankfully can be seen and appreciated by movie fans. The previous Holofcener movies I have seen, Friends with Money, Please Give and Enough Said all have a special comedic style. They feature relationships between people that care for each other and have conversations where slight amusing cuts are made between them. They are not cute but also are not vicious; they are for the most part honest. In this movie Beth (Julia Louis Dreyfus), a writer and writing instructor is happily married to Don (Tobias Menzies), a therapist. Beth has written a memoir about her relationship with her father that was a success and is now working on a work of fiction but can’t get a publisher to accept it. Her sister, Sarah (Michaela Watkins) is an interior designer and is married to Mark (Arian Moayed), a stage actor. The couple discuss everyday things and go about their jobs until one day Beth and Sarah accidentally overhear Don telling Mark that he thinks Beth’s new book is awful but is afraid to tell her that and instead only gives her more encouragement. This causes great distress for Beth but she is afraid to say anything and is now worried that her marriage is all a lie. All of this is handled in comedic style with the combination of Holofcener and Dreyfus giving us plenty to laugh at. Dreyfus’s acting here is not at all like her angry character in Veep. She plays it more subdued and really brings out Beth’s insecurities toward everything. Holofcener and Dreyfus worked together previously on Enough Said and it’s great to see them collaborating again in a light comedy. I find Julia Louis Dreyfus to be one of the funniest actresses working today. This pair working together has given us a real gem of a comedy.

Past Lives

Past Lives            5 stars

Past Lives is another of the Sundance movies from this year that I did not see in Park City. Fortunately, it has hit the big screen and can be seen by all audiences. The movie brings out the concept of In-Yun, a Korean belief that people that are connected to one another and will reunite in other ways in other lives at different times, hence the name of the film. This movie Is a real emotional tear-jerker that is aided by some great performances from the main actors. The story takes place in three time periods. We first meet Na Young and Hae Sung as 12 year olds in South Korea where they are close friends, But Na Young’s family is about to immigrate to Canada so they must separate. Later the story jumps ahead twelve years and Na Young now goes by the name Nora (Greta Lee previously appearing only in supporting roles) and is trying to get established as a writer in New York. Hae Sung (Teo Yoo) stayed in Korea and is doing his mandatory military service, but has never forgotten his childhood friend, so he has done an online search for her and finally found her. The pair carry on an on-screen relationship where the pair relate well to each other and they are obviously close, but they must end things. Seeing one another in person is not practical. In the third act, an additional twelve years later, Nora has married Arthur, an American man, (John Magaro) another writer and received her Green Card. Hae Sung still has not forgotten his friend and arranges a trip to see her in New York. One may think this would create a very awkward situation but the writing of first time director, Celine Song is so honest and subdued that she makes the characters seem very real. There is still an obvious attraction between the two main characters, but the reality of their situations determines that they must remain friends. Hae Sung even says that it hurts to like Arthur, Nora’s husband so much. Greta Lee is impressive as an actress who can express feeling with a simple look and through long pauses that tell a great deal. By the end you are wondering what will be in store in their next lives. Some people have already said this is one of the best films of the year.

I Saw the TV Glow

I Saw the TV Glow            4 stars

One of the movies featured at Sundance made its way to the theaters so I took in one of the festival’s favorites by watching I Saw the TV Glow. This teen horror about fandom of a cult TV show is the second feature from writer/director Jane Schoenbrun and is unique with its style and presentation. (Her first movie was the horror film We’re All Going to the World’s Fair.) It has the potential to be a cult classic and is meant to appeal to young audiences who see themselves as loners and misfits but find comradery in a mysterious TV show. In the movie we meet Owen (Ian Forman), a middle school student who lives with his parents and has no friends at school. One day while accompanying his mom (Danielle Deadwyler of Till and The Harder They Fall) to a voting booth, he spots Maddie (Brigette Lundy-Paine (Bill and Ted Face the Music)), an older girl, also a loner, reading an episode guide for her favorite TV show called The Pink Opaque. Owen has heard of the show before but could never watch it because it is on Saturday evenings after his bedtime. (The movie is set in the nineties before streaming and DVRs, so most TV shows are watched live.) The show is very campy with poor special effects but is popular with young audiences. It is about two teenage girls (actors Helena Howard and Lindsey Jordan) who meet at Sleepaway camp and become friends though they live far apart from one another. They have psychic powers enabling them to communicate with each other. Each episode they fight against the monster of the week that always appears in ridiculous looking costumes. (Think of Buffy the Vampire Slayer, except on a much lower budget.) The monsters are controlled by a mysterious being called Mr. Melancholy who looks like the moon and is out to destroy the girls. Owen and Maddie aren’t close, (She is gay, and Owen isn’t sure what he is.) but they bond over the show after Owen sneaks over to her house to watch it. Then Maddie provides Owen with VHS tapes of episodes so that he can watch it on his own. A couple of years later Owen is still watching the show but he is then played by Justice Smith (The American Society of Magical Negroes). (In a note of irony, the high school they attend is Void High School (VHS).) It is only then after Owen’s mother passes away, Maddie mysteriously disappears with her TV set on fire in her back yard and The Pink Opaque is cancelled after five seasons, that we get the sense there is more to the TV show than we realized. The teens find that their very lives are intertwined with the show, and they can’t separate their lives from fiction. The neon colors and disturbing images of I Saw the TV Glow are designed to give us a sense of escapism, to get away from reality and not think about the troubles of our lives. Goth style music and dark unkept rooms aid in the nightmarish feel of the whole experience. I Saw the TV Glow may be a new cult movie that today’s Gen Z will relate to for years to come. I would like to see what Schoenbrun will bring us next.

The Hand of God

The Hand of God              4 ½ stars

Academy Award winning Italian director Paolo Sorrentino creates a Fabelman-esque story in The Hand of God, a sort of coming of age story loosely based on his own upbringing in 1980’s Naples. If you have seen one of his previous movies, The Great Beauty, you know he has set some high standards. In The Hand of God, we follow 18-year-old Fabietto (Filippo Scotti) who lives with his mom and dad and spends his time going to large family gatherings, going with his brother Marchino to acting auditions and dreaming about sex and soccer (European football), though it’s hard to tell which interests him more. He also has an interest in the movies. The early scenes are amusing in this two hour and ten minute movie, such as when his aunt Patrizia takes the opportunity at a family outing to sunbath nude in the presence of the entire family. Other relatives create equally absurd situations. A central element of the film comes when real life Argentinian superstar Diego Maradona joins the Naples soccer team creating a sensation for young Fabietto and the whole city. It is when a great tragedy strikes that forces the young man toward making decisions about what he should do with his life and is steered toward filmmaking. The Hand of God is largely fictionalized, but it does mirror events from Sorrentino’s life including the life changing tragedy. (The meeting with film legend Frederico Fellini did not actually happen though.) It’s worth viewing provided you can commit for the full duration. The Hand of God was nominated for the Best Foreign Language Film Oscar.

Asteroid City

Asteroid City      4 stars

Viewers of Wes Anderson’s Asteroid City will immediately recognize the picturesque style and rapid storytelling techniques of the acclaimed director. This is apparently the eleventh film of Anderson’s going back to Bottle Rocket in the nineties. This one may be the most imaginative one yet. Here we get a story within a story as the film starts with a TV host in a 1950’s Actors’ Studio show telling us about the writing efforts of a famed playwright working on his play, Asteroid City. This part of the movie is in black and white, but when we travel to the play, set in a 1950’s southwestern town in the desert the screen switches to bright pastel colors so typical of Anderson’s movies. The town is the location of the annual Junior Stargazer/Space Cadet convention because it is the site of a crater created by an asteroid many centuries before. There, we see a large collection of interesting characters portrayed by many well-known Hollywood actors, including some regulars that Wes Anderson works with. They include Jason Schwartzman as a war photographer traveling with his Brainiac son, Scarlet Johansson as a Hollywood film star and Tom Hanks as a rich grandfather. Some of the actors have double roles portraying their Asteroid City characters and the actors in the play when they interact with the play’s director (Adrien Brody). There are too many notable characters for me to list here. You will have to see the movie to get the full experience. Eventually, there is a life changing event in the small town that brings the attention of the US military. We do get a fascinating story told with rapid fire dialogue and narration that’s familiar as was done in movies of the forties and fifties. You may experience some confusion about what’s going on as expressed by Schwartzman’s Jones Hall does when talking to the director, Schubert Green (Brody). His advice: “Don’t worry about it, just keep telling the story.” Wes Anderson’s movies aren’t always cohesive. They are more about being something to experience and Asteroid City is all about the experience.

Sound of Freedom

Sound of Freedom          no review

I have not seen the Jim Caviezel movie Sound of Freedom, nor will I ever see it. The ads for it have been appearing regularly on television. The movie has had some very high box office numbers and has created a stir in the right-wing world so I felt compelled to make a public service announcement and warn people about it. The thriller action movie appears to be part of a crusade against child trafficking and features Caviezel as a sort of one man super hero out to rescue the victims of the sex trade. (Caviezel is best known for his portrayal of Jesus Christ in the Mel Gibson movie The Passion of the Christ.) In reality, it is a propaganda piece put out by the people who adhere to QAnon fantasy conspiracy theories such as the traffickers are harvesting children’s organs and extracting adrenochrome before killing them. The movie appears to be appealing to a mostly older white audience who are there to reinforce their views of what is wrong with the government and the country. Based on what I have read of the movie it is full of implausibilities and condemnations of the government. The movie was reportedly made in 2018 and it took this long to find someone to distribute it as it was considered to be a money loser. I have a suspicion that certain churches and right-wing groups have been buying out theater tickets in order to inflate the numbers. This has been a practice for other such propaganda movies. If you have not seen the movie you are warned to stay away from it. If you have seen it then you have my sympathy for enduring the pain.