Category Archives: Drama

Emergency

Emergency         3 ½ suns

In the comedy Emergency, graduate student Kunle and his best friend, Sean are about to go on an epic journey, partying all night at the fraternity parties at their college campus. But the plans of the two young black men are interrupted when they discover an unconscious white girl on the floor of their house. The pair along with their Latino friend, Carlos realize the danger they are in if the police are alerted to their situation and must improvise to get the girl to safety without endangering their own lives. What follows is a comedy of errors as the men deal with one mishap after another. The film started as a short film from a few years ago that has now been expanded to the full length movie now showing. It is a good combination of silly comedy making a statement about the perceptions that young black men must face despite the levels of success they may reach.

Leonor Will Never Die

Leonor Will Never Die    3 ½ suns

Leonor Will Never Die received the World Cinema Dramatic Innovative Spirit Special Jury Award. The movie fits in well with the name of the award as the premise was especially creative. Set in the Philippines, elderly Leonor Reyes was once a major screenwriter for Filipino action movies. But now she mainly stays at home and can’t pay all her bills to the frustration of her son. One day she takes renewed interest in one of her old movie scripts after reading that the studios are looking for new scripts, but then she ends up in the hospital in a coma after being struck in the head by a falling television. It is then that the film takes us into uncharted territory as Leonor goes about creating an action movie in her mind concerning an action hero names Ronwaldo. She appears in her own movie, manipulating events to her own liking, occasionally reworking scenes that didn’t work out right. The imagined movie then sometimes blends with real life to somewhat resemble ideas out of The Matrix. The film is something of an homage to seventies action movies from the Philippines which was quite an industry in those times. It is especially violent and heavy on heroic scenes for its action stars. I certainly did not know what to expect with this one.

892

892                                         4 suns

892 was the winner of the U.S. Dramatic Ensemble Cast Special Jury Award. It is a fairly straightforward story concerning a desperate former U.S. marine who has decided to hold employees of a bank hostage so that he can receive what is owed to him by the VA. I thought it seemed a little slow moving for a hostage taking drama. There were few action scenes and most of the film dealt with the negotiations between the marine and the police negotiator. But by the end I realized that this was a representation of an actual event which explains a lot, especially why such a subject was chosen. The acting performances were especially superb including John Boyega of Star Wars as Brian, the marine and Michael Kenneth Williams as the negotiator in what would be his final film role. This film is very unlike one from last year called Prime Time, also about a hostage situation, but was more dramatic and tension filled. Of course that one was a fictional story. 892 serves as a reminder about how our obligations to those who serve often go unfilled.

Nanny

Nanny                                   4 suns

The winner of the U.S. Dramatic Grand Jury Prize was Nanny, a film with supernatural elements that doesn’t quite rise the level of full-blown horror. We meet Aisha, an undocumented immigrant from Senegal, who gets a job as a nanny to a wealthy Manhattan couple taking care of their girl, Rose. Aisha is a mother herself, but has left her young son in the care of a cousin back in Senegal. Her hope is to be able to bring the son to the U.S. to join her one day. However, the situation is less than ideal as her employer’s problems begin to spill over to affect her own life, compounded by a supernatural presence that appears to invade her thoughts and dreams. Hope comes in the form of the grandmother of a man she meets played by Leslie Uggams, whom she can confide in. The film portrays the difficulties faced by immigrants who are parents in the U.S. as well as dealing with issues of mental illness among a population not equipped to handle them. Fortunately, the movie ends with a hopeful note.

The Substance

The Substance  4 ½ stars

For a searing indictment of the obsession with youthful looks and beauty double standard in today’s society combined with some of the grossest scenes Hollywood has produced lately, you can’t miss with The Substance currently in theaters. This science fiction horror film by French director Coralie Fargeat is sure to be remembered by all who see it. (She previously brought us the over-the-top and bloody as hell revenge movie aptly titled Revenge in 2017 that was a condemnation of rich white men who have little regard for women.) In The Substance we first meet Elizabeth Sparkle (a still stunning Demi Moore in one of her finest performances), who rose to stardom in the nineties and now stars on her morning workout show. But the sexist producer, Harvey (Dennis Quaid) wants to dump her and replace her with someone younger and hotter. Elizabeth learns of a black-market treatment called The Substance that claims to create a new, better version of yourself. Who wouldn’t want that? She quickly signs up for it and is directed by a mysterious voice on the phone of how to get it and implement the procedure. In a very long sequence with no dialogue, she carefully does as told, injecting the drug, leading to the resulting division of her body into two, one the new younger version (Margaret Qualley of Drive-Away Dolls) and the other, her original self. Part of the bargain is that Elizabeth must alternate between the two bodies every seven days, using the correct food and stabilizer that are provided. Both bodies are her and she must “respect the balance” as the mysterious voice says. Otherwise, things can get ugly. The young Elizabeth, who goes by Sue lands the part of the new star of the workout show with her youthful body being ogled by older men. Everything seems great, especially when she is offered the opportunity to host a New Year’s Eve show; that is, until Sue takes more than the designated amount of time creating a conflict between the two bodies. As one would predict this leads some very unfortunate consequences for the pair. What follows can best be described as a David Cronenberg horror movie on steroids as the amount of blood and gore reaches new and absurd heights. There is an abundance of closeup shots when things get messy as well as on Dennis Quaid’s face (and his sloppy eating habits) as well as loud sound effects to emphasize how gross it gets. The film certainly gets very self-indulgent, but it delivers on its message of condemning the impossible beauty standards of our society. It reminds us that trying to relive one’s past can only result in disappointment. If you like this movie for its action and blood you should be sure to find Fargeat’s Revenge. You won’t be disappointed.

All Quiet on the Western Front

All Quiet on the Western Front  4 ½ stars

This time I went from the horrors of narcissistic billionaires to an even greater horror, the viscousness of all-out war, by viewing the 2022 film, All Quiet on the Western Front. This is the German language film based on the well-known novel of the same name by Erich Maria Remarque. The book was made into the Academy Award winning film in 1930, and now we have the latest version, made with all the special effects of the present day. The film, by director Edward Berger, holds nothing back in presenting how horrible and devastating war can be. (I also happened to take a guided tour of World War I battlefield sites in France around this time so got a first-hand view of some authentic locations where The Great War was fought.) The opening scenes focus on a World War I battle between the Germans and the French showing us what trench warfare was like, with the soldiers seeing their comrades killed in an instant. But then we see the aftermath, with the bodies being gathered for burial as well as the gathering of the uniforms of the dead. The film then follows the path of the uniforms showing how they are cleaned and then mended so they can be reused by the next group of soldiers, giving us the feeling of a never-ending cycle of death. Like the book we follow teenage recruit Paul and his friends who are very enthusiastic about joining the army and the glory that awaits them. They are assured that the war will be over soon, and they will return to their homes as heroes. Of course, this is not to be as we are treated to one scene of horror after another showing the effects of modern weapons of war. Often the assaults result in scenes of hand-to-hand combat between the adversaries but based on my tour and readings, actual hand to hand combat was a rarity in World War I. More common were the artillery bombardments resulting in large casualties followed up with infantry attacks causing the enemy to retreat from their trenches. In this respect the movie and book are not accurate. We are also treated to scenes of comradery among Paul and his fellow soldiers during the quieter times in the trenches and the surrounding countryside. Against these scenes are those showing what life is like for the higher brass who issue the commands sending thousands of men to their deaths. These well-fed men with their large mustaches feast on their wine and cheese seemingly without a thought of concern for what the men are going through. They are only concerned about their own glory by achieving the victory in battle that forever eludes them. The frightening scenes of battle are backed up by an unsettling score and some of the best cinematography I have seen. The movie was the recipient of four Academy Awards which are well deserved. If you are at all interested in anti-war films, All Quiet on the Western Front must be on your list.

Licorice Pizza

Licorice Pizza                      5 stars

Over the past decade or so filmmaker Paul Thomas Anderson has brought us such memorable and entertaining films as Magnolia, There Will Be Blood and Phantom Thread. This year he has done it again with Licorice Pizza, a comedy romance set in early seventies Encino, California, concerning an on again, off again romance between 15 year old Gary (Cooper Hoffman, son of Philip Seymour Hoffman) and 25 year old Alana (Alana Haim). This may sound as inappropriate and implausible but Anderson makes it work and keeps us rooting for Gary in his quest for romance. It is not only Gary’s pursuit of Alana that keeps our interest, but also the many other exploits and situations this unlikely pair find themselves in. Somehow, 15 year old Gary starts a business selling waterbeds with Alana’s help as well as that of his 15 year old friends and later opens a pinball machine arcade. Gary has a mother who occasionally appears, but he is largely on his own in his various pursuits. He is even a frequent customer of a restaurant visited by Hollywood figures. Young actor Hoffman pulls off the part making you love his character, pimply face and all. Alana, who lives with her Jewish family (with her own real life family playing the part) at first finds Gary’s proposals ridiculous but later is drawn in by his persistence. The film is also noteworthy for the choice of music taken from artists of the sixties and early seventies including The Doors, Gordon Lightfoot, Wings and Blood, Sweat and Tears. There are some special supporting roles that deserve mention, especially Bradley Cooper as a narcissistic movie producer with a bad temper. His performance is worthy of an Academy Award nomination. Sean Penn makes an appearance as what seems to be a porn movie producer and John Michael Higgins is a Japanese restaurant owner who makes some very offensive racially insensitive remarks toward Asian women in some controversial scenes. Apparently the film is loosely based on the life of a friend of Anderson’s giving it an element of truth. Through much of the movie I had the feeling that this is completely ridiculous but it is still funny. Maybe in 1973 things like this could have happened. I have no doubt that Licorice Pizza will be nominated for Best Picture and it very well could win the Oscar.

The Power of the Dog

The Power of the Dog     4 ½ stars

Jane Campion’s The Power of the Dog is classified as a Western but is unlike any western that I can remember. There is no gunplay or fist fighting, but there is plenty of conflict and tension in this slow moving drama set on a cattle ranch in 1925 Montana. Phil Burbank (Benedict Cumberbatch), one of two brothers operating the extravagant family ranch, is a swaggering, commanding cowboy who demands as audience. When he sees vulnerabilities in others, he takes advantage of them including his own brother George (Jesse Plemons) who he berates, referring to him as Fatso. Phil’s character is established when the ranchers come across the lonely widow Rose (Kirsten Dunst) and her son Peter (Kodi Smit-McPhee) at a nearby restaurant and Phil sees his chance to berate the young, effeminate teenager. George sees the beautiful qualities in Rose and soon marries her and makes her the woman of the ranch. We all have come across people like Phil before. He is the bully, who despite being highly intelligent, seeks gratification by attacking others to make himself feel important. He even goes out of his way to appear stinky and dirty to embarrass his brother when guests come for dinner. The dialogue is usually kept to a minimum with the camera focusing on the vast landscape with New Zealand standing in for Montana. The score with its eerie sounds serves to magnify the tension that we feel between the characters. I won’t give away the plot but there is a frequent reference to an older ranch hand who has passed away and was the one who taught Phil and George about ranching. This is important. The movie is based on a book and has something significant to say about what it is to be a man. There is a lot going on below the surface with these multilayered characters that makes this a first-rate drama. However, the slow pace and lack of physical action is bound to turn off some audiences.

The Last Hand

The Last Hand                    ½ star

This week I went back in time to 1995 to find an old DVD release called The Last Hand. This is a dreadful film noir movie with cheap sets, convoluted writing and bad acting. It is set in a small Nevada town where some locals get together for a regular Friday night high stakes poker game. On one particular night, the usual loser Benny, hits it big and wins around $30,000 only to be killed by a gunman while driving home. Benny’s son, Clyde shows up the next day to find out what happened to Benny, but the cops are uncooperative, being controlled by one of the casino owners. As Clyde follows the path of Benny’s last hours he finds a maze of bad debts and mistrust among the card players and two of their lady friends that leads to more murders. There is also the matter of Benny’s will and the deed to his ranch that may reveal the motive of the killer. By the time I got to the end most everybody was dead and I didn’t care how it was going to turn out anyway. Then the filmmaker slapped on an ending that didn’t make sense to say nothing of the plot holes and seeming coincidences in the story. One notable point is that Benny is played by Batman’s Frank Gorshin. There is also a young woman, Grace played by Hudson Leick in her second film appearance, before she got the role of Callisto in Xena, Warrior Princess. Stay away from The Last Hand. As I say, I watch these movies so you don’t have to.

Parallel Mothers

Parallel Mothers              4 stars

Filmmaker Pedro Almodovar returns to the big screen with Parallel Mothers, a very feminine movie with a feminine cast, almost three years since Pain and Glory. He once again casts Penelope Cruz in the lead role, this time as Janis, a single woman who finds herself pregnant and sharing a hospital room with a 17 year old girl, Ana (Milena Smit) who is also about to give birth without any partner present. The movie is about close bonds that form between people in spite of some very messy circumstances. It really has two distinct aspects. Besides the feminine relationships that Almodovar is so known for (also Julieta and Broken Embraces starring Cruz), the movie has a political aspect being set in Spain, a country that experienced a civil war in the 1930’s. Janis persuades Arturo, a forensic anthropologist to uncover a suspected grave where the fascists of that period are believed to have murdered and buried her great grandfather and several other men from the area. In so doing we hear the stories of how this terrible event has affected the lives of the descendants so many decades after the events. Janis is a single mother, whose mother and grandmother were all single mothers and still feels ties to family that she was too young to meet. There are several interesting twists in the story about these women that I can’t go into without revealing the plot, but I will say it is about a secret that was kept for too long and the effect that has on others. Look for Parallel Mothers to earn some significant award nominations including for Cruz.