Category Archives: Drama

Frozen II

Frozen II               4 stars

Six years after we met Elsa and Anna, the sister princesses of Arendelle, comes Frozen II, the sequel that finds the kingdom in danger from some unleashed magical spirits from the enchanted forest (if I understand this correctly). We again see the Disney magic with many colorful scenes and musical numbers that made the first movie such a hit. This time around the characters are dealing with some darker forces that have to do with magical spirits that threaten this land and it all has to do with a conflict in the past between the kingdom and another civilization that is now hidden in the enchanted forest. There is plenty of comedy provided by Olaf, the snowman and the lovable oaf Kristoff who is trying to figure out how to propose to his love, Anna. The story is definitely more complicated than the original Frozen and would be hard for young minds to follow, but that may not be all that important. There is a long hidden secret concerning Elsa and Anna’s dead parents that helps to explain the old conflict and why it is that Elsa has magic powers. It was all a little too confusing for me to follow, even. The outstanding cast of Kristen Bell, Idina Menzel, Josh Gad and Jonathan Groff is expanded with Sterling K. Brown and Evan Rachel Wood. The movie has a positive message for the kids about sticking together through challenges. Overall, it’s a good Disney movie suitable for young minds despite some of the darker moments.

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World      4 ½ stars

Last year brought the third chapter of the How to Train Your Dragon trilogy and it is a fitting ending to the story of the young Viking leader, Hiccup (Jay Baruchel) and his close dragon friend, Toothless, who is always by Hiccup’s side. This time the Vikings of Berk are living peacefully with their dragon friends, but things have gotten very overcrowded. You could also call the movie, “How to Train Your Dragon: The Love Chapter”, as there is a new character in Toothless’ life, a female all white Light Fury, who has captured the attention of Toothless. There is a new villain also in the person of Grimmel (F. Murray Abraham), a master dragon trapper who together with the Trappers are seeking to put an end to the peaceful cooperation between the Vikings and their dragon friends. As the leader of the Vikings, Hiccup can see they cannot safely remain in their village and leads humans and dragons with the support of his girlfriend, Astrid (America Ferrera), in a search for the mysterious hidden world, the legendary land from which the dragons originated. The movie excels once again with the Disney animation we have seen in the previous chapters, (which go way back to 2010 believe it or not). Besides giving us the thrills of its action sequences, the movie is best when focusing on the friendship between Hiccup and Toothless, which resembles traditional movies dealing with a boy and his dog (or horse). But this time Hiccup faces the new challenge of facing what is best for Toothless and everyone in his world. This third chapter in the How to Train Your Dragon series, I think measures up to the quality of the original, something we rarely see in this age of multiple movie sequels.

Mississippi Masala

Mississippi Masala           4 stars

Mississippi Masala from 1991 is an early work of director Mira Nair who is best known for her movie Monsoon Wedding about a large family wedding in India. It is also an early starring role for actor Denzel Washington who is obviously very well known. Nair starts the story in 1972 Uganda where the Indian family of Jay, Kinnu and young daughter Mina are forced to leave their home by dictator Idi Amin. Amin has declared that all Asians must leave the country after the government took possession of their property. The family lands in the American Deep South, in Jackson, Mississippi where the story picks up in 1990 where Mina (Sarita Choudhury) is now an adult with ideas of her own. Mina works at a local Indian owned motel, a situation that director Nair discovered to be quite common in the South at the time the movie was made. There she happens to meet Demetrius (Washington), a young black man who operates his own carpet cleaning business and stays in the area to care for his father. It doesn’t take long for a connection to be made between the two and the romantic sparks take off with the romantic scenes being quite intense for the time period of the making of the movie. It is when the families find out what is going on that the racial aspects of the movie really become the story. Despite the racism that exists against both Indians and Blacks from whites, the movie exposes the prejudice feelings that members of people of color have toward one another. Thus, despite the friendliness the families may show toward the other race, when it comes to matters of the heart and family, people are not so openminded. The movie is about two hours long and perhaps tries to cover too much ground in that time with more characters than is necessary. It is a worthwhile early effort of Mira Nair and I was glad to run across it. It is also interesting to see a movie from nearly thirty years ago and notice how movies have changed.

Weathering With You

Weathering with You      4 ½ stars

Weathering with You is the creation of Japanese writer and director Makoto Shinkai, who has made several animated films, but this is the first that I have seen. The animation looks a lot like the animated films of Hayao Miyazaki, of which I have seen several, like Kiki’s Delivery Service. The story centers on teenager Hodaka who has run away from his small town for the big city of Tokyo. There the city is engulfed in horribly gloomy rain that reflects the circumstances of the runaway. While he is taken in by a man who seeks to exploit him in his gossip magazine business, Hodaka meets a young girl named Hina that he takes an immediate liking to. She also comes from an unfortunate home situation and has a younger sister and brother to look after. Hodaka discovers something very unusual about his new friend. Hina possesses the power of a Sunshine Girl, a being of a Japanese myth who is able to control the weather through prayer. Her explanation is that she came to be this way through her praying by her dying mother. The pair find that they are able to make a living off of this power by bringing sunshine to Tokyo for payment. They soon become quite the celebrities on social media, but find that this power comes at a price when it endangers their lives. The weather aspect of the movie reflects the mood on screen of the main character and has a message about climate change as Tokyo is threatened by the rising water level. I found the movie to have a dramatic message about the power of love and self-sacrifice. It has some very detailed animation of an urban landscape drenched in rain and some well placed songs to support the mood of the film. Shinkai is also known for his very successful earlier film in Japan called Your Name. I have not seen it but it apparently has a similar theme to Weathering with You and sounds like it would also be worthwhile to see.

Corpus Christi

Corpus Christi    5 stars

The Oscar nominated film from Poland, Corpus Christi, is about a young convict who wants to go to seminary, but upon being released from prison is told that no seminary will take an ex-con. Thus, what does Daniel do? He finds a parish in a small village and convinces the people that he is in fact a priest. Not only does he convince the local priest of this, he is asked to fill in for him while he is sick. Soon Daniel is hearing confessions and is leading the Mass delivering heartfelt messages that the people love to hear. There is a subtle message in the fact that he was working in a sawmill while in prison. Of course, the audience is wondering how long can he get away with this charade? The premise is not exactly believable when it is set in the present where information on people is readily available online, but never mind that detail. Fortunately, there is more to the story as the village has recently suffered the terrible tragedy of losing six young people to an accident and it is clear there is a lot of healing needed by these people. Thus, there may have been a very good reason that Daniel happened to do his impersonation at this time. The story develops slowly throughout the movie and is aided by a superior performance by the protagonist, Bartosz Bielenia. It keeps the viewer guessing as to where the movie is going throughout. I could have seen this movie winning the Best International Film Academy Award.

Wildlife

Wildlife                 3 ½ stars

One type of movie I like to find are the dramas set in small rural towns in the West, South or Midwest. Usually these films feature characters who face bleak prospects and have troubling family problems. Set in 1960 rural Montana, Wildlife fits that description well. It’s about a young couple, Jerry and Jeannette (Jake Gyllenhaal and Carey Mulligan) and their teenage son Joe (Ed Oxenbould) who have recently moved to town and are struggling financially. Then Jerry loses his job at the country club, so Jeannette and Joe have to pitch in with low paying jobs. In a seemingly desperate act, Jerry volunteers to help fight the forest fires that are ravaging the area for little pay. Of course Jeannette is outraged at the decision, but can do little to change Jerry’s mind. It is here that the film takes a dark turn as Jeannette meets a local wealthy man (Bill Camp) on her job at the YMCA and begins to see him outside of work. She also enlists 14 year old son Joe in the affair by not hiding anything from him. The acting from Oxenbould and Mulligan is excellent and the representations of 1960 America in the cinematography is spot on. The actions that Jeannette and Jerry take often seem unrealistic contributing to an uneven tone throughout the movie.

The Assistant

The Assistant     4 stars

I first heard of The Assistant when it was released at Sundance in January. I even managed to attend a panel there with the director, Kitty Green and the star, Julia Garner, though I had not heard of them before. Garner won an Emmy earlier this year for her role in Ozarks. She plays a young woman who has recently gotten a job as an assistant to the assistants of a powerful movie executive at a major movie studio. The movie becomes a realistic portrayal of a day of working for a predator who seems to be immune to criticism. We see the woman as she arrives for work in the dark and goes about her work day which includes cleaning up the boss’ office, cleaning dishes in the kitchen, preparing schedules, making copies and taking phone calls. She has coworkers, but for the most part she goes unnoticed with no one calling her by name. She also has the unwanted job of dealing with the boss’ wife, making excuses for his whereabouts. We never see the boss, but hear his voice on the phone as he expresses his displeasure when something is not to his liking. He even makes the young employee put apologies to him in writing when she makes a mistake, pledging not to let it happen again. Eventually, another young woman arrives at the office and it becomes an open secret that the boss is preying on the new arrival, leading Garner to approaching HR with a complaint. The movie is slow and seems very mundane until we get the point of what is being presented here. It’s a realistic representation of a misogynistic workplace and the total lack of power that female employees have in such an environment. One can’t help but notice the similarities that the boss has with the disgraced Harvey Weinstein. The movie is a good production, but not all moviegoers will appreciate the choices made by the writer/director in portraying what it must be like to work for a predator.

Eddington

Eddington                           4 stars

Do you remember what life was like back in 2020, in the time of COVID, the mask mandates, the social distancing and the countless demonstrations for Black Lives Matter? Would you like to revisit that time? Well, in Ari Aster’s new comedy western, Eddington, we get to do just that from the point of view of rural America where there was deep resentment over government mandates and where conspiracy theories proliferated like weeds. Joe Cross (Joaquin Phoenix (Joker and Beau is Afraid)) is the sheriff of Eddington, New Mexico in May of 2020 when the reaction to COVID is in full swing. He must deal with the anger of the locals along with the normal disturbances. Besides this, he has trouble at home with his depressed wife, Louise (Emma Stone (Poor Things)) who makes creepy-looking dolls and his mother-in-law, Dawn (Deirdre O’Connell (Diane)), who is fascinated by conspiracy theories. There are protests going on in the streets shortly after the George Floyd incident, led by some of the local activists resulting in confrontations with the police. The mayor of the town is Ted Garcia (Pedro Pascal (Materialists and Gladiator II)) who is very full of himself. He is trying to get a high-tech company to build a factory in Eddington as that will make him look good. Garcia believes in the mask mandates, but Sheriff Joe wants nothing to do with them. Joe has arguments with Garcia as well as with the employees at the local supermarket. There are rumors that Joe’s wife, Louise, had some sexual history with Garcia and now she is spending time with a self-help guru crackpot (Austin Butler), who has her under his spell. All this is enough to make a person snap and for Sheriff Joe it’s enough to make him want to run against Garcia in the upcoming mayoral election. You may have seen Ari Aster’s earlier movies, Midsommar, about an American couple visiting a violent cult in Sweden, or Hereditary, about a family investigating the terrifying past of their family. If so, then you might have an idea of what you are in for. The movie progresses into a murder thriller expanding into utter mayhem. The characters face some harrowing and confusing experiences that they may or may not have been responsible for. It is all very exciting for the audience but probably goes on for too long. Aster’s movie is ultimately about America’s cry for help in a very troubling time and what a mess we have made of things. You can choose for yourself whether this appeals to you. I find that I am a fan of Aster, so I was thrilled to see it.

The Two Popes

The Two Popes 4 ½ stars

In The Two Popes two master filmmakers team up with A list actors to create a thoughtful what-if vision of a meeting between two widely different individuals who have held the lofty position of the Papacy in the Catholic Church. Screenwriter Anthony McCarten (Darkest Hour, The Theory of Everything) imagines what might have happened if the previous Pope, Joseph Ratzinger and the present Pope, Jorge Mario Bergoglio met at the pivotal time when Pope Benedict decided to step down from his leadership position for the sake of the church. Director Fernando Meirelles (City of God, The Constant Gardener) directs the meetings between Ratzinger (Anthony Hopkins) and Bergoglio (Jonathan Pryce) in convincing fashion that makes us believe the two could be friends trying to support one another through difficult times in their lives. The film opens and closes in typical documentary style. At the beginning we see scenes of the Cardinals gathering in Rome in 2005 to choose the successor to Pope John Paul II who had just passed away. The choice was Cardinal Ratzinger from Germany who became Pope Benedict. The end of the film occurs in 2013 when the Cardinals came together again following the shocking resignation of Benedict amid the scandal of child abuse that rocked the church. Here the new choice was Bergoglio of Argentina who took the name of Pope Francis. The interesting part of the movie comes in between in 2012 when the two popes meet and converse about the church, their faith and their respective roles in the church. We also get a picture of what it was like for Bergoglio as a young priest in Argentina in the seventies when a military dictatorship carried out a reign of terror against those that resisted including the priesthood. It’s clear that the two men have very different visions about the future of the church, but at the same time they are very supportive of each other. Even though the meeting between the two is considered fictional, it’s a very interesting take on what these two leaders must be like on a personal level. The film earned Academy Award nominations for both Hopkins and Pryce as well as screenwriter McCarten. Surprisingly, it was left out of the Best Picture category.

My Old Ass

My Old Ass         4 stars

Did you ever think about what you would tell your younger self about making choices in your life, having learned from life experience? This is literally the premise behind My Old Ass which first appeared at the Sundance Film Festival last year (2024). Elliott (Maisy Stella) is a more or less normal 18-year-old girl living on the family cranberry farm in Canada with her parents and two brothers. She has a couple of best friends she hangs out with and is about to go off to college the following fall. One night she is visited by a strange woman who claims to be her older 39-year-old self (Aubrey Plaza of Parks and Recreation) who willingly came here to see young Elliott. There isn’t any science fiction type of explanation for this time traveling event. And there isn’t any catastrophic event in the future that must be prevented. The explanation for the unexpected visit is more fantasy-like as young Elliott drank some tea with hallucinogenic mushrooms and suddenly, there appeared older Elliott. The initial conversations between the two Elliott’s seemed silly and juvenile to me but later became more interesting. Older Elliott is there to tell her younger self of the importance of family and that she should try to spend more time with her mother and even her brother who she thinks doesn’t want to be seen with her. Young Elliott is full of anxiety and self-doubt like a lot of teenagers, but goes along with this new relationship, which can continue over the phone because apparently phone calls can be made across time. But older Elliott has a special warning for her too, and that is to stay away from Chad, who young Elliott has never heard of before. Later, when young Elliott is taking a dip at the swimming hole, what happens but a boy shows up who has started working on the family farm, and his name happens to be Chad. And so, starts the mystery of what is this guy all about and what is so dangerous about him. The young actress, Maisy Stella, who is new to movies gives a real genuine performance as Elliott making her seem like a confused teen who is just trying to figure things out. Plaza gives her usual understated performance but makes you believe there is something profound going on in her mind beneath the surface. The movie is written and directed by the actress Megan Park and is her second effort at directing. Earlier she made The Fallout. Some viewers will remember her as Grace from The Secret Life of the American Teenager. I found the movie to be well written as it alternates from goofiness to important statements about life and how to treat those we love. The movie was a hit at Sundance and now I can see it is well deserved both for the acting and writing.