Category Archives: Drama

Da 5 Bloods

Da 5 Bloods        5 stars

I only recently found out about Spike Lee’s new movie, Da 5 Bloods that was released on Netflix back in June. With the pandemic it didn’t get a lot of attention this past summer. It has been described as an action movie about four black American soldiers returning to Vietnam, but it is much more than that. Lee brings this fictional story to the screen that gives us a history lesson and expresses the anguish that black men have gone through in giving their service to a country that doesn’t repay them. Lee starts with some archival footage of events leading up to the sixties and the Vietnam War that sets the tone. The four men in their seventies, played by Delroy Lindo, Norm Lewis, Clarke Peters and Isiah Whitlock, Jr. have journeyed to Vietnam in the present to reclaim the body of their fallen comrade and squad leader, Stormin’ Norman (Chadwick Boseman). Only they are also there to claim the treasure of gold that the US intended to pay to local Vietnamese to fight against the Vietcong. The men had buried the gold in the jungle during their tour during the war. Lee gives us scenes of the jungle fighting but in an interesting casting choice the older men also play the young versions of their characters in the war in 1968. The men, who call themselves Da Bloods, are all emotionally traumatized by the war and other events in their lives, especially Paul (Lindo) who has never gotten over the death of Norman as he blames himself for the loss. The movie is probably the best performance that Lindo has done. Chadwick Boseman who died this year gives us a fine performance in one of his last roles. There are several Vietnamese characters in the movie that give us their point of view of the war. They typically refer to it as The American War. Not only do we get plenty of emotional drama from the characters, but there is plenty of shooting and action when some rogue Vietnamese officers get wind of the mission. The outcome is reminiscent of other classic movies like The Treasure of the Sierra Madre when greed overcomes loyalty. (If you listen carefully you may hear a reference to that film.) There is no shortage of graphic scenes and the movie clocks in at two and one half hours so the dedicated viewer is in for quite a ride. Da 5 Bloods is another fine achievement by director Spike Lee and is destined for multiple awards in the awards season.

Woman of the Hour

Woman of the Hour        4 stars

Last year’s Woman of the Hour is a true crime thriller that is based on the time that an actual serial killer appeared on a TV game show, The Dating Game as a contestant. In 1978 Rodney Alcala had been murdering women for years by luring them to remote locations while posing as a photographer. He appeared on the game show as Bachelor Number 3 where he answered questions from female contestant Cheryl Bradshaw and was chosen by her to go on a date. The movie, directed by and starring Anna Kendrick introduces us to Cheryl (Academy Award nominee Kendrick) and Alcala (Daniel Zovatto) separately before the fateful episode of the iconic TV show. We see how Alcala uses his charm to convince the victims to accompany him before he kills each one. As the killer, Zovatto is alternately likeable and menacing in the role. Cheryl is a struggling actress having a difficult time finding roles when her agent lands her an appearance on a TV show, which happens to be The Dating Game. She is not very thrilled about the idea but goes along with the idea as it will give her some exposure. So, she does the show where she is expected to look pretty and ask each of the three bachelors prearranged questions that will appeal to the audience. There is more to the movie though, as it is set in the 1970’s, a time defined by sexism. Cheryl must calmly endure sexist remarks from men about her appearance. She has to be overly polite with her male neighbor in conversations to make sure she doesn’t hurt his feelings. But when the big moment comes for her TV appearance, she decides she has had enough of pleasing men and asks her own challenging questions of the three bachelors that includes one dimwit and one sleazebag, causing them to squirm and upsetting the TV host (Tony Hale). Finally, when the two meet face to face, Cheryl has a conversation with Alcala and gets the sense that there is something not right about the guy which leads to the intense final confrontation between them. The way women are poorly treated is further exemplified by a scene when one woman recognizes Alcala as a suspect in a murder and is routinely dismissed by the police and other men. The movie is more than a true crime story as it paints a picture of the seventies showing how women are objectified in this man’s world. This was a challenging subject for Kendrick to choose for her first effort at directing. Let’s hope to see more projects from her.

We Live in Time

We Live in Time                 4 ½ stars

At first glance We Live in Time might sound like another romantic tragedy about a couple in love facing the challenge of their lives that doesn’t end well. Two things make the film more interesting than that. One is the combined performances of the two leads, Florence Pugh as Almut, a rising superstar chef with her own restaurant, and Andrew Garfield as Tobias, a working stiff who is going through a tough divorce. The second is the imaginative way that director John Crowley and screenwriter Nick Payne chose to tell the story in a non-linear fashion covering critical phases of the brief time that this couple spends together. Both Pugh and Garfield have given us outstanding performances in recent years, Pugh in the horror movie Midsomer, the science fiction film Don’t Worry Darling and the period piece Little Women, and Garfield in the musical Tick, Tick…Boom!, The Eyes of Tammy Faye playing televangelist Jim Bakker and the war film, Hacksaw Ridge. Here they work well together as the young British couple trying to figure things out. It is a little puzzling to the audience at first as the film starts somewhere in the middle of the relationship as they deal with the question of having children. It is only later that we find out how they meet with Almut running Tobias over with her car and her visiting him in the hospital afterwards. There are at least three time periods that the film alternates between, that include such dramatic events as a cancer diagnosis and a pregnancy that ends with giving birth in a service station. The events are put together in a way that raises the drama with each scene and may leave you a little weepy by the end. One scene in particular shows conflict between the two when Almut decides to compete in a high-profile cooking competition despite being ill with cancer, against Tobias’ wishes. Her decision seems irresponsible, but Pugh’s performance makes you believe she is doing the right thing. We Live in Time stars two great actors of their generation and should convince us to make the most of the time we have.

Kajillionaire

Kajillionaire         4 ½ stars

Miranda July’s third feature as director, Kajillionaire, is a real treasure featuring a very odd performance by Westworld star Evan Rachel Wood. Her previous features The Future and Me and You and Everyone We Know were well received, but I never managed to see either one. Her movies are described as quirky with some very oddball characters and Kajillionaire fits right in. Wood exchanges her robot acting to play a young woman named Old Dolio, who has been raised by her parents Robert (Richard Jenkins) and Theresa (Debra Winger) to participate in their con games to rob people of their money and valuables. They aren’t really that good at what they do and are barely getting by. This leads to some very funny scenes. Old Dolio (don’t ask about her name) obviously has never known affection and doesn’t know how to behave around people. Wood has been made to look about as unattractive as possible in the role and masters the part. The trio spend their time stealing from post office boxes and visiting elderly people in order to rob them. They live in an old office building that is very cheap on the condition that they remove the soap suds that leak into the space on a daily basis. (Don’t ask.) Things change for Old Dolio when the trio are joined by Melanie (Gina Rodriguez), a young woman who likes the idea of being a grifter, but has a different take on it. Kajillionaire displays a wide range of emotions for its characters and gets to the point of what life is about, though in a very amusing way. Now I feel that I need to check out Miranda July’s other movies.

Motherless Brooklyn

Motherless Brooklyn      3 ½ stars

One movie that has long been on my list to see is Motherless Brooklyn which came out about a year ago. It is a real pet project of Edward Norton who wrote the screenplay, directed and stars in the picture going back to 2001. The movie is about a gumshoe detective, Lionel Essrog (Norton) in 1950’s New York City whose boss and mentor is murdered, so Lionel spends the rest of the film trying to solve the crime. The movie is based on a 1990’s crime novel, but Norton set the story in the fifties after he acquired the rights to it. The movie is in the style of a fifties Film Noir and has a plot that is quite complicated. I will give some background without giving too much of the plot away. Lionel’s investigation takes him to a story of corruption within the city government involving a city official named Moses Randolph (Alec Baldwin) who has made it his mission to remake the city into his vision of a world class city at the expense of the poor and working-class people that inhabit it. The Randolph character is based on the actual city planner in the fifties, Robert Moses, who tore down black neighborhoods to build his parks and bridges and interfered with mass transportation like buses and trains because they were used by poor people and blacks. Alec Baldwin is brilliant as the character who craves power and despises those who care about the welfare of disadvantaged people. (Remind you of anyone?) Lionel has a condition, Tourette syndrome, that causes him to blurt out annoying and offensive remarks, but is otherwise and intelligent person. Sometimes this gets to be distracting from an interesting plot, but otherwise Norton gives an excellent performance. The rest of the cast is pretty amazing, including Bruce Willis, Willem Dafoe, Gugu Mbatha-Raw, Bobby Cannavale, Cherry Jones, Josh Pais and Michael Kenneth Williams. It’s clear that Norton was out to get the best actors he could. At 2 hours, 24 minutes, the film tends to drag at times and you may have to pause the movie and back up to catch some of the key plot points, but it will be worth it. The jazz score written by Thom Yorke and performed by Wynton Marsalis is also amazing to hear helping to give the movies a very fifties feel.

Okja

Okja                       3 ½ stars

I went back a few years to see an earlier film by Korean film director Bong Joon Ho. Ho is probably best known for the 2019 Academy Award winning film Parasite, about greed and class discrimination. His earlier movies that I have seen are The Host and Snowpiercer. His imaginative films typically contain elements of science fiction or fantasy with dark undertones, and this is certainly true of Okja, a tale about a genetically engineered super-pig that is loved by a Korean girl named Mija. Mija has been raising Okja from a piglet with her grandfather in the mountains of Korea for ten years and the two are quite close. But Okja is actually a genetically engineered animal intended to be a new food source along with hundreds of other such animals that was created by the conglomerate Mirando Corporation, led by the villainous Lucy Mirando (Tilda Swinton). One day the face of Mirando arrives at the farm in the form of Dr. Johnny Wilcox (Jake Gyllenhaal), a comically self-absorbed TV show host, who is there to take possession of Okja and take her back to New York where she will participate in a sort of beauty contest for the giant pigs before they are taken to slaughter. This doesn’t sit well with young Mija, so she sets off to free Okja before she is shipped to New York. But along the way she encounters a group of animal rights activists, called the ALF, or Animal Liberation Front, led by Jay (Paul Dano), who has some personal issues with violence. This sets off plenty of action and comical situations that are amusing, all created with some ingenious special effects. The movie is enjoyable to watch, though due to language it probably is not suitable for young children. This was Bong Joon Ho’s second English language movie, his first being the manga inspired Snowpiercer. Since that earlier movie didn’t do well in the foreign markets, he decided to go the streaming route teaming up with Netflix. When it was shown at the Cannes Film Festival, the audience booed the Netflix logo, showing their disapproval of the streaming platform. Though overall, the movie was well received. The movie is somewhat predictable and lighter than Ho’s other movies, especially the award-winning Parasite that came out two years later.

The Phoenician Scheme

The Phoenician Scheme                 4 stars

If you’ve seen a Wes Anderson movie before you already have an idea of what to expect. His best includes The Royal Tenenbaums, Moonrise Kingdom, The Grand Budapest Hotel and Asteroid City. (Also, remember The Fantastic Mr. Fox). Anderson has a unique style identified by faded colors, stationary cameras, and characters with stilted and rapid fire speaking that is instantly recognizable. His new film, The Phoenician Scheme, is no different and shares themes as well as actors from previous films. Common devices he uses are espionage and parental challenges, both of which are present in this one. There are two main characters that cover the entire film. There is the shady industrialist, Zsa Zsa Korda (Benicio Del Toro of Sicario and The French Dispatch) who has an uncanny ability to survive multiple plane crashes and his estranged daughter, Liesl (Mia Threapleton who is a newcomer) who he wants to leave his empire to and who happens to be a nun. Korda is in the process of setting up a vast infrastructure project to secure his legacy, but he needs the cooperation of a series of odd characters to “cover the gap”; that is, to help fund his project. Thus, his travels to various parts of the globe to try to secure their cooperation by doing odd things like having a basketball shooting contest in a railroad tunnel. It’s also clear that these various businessmen have not been treated all that well by Korda. There is also an assembly of rival industrialists who are trying to thwart Korda’s plans, thus the assassination attempts. The all-star supporting cast includes Jeffrey Wright, Benedict Cumberbatch, Tom Hanks, Bryan Cranston, Riz Ahmed and Scarlett Johansson. Bill Murray, a Wes Anderson regular even makes an appearance as God in what appears to be scenes of the afterlife. Throughout the movie it’s the great pairing of Del Toro and Threapleton with a little help from Michael Cera as Bjorn, a Norwegian tutor that really makes the movie. They have a good sense of comic timing while applying Anderson’s trademark style of deadpan delivery. Amid all the zany happenings lies a message of the care of a parent for their child even if it’s not delivered well. Considering all the movies that have been made by Wes Anderson over the past thirty years, The Phoenician Scheme is one of the better ones even if the style is very familiar.

Night of the Kings

Night of the Kings            3 suns

Night of the Kings is in the category of Spotlight meaning that it has been appearing at a number of film festivals prior to reaching Sundance. The story occurs inside a legendary prison in the Ivory Coast known as MACA. Though the army keeps the prisoners locked inside, the prison is really run by a prisoner known as Blackbeard. He and his friends use this control to profit from the prisoners. There is a tradition observed among the prisoners that during a red moon a “Roman” or storyteller is named who must entertain them with a great story told verbally. Thus, Blackbeard chooses a young prisoner who has just arrived and names him as the new Roman, so he gets the unenviable job. He is up to the task and weaves a fantastical story blending reality with legendary fables that enthralls the prisoners, sometimes to a frenzy. It is amazing that the filmmakers were able to pull this production off with a huge number of cast and extras. As a Westerner it is difficult to understand the beliefs being expressed here including the worship of someone who appears to be a common criminal.

Fire in the Mountains

Fire in the Mountains                     4 suns

Although I didn’t fully understand it Fire in the Mountains was one of my favorites of the international films. Set in the Himalayan mountains of India, we follow a couple trying to eek out a living in a poor village. They have a young son who cannot walk and there is no road to their part of the village, so the boy must be carried down a trail for trips to the doctor. The mother pleads with officials to get a road built and listens and trusts in the doctors who use Western medicine. The father however, wants to believe in the local religion as preached by the shaman with its folk remedies involving animal sacrifices and elaborate rituals. Funding both views puts enormous stress on the finances of the family leading to conflict. (There is also the threat of being attacked by a leopard in the woods!) The performances were completely convincing and the expansive mountain views were great to look at. Since this movie deals with a culture I know little about there are aspects about it that made little sense to me, but I still found it to be a fascinating story.

Prime Time

Prime Time         4 suns

The Polish drama Prime Time portrays a fictional hostage situation in a TV studio on live TV om New Years Eve, 1999. A young 20 year-old, Sebastian (Bartosz Bielenia) takes control of the studio with a gun and demands that he be allowed to read his statement to the nation on live TV. The situation becomes a standoff between Sebastian and the television staff and police. The tension between the parties is realistically represented as the police struggle with ways to handle the situation without getting people killed. We also see how the relationship between hostage taker and his two hostages changes as the hours pass by. The actor Bielenia is especially talented with his range of emotions. I saw this same actor only a few months ago in the Polish drama Corpus Christi with his character impersonating a priest in a small village. The producer of Prime Time said he needed to place the film in the nineties to show the importance of television at that time and to avoid the widespread availability of the internet and social media.