Nickel Boys         5 stars

Nickel Boys by filmmaker RaMell Ross, based on Colson Whitehead’s novel about the experiences of two black teens sentenced to a racist boy’s reformatory in the deep South is certainly one of the most unusual films to come out in the past year. Its depictions of the nightmarish treatment of young blacks by white men in the south of the early sixties, while shocking, is not unfamiliar. There have been many films depicting the abuses suffered in the Civil Rights Era. (To Kill a Mockingbird, Raisin in the Sun, Selma). What makes this film unique is the way that Ross chose to construct the shots. From the beginning we see everything from the point of view of the main character, Elwood (Ethan Herisse of When They See Us), from his time as a young boy rolling in the grass, to his time with his grandmother and when he is offered the chance to go to a Florida university with all expenses paid. While walking to the college, Elwood is picked up on the road by a friendly driver, not knowing that the car is stolen. When they are stopped by the police, Elwood is falsely accused of the crime and is sentenced to the racist Nickel Academy, a hellhole based on the Dozier School in Florida. While there he makes acquaintance with another teen, Turner (Brandon Wilson of the Ben Affleck movie The Way Back) who befriends him. Then we start to see other scenes shot from the point of view of Turner with the scenes alternating between Elwood and Turner. The technique seems like a gimmick at first but pays off as it gives the viewer the feeling that they are experiencing the abuses suffered firsthand. The two boys have different outlooks on their situation. In Elwood we see the optimist as he records his activities in a secret notebook thinking that he will be able to reveal the truth of what Nickel is like and escape the brutal punishment. Turner is practical as he looks for ways to survive the abuse. It is all set against the backdrop of the Civil Rights struggle as we see clips of Martin Luther King and the moon mission of Apollo 8. There are flash forward scenes with Daveed Diggs playing the adult Elwood as he researches via the internet about an investigation of the Nickel site where bodies are being unearthed, reminding us of the wider abuses of the time. Plus, it assures us that Elwood survives the experience. Viewing Nickel Boys is an experience to be taken seriously. You will be thinking of it long after leaving the theater. The movie is one of the Academy Award Best Picture nominees, an honor certainly deserved.

Sukkwan Island 4 suns

In Sukkwan Island, 13-year-old Roy, is persuaded by his divorced father, Tom to join him on a year long adventure on a remote island in the Norwegian fjords that can only be reached by plane. Leaving their lives behind, they set off on this trip staying in an old cabin and seem to be well equipped. It is a chance for the two to reconnect and do some real father son bonding. But it soon turns into a challenge of survival as they face the harsh conditions of a cold winter and predators on the island. But the greatest challenge turns out to be the human conflict between the two as mistakes are made and tempers flare. The pair of actors work well together as they convey the rising tension level. It’s clear the characters have issues that they must work through. The location of the shoot was both beautiful and foreboding. They story is based on a book written by the boy portrayed in the movie. I warn you, there is injury and blood involved. But I highly recommendthe movie. I was disappointed there was no Q & A at this event.

LUZ 5 suns

This international drama deals with estranged family and loss and efforts to heal, covering two different families who are a world apart. There is an element of technology in the form of virtual reality that links the two stories together. The first is set in the Chinese city of Chongqing about an older former gangster who has lost touch with his grown daughter who now makes a living streaming on the internet. In the second story a woman in Hong Kong travels to Paris to be with her stepmother whose health has started to fail. The stepmother is played by Isabelle Hubert who unfortunately couldn’t be at Sundance! The two stories are connected by a painting of a deer in the woods painted by the young woman’s deceased father and is now in a night club connected to the ex-gangster. Both individuals are drawn to a world in virtual reality called LUZ where the players interact and search for the mystical deer in the painting. There they meet and try to find answers to what they are searching for. The stories share themes of brokenness and healing between family members. At the Q & A writer/ director Flora Lau talked of the long process in making the movie and the iterations it went through. There were rewrites even after filming started where she made it less about the virtual world in favor of the family stories. I’d say it was a successful decision. The audience loved it. This movie is in both Chinese and French. Isabelle Hubert appeared in a recorded message greeting Sundance before the film. Wish she could have been there!

The Brutalist       5 stars

Brady Corbet’s (The Childhood of a Leader) The Brutalist is a three-and-a-half-hour epic tale about a Hungarian Jewish architect who escapes post-war Europe, makes his way to the US and pursues the American dream, but in the process is nearly consumed by forces around him. The movie is told on a grand scale over a period of decades using some astonishingly large set pieces. The story is so grand it has a feeling on par with The Godfather movies. Adrien Brody (The Pianist) is Lázsló Tóth, an accomplished architect who arrives in New York on a ship shortly after the end of the war. Nobody knows of his work there, so he gets a job with his cousin in Philadelphia working as a carpenter. The cousin (Alessandro Nivola), who is also Hungarian has assimilated to American society and is accepted by the locals. Fortunately, the business finds a wealthy client in the form of the son of a rich industrialist who hires the company to build a library in the mansion of the father as a surprise. But unfortunately, the man, Harrison Lee Van Buren (Guy Pearce (Mary Queen of Scots, The King’s Speech)) is not at all pleased with what he believes to be a mess of the project, kicking them out without pay and leaving Tóth with nothing. It is only much later that Van Buren learns of Tóth’s accomplishments in Europe, tracks him down seeking to make amends. Lázsló has had to resort to shoveling coal by this time. Van Buren, who has fabulous wealth, has a dream to build a multipurpose community center for his town and wants to hire Tóth to design it and help to realize his dream. This job is an incredible opportunity, but it of course comes with a price; that is, being a virtual slave to Van Buren with few options. As the great project takes shape, we get to see what it is like to tackle such a huge construction job. Cost overruns happen forcing compromises in design that has a dramatic effect on poor Lázsló. We get a close-up view of the whole construction process and what it is like to be one of the workers on such a job. I don’t know what it took to build the sets for this movie, but it must have taken years. Lázsló is blessed though as having this job afforded him the chance to bring his wife, Erzsébet (Felicity Jones) and young niece, Zsófia (Raffey Cassidy), who have been stuck in Hungary to America to join him. All of this so far is the set up to what the movie is all about. Tóth’s work is a great opportunity for him, but he comes to realize that his employer, Van Buren, has little respect for his foreign and Jewish background and only seeks to exploit him for what services he can provide. Van Buren is all too willing to cast him aside at the first sign of difficulty and the contempt extends to Tóth’s family as well. In the final scenes this rich man makes it all too clear what his thoughts are toward these foreigners. Being so long and expensive, this movie is about a lot of things. It feels like it is really several movies. Besides the plight of the working man, it concerns the place of Jewish people in America and of course the effect of the holocaust. The story is entirely fictional but is meant to reflect the immigrant experience of many in coming to America. The score is amazing, contributing to the feel of the film. A great deal of the credit in making this a great movie must go to Adrien Brody in his portrayal of the emotionally devastated Tóth (parallelling his performance in The Pianist). I feel like the Best Actor Academy Award is a near guarantee for this actor. This movie is best seen on the large screen, so take it in when you can. (There is a fifteen-minute intermission which you will need.)