Category Archives: Comedy

Dr. Broadway

Dr. Broadway     3 ½ stars

Over the weekend I viewed some of a collection of B film noir movies from the forties at a local Chicago theater and enjoyed Dr. Broadway the most. This film was made in 1942 and is rarely seen by audiences. It was written by Borden Chase (known mainly for spaghetti westerns of the fifties, but here he ventured into the crime drama world). The director was Anthony Mann known for El Cid and Winchester ’73 (starring Jimmy Stewart). The movie starred a young MacDonald Carey as Timothy Cane or Dr. Broadway, a medical doctor in New York who makes use of his many contacts among the police and the criminal underworld in his thriving practice. This is one of Carey’s earliest roles who went on to star in Days of Our Lives for three decades. I enjoyed this short movie (1 hour, 6 minutes) mainly for the charming lead character and the classic style of the film. It was intended that this would be the first of a series of films for this character, but no others were ultimately made. In the story Cane is approached by a man who he had put in prison earlier. Cane is asked to give the man’s fortune to his estranged daughter, as the man has a short time to live. Unfortunately, there are others who believe they should get the money instead. Film Noir is regarded as black and white darker stories of crime dramas where the lead individual is tasked with solving the crime. The films were generally made in the forties and fifties by American studios. They are not necessarily dark in tone as the B movies generally had many comic moments which is true of Dr. Broadway. The term film noir literally means dark film and it did not become a widely used term until the nineteen seventies.

Honk for Jesus, Save Your Soul

Honk for Jesus, Save Your Soul   4 stars

Honk for Jesus, Save Your Soul written and directed by Adamma Ebo is a satirical comedy that takes on organized evangelical religion as its target, one that is well deserved. Regina Hall (of The Best Man, Love & Basketball and Girls Trip) is Trinitie Childs, the first lady to mega-church pastor Lee-Curtis Childs (This Is Us’ Sterling K. Brown) of an Atlanta megachurch that once was the church home to thousands. But lawsuits resulting from the sexual misconduct of the pastor led to its closing and now it is up to the super couple to bring it back to the glory of the past. The fictional story is done almost entirely in the form of a documentary with a film crew following the couple in the ornate church, their Italianate villa and Trinitie’s shopping sprees at the mall. The fake documentary style isn’t one of my favorites, but the comedy successfully skewers the self-delusion and complete blindness of the shortcomings of the Lee-Curtis character. Hall, one of my favorite comedic actresses does an excellent portrayal of the devoted wife who will do anything for the church and her flawed husband until it all starts to fall apart. The movie really rests on the two main actors as there is little for the various other characters representing former congregants, rival pastors and the victims of misconduct to do. I generally favor movies that target the rich and self-important as the move does, but the style of the fake documentary is not one I am used to. The movie was featured at the Sundance Film Festival this year where it first premiered. I suggest that you go see for yourself and have a few laughs.

Inside Out 2

Inside Out 2                        4 ½ stars

Nine years ago, Pixar thrilled us with an innovative animated film about childhood emotions in Inside Out. The five emotions managed a child’s feelings about the things going on in the girl’s life all to great comic effect and with compassion. The emotions: Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Disgust (Liza Lapira) and Fear (Tony Hale) are back in Pixar’s sequel where the child, Riley, just turns thirteen, bringing a whole new set of challenges for the emotions to deal with. Riley starts out as a normal well-adjusted child who likes to hang out with her two friends and play on the middle school hockey team. Things are going fine for Joy and company until an alarm on the console goes off, that is the warning for the arrival of Puberty! A construction crew suddenly arrives causing chaos followed by the new emotions led by Anxiety (Maya Hawke) who try to take over Headquarters. Accompanying Anxiety are Envy (Ayo Edebiri), Embarrassment (Paul Walter Hauser) and Ennui (French for Boredom) (Adèle Exarchopoulos). In the real world we follow Riley who is attending a hockey skills camp with her old friends, but now faces the chance to be accepted by more mature and talented girls at the expense of leaving her old friends behind. Anxiety takes over control at HQ, sending the old emotions to long term storage in the Vault and Riley’s sense of herself to oblivion where all her bad memories go. It’s up to Joy and company to escape and take control of HQ back from Anxiety. The movie is a creative and imaginative way of portraying the changing emotions of a teenage girl and is done in the usual Pixar comedic fashion of Pixar. The picture is very colorful and full of action and especially shows the concern that Joy has for Riley’s well-being. The movie is completely appropriate for children and does not deal directly with changing bodies or attraction to boys. It focuses on a child’s sense of themselves and how they relate to other children, or the usual things that teenagers go through. Inside Out 2 is recommended for all ages.

See How They Run

See How They Run           4 stars

For a fun time you won’t be disappointed with the new whodunit “See How They Run” by director Tom George and writer Mark Chappell. The comedy mystery does a variation of the play within a play theme, using Agatha Christie’s popular stage play “The Mousetrap” that has reached its one hundredth performance in 1953 London’s West End. There is a plan to turn the hit play into a film version to be directed by Hollywood director Leo Kopernick (Adrien Brody who I have not seen in ages) and written by Mervyn Cocker-Norris (David Ayelowo). Early on in the movie one of the film crew turns up dead at the play’s after party, done in by a mysterious dark figure in a coat and hat. In steps Inspector Stoppard (Sam Rockwell of Seven Psychopaths and Three Billboards Outside Ebbing, Missouri) of Scotland Yard to be aided by rookie officer Constable Stalker (Saoirse Ronan of Brooklyn and Lady Bird) who are tasked with identifying the murderer. Stoppard sets about interviewing the myriad of suspects all of whom seem to have a possible motive while the enthusiastic Stalker tries to help in amusing fashion. (She writes everything down in her notebook including Stoppard’s advice of Do not jump to conclusions.) The suspects even include famous actor Richard Attenborough (Harris Dickinson) who stars in the play. The movie features multiple flashbacks and on screen titles to show the passage of time that all serve to fill in the details. Especially entertaining are the interactions between the experienced but put upon Stoppard and the rookie Stalker who proves to be somewhat annoying, but observant. Of course, we eventually reach the inevitable gathering of the suspects in a room that even includes the famed Miss Christie where the murderer is to be revealed. For Agatha Christie enthusiasts there are many references to her works and characters that I will not go into. The movie is a good time with a story containing many red herrings and a few twists as a good murder mystery should. The advice “Do not Jump to Conclusions” is a very good rule to follow.

Amsterdam

Amsterdam        4 stars

The new comedy mystery drama Amsterdam by writer-director David O. Russell has a very long and winding plot that takes us through three countries over 15 years, involves a murder mystery of a war hero, a murder frame job, an extended love affair, a massive political conspiracy and a truly lasting friendship at the heart of everything. Those familiar with some of Russell’s past works won’t be too surprised at this. (See I Heart Huckabees, American Hustle and Joy for some very involved plots.) In Amsterdam we meet our three close friends who meet as a result of The Great War and the injuries sustained in this war to end all wars. There is Dr. Bert Berendsen (a very talkative Christian Bale) whose mission is to care for all those war veterans suffering after the war and honor them at an annual gala. His best friend is Harold Woodman (John David Washington who we remember from BlacKKKlansman), who he met while commanding a unit of African Americans in France in the war who is to become an accomplished lawyer. And there is the American nurse Valerie (Margot Robbie) who cared for them after they were severely wounded in battle. Together, the three banded together in Amsterdam to care for damaged soldiers from the war. When we jump ahead to 1933 the three of them become ensnared in the suspected murder of their commanding officer from the war that may lead to one of the greatest political conspiracies this country has ever experienced. Did I say that the movie has wandering plot? It needs to have a lot going on to give its all star cast the roles that tell the story. Apparently, Hollywood stars are clamoring to work with Russell as I counted no less than sixteen recognizable names among the cast. This includes Michael Shannon and Mike Myers, as two ornithologists who work for the government (British and American), Matthias Schoenaerts and Alessandro Nivola as two cops investigating a murder and Taylor Swift as the daughter of the murdered victim. Much of the comedy seems to be in the tradition of the zany comedies of the nineteen forties, especially that of Robbie who really lets it fly. You will have to be patient to get to the point when all is revealed. Eventually the climactic scene is reached when a critical choice must be made that will affect the lives of millions. Many people will see it as a cautionary tale about what America is going through today, but the film has been in development for many years so you can judge for yourself. In the end the film is about the friendship of our trio of heroes that wins out in an ending that is reminiscent of Casablanca. You may hear some negative reviews about Amsterdam. Many critics hold the meandering plot against what Russell has done here, but I found it all to be very entertaining.

Triangle of Sadness

Triangle of Sadness         3 ½ stars

If you go to see Ruben Ostlund’s new comedy Triangle of Sadness be ready for a series of excrement related scenes and that means literally. This movie by the maker of Force Majeure and The Square takes aim at the superrich and the world of high fashion and does some serious well-deserved damage. In the early scenes we meet Carl and Yaya (Charlbi Dean who passed away only a couple of months ago), a young celebrity couple who are trying to define their relationship over the payment of the dinner check. Carl sees himself as a feminist while Yaya seems to want a traditional relationship despite the fact that she makes more money than Carl. The pair then receive a cruise on a luxury yacht as a gift where the action among the superrich plays out. We meet several of mega-millionaires and get a dose of how they treat the ship’s crew and see how they can do damage to the common working people without even realizing the pain they cause. The wealthy passengers include a British couple in the arms manufacturing business, a tech genius and a Russian oligarch who sells fertilizer (or shit as he puts it). We also get a dose of the different sociological classes among the crew from the always cheerful servers down to the toilet cleaners. Then there is the captain, Thomas Smith (Woody Harrelson) who is more interested in entertaining the guests and drinking than he is in running the ship. The movie’s centerpiece (a literal shitshow) is the Captain’s Dinner which takes place in the dining hall where gourmet meals are served to the guests. Only it is happening in the middle of a violent storm. This is where seasickness takes over among the passengers resulting in the misery brought on by projectile vomit and overflowing toilets. Through all this the American captain who sees himself as a Marxist and the Russian fertilizer capitalist get into a drunken duel quoting well known figures over the struggle between capitalism and socialism. (You see the irony?) The point of the movie really hits the audience over the head as it skewers the superrich no matter what economic system it is under which they acquired their wealth. Eventually the movie shows that there are situations where having great wealth does not work to the characters’ advantage. Having the skillset of a common laborer can be very valuable, though even that can be abused. Don’t look for much in the way of plot in this movie. In that respect it is similar to Ostlund’s The Square from 2017 which also concerned the behavior of the ultrarich. While I completely approve of the subject matter of the film, it did tend to get repetitive and at two and a half hours, it was too drawn out. Even so, look for it to be talked about when the awards season comes to us.

The One and Only Ivan

The One and Only Ivan   3 stars

The One and Only Ivan was brought to us in 2020 by Disney and stars Sam Rockwell as a silverback gorilla, Ivan who is kept in a cage and serves as the main attraction at a small-time mall, video-arcade managed by Mack (Brian Cranston). This combination live action-CGI film is intended primarily for children and is told in a quiet manner, focusing on how the animals feel about their situation. The computer animation is excellent, but the movie lacks the action one would associate with the usual Disney style for children’s movies. Also included among the mall animals are an elephant named Stella (Angelina Jolie), a chicken named Henrietta (Chaka Khan), a glam poodle named Snickers (Helen Mirren) and Bob, a lovable mutt (Danny DeVito) who provides the comic effect. This unlikely crew vacillates between wanting to put on a good show for a dwindling audience and longing for a better life away from captivity. But it is only when owner Mack tries to get Ruby (Brooklynn Prince), a very young elephant to perform on her own that Ivan feels driven to action. The movie is based on a popular children’s novel by Katherine Applegate which itself is based on a real life gorilla named Ivan who lived for 27 years in a cage in a mall and was ultimately moved to the open spaces of Zoo Atlanta after getting the attention of protesters decrying the living conditions of the ape. The script is by Mike White who also did School of Rock. The movie is a good one for the kids but may go a little light on its subject of animal captivity. It is available on Disney +.

The Banshees of Inisherin

The Banshees of Inisherin            5 stars

One has only to look at the credits of writer/director Martin McDonagh that include In Bruges and Three Billboards Outside Ebbing, Missouri to know that we must be in for a great story in the movie The Banshees of Inisherin and he certainly does not disappoint. This is a simple story about a friendship between two friends that ends and turns into something tragic. It is one that has been brewing in McDonagh’s mind going back decades. The two friends, Colm (Brendan Gleeson) and Padraic (Colin Farrell) live on an isolated island off the coast of Ireland and have shared conversations over a pint for many years when Colm suddenly wants nothing to do with his friend anymore because as he puts it, “I just don’t like ya no more.” The poor dull Padraic has no idea what it is that he could have said or done to upset Colm and is determined to make things right again. His smart sister Siobhan (Kerry Condon) and the local lovable dimwit Dominic (Barry Keoghan of The Killing of a Sacred Deer) also get involved in the conflict all to no avail. Colm is just as determined to avoid Padraic because he doesn’t want to waste his time on more meaningless chatter, and ultimately issues an ultimatum to show just how serious he is. The setting of the story in 1923 during the Irish Civil War is also significant as it serves to show just how dire the situation has become. The movie is described as a comedy which is true because there is plenty of witty and amusing dialogue between the two great actors as well as among the other actors. And there is plenty of use of the word “feck” in many contexts. But the movie is also a very serious drama in which the director manages to gradually raise the level of tension to the point where things are about to explode. Neither character can be labeled as the bad guy here but that doesn’t mean that things can’t get very tragic. This is actually the second time the pair of Gleeson and Farrell have worked with McDonagh to great success, the first being In Bruges back in 2008. Based on what I have seen The Banshees of Inisherin should be considered a strong contender for Best Picture of the Year. You should not miss it.

The Menu

The Menu           4 stars

I must be hitting a theme this year with movies attacking the habits of the rich and self-absorbed. The latest film in this genre is The Menu, a black comedy-horror (my favorite kind of horror) directed by Mark Mylod (who has done episodes of Game of Thrones and Succession) where we spend an evening with a young couple journeying to an exclusive expensive restaurant on a coastal island, serving twelve guests by invitation only. The restaurant is called Hawthorne where the chef, Slowik (Ralph Fiennes), regarded as a culinary artist introduces each course with detailed descriptions and his personal philosophy and charges $1,250 a plate. Tyler (Nicolas Hoult) can be described as a fanboy of the chef who obsesses over each course while his last minute date Margot (Anya Taylor-Joy) couldn’t be less interested in the food. The rest of the guests includes a restaurant critic (Janet McTeer) and her husband (Paul Adelstein), an older couple (Judith Light and Reed Birney), an aging movie-star (John Leguizamo) and his assistant, three corporate a-holes and one elderly woman in the corner. As the meal progresses it becomes clear that the chef has an agenda for the evening when personal attacks are made on each of the customers. He has a connection to every one of them and feels he has been wronged by each in some fashion. The lone exception is Margot who Slowik says wasn’t supposed to be here. At some point the film becomes full blown horror of the revenge variety when it is revealed that Slowik intends that no one is going to survive the evening, thus making things outright terrifying. Effectively, the movie is preaching about the misdeeds of the rich and privileged and about those seeking retribution. The best scenes involve the personal interactions between Fiennes and Taylor-Joy as they engage in a battle of wits and she tries to find ways to counter his actions. Both are well cast in these roles. Hong Chau of Driveways and The Whale does an excellent job as Elsa, the guide who gives the initial tour for the guests. I had not heard of director Mylod before and hope he has more interesting projects ahead. For fans of satirical comedies, this one is entertaining.

Theater Camp

Theater Camp   4 stars

Somewhere in upstate New York at a place called AdirondACTS children who are theater fans and budding actors and singers gather for a summer filled with putting together classic and original plays with the help of the teachers and staff of this magical place.  This year at the opening however,  its founder,  Joan (Amy Sedaris) collapsed and fell into a coma.  This leaves the operation of the camp including its finances in the hands of her moronic son, Troy (Jimmy Tatro) who sees himself as a business genius,  but is clueless about what it takes to put on a play or musical.  Such is the premise of Theater Camp,  the very campy and probably cult film by Molly Gordon and Nick Lieberman.  The fast paced comedy is put together as a faux documentary much like the Christopher Guest films of the past.  The film really goes overboard with the stereotypes of the theater crowd in an amusing way that is aided by some very talented kids.  Mostly,  the movie creates a preposterous situation using it to produce some very funny moments in what is sure to be a cult classic for years to come.