Category Archives: Comedy

Bill & Ted Face the Music

Bill & Ted Face the Music              2 stars

Those dimwitted time traveling rockers Bill and Ted (Alex Winter and Keanu Reeves) are back 29 years after their last film and are on another adventure, this time to save the universe throughout time by finding their greatest song and uniting the world. This time around they are married to princesses Elizabeth and Joanna and each have a daughter, Thea and Billie who adore their dads even though their dads’ band Wyld Stallyns have not written a good song in all this time. The two girls even sound like their dads saying things like “Woa, dude”. The characters then embark on parallel adventures with Bill and Ted traveling to future years in search of their future selves who may have written great song that will unite the universe through all of time, while their daughters travel back in time trying to put together an incredible band composed of history’s greatest musicians with the likes of Jimi Hendricks, Louie Armstrong and Mozart. The film has some truly funny moments but for the most part it is full of glitzy special effects and loud retreads of the material from the original movie. There is an amusing reappearance of Death in the movie when Bill and Ted try to persuade him to let them leave hell. They finally agree to letting him join their band so they can make their escape in a SWAT van. George Carlin makes a magical appearance as Rufus from the future. I would rather not mention the robot sent from the future. Other than that there was not a lot to get excited about as many routines fall flat after a while. I would recommend revisiting the original Bill & Ted’s Excellent Adventure to get more entertainment.

Eddington

Eddington                           4 stars

Do you remember what life was like back in 2020, in the time of COVID, the mask mandates, the social distancing and the countless demonstrations for Black Lives Matter? Would you like to revisit that time? Well, in Ari Aster’s new comedy western, Eddington, we get to do just that from the point of view of rural America where there was deep resentment over government mandates and where conspiracy theories proliferated like weeds. Joe Cross (Joaquin Phoenix (Joker and Beau is Afraid)) is the sheriff of Eddington, New Mexico in May of 2020 when the reaction to COVID is in full swing. He must deal with the anger of the locals along with the normal disturbances. Besides this, he has trouble at home with his depressed wife, Louise (Emma Stone (Poor Things)) who makes creepy-looking dolls and his mother-in-law, Dawn (Deirdre O’Connell (Diane)), who is fascinated by conspiracy theories. There are protests going on in the streets shortly after the George Floyd incident, led by some of the local activists resulting in confrontations with the police. The mayor of the town is Ted Garcia (Pedro Pascal (Materialists and Gladiator II)) who is very full of himself. He is trying to get a high-tech company to build a factory in Eddington as that will make him look good. Garcia believes in the mask mandates, but Sheriff Joe wants nothing to do with them. Joe has arguments with Garcia as well as with the employees at the local supermarket. There are rumors that Joe’s wife, Louise, had some sexual history with Garcia and now she is spending time with a self-help guru crackpot (Austin Butler), who has her under his spell. All this is enough to make a person snap and for Sheriff Joe it’s enough to make him want to run against Garcia in the upcoming mayoral election. You may have seen Ari Aster’s earlier movies, Midsommar, about an American couple visiting a violent cult in Sweden, or Hereditary, about a family investigating the terrifying past of their family. If so, then you might have an idea of what you are in for. The movie progresses into a murder thriller expanding into utter mayhem. The characters face some harrowing and confusing experiences that they may or may not have been responsible for. It is all very exciting for the audience but probably goes on for too long. Aster’s movie is ultimately about America’s cry for help in a very troubling time and what a mess we have made of things. You can choose for yourself whether this appeals to you. I find that I am a fan of Aster, so I was thrilled to see it.

Rough Night

Rough Night       1 ½ stars

Rough Night is an uneven 2017 comedy about a group of girl friends from college who get together for a wild bachelorette party when one of their group is about to get married. It stars Scarlett Johansson as Jess who is the one getting married to Peter (Paul Downs who I never heard of before) and happens to be running for a state office. It’s an unusual comedy role for Johansson who is often found in drama and action roles (The Avengers). Alice (Jillian Bell) is her funny best friend and roommate from college who sets up the wild weekend in Miami, Florida. Her two other friends are Blair (Zoe Kravitz) and Frankie (Ilana Glazer). Then Pippa from Australia (Kate McKinnon) arrives who is Jess’ friend from Australia. McKinnon provides a lot of comedy to the movie being quite an accomplished improv actor, but the Australian accent is not convincing. The group arrives at a million dollar mansion on the beach (where most of the scenes are) and before long they manage to accidentally kill the male stripper that Frankie has hired for the party. The rest of the movie is made up of the hijinks that ensues as the women struggle to come up with a plan that will keep them out of prison and save Jess from a career ending scandal. Since that isn’t enough to carry the movie, another comedy bit is added involving Paul’s misguided efforts to drive to Miami to save their relationship. (Somehow in one of the most contrived aspects of the movie it becomes necessary for him to travel wearing diapers and no pants!) The movie feels like it has borrowed material from other comedies involving bachelor/bachelorette parties and has little originality. And since it is a bachelorette comedy there is no shortage of sex related scenes and jokes throughout, especially with Jillian Bell’s Alice who seems obsessed with penis jokes. The movie was made mainly by Lucia Aniello who has few credits to her name. I would advise Scarlett Johansson to find better comedy material in the future and that goes for the rest of the cast as well.

The Two Popes

The Two Popes 4 ½ stars

In The Two Popes two master filmmakers team up with A list actors to create a thoughtful what-if vision of a meeting between two widely different individuals who have held the lofty position of the Papacy in the Catholic Church. Screenwriter Anthony McCarten (Darkest Hour, The Theory of Everything) imagines what might have happened if the previous Pope, Joseph Ratzinger and the present Pope, Jorge Mario Bergoglio met at the pivotal time when Pope Benedict decided to step down from his leadership position for the sake of the church. Director Fernando Meirelles (City of God, The Constant Gardener) directs the meetings between Ratzinger (Anthony Hopkins) and Bergoglio (Jonathan Pryce) in convincing fashion that makes us believe the two could be friends trying to support one another through difficult times in their lives. The film opens and closes in typical documentary style. At the beginning we see scenes of the Cardinals gathering in Rome in 2005 to choose the successor to Pope John Paul II who had just passed away. The choice was Cardinal Ratzinger from Germany who became Pope Benedict. The end of the film occurs in 2013 when the Cardinals came together again following the shocking resignation of Benedict amid the scandal of child abuse that rocked the church. Here the new choice was Bergoglio of Argentina who took the name of Pope Francis. The interesting part of the movie comes in between in 2012 when the two popes meet and converse about the church, their faith and their respective roles in the church. We also get a picture of what it was like for Bergoglio as a young priest in Argentina in the seventies when a military dictatorship carried out a reign of terror against those that resisted including the priesthood. It’s clear that the two men have very different visions about the future of the church, but at the same time they are very supportive of each other. Even though the meeting between the two is considered fictional, it’s a very interesting take on what these two leaders must be like on a personal level. The film earned Academy Award nominations for both Hopkins and Pryce as well as screenwriter McCarten. Surprisingly, it was left out of the Best Picture category.

My Old Ass

My Old Ass         4 stars

Did you ever think about what you would tell your younger self about making choices in your life, having learned from life experience? This is literally the premise behind My Old Ass which first appeared at the Sundance Film Festival last year (2024). Elliott (Maisy Stella) is a more or less normal 18-year-old girl living on the family cranberry farm in Canada with her parents and two brothers. She has a couple of best friends she hangs out with and is about to go off to college the following fall. One night she is visited by a strange woman who claims to be her older 39-year-old self (Aubrey Plaza of Parks and Recreation) who willingly came here to see young Elliott. There isn’t any science fiction type of explanation for this time traveling event. And there isn’t any catastrophic event in the future that must be prevented. The explanation for the unexpected visit is more fantasy-like as young Elliott drank some tea with hallucinogenic mushrooms and suddenly, there appeared older Elliott. The initial conversations between the two Elliott’s seemed silly and juvenile to me but later became more interesting. Older Elliott is there to tell her younger self of the importance of family and that she should try to spend more time with her mother and even her brother who she thinks doesn’t want to be seen with her. Young Elliott is full of anxiety and self-doubt like a lot of teenagers, but goes along with this new relationship, which can continue over the phone because apparently phone calls can be made across time. But older Elliott has a special warning for her too, and that is to stay away from Chad, who young Elliott has never heard of before. Later, when young Elliott is taking a dip at the swimming hole, what happens but a boy shows up who has started working on the family farm, and his name happens to be Chad. And so, starts the mystery of what is this guy all about and what is so dangerous about him. The young actress, Maisy Stella, who is new to movies gives a real genuine performance as Elliott making her seem like a confused teen who is just trying to figure things out. Plaza gives her usual understated performance but makes you believe there is something profound going on in her mind beneath the surface. The movie is written and directed by the actress Megan Park and is her second effort at directing. Earlier she made The Fallout. Some viewers will remember her as Grace from The Secret Life of the American Teenager. I found the movie to be well written as it alternates from goofiness to important statements about life and how to treat those we love. The movie was a hit at Sundance and now I can see it is well deserved both for the acting and writing.

The Prom

The Prom            2 ½ stars

The Prom is the new Ryan Murphy directed musical comedy on Netflix that brings together the talents of Meryl Streep, James Corden and Nicole Kidman performing a string of Broadway type musical numbers. The premise is that this group of narcissistic actors after bombing in their latest production (about Eleanor Roosevelt and FCR) need a charitable cause to give them new credibility. They land their sights on a young lesbian teen girl who is being denied her right to go to the high school prom with her girlfriend because of the intolerance of the community (the PTA, of course). The school happens to be in a small Indiana town, since the writers see Indiana as a bastion of intolerance, I suppose. I just hope that their perception doesn’t reflect reality at this point. This group of New York actors are joined by Juilliard graduate Trent Oliver (Andrew Rannells of The New Normal) and proceed to try to persuade the parents to allow the all-inclusive prom that Emma (Jo Ellen Pellman) is asking for. While there are a few well done songs, most of them are forgettable. Much of the movie is what I imagine High School Musical must have been like if I had seen it. There is some unnecessary padding of the story with the personal problems of the self-centered actors that takes focus away from the plight of the young kids. Meryl Streep puts in her usual best effort as a privileged diva. Keegan Michael Key is notable as the high school principal who wants to keep the peace while also getting acquainted with his idol, Dee Dee Allen (Streep). Tracey Ullman makes a worthwhile cameo as the estranged mother of Barry Glickman (Corden). Newcomer Pellman does a creditable job as the poor teen who is the center of the scorn of her classmates. The subject of the intolerance of gay people coming out would seem to be out of date in 2020, so I hope it would really apply to an earlier time in the Midwest, but that may be my wishful thinking.

Klaus

Klaus                     4 stars

Klaus is an animated Christmas movie from last year that gives us a different take on the Christmas story of Santa. This beautifully animated tale tells a new origin story of Santa set in a cold village in the north where the residents all seem to resent one another. That is, until a young postman is assigned to the village and discovers an old carpenter who makes children’s toys. Jesper devises a way to get the toys delivered to the children of the town, but his motives may not be quite altruistic. If you haven’t seen Klaus yet, I suggest that you check it out this holiday season. The movie was nominated for a Best Animated Feature Academy Award.

Kajillionaire

Kajillionaire         4 ½ stars

Miranda July’s third feature as director, Kajillionaire, is a real treasure featuring a very odd performance by Westworld star Evan Rachel Wood. Her previous features The Future and Me and You and Everyone We Know were well received, but I never managed to see either one. Her movies are described as quirky with some very oddball characters and Kajillionaire fits right in. Wood exchanges her robot acting to play a young woman named Old Dolio, who has been raised by her parents Robert (Richard Jenkins) and Theresa (Debra Winger) to participate in their con games to rob people of their money and valuables. They aren’t really that good at what they do and are barely getting by. This leads to some very funny scenes. Old Dolio (don’t ask about her name) obviously has never known affection and doesn’t know how to behave around people. Wood has been made to look about as unattractive as possible in the role and masters the part. The trio spend their time stealing from post office boxes and visiting elderly people in order to rob them. They live in an old office building that is very cheap on the condition that they remove the soap suds that leak into the space on a daily basis. (Don’t ask.) Things change for Old Dolio when the trio are joined by Melanie (Gina Rodriguez), a young woman who likes the idea of being a grifter, but has a different take on it. Kajillionaire displays a wide range of emotions for its characters and gets to the point of what life is about, though in a very amusing way. Now I feel that I need to check out Miranda July’s other movies.

The Phoenician Scheme

The Phoenician Scheme                 4 stars

If you’ve seen a Wes Anderson movie before you already have an idea of what to expect. His best includes The Royal Tenenbaums, Moonrise Kingdom, The Grand Budapest Hotel and Asteroid City. (Also, remember The Fantastic Mr. Fox). Anderson has a unique style identified by faded colors, stationary cameras, and characters with stilted and rapid fire speaking that is instantly recognizable. His new film, The Phoenician Scheme, is no different and shares themes as well as actors from previous films. Common devices he uses are espionage and parental challenges, both of which are present in this one. There are two main characters that cover the entire film. There is the shady industrialist, Zsa Zsa Korda (Benicio Del Toro of Sicario and The French Dispatch) who has an uncanny ability to survive multiple plane crashes and his estranged daughter, Liesl (Mia Threapleton who is a newcomer) who he wants to leave his empire to and who happens to be a nun. Korda is in the process of setting up a vast infrastructure project to secure his legacy, but he needs the cooperation of a series of odd characters to “cover the gap”; that is, to help fund his project. Thus, his travels to various parts of the globe to try to secure their cooperation by doing odd things like having a basketball shooting contest in a railroad tunnel. It’s also clear that these various businessmen have not been treated all that well by Korda. There is also an assembly of rival industrialists who are trying to thwart Korda’s plans, thus the assassination attempts. The all-star supporting cast includes Jeffrey Wright, Benedict Cumberbatch, Tom Hanks, Bryan Cranston, Riz Ahmed and Scarlett Johansson. Bill Murray, a Wes Anderson regular even makes an appearance as God in what appears to be scenes of the afterlife. Throughout the movie it’s the great pairing of Del Toro and Threapleton with a little help from Michael Cera as Bjorn, a Norwegian tutor that really makes the movie. They have a good sense of comic timing while applying Anderson’s trademark style of deadpan delivery. Amid all the zany happenings lies a message of the care of a parent for their child even if it’s not delivered well. Considering all the movies that have been made by Wes Anderson over the past thirty years, The Phoenician Scheme is one of the better ones even if the style is very familiar.

Strawberry Mansion

Strawberry Mansion       5 suns

One of the weirdest full length films I have seen at Sundance has to be Strawberry Mansion. It is a most bizarre blend of the world of dreams with a very odd future as envisioned by the filmmakers. A dream tax auditor arrives at an elderly woman’s house for the purpose of reviewing her years of recorded dreams so that the required tax can be levied, since this is what you do in the future. The woman, Bella in alone and lonely so insists that the tax man stay and have treats like a strawberry ice cream and have dinner. The tax man views some of Bella’s dreams that feature her as a young woman. He also has his own dreams that always seem to involve ads for fried chicken and other products. (There is a lot of fried chicken in this movie!) It is only through Bella that the man learns the real reason for the ads as the two of them travel through a bizarre and colorful journey to strange lands and odd creatures (such as sailor rats and a blue demon). The amount of imagination and work that the two filmmakers put in will amaze you. This was a film that has been many years in the making. It’s only about an hour and a half long, but there is quite a story packed in that time. I thought it was one of the best I’ve seen.