Category Archives: 2019

Swallow

Swallow                               4 stars

Swallow is a difficult movie to describe. It may be a thriller turned horror movie about female empowerment in an environment controlled by men. It does concern a little known psychological disorder called pica. Hunter Conrad (Haley Bennett) is a newly married housewife whose husband is a rising star in the corporate world. Hunter is put on display in 1950’s wardrobe in a lavish, isolated house where she is expected to be the perfect wife and home decorator. The husband, Richie, is very controlling and her in-laws are judgmental toward her. The pressure only grows when it is learned that she is pregnant. It is then that the mental illness surfaces as Hunter finds satisfaction from swallowing inanimate, inedible objects and then “recovering” them. She does all this in secret trying to get greater satisfaction with more and more dangerous objects. I felt the movie gave a realistic feel for why someone would seek to cause harm to themselves when there was little they could do to control the world around them. I heard about the film when the pandemic was just starting and finally picked it as one to watch. I feel it fits in well with what we were facing in 2020 when events were controlling what we could and could not do. Haley Bennett gives an excellent performance as the housewife who is dominated by the men around her. Eventually, some additional context is offered to help explain this mental condition. There are some scenes that the squeamish may have a little trouble with, but there is no violence in the film. The film received well deserved favorable attention at film festivals before getting its brief theatrical run when Covid struck.

The Vast of Night

The Vast of Night              4 ½ stars

I first heard of The Vast of Night in the early days of the pandemic and finally saw it recently. This is a very low budget science fiction thriller set in a 1950’s small town in New Mexico. Two nerdy teenagers, Everett (Jake Horowitz) and Fay (Sierra McCormick) are not interested in the night’s high school basketball game, preferring to spend the evening talking about their technical pursuits like recording conversations on Fay’s new tape recorder and going to their night jobs as a radio DJ for Everett and a switchboard operator for Fay. But this is a night unlike any other when they hear strange sounds over the telephone and learn of bizarre reports of something in the sky. Things are slow through the first half hour of the movie but pick up as the pair track down older people who have stories from their past about strange happenings involving government UFO projects and disappearances of people. The film pays homage to some of the science fiction movies of the 50’s and uses some interesting techniques like filming with a camera soaring through windows and through the streets of the town. McCormick performs magnificently in one scene where she works the switchboard for what seems like ten minutes gradually picking up clues from callers that something is amiss. The scene is done in one continuous take. The film really picks up the pace in the final twenty minutes as the two get closer to the truth about what could be an alien invasion. This is the first movie made by Andrew Patterson who filmed it in Texas on a shoestring and came up with something that is truly original.

Lunana: A Yak in the Classroom

Lunana: A Yak in the Classroom  4 ½ stars

In an Academy Awards first, a movie from the mountainous country of Bhutan was nominated for an Academy Award in the Foreign Language category. Lunana: A Yak in the Classroom takes a familiar theme of a new teacher assigned to a class of poor students and gives it a new take, with a setting in the Asian village of Lunana, a real village in Bhutan that must be one of the most isolated spots in the world. Ugyen is a young man who is fulfilling his government contract as an elementary school teacher who really wants to move to Australia and perform as a singer. His boss remarks that he is the most unmotivated teacher she has ever seen so gives him the assignment to serve one term as teacher in the remote mountain village of Lunana where a post is available. Ugyen, who likes to listen to music on his iPod most of the time has no choice but to make the journey to Lunana, a trip of six days on foot through the mountains accompanied by two guides and three horses. When he finally arrives he is greeted by the village elder Asha who has great respect for teachers who “touch the future”, along with most of the village and the children who are to be his students. Lunana is without running water, has only solar panels for electricity and the main source of heat is burning yak dung because paper is too valuable to burn. Ugyen undergoes something of a transformation from thinking of teaching as an annoyance to seeing its value and having a sense of purpose when seeing the enthusiasm of the students even amid such conditions. He also learns more of the local culture by hearing the music dedicated to the life of a yak herder. The audience feels the transformation going on as Ugyen’s experience progresses. The movie’s premise may sound like a cliché, but it is moving especially since all of the cast has never acted before. The real life residents in the village had never even seen a car or a camera before. The movie’s film crew had to manage in the remote location for a three month shooting schedule as well as make the long journey on foot. I will leave it to you to discover what Ugyen decides to do at the end of the movie.