Category Archives: 2019

The Last Black Man in San Francisco

The Last Black Man in San Francisco         4 ½ stars

The Last Black Man in San Francisco is a great quality film by some relative newcomers to the industry that is a tribute to the city that they love.  Young actor Jimmie Fails plays a black man of the same name who lives with his best friend, Mont and Mont’s blind grandfather in a tiny rundown house.  Both of them have jobs but the two of them seem to spend all their time together.  Jimmie has an attachment to the old family house, an old Victorian mansion that is now in a gentrified neighborhood so all of the black families have been forced out.  But this doesn’t stop Jimmie from tending to the house without the approval of the rich white owners.  We get plenty of background story about Jimmie’s family and the plight of many in the black community including how some of them live near a toxic dump that is in the process of being cleaned by the government.  The cinematography is outstanding as it shows us a great deal of the city’s beauty and the people that live there and keep it interesting.  The director, Joe Talbot, tells us a story about friendship and what those friends will do for each other.  He also describes a people who have a love for a city even while that city seems to be leaving them behind.  The movie does have a long running time at 2 hours and has scenes that seem to run on for a long time.  Much credit must be given to the lead actor, Jimmie Fails for some intense acting.  The movie was honored by receiving the US Dramatic Special Jury Award at the Sundance Film Festival.

Sword of Trust

Sword of Trust                                   4 stars

One of the most original comedies of the year has to be Sword of Trust by writer director Lynn Shelton.  This is a low budget character driven comedy based on a most unusual premise.  Cynthia and Mary (Jillian Bell and Michaela Watkins), a married lesbian couple arrive at Cynthia’s grandfather’s house who has recently passed away.  They are there to collect on Cynthia’s inheritance, but she is alarmed to find out that the only thing left to her is an antique Union sword from the Civil War that her grandfather treasured.  Accompanying the sword are documents “authenticating” it as proof that it was surrendered by a Union general or Field marshal? To the Confederate army making it proof that in truth the South had won the Civil War.  Not being sure what they have, the couple then take the sword to a local pawn shop in Birmingham, Alabama to see what they can get for it.  The owner of the pawn shop, Mel (country song writer Marc Maron) is not too impressed by the story and dismisses them.  His assistant, Nathaniel (Jon Bass) then looks on line and discovers that there are people who believe this “truth” and are willing to pay big bucks for artifacts that prove that the South actually did win the Civil War.  This group of four then decides to put their differences aside and pursue a transaction with this racist redneck organization and see where it takes them.  To do this they have to be locked up in the back of a truck driven by a guy named “Hog Jaws”. All of this is done in a very comedic way, but the story about the sword is really just a mechanism to bring these people together and allow us to hear their stories of broken relationships and damaged souls.  We get the feeling that these are real people that have gone through difficult times.  Two other films I have seen by Shelton, Your Sister’s Sister and Laggies do much the same kind of thing.  But it’s also a lot of fun to see how the adventure with the sword and the redneck ranch turn out.

Once Upon a Time in Hollywood

Once Upon a Time in Hollywood                                5 stars

One of the most highly anticipated movies of the summer has to be Quentin Tarantino’s Once Upon a Time in Hollywood.  This two hour and forty minute marathon is classic Tarantino all the way.  Set in 1969 Hollywood, we follow former TV western star Rick Dalton (Leonardo DiCaprio), whose star power is fading, and his longtime stunt double Cliff (Brad Pitt).  As we follow their dealings with Hollywood producers and directors and other stunt people, we are bombarded by an overwhelming amount of references to sixties TV shows, movies, commercials and other aspects of the pop culture of the time.  This is all out of the mind of Tarantino who makes no secret of what he is thinking.  We also get plenty of exposure to the hippie culture in the form of the Charles Manson family and this just happens to be in the year of one of the most horrific crimes in the history of Hollywood.  We also get a glimpse of the life of actress Sharon Tate (a delightful Margot Robbie) and her friends as she just happens to be the next door neighbor of Dalton.  Besides all the culture, the director treats us to many humorous moments such as the fight between Cliff and an arrogant Bruce Lee (Mike Moh).  There are plenty of other well known actors sprinkled throughout including Al Pacino, Luke Perry, Dakota Fanning, Damien Lewis (as Steve McQueen), Kurt Russell, Emile Hirsch and Bruce Dern.  I could go on, but please treat yourself to one of the best movies of Tarantino’s career.  And don’t be too shocked by the violent ending.  It may not go exactly like you expect.

Good Boys

Good Boys                          4 stars

It has been a good year for comedies so far and that trend continues with Good Boys, a profanity filled R rated comedy about three 12 year boys on a mission to learn how to kiss girls before going to their first kissing party.  The three boys, who are long time friends are not the cool kids and have to endure abuse at their middle school.  They engage is many funny hijinks episodes including trying to spy on teenage girls with a camera equipped drone, conducting a drug deal and selling one of their father’s sex toys before they finally end up at the much anticipated sex party.  It’s a formula very similar to Booksmart, a hit comedy from earlier this summer that involved two high school girls scheming to enjoy their first real alcohol filled party before they graduate.  It works well with the 12 year olds thanks to some over the top acting by Jacob Trembley (as Max), Brady Noon (as Thor) and Keith Williams (as Lucas).  You will remember Trembley from Room and Wonder.  Williams of course was Jasper on TV’s The Last Man on Earth.  The comedy plays off the children’s innocence and curiosity about girls, achieving a balance between vulgar and sweet.  An added bonus was seeing Will Forte as the father of Max.  Molly Gordon from Booksmart also is present as one of the arch nemesis teenage girls the boys have to deal with.  See Good Boys when you can, but don’t take your kids to it!

The Peanut Butter Falcon

The Peanut Butter Falcon             4 ½ stars

The Peanut Butter Falcon is a different kind of adventure story.  Here we follow a Mark Twain like journey of Zak, a young man with Down syndrome as he escapes from the nursing home he lives in, under the eye of employee Eleanor (Dakota Johnson).  It is Zak’s dream to meet his idol, the Salt Water Redneck, a professional wrestler who runs a professional wrestling school so that he can become a wrestler himself.  Circumstances leads to Zak pairing up with Tyler (Shia LaBeouf) a small time outlaw on the run from some local bullies.  The two do what they need to in order to survive and avoid the bullies.  Along the way Zak gets some training in from Tyler as well as some whiskey drinking and finding God.  Eventually, Eleanor catches up with the pair and the three continue the journey due to more unusual circumstances.  The story might strike you as farfetched, but all the characters seem real thanks to the fine acting from LaBeouf, Johnson and newcomer Zack Gottsagen as Zak.  The film may not be getting much attention from audiences, but I recommend you see it if you get the chance.

The Farewell

The Farewell                                      4 ½ stars

The Farewell follows a Chinese family who discover that their beloved grandmother is dying and must keep the secret from her while bringing the family together to see her one last time.  At the beginning we are told the story is based on an actual lie, then see a scene where Billi (Awkwafina) who lives in New York gets a call from her grandmother in China.  Both individuals tell lies about what they are doing at that moment thus setting the premise for the story.  This is a mostly serious family film that demonstrates the difference in culture between the east and west.  But it also shows the universal importance of family relationships whatever culture you are from.  Part of the story involves a fabricated wedding involving one of the grandchildren as the excuse to bring the family together, but there is little detail about this event was planned.  Instead the story focuses on the relationships within the family including the difficulty that Billi had as a child adjusting to living in America with only her parents, having left the rest of the family behind in China.  The hurt of separation follows these characters throughout their lives.  I thought it to be one of the best family dramas in years.  The movie played at Sundance and was very well received.  The film is said to be semi-autobiographical by the writer-director Lulu Wang.  I don’t know how much of it is true but it certainly a beautiful story and one of the best films of the year.

Brittany Runs a Marathon

Brittany Runs a Marathon            4 stars

Brittany Runs a Marathon is the new starring vehicle for comic actress Jillian Bell who I have seen previously in several movies always in supporting roles.  Here she is Brittany, a young woman in New York City who is facing issues of low self esteem mainly due to her weight and physical appearance.  She gets to know a neighbor in the building, Catherine (Michaela Watkins) who is a runner so she decides to join her running group, then meeting Seth (Micah Stock) who is also clearly out of shape also, so they have that in common.  Of course there are several comedic scenes of these two struggling to complete short distances that comes so easily to the other runners.  Then at the same time Brittany has to deal with her roommate Gretchen, who is of course petite and beautiful and Jern, the young Indian man who she shares house sitting duties with.  Then there is also Brittany’s sister and her husband, Demetrius, who are there to offer encouragement through her difficulties.  The trio, Brittany, Catherine and Seth decide to train to enter the New York City Marathon so this serves as the back drop to all of the relationship issues going on in Brittany’s life.  The movie succeeds due to the acting and comic timing by Bell who finally has her starring role in a movie.  I have not read any interviews with her but she clearly goes through an amazing transformation during the movie losing over thirty pounds from beginning to end.  Among all the comedic situations, the movie delivers a clear message about allowing others to be a part of one’s life and not shutting people out.  This is actually the second movie this year that paired Bell and Watkins.  The two also appear together in Sword of Trust which was out just a few weeks ago.  Jillian Bell also made appearances in Bridesmaids, Rough Night and Office Christmas Party.  Brittany Runs a Marathon was a hit at Sundance earlier this year where I first heard about it.

Little

Little                      3 stars

For a film on the light side you can see Little, a comedy produced by and starring teen actor Marsai Martin from Black-ish.  Jordan Sanders (Regina Hall) runs her own company and is a tyrant in doing so.  Her employees including assistant April (Issa Rae) are run ragged trying to satisfy Jordan’s wishes.  That is until a little girl uses her magic powers to turn Jordan into her thirteen year old self (Marsai Martin) putting her back in middle school.  As fantastic as this turn of events seems it doesn’t take long for the characters to accept it as the new reality.  Despite being so young again Jordan still seems to see the world through her adult eyes and strives to manipulate people into doing her bidding.  The film certainly has its funny moments and some great music, but the story is unconvincing.

The Goldfinch

The Goldfinch    2 ½ stars

The Goldfinch is the film adaptation of the Pulitzer Prize winning book of the same name about Theodore, a boy who suffers through the death of his mother in a terrorist attack on the Metropolitan Museum of Art.  There is a lot to pack in to this story in two and a half hours, but the story unfolds very slowly before certain secrets are revealed.  The film has several time jumps as the story goes from the time the boy is a teenager being cared for by his mother’s saintly friend (Nicole Kidman) and his uncaring father (Luke Wilson) and then to Theodore as a young man (Ansel Elgort) working with an antiques dealer (Jeffrey Wright).  The movie takes an extremely long time for the story to come together and it hits us again and again with its symbolism such as the red headed girl Theo is fascinated with.  If you watch this one don’t do it too late at night or it may put you to sleep long before reaching the end.

Judy

Judy       4 ½ stars

The highly anticipated biopic Judy features Renee Zellweger as the doomed singer-actress Judy Garland in her final months before she died.  This is truly a showcase of Zellweger’s talents as she clearly captures the decline of the health and stature of one of America’s greatest talents.  Those who remember Garland from the sixties will find Zellweger’s approach to the role as remarkable as she is engulfed by the character.  I am so glad that the story was not the usual biopic piece that covers a performer’s entire career, but rather only focuses on a brief period of Garland’s life, that being the London tour she went on in 1969 only six months before she died of a barbiturate overdose.  This allows us to see what feels like a complete story that doesn’t jump over large periods of time.  It also allows the supporting characters to have parts that blend in with the story.  There are flashbacks to Garland’s early years as a child star under the control of the studio headed by Louis B. Mayer.  These scenes are meant to show how she had no childhood as her personal life blends into her onscreen performances including how she was given amphetamines to keep her energy up.  The movie is not all tragedy though as the viewer will be delighted to see her with adoring fans and to see a moving rendition of Somewhere Over the Rainbow near the end of the movie.  A near certainty is that Renee Zellweger will be expected to take home the Best Actress Academy Award next year.