Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

Mirai

Mirai                      2 ½ stars

Mirai is a Japanese animated movie that came out last year by anime director Mamoru Hosoda.  The story is about a young boy of 5 or 6 who has to deal with the addition of a baby sister to the family, one that he has a hard time accepting.  There is a lot of misbehaving on the part of young Kun until he is visited by the young teenage version of his little sister who guides him through some odd crisis with his family.  He is also visited by the human version of the family dog who joins in the adventures.  Kum also goes through some other strange adventures when he leaves the house and encounters people that have key roles in his life.  I haven’t seen any of Hosoda’s previous work but I wasn’t thrilled by the story of a little boy who is something of a brat and is slow to respect others in his family.  It’s not up to the level of work by Hayao Miyazaki who brought us Spirited Away, Howl’s Moving Castle, Princess Mononoke and The Wind Rises.  Those were truly exceptional animated movies that I still remember.  Animation is a way to tell a story with some very fantastic elements that can’t be done with live action.  I hope that Hosoda can succeed in coming up with some truly fantastic stories with a moral message.

The Good Liar

The Good Liar                    3 ½ stars

The Good Liar brings together two senior Hollywood legends in Ian McKellen and Helen Mirren for an intricate con game as McKellen’s Roy, an experienced con man seeks to gain the trust of elderly widow Betty (Mirren) and deprive her of her millions in life savings.  We get a steady building story for a while as we learn of Roy’s background as a con man and see how he convinces Betty that he is everything she is looking for after they meet with the help of an online dating service for mature people.  All is not perfect as Betty’s grandson Stephen (Russell Tovey from Years and Years) gets suspicious and looks into Roy’s background.  The viewer gets a good dose of Roy’s character as certain scenes make it clear that he has little regard for the suffering of others.  Things take a turn when flashbacks reveal some of Roy’s true story dating back to the 1940’s.  After this point things start to get a little unbelievable when the characters make decisions that you wouldn’t expect them to.  The movie does have a twist as all good con movies should, but it’s not unexpected as the promotions for the movie have already hinted at it.  This movie gets an A for the acting talents of its stars and C for the story.  It’s best to see this one if you haven’t already seen the previews.
 

Marty Supreme

Marty Supreme                 5 stars

It’s hard to describe Josh Safdie’s new film, Marty Supreme, which recently opened in theaters. You could say it’s a sports movie about a young man’s path to greatness in the world of table tennis, but that would be completely inadequate. The director of Good Time and Uncut Gems has created something unlike anything I have seen before. Marty Supreme is a manic, unhinged joy ride where one wonders what will happen next to top the previous scene. Timothée Chalamet has played a sociopath, a musical genius, a chocolatier, a messiah figure and a cannibal. So why shouldn’t he be a self-absorbed con man who thinks of himself as the greatest thing ever to hit table tennis? Marty Mauser is a very good shoe salesman who also happens to be an incredible table tennis player in 1952 New York and wants to go to the world championships in London to prove it, if only he can get the money to get there even if that means stealing from his boss. Once there he nearly succeeds, but meets his nemesis, a young Japanese player from Tokyo who defeats Marty in the final, thus depriving Marty of the title and all the winnings. (Along the way he makes acquaintance with Kate Stone (Gwyneth Paltrow of Shakespeare in Love), a movie star past her prime, who he also finds ways to con into his plans.) For the rest of the movie, Marty’s singular focus is to get back to the championship the next year and win the title, and he will do whatever it takes to get there. Since he has no money, he will literally beg, borrow and steal (mostly steal) to get the funds that he needs to claim what should be his. Marty’s other talent is his ability to talk his way through any situation he finds himself in. And he is not above involving his friends or even his pregnant girlfriend (Odessa A’zion (I Love LA)) in his various schemes, whether it’s hustling unsuspecting schmucks at a bowling alley or ransoming money from a rich, hardened gangster (director Abel Ferrara) by holding his prized dog. There is some top-notch talent involved in the making of this movie as we can see from the amazingly realistic sets and the fast-paced action. The supporting cast of mostly unknown actors portraying aging characters populating New York make it appear very authentic. But the film really belongs to Chalamet who is essentially in every scene portraying the young man with unlimited confidence who is determined to get his way, no matter who he hurts. This looks like one of his greatest roles yet. You should not miss it. I look forward to whatever is in store for him next.

Knives Out

Knives Out                          4 ½ stars

One of the best movies of this year has to be Knives Out, the traditional murder mystery in the style of Agatha Christie.  Written and directed by Rian Johnson, the renowned detective Benoit Blanc (Daniel Craig) has been hired to solve the murder of crime mystery writer Harlan Thrombey (Christopher Plummer) who has been found in his estate with his throat cut.  There is no shortage of suspects as his entire dysfunctional family seem to have enough motive to do him in.  there is plenty of changes in direction and red herrings as are required in a good mystery.  One such event happens at the reading of the will which points to one particular suspect of great interest.  It is then up to the great Blanc to sift through all of the clues and mis-directions to come up with the real explanation for Harley’s demise.  The movie is filled with stars including Don Johnson, Jamie Lee Curtis, Michael Shannon, Ana de Armas, Toni Collette and Frank Oz.  This is a very enjoyable film that will keep your interest throughout.

A Quiet Place

A Quiet Place                     2 ½ stars

Last year’s hit monster movie, A Quiet Place, was a type of post-apocalyptic movie in which humanity has been nearly wiped out by ravenous creatures that have ultra-sensitive hearing, but are completely blind.  Thus, the remaining humans can only survive by remaining absolutely quiet in all that they do.  The story focuses on one family living in a house in the woods who have learned to live without talking and raising food without making any sound.  This movie was well received by critics and audiences, but there was too much for me to get over.  There were good performances I am sure, but the holes in the plot were obvious, like how could they possibly raise a field of corn without making any noise.  And there is no real background about how this all came about.  Any good horror movie has to provide some explanation for how the disaster came to be.  I actually enjoyed this year’s Bird Box more than A Quiet Place.  The movie earned an Oscar Nomination for Sound Editing, presumably for the sounds that the monster makes, but I feel like I’ve seen this before in horror movies.  It may have been the best horror movie of 2018, but then I couldn’t find one from last year that I really liked.

Bombshell

Bombshell                           4 stars

My first reaction to Bombshell is that any movie that features Charlize Theron, Nicole Kidman and Margot Robbie deserves some major attention.  And for the most part it delivers.  It tells the story of a small group of women at Fox News endured years of abuse at the hands of the CEO, Roger Ailes and finally banded together to bring him down in 2016. The performances by Theron as Megyn Kelly, Nicole Kidman as Gretchen Carlson and Margot Robbie as a fictional character, Kayla are all first rate.  John Lithgow does a convincing job as Ailes, the perv who controls the lives of these women and treats them like his personal playthings.  The film stops short of indicting the entire network of Fox for its corporate culture that allows this behavior to take place.  You certainly don’t get the feeling that Rupert Murdoch (Malcolm McDowell) really cares about these women.  He is only too eager to put all the blame on Ailes and put his name in all the headlines.  One very memorable part of the movie are the interchanges between Kayla and Kate McKinnon’s character, Jess Karr who is a closeted Democrat and lesbian working at Fox and knows what has been going on for years.  The movie doesn’t tell us much about what happened to these people beyond 2016, but it is certainly worth seeing.  Look for a few Oscar nominations to come from Bombshell.

In Your Dreams

In Your Dreams                 4 stars

From Netflix comes the new animated film, In Your Dreams, that follows the adventures of twelve-year-old Stevie and her little brother Elliot as they venture into the world of dreams. This film arrives after Netflix’s wildly successful KPop Demon Hunters and may not have nearly its marketing or its originality of music, but it does have an impactful message that will appeal to a wide audience. Viewers of course will recognize some favorite tunes in the film including Mr. Sandman, Sweet Dreams and Enter Sandman that are woven into the story. Stevie seems to have a near perfect life with her two parents (Simu Liu and Cristin Milioti) but must put up with annoying little Elliot who came along a few years after her. She becomes concerned when there are signs of trouble in her parents’ marriage and she fears they could split up. One day the siblings discover an old book in a thrift store titled Legend of the Sandman, that tells about the Sandman who can make dreams come true if they believe in him. The two of them try out the instructions in the book and upon falling asleep, they enter the bizarre world of dreams where objects come to life, such as a bed they ride like a horse, breakfast cereal and Elliot’s favorite toy Baloney Tony, a stuffed giraffe who spouts wisecracks (played by Craig Robinson). The promise is that if they can find the Sandman he could make dreams come true and for Stevie this is getting her parents to stay together. The problem is they have to face dangerous situations in the dream land without waking up, something that proves very difficult. In one scene they must do battle with a giant teddy bear. It is all rather amusing but could have the potential of scaring young children. When they finally do find the Sandman (Omid Djalili) he shows them that if they can stay asleep long enough their dream can become reality, so Stevie is determined to make this work. And it does for a while; that is, until it all seems too good to be true. They also meet Nightmara, the creator of nightmares who tells the children that nightmares are there to help us face the bad things in life, but the Sandman wanted to avoid them and make dreams pleasant instead. The movie becomes a life lesson in facing the things that make life difficult and loving each other in spite of the problems that go with being part of a family. There is plenty of color and high intensity action as well as occasional fart jokes that should entertain the youngsters. At an hour and a half, it is about the right length. The writer/director is Alex Woo who previously worked for Pixar. This is his first effort in the director’s chair and I hope we see more to come from his vivid imagination. The movie is available on Netflix.

Ella McCay

Ella McCay          1 star

I was looking for a movie one afternoon, so I was limited to matinees in nearby theaters. I settled on the new comedy Ella McCay by writer/director James Brooks. Brooks is known for such classic comedies as Broadcast News, Terms of Endearment and As Good As It Gets. Ella McCay includes some top actors like Jamie Lee Curtis, Woody Harrelson and Ayo Edebiri, so that seemed promising. Oh, how wrong that is! Most of the characters are one dimensional and involved in one ridiculous subplot after that are disconnected and go nowhere. The idea is that Ella McCay (Emma Mackey, who is the only mildly interesting character in the movie) is the youngest Lieutenant Governor ever in the state and she is about to get promoted to Interim Governor when the Governor (Albert Brooks) is tapped to become a member of the new administration’s cabinet. Ella has a passion for improvement of many issues that the state is facing and has some big plans. The problem is that she is a lousy campaigner and gives boring speeches. Her biggest problem is her messed up family that interferes in her life at the worst moments. Her father (Woody Harrelson) was fired over some sexual harassment claims (while he was married to Ella’s mother). Harrelson is not very funny and doesn’t appear in many scenes. Her husband (Jack Lowden) is a moron, and it has taken sixteen years of marriage for Ella to figure that out. Her younger brother, Casey (Spike Fearn) is agoraphobic, but is a sports betting genius and rich, but is afraid of how to approach his girlfriend (Ayo Edebiri, one bright spot in the whole mess). Lucky for Ella she has Aunt Helen (Jaimie Lee Curtis, in a wasted role) who always has good advice, if only Ella would listen. Rebecca Hall shows up only briefly as Ella’s mother before she quickly dies and disappears. Then there are the brief scenes with Kumail Nanjiani who is on Ella’s state police security detail. That’s another wasted talent. So poor Ella must deal with each crisis while she is supposed to be governing. It doesn’t take long before a scandal erupts. A nosey reporter is threatening to reveal that she has been having trysts with her husband on state property if she doesn’t give him what he wants. How scandalous! I found the whole thing to be boring and was hoping it would soon be over. There is also the matter of aging in the movie or lack of it. Mackey looks virtually the same when her character is sixteen as when she is thirty-four. Obviously, the budget didn’t allow much in the way of makeup or CGI effects. James Brooks has clearly not given this movie the effort he put into his earlier projects in the eighties and nineties. It looks like it is time for him to retire. Let’s hope that Emma Mackey finds some better roles soon. This is easily the worst movie I have seen this year.

Monsters and Men

Monsters and Men          4 stars

Monsters and Men is one of a string of recent movies addressing police brutality against unarmed black men.  This one takes an approach similar to Crash where separate independent lives intersect around a common event, here the killing of a young black man at the hands of a white police officer.  Each of the three young men have their own way of dealing with the tragedy.  Manny, a hustler has just started a new job in security when he happens to be at the scene of the shooting capturing it all on video.  Now he must decide whether to release the video and subject himself to retaliation or keep quiet and be complicit in the crime.  Black police officer Dennis knows what the offending police officer is like and must decide how to respond to the ensuing investigation.  And young star athlete, Zyrick has to decide if he should participate in the resistance against the police which may jeopardize his chances at becoming a pro athlete.  These are situations that have been portrayed in many crime dramas, but it feels like a fresh approach here.  The director/writer, Reinaldo Marcus Green is completely new to the industry.  I hope we see more from him.  This film received much praise at Sundance two years ago as it took on this very hot topic.  I missed it back then but am glad I finally had the chance to see it. 

Cats

Cats                                       1 ½ stars

I am sure that everyone has heard about the screen adaptation of the Broadway musical Cats that recently hit theaters.  There has been plenty of controversy about it mainly about the CGI effects making the cast look like some sort of human-cat hybrids.  So I had to see it for myself and it was something of a shock.  There are plenty of stars on the screen in a story that is confusing at best.  I will try to give some description of what is going on.  The story concerns a tribe of cats called the Jellicles that hang out around an abandoned theater in London.  One night a new cat called Victoria portrayed by ballerina Francesca Hayward, is tossed on the street where she is introduced to an array of felines that all have their own stories.  It happens to be the annual night of the Jellicle Ball when the old cat Deuteronomy (Dame Judy Dench) makes the choice of which of the eligible cats is worthy to be chosen to ascend into the Heaviside Layer and be rewarded with a new life.  Each of the possible choices gets a featured performance involving music and dance which includes Rebel Wilson’s fat and comical Jennyanydots, James Cordon’s Bustopher Jones, Jason Derulo’s Rum Tum Tugger, Ian McKellen’s Gus the Theater Cat (in one of the best performances), Jennifer Hudson’s Grizabella, who sings the powerful “Memory” and Laurie Davidson as the classic Mr. Mistoffelees, the mysterious magical cat.  Unfortunately, there is a scheming villain, the evil Macavity (Idres Elba) who uses his magic powers to exile each of the felines onto a boat in the Thames where his henchman Growitiger (Ray Winstone) holds them all prisoner.  This way Macavity plans to be the one to achieve the coveted Heaviside Layer for himself.  Macavity is enabled by his associate, Bombalurina, a wily cat played by Taylor Swift who puts her own spell on the Jellicles using her own brand of catnip.  Can the Jellicles overcome these magic spells and defeat Macavity?  By this time does anybody care?  The CGI costumes are very distracting with the cat ears, cat tails and other features applied to the cast.  And then there are the miniature creatures featuring dancers representing the mice and cockroaches that the cats are hungry for.  I felt the film may have had more success if it was just treated as a stage production on film without all the special effects.  They could have saved themselves a lot of money besides.  So now you know what Cats is all about.  Now you will be able to save yourselves the torture of enduring this mad spectacle.