Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

Little

Little                      3 stars

For a film on the light side you can see Little, a comedy produced by and starring teen actor Marsai Martin from Black-ish.  Jordan Sanders (Regina Hall) runs her own company and is a tyrant in doing so.  Her employees including assistant April (Issa Rae) are run ragged trying to satisfy Jordan’s wishes.  That is until a little girl uses her magic powers to turn Jordan into her thirteen year old self (Marsai Martin) putting her back in middle school.  As fantastic as this turn of events seems it doesn’t take long for the characters to accept it as the new reality.  Despite being so young again Jordan still seems to see the world through her adult eyes and strives to manipulate people into doing her bidding.  The film certainly has its funny moments and some great music, but the story is unconvincing.

The Goldfinch

The Goldfinch    2 ½ stars

The Goldfinch is the film adaptation of the Pulitzer Prize winning book of the same name about Theodore, a boy who suffers through the death of his mother in a terrorist attack on the Metropolitan Museum of Art.  There is a lot to pack in to this story in two and a half hours, but the story unfolds very slowly before certain secrets are revealed.  The film has several time jumps as the story goes from the time the boy is a teenager being cared for by his mother’s saintly friend (Nicole Kidman) and his uncaring father (Luke Wilson) and then to Theodore as a young man (Ansel Elgort) working with an antiques dealer (Jeffrey Wright).  The movie takes an extremely long time for the story to come together and it hits us again and again with its symbolism such as the red headed girl Theo is fascinated with.  If you watch this one don’t do it too late at night or it may put you to sleep long before reaching the end.

Judy

Judy       4 ½ stars

The highly anticipated biopic Judy features Renee Zellweger as the doomed singer-actress Judy Garland in her final months before she died.  This is truly a showcase of Zellweger’s talents as she clearly captures the decline of the health and stature of one of America’s greatest talents.  Those who remember Garland from the sixties will find Zellweger’s approach to the role as remarkable as she is engulfed by the character.  I am so glad that the story was not the usual biopic piece that covers a performer’s entire career, but rather only focuses on a brief period of Garland’s life, that being the London tour she went on in 1969 only six months before she died of a barbiturate overdose.  This allows us to see what feels like a complete story that doesn’t jump over large periods of time.  It also allows the supporting characters to have parts that blend in with the story.  There are flashbacks to Garland’s early years as a child star under the control of the studio headed by Louis B. Mayer.  These scenes are meant to show how she had no childhood as her personal life blends into her onscreen performances including how she was given amphetamines to keep her energy up.  The movie is not all tragedy though as the viewer will be delighted to see her with adoring fans and to see a moving rendition of Somewhere Over the Rainbow near the end of the movie.  A near certainty is that Renee Zellweger will be expected to take home the Best Actress Academy Award next year.

The Moment

The Moment     4 stars

For the first Sundance movie to be seen by me after the festival, I found The Moment now showing in theaters and starring Charlie XCX. This mockumentary about the British pop singer has her playing a fictionalized version of herself during the summer of 2024. It seems to be modeled after the Rob Reiner Spinal Tap movies that mocked the behind-the-scenes events around rock music. The Moment does this for pop music and for a much younger audience. It starts with the release of the star’s hit album and her desire to extend the “brat” summer indefinitely as she prepares to go on tour. The “mockumentary” camera follows her and her crew, her friends, her manager and the record label executives as they plan for the opening concert and the rehearsals. Key figures in the process are Charlie XCX’s artistic director Celeste (Hailey Gates) and a documentary director, Johannes (Alexander Skarsgard), filming the fictional meetings and the preparations for the tour. Much like This is Spinal Tap, the film captures some of the ludicrous aspects of the entertainment industry and shows how the egos of the various parties interfere with the project, including rather passive aggressive behavior on the part of the big shots. Included is a ridiculous plan to market “brat” credit cards to a subculture of LGTBQ+ fans that includes free tickets to her concert. Charlie XCX reserves some of the ridicule for herself as she tries to control the project while at the same time sabotaging it. Skarsgard is excellent as the two-faced film director who is shown as both cooperating in the creative process but is also power hungry as he questions the choices made by others. The behavior of the creative talent is the most amusing aspect as they try to stay on the good side of Charlie XCX, while trying to get their own way at the same time. And like in This is Spinal Tap, when things fall apart, they do whatever it takes to put the blame on someone else. While The Moment was not nearly as funny as the Spinal Tap movies, I frequently found myself laughing out loud.

The Secret Agent

The Secret Agent             5 stars

A favorite genre of mine is the political thriller and if you share this feeling, you should not miss Kleber Mendonca Filho’s extraordinary movie The Secret Agent. The setting is 1977 southern Brazil, a time of extreme authoritarianism and oppression that feels appropriate for today. Early on we meet Marcelo (Wagner Moura of Civil War and Dope Thief) who is driving a bright yellow VW Beetle through desolate country and stops at an isolated gas station to buy gas. There is a dead body that has been lying on the ground for days with the attendant explaining that he tried to rob the place and got what he deserved. They are still waiting for the police, but the police have their hands full as Carnivale is in full swing. (It is mentioned that there have been 91 deaths reported during Carnivale so far.) When police car does show up, they are only interested in trying to shake down Marcelo for some cash. This movie packs a lot in its 2-hour, 41-minute runtime. There are corrupt cops that engage in killings and disposal of bodies (and body parts), a loose knit organization that protects people in trouble by hiding them and giving them new identities, discoveries of body parts inside the stomachs of sharks, a corrupt businessman who will let no one stand in the way of his greed, a pair of professional hitmen and a mysterious dismembered “hairy leg” that attacks people in a park. What I really like about the movie is the way the story is told. The characters are introduced slowly, and we don’t get much background to start with. Marcelo finds a room to stay, in a house belonging to an old woman who seems to have a lot of connections. He has a young son who is staying with the boy’s grandparents. Other characters are introduced, such as the corrupt police chief, but we don’t know how they are related to Marcelo. Eventually, we learn more using flashbacks and learn that Marcelo was a researcher at a company with government funding. The pacing starts out very slowly, but builds as the characters are developed and the relationships become clearer. Finally, the tension rises to a fever pitch as the paths of the characters finally cross. But that is not enough. The director has added scenes at the end that take place decades later that deliver the message that time does not heal all wounds. This is the way a good thriller is supposed to be made. A nice tough is seeing how communication was done in the age before cell phones and the internet. Everything was land lines and telegrams. There is little doubt about why The Secret Agent was nominated for the Best Picture, Best Actor, Casting and Best International Feature Film Academy Awards this year. Filho has made many other well received films, but as they are from Brazil, I have not heard about them before. He is getting some major recognition this year.

Parasite

Parasite                5 stars

The movie to see in theaters now is Parasite, the creation of Korean director Bong Joon Ho, who previously brought us The Host, Snowpiercer and Okja.  This movie does have a message about the haves and the have nots, but does so with biting wit and a story that holds our interest throughout its 130 minute run time.  We are introduced to a poor family in South Korea who are scraping by with menial jobs but are far too smart to starve.  The son learns of a wealthy family who needs a tutor for their daughter to learn English so he easily gets the job through lies and false credentials.  Before long the family of four all secure jobs with this family using lies and various deceitful schemes landing them work for which they are not qualified in this luxury home.  It doesn’t hurt that the rich couple seem to be extremely gullible willing to believe almost anything.  Just as this family of con geniuses are enjoying their newfound wealth, an unfortunate discovery is made that takes the movie through an unexpected and dark turn.  I will leave you to find out what happens at that point, but be assured you will not be bored or distracted from what lies in store for these characters.  There is plenty of suspense and action for the faithful moviegoer.  I found Parasite to be one of the best films I’ve seen this year.  I just hope that more people skip the usual Hollywood fantasy/action movies and seek it out.

Downsizing

Downsizing         2 stars

I saw two movies recently that can be classified as social satires, one of which was very well done and the other while having great intensions falls far short.  Downsizing, from 2017 takes place in the near future when a technology is discovered that allows people to be shrunk in size to only a few inches tall.  The promise is that this will save the planet from environmental catastrophe by reducing the human footprint and allow people to live in luxury in a place called Leisure Land because their cost of living is reduced to a tiny fraction of normal.  It stars Matt Damon and Kristen Wiig as the couple willing to embark on this adventure when he becomes disillusioned with his job.  The movie has a few funny moments but loses its satiric edge as it seeks to deliver a message on the inequalities of this new world and the dangers of overconsumption.  By the end of the movie I just wanted to say: Ok I get it. There are always injustices in the world!  The movie was by director Alexander Payne who in the past has given us great movies like “Sideways” and “The Descendants”.  Something did not go well with the idea for Downsizing.

Mum, I’m Alien Pregnant

Mum, I’m Alien Pregnant.        3 suns

For my final film of the festival, I saw something really bizarre: Mum, I’m Alien Pregnant in the Midnight section. In this British comedy a young woman gets pregnant via engaging in a sex act with the neighbor boy who is half alien as a result of his mother being abducted by aliens before he was born.  The comedy all centers around the very exaggerated trauma that a woman goes through while pregnant.  There is plenty of screaming and vomiting and slimy fluids involved while the young woman keeps blaming the half alien for her trouble.  There is even a vacuum cleaner involved in a bizarre abortion attempt. We get a peek at what an alien penis looks like and after many antics the baby alien finally arrives.  The movie was a riot in the theater, and the actors even brought baby alien with them and allowed fans to have their picture taken with him.

Night Nurse

Night Nurse.        4 suns

Another entry in the NEXT section was Night Nurse, by Georgia Bernstein who is from Northbrook, Illinois.  The film can be described as an erotic thriller with a comedic tone. The setting is the night shift at a retirement home where the elderly residents are cared for by a team of nurses. A new nurse, Eleni joins the staff and is assigned to take care of Douglas, a man in his seventies.  Eleni is soon persuaded by Douglas to participate in a scheme where elderly men in the area are called on the phone and made to believe that she is their granddaughter and she has been in an accident and is being held by the police.  The men must send money to help her out.  Not only does she go along with the scam, but the two engage in erotic sexual behavior during the calls.  (It’s very steamy.) Eleni is not the only nurse to participate as most of the nurses are included in this erotic club. Douglas gets away with this by feigning dementia, so the administrators have no suspicion about the scheme (even though Douglas has bought a new convertible and drives his harem of nurses around in it.  Don’t think about it too much.) Mimi Rogers of erotic movie fame with films such as Someone to Watch Over Me, Desperate Hours and Full Body Massage plays the role of the doctor in charge of the home. The movie is a nice little diversion to enjoy. The movie was made with a very small budget. The director said that she hired personal friends as the nurses and had a family connection to Rogers.  She used her grandmother’s house as the movie set.  She got the idea for the movie after someone made an attempt to scam her grandmother out of money by using such a scheme.

Ghost in the Machine

Ghost in the Machine     3 1/2 suns

From the Sundance category NEXT, I saw the documentary Ghost in the Machine from director/ screenwriter Valerie Veatch. The subject of the doc was AI but not from a technical standpoint or its development. Rather it was about the power that the titans of the tech industry hold over us. It presents the arguments at a very rapid pace that feels overwhelming and covers a wide range of aspects of AI, most of which I had heard before.  It covered the exploitation of foreign tech workers in very poor countries, the environmental impact of the huge data centers being built around the world, the heavy involvement of the military in AI and the close ties of Sam Altman, Elon Musk and other tech giants to the Trump administration.  I didn’t know much about the origins of AI going back to the start of Silicon Valley.  According to the documentary the beginning of the computer industry was heavily rooted in the development of the field of statistics which really started in the late 1800’s. The pioneers of this field both in the US and in the UK had very racist beliefs, believing that the white race was superior to all other races.  Statistics was developed as a tool to measure intelligence in the races in order to prove their point. What followed then was the belief that eugenics should be used to reduce less desirable traits in the human race. So, then the logic goes that these early racist views still persist in AI and the industry leaders today. (If you read some of the statements said by Elon Musk you could make that correlation.) I can’t say that anything stated in the film is untrue, but have no doubt there are facts being left out.  The director was asked about presenting the other side of the issue, but said there was little point in doing so as you would only hear the same rhetoric that we see in the media. I know that there is great hope and promise for the advancements that can be achieved with AI in the future, but this very biased film is a warning about the costs of embracing this new technology.