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Annette 4 ½ stars
The minute I read the description of Annette I knew I had to see it. It is “a dreamy delicate dance between farce and fantasia” and “a magnificently ludicrous rock opera”. This musical by French director Leos Carax is an opera in the sense that almost all of the dialogue is sung and that from the first scene there can only be tragedy for the characters in the film. The film is set in modern Los Angeles with Adam Driver as the very dark and successful comedian Henry McHenry who performs in a broody belligerent manner wearing a bath robe on stage while the audience sings in unison to him. Henry meets the popular opera soprano Ann (Marion Cotillard) and the two instantly fall in love and become a media sensation. But we see trouble is coming when several women all come forward with accusations of abuse against the narcissistic Henry in a MeToo moment. But then everything changes when the pair give birth to their daughter, Annette, a baby girl who has a unique gift to put it mildly. (I can’t say any more than that without giving away the magic of the film.) To say that the movie is unusual and weird is an understatement. The interaction and tension between the two leads are integral to the story, but it is really the performance of Driver as well as the bizarre premise of the story that will keep your attention throughout the film. The music of the band Sparks is also quite special to the movie, though there may not be any tunes that stick with you long after viewing it. Another key role is filled by Simon Helberg as The Accompanist who is devoted to Ann, but can’t get close to her. I understand that Helberg wanted to be in the film so much that he actually moved to France and learned French (even though the film is in English). So come see it for the story of love, hate, jealousy, exploitation, and murder or come see it for the music. Whatever you do, come and see Annette.
For a preview of the opening number of the film go to: https://www.youtube.com/watch?v=YWb3KpvAz8s