Category Archives: Thriller

Blink Twice

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Blink Twice         3 ½ stars

Actress Zoe Kravitz of Big Little Lies enters the writer/director role with her directorial debut in Blink Twice, a thriller/mystery that will really grab your attention and keep you guessing for much of the movie. The lead character, Frida (Naomie Ackie of I Wanna Dance with Somebody as Whitney Houston) should take a lesson from The Menu and Glass Onion. That is, if a billionaire tycoon invites you to his own private island, you should take a pass. I will try not to give away too many spoilers, but I will compare the movie to Jordan Peele’s Get Out and Midsommar as it involves a deadly trap for the welcome guests and to Promising Young Woman for its indictment of toxic masculinity in misogynistic white men. Frida and her friend Jess (Alia Shawkat of Arrested Development) are cocktail waitresses at a gala for a foundation put on by tech billionaire Slater King (Channing Tatum of Magic Mike and 21 Jump Street). King says he is making amends for his past bad behavior, thus the foundation. Frida and Jess decide to crash the party as guests in evening gowns and soon Frida finds herself noticed by said billionaire and the two friends are invited to his private island for a lavish vacation with several of his rich friends. These include Vic (Christian Slater) who repeatedly takes Polaroid photos of the guests, a professional chef (Simon Rex), an actor (Haley Joel Osment in a beard), a tech wiz (Levon Hawke), a bodyguard and an assistant (Geena Davis) who seems very confused. Besides Frida and Jess, there are several other women guests who spend their time lounging at the pool, running across the immense property, having top rated meals prepared by the chef and consuming hallucinogenic drugs. Also, they are all dressed in the same white bikini outfits provided in their rooms and strangely enough, do not already know one another. (This should be a clue about their situation.) Kravitz takes her time in the early part of the movie focusing on the narcissistic behavior of the various guests inserting many humorous moments including a few well-placed pranks. (You could say that Haley Joel Osment’s character is a real dickhead.) Eventually, Frida and Jess get the sense that something is not right, and they start to realize what Slater King is really all about. I’ll leave it there for you to decide if the movie is for you. There is a warning on the screen at the start saying that there are some disturbing, graphic scenes in the movie. That is accurate as the violence and blood is comparable to that in Halloween. It becomes a revenge movie much like Promising Young Woman and Revenge. While the scenes are well put together and the characters are well acted, I couldn’t help but feel it has all been done before. We have had so many condemn the rich movies, that it is getting a bit tiresome.

Nightmare Alley

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Nightmare Alley                                                4 ½ stars

Four years after creating the weirdly romantic film about a woman and her fish man lover, The Shape of Water, Guillermo del Toro brings us a gritty, lurid film based on the 1946 novel by William Lindsay Gresham that shares the same name, Nightmare Alley. When you see the famed Mexican director’s name associated with a film, you know you are in for something unusual and disturbing. We can sense that this is a story of betrayal and doom. We first meet Stanton Carlisle, a man down on his luck in 1939 as he is burning a body inside an old house. The mysterious Stanton played by Bradley Cooper in one of his best roles to date manages to get hired at a carnival by the boss (Willem Dafoe). The carnival features a very seedy collection of freaks and sideshow performers in scenes that capture the feel of the depression. Stanton is immediately drawn to the carnival’s mentalists Zeena (Toni Collette) and Pete (David Strathairn) and finds he has a gift for reading people, eventually leaving and creating his own act, teaming up with another of the performers, Molly (Rooney Mara), whose beauty makes her stand out from the carnival freaks. As the pair perform their craft in high end clubs, Stanton encounters Lilith Ritter, a wealthy psychoanalyst whose clientele includes politicians, judges and business tycoons. Cate Blanchett plays the role expertly as her very presence commands our attention. She was born to play roles like this. Soon enough this pair devises a plan to separate the elite from their money with an elaborate scheme that is bound to lead to ruin, (though I won’t say whose). The film gets the feel of forties film noir movies that is aided by an astounding collection of gifted A list actors. Nightmare Alley was previously made into a movie in 1947 starring Tyrone Power, but I am sure del Toro did it with a much bigger budget. I am expecting it will receive a few Academy Award nominations later this week.

The Tragedy of Macbeth

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The Tragedy of Macbeth               4 stars

Joel Coen does his take on Shakespeare’s play Macbeth in an unusual style. Oscar winner Denzel Washington is excellent as the power hungry Macbeth who is driven to be the king of Scotland by the combination of his wife, Lady Macbeth (Francis McDormand) and the three witches who help him hatch his murderous plan. Of special note is Kathryn Hunter who portrays the three witches in a scene where she seems not human as she contorts her body into odd shapes and utters the scheming words of all three parts. Brendan Gleeson is very appropriately cast as the loved king who is doomed to die by the hand of Macbeth. The scenery is very stark and minimal with the filming all done in black and white. It serves to bring all the viewer’s attention to the performances on the screen by the very talented actors. Some parts of the film have a fantasy like quality to show how Macbeth seems to be losing his mind as his mad plans fall apart. It has been a while since I heard the story of Macbeth, that is, when I was a senior in high school so I confess I could not follow the whole story. The movie uses the Shakespearean manner of speaking so it will be tough to get used to. If that doesn’t turn you off you would be well advised to see The Tragedy of Macbeth. I have to agree that Washington is deserving of his Oscar nomination for this role.

The Outfit

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The Outfit           4 stars

Writer-director Graham Moore of The Imitation Game has created a tense well-crafted crime drama in The Outfit, starring Academy Award winner Mark Rylance as Leonard, a soft spoken tailor who operates a tailor shop in 1958 Chicago where he makes finely crafted suits. That is, a shop that is also frequented by shady gang figures who use a drop box inside to pass thick envelopes with mysterious markings and who also will have Leonard make new suits for them. Rylance is very low-key as Leonard who stays intensely focused on his craft and only wants to be able to survive the night when the mobsters become aware that there is a “rat” in their midst who is informing a rival gang of their comings and goings. The movie is unique in that the entire story takes place within the rooms of the shop, most of it in a single night filled with suspicion and murder. Two of the gangsters are played by Dylan O’Brien and Johnny Flynn who speak with convincing Chicago mobster accents. Simon Russell Beale is equally effective as the mob father figure, Roy Boyle, who wants to get to the bottom of the evening’s events, even if he has to kill someone. Zoey Deutch appears glamorous in 1950’s wardrobe as Mable, the receptionist, who is treated like a daughter by Leonard. (Deutch is the daughter of actress Lea Thompson.) The show really belongs to Rylance who gives a fascinating performance of a man who must always keep his wits about him even with a gun pointed at him. There are many lies and misleading stories being told so, the audience too must stay focused on who said what to who and who really knows the truth. I chose to see the movie based solely on seeing the trailer and am glad I made that choice.

Swallow

Swallow                               4 stars

Swallow is a difficult movie to describe. It may be a thriller turned horror movie about female empowerment in an environment controlled by men. It does concern a little known psychological disorder called pica. Hunter Conrad (Haley Bennett) is a newly married housewife whose husband is a rising star in the corporate world. Hunter is put on display in 1950’s wardrobe in a lavish, isolated house where she is expected to be the perfect wife and home decorator. The husband, Richie, is very controlling and her in-laws are judgmental toward her. The pressure only grows when it is learned that she is pregnant. It is then that the mental illness surfaces as Hunter finds satisfaction from swallowing inanimate, inedible objects and then “recovering” them. She does all this in secret trying to get greater satisfaction with more and more dangerous objects. I felt the movie gave a realistic feel for why someone would seek to cause harm to themselves when there was little they could do to control the world around them. I heard about the film when the pandemic was just starting and finally picked it as one to watch. I feel it fits in well with what we were facing in 2020 when events were controlling what we could and could not do. Haley Bennett gives an excellent performance as the housewife who is dominated by the men around her. Eventually, some additional context is offered to help explain this mental condition. There are some scenes that the squeamish may have a little trouble with, but there is no violence in the film. The film received well deserved favorable attention at film festivals before getting its brief theatrical run when Covid struck.

Watcher

Watcher                               4 stars

Imagine what a moviemaker would do if asked to make a horror movie set in Romania that did not involve vampires. That task is accomplished by relatively new director Chloe Okuno in the horror thriller Watcher. The movie stars Maika Monroe as Julia, the lonely American housewife who has followed her Romanian speaking husband Francis to Bucharest for his new job. Monroe has made a career of being the victim in many horror and drama movies that include It Follows, Villains, Greta and Bokeh. In Watcher, Julia has no friends because of the language barrier and wanders the city going to shops and diners while her husband is working. But she is not entirely alone as there is a dark figure of a man in the window of an apartment across the street that seems to always be present looking at her apartment. To increase the threat there is a story of young women in the city mysteriously getting their throats cut by a serial killer. Could the murders be linked to the man in the window? Not wanting to be another victim, Julia, the watched becomes the stalker, following the mysterious man through the neighborhood. This has to be one of the slowest developing horror movies I have seen recently, but it’s done well as the tension builds constantly until the startling conclusion. Monroe does a believable job as a woman who refuses to be another victim. Watcher was featured at this year’s Sundance Film Festival. I had not heard of writer director Okuna before, but after seeing Watcher I look forward to seeing Bodies Bodies Bodies, a comedy horror movie that she has a writing credit for. (It is due to be released later this summer.)

Bullet Train

Bullet Train         3 ½ stars

When I saw the preview of David Leitch’s Bullet Train it had to go on my must see list for this summer. This adaptation of a Japanese crime novel by Kotaro Isaka gets the John Wick and Kill Bill treatment in a non-stop action movie starring Brad Pitt as an unlucky assassin known as Ladybug who is trying to get back in the game with a simple snatch and grab assignment while being coached by his handler over the phone. His job is to board the world’s fastest train in Tokyo, Japan and grab a briefcase filled with cash and get off at the next stop without getting caught. What our self-deprecating criminal doesn’t realize is that this bullet train is also occupied by four other paid assassins all with interconnected and conflicting missions and a few other shady characters each with their own objectives. Throughout his acting career Pitt has done a variety of types of roles in dramas, comedies and action movies, not relying on one type of role. Here he plays the character strictly for comedic effect as mayhem surrounds him. Also on the train are two British assassins known as Tangerine and Lemon (Aaron Taylor-Johnson and Brian Tyree Henry) who must deliver the son of a Russian crime boss called White Death back to him along with the ransom money (in the previously mentioned briefcase) after rescuing him from a gang of kidnappers. One of them has an odd obsession with Thomas the Tank Engine and who can be characterized as a “diesel”. There is the young Japanese man (Andrew Koji), the son of a “yakuza” who is there to take revenge on the person responsible for pushing his young son off a rooftop who now lies in a hospital clinging to life. Joey King (actress in innumerable roles in teenage movies that I never heard of) shows up as the young woman who is much more dangerous than she seems. And there is an assortment of other suspicious characters who appear on this nearly vacant train traveling at incredible speeds through Japan. To fill in the story we get flashbacks to the events that led this deadly batch to the train that are filled with bloody killings in long action sequences. Once the killers meet, the anticipated fight scenes ensue, mostly involving Pitt’s Ladybug who is bewildered as to why all this is happening to him. Also, throw in an escaped venomous snake that is missing from a local zoo. (Snakes on a Train?). Thanks to the natural charisma of Pitt, Bullet Train rises above being just another violent action movie with two dimensional characters. There are a few notable cameos that you must watch for. This includes the reuniting of three well known stars who appeared together in another action comedy from earlier this year. I leave it to you to find out who they are.

Don’t Worry Darling

Don’t Worry Darling        2 ½ stars

By now everyone has heard some of the behind the scenes drama about Don’t Worry Darling, the Olivia Wilde directed vision of a utopia of married couples set in a 1950’s suburban paradise where the wives relish in house cleaning, modern dance lessons and preparing epicurean meals for their husbands who spend their days at work on a mysterious project called The Victory Project that no one understands. That drama is something I don’t need to go into, but in the movie itself it doesn’t take long to get the feeling that something isn’t right in paradise. Alice (Florence Pugh does a fantastic job!), the housewife to husband Jack (Harry Styles) starts to see signs that things are amiss in her world. She hears strange tunes, sees food that is not real and imagines the walls of the house are closing in on her. Her seemingly happy neighbors who all share the same cul-de-sac and with whom they all indulge in wild drunken parties don’t see the same signs and deny that there is anything sinister going on. The one exception is Mary (Olivia Wilde) who wants to put a stop to Alice’s suspicions. There is plenty to be suspicious about as the head of The Victory Project, Frank (Chris Pine) is treated like the worshipped leader of a cult. There is something demon like about him and in this case Pine is suited to the role. This type of dystopian society film has been done many times before only in a less preachy manner. Eventually, we get to an explanation via a heavy use of flashbacks. There is a definite feminist message against a very repressive society and a praise for those who would rebel against it. One gets the feeling that there was a lot of anger behind the writing of this film. For a superior treatment of a similar theme, only from a racial perspective I much prefer Get Out, the 2017 horror film by Jordan Peele. But it does appear that Don’t Worry Darling has its fans. Don’t count me among them.

Passing

Passing                 4 stars

In 2021 one of the most sought-after tickets at Sundance was for the movie Passing. I couldn’t get one then but recently saw this offering written and directed by the actress Rebecca Hall (The Prestige, Vicki Christina Barcelona, The Town). The name of the movie comes from the practice of light skinned Black Americans passing as white to escape discrimination. This first effort of Hall’s tells of the relationship between two former classmates, two young Black women who meet by chance one day after twelve years at an upscale hotel dining hall in New York. It is the 1920’s so Jim Crow is very alive in this setting. Irene (Tessa Thompson (the Creed movies and the Avengers movies)) is light skinned so can be mistaken for being white, though that is not her intention. The other, Clare (Ruth Negga (Loving)), blonde and appearing to be white, gets Irene’s (Rene) attention and introduces herself. Rene finds out that Clare now has a white husband and a daughter and that the husband (Alexander Skarsgärd) has no clue that Clare is actually part black. (He also has severely racist views!) Rene lives in a nice Harlem brownstone and is married to a black man (André Holland) who is a doctor. They have two sons and a live-in maid. After some time, Clare works her way into Rene’s life saying she misses her old life. Rene lives comfortably, volunteering for the Negro League, attending balls and tea dances and associating with a white novelist (Bill Camp). All of this is very intriguing to Clare who recklessly finds a way to join in the fun. Clare even flirts with Rene’s husband who insists that he doesn’t care for her. It is clear that Rene is uncomfortable with Clare’s actions but puts up with the behavior for the sake of being civil. While Clare is the one who is pretending and playing with fire, the movie is really about Rene’s reaction to this new presence. Rene has a comfortable life but is forced to face the presence of racism that brought these circumstances to reality. Both actresses are superb in their roles with Thompson getting credit for an emotionally subdued performance. The feeling of the story is aided by the black and white filming, the old fashioned 4:3 aspect ratio and a great jazz score accompanying the film. I recommend it as a drama that will make you think.

The Menu

The Menu           4 stars

I must be hitting a theme this year with movies attacking the habits of the rich and self-absorbed. The latest film in this genre is The Menu, a black comedy-horror (my favorite kind of horror) directed by Mark Mylod (who has done episodes of Game of Thrones and Succession) where we spend an evening with a young couple journeying to an exclusive expensive restaurant on a coastal island, serving twelve guests by invitation only. The restaurant is called Hawthorne where the chef, Slowik (Ralph Fiennes), regarded as a culinary artist introduces each course with detailed descriptions and his personal philosophy and charges $1,250 a plate. Tyler (Nicolas Hoult) can be described as a fanboy of the chef who obsesses over each course while his last minute date Margot (Anya Taylor-Joy) couldn’t be less interested in the food. The rest of the guests includes a restaurant critic (Janet McTeer) and her husband (Paul Adelstein), an older couple (Judith Light and Reed Birney), an aging movie-star (John Leguizamo) and his assistant, three corporate a-holes and one elderly woman in the corner. As the meal progresses it becomes clear that the chef has an agenda for the evening when personal attacks are made on each of the customers. He has a connection to every one of them and feels he has been wronged by each in some fashion. The lone exception is Margot who Slowik says wasn’t supposed to be here. At some point the film becomes full blown horror of the revenge variety when it is revealed that Slowik intends that no one is going to survive the evening, thus making things outright terrifying. Effectively, the movie is preaching about the misdeeds of the rich and privileged and about those seeking retribution. The best scenes involve the personal interactions between Fiennes and Taylor-Joy as they engage in a battle of wits and she tries to find ways to counter his actions. Both are well cast in these roles. Hong Chau of Driveways and The Whale does an excellent job as Elsa, the guide who gives the initial tour for the guests. I had not heard of director Mylod before and hope he has more interesting projects ahead. For fans of satirical comedies, this one is entertaining.