Category Archives: Thriller

The Phoenician Scheme

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The Phoenician Scheme                 4 stars

If you’ve seen a Wes Anderson movie before you already have an idea of what to expect. His best includes The Royal Tenenbaums, Moonrise Kingdom, The Grand Budapest Hotel and Asteroid City. (Also, remember The Fantastic Mr. Fox). Anderson has a unique style identified by faded colors, stationary cameras, and characters with stilted and rapid fire speaking that is instantly recognizable. His new film, The Phoenician Scheme, is no different and shares themes as well as actors from previous films. Common devices he uses are espionage and parental challenges, both of which are present in this one. There are two main characters that cover the entire film. There is the shady industrialist, Zsa Zsa Korda (Benicio Del Toro of Sicario and The French Dispatch) who has an uncanny ability to survive multiple plane crashes and his estranged daughter, Liesl (Mia Threapleton who is a newcomer) who he wants to leave his empire to and who happens to be a nun. Korda is in the process of setting up a vast infrastructure project to secure his legacy, but he needs the cooperation of a series of odd characters to “cover the gap”; that is, to help fund his project. Thus, his travels to various parts of the globe to try to secure their cooperation by doing odd things like having a basketball shooting contest in a railroad tunnel. It’s also clear that these various businessmen have not been treated all that well by Korda. There is also an assembly of rival industrialists who are trying to thwart Korda’s plans, thus the assassination attempts. The all-star supporting cast includes Jeffrey Wright, Benedict Cumberbatch, Tom Hanks, Bryan Cranston, Riz Ahmed and Scarlett Johansson. Bill Murray, a Wes Anderson regular even makes an appearance as God in what appears to be scenes of the afterlife. Throughout the movie it’s the great pairing of Del Toro and Threapleton with a little help from Michael Cera as Bjorn, a Norwegian tutor that really makes the movie. They have a good sense of comic timing while applying Anderson’s trademark style of deadpan delivery. Amid all the zany happenings lies a message of the care of a parent for their child even if it’s not delivered well. Considering all the movies that have been made by Wes Anderson over the past thirty years, The Phoenician Scheme is one of the better ones even if the style is very familiar.

The Blazing World

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The Blazing World            3 suns

Three years ago at my first Sundance I saw a short film program that included a short called The Blazing World. It concerned a young woman who enters a door into an alternate reality. It was a most unusual film with some startling images. Now, three years later, the creator and director, Carlson Young, has returned to Sundance with her full length feature film based on the same idea. Young, who is only 30 has been quite an aficionado of classic horror movies which must have influenced much in her movie. She also stars in the movie as Margaret, a young woman who lost her twin sister in an accident when they were children. She is interested in the idea of alternate dimensions and encounters a strange man who invites her through a door to this new world. She enters with the idea that her sister may exist in this other dimension. What follows are some of the most bizarre sequences I’ve seen in the movies, much of it of a dark and decaying place with alternate versions of her parents. The movie had more form to it than the short on which it was based, but steers away from your more conventional horror movies. I’m glad I saw it, but I would recommend it only for the more hardcore horror fans. Interestingly, it was completely during the pandemic in 2020.

Prime Time

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Prime Time         4 suns

The Polish drama Prime Time portrays a fictional hostage situation in a TV studio on live TV om New Years Eve, 1999. A young 20 year-old, Sebastian (Bartosz Bielenia) takes control of the studio with a gun and demands that he be allowed to read his statement to the nation on live TV. The situation becomes a standoff between Sebastian and the television staff and police. The tension between the parties is realistically represented as the police struggle with ways to handle the situation without getting people killed. We also see how the relationship between hostage taker and his two hostages changes as the hours pass by. The actor Bielenia is especially talented with his range of emotions. I saw this same actor only a few months ago in the Polish drama Corpus Christi with his character impersonating a priest in a small village. The producer of Prime Time said he needed to place the film in the nineties to show the importance of television at that time and to avoid the widespread availability of the internet and social media.

Mission: Impossible – The Final Reckoning

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Mission: Impossible – The Final Reckoning                            4 ½ stars

It has been two years since we last saw Ethan Hunt in multiple struggles against the bad guys and performing death defying acts of bravery as he once again fights to save mankind from extinction. That was in Mission: Impossible – Dead Reckoning Part One, starring Tom Cruise in the seventh film of the long running franchise. Now in the eighth and presumably final film, the 62-year-old super action star steps up one more time to rescue the world. But not before we get multiple montages from the previous films showing endless fight scenes, spectacular stunts, previous cast members of his team, villains and love interests and all those disguises. You may recall that there was an AI being called “The Entity” that escaped from a Russian submarine and found residence in the servers throughout the world, and in the process sank the submarine. On the submarine is a hard drive containing the source code of The Entity that would allow the owner to control it, but only if they have the physical key that will allow access. The Entity has also earned a following of thousands of fanatics that will do its bidding. Plus, it seeks to sow discord and keep us divided making it a possible future Republican political candidate. Among them is Gabriel (Esai Morales) who wants to control The Entity for himself but needs Hunt to get the hard drive for him. In the earlier movie Ethan Hunt managed to obtain the key from Gabriel but now needs the cooperation of the US government to get to the sunken submarine so he can recover the hard drive and disable The Entity. Oh, and I should mention that The Entity is in the process of taking control of all the nuclear arsenals in the world so that it can launch the weapons and annihilate mankind because people are the main problem of the world in the mind of the AI being. Complicating things further is the aim of the government to control The Entity itself, while Hunt believes no one should control it as that would be too much power for anyone to hold. It is a race against time as the US president (Angela Bassett) may order a nuclear strike against all the nuclear control centers of the world before The Entity can get control of the US weapons, but that would kill millions of people. The hope is that Ethan Hunt’s impossible mission against The Entity will succeed in time, (because Hunt always disobeys orders, but he always gets the job done). There are many familiar faces that you will recognize from previous films that I won’t list here. Now, if you don’t understand all of that, that’s OK. Just enjoy all the prolonged fight scenes and improbable stunts in hostile environments that should kill Hunt but don’t just like all the previous Mission: Impossible movies. It’s a great way to spend nearly three hours of your time in a movie theater, especially since after nearly thirty years this is reputedly the final film of the Mission: Impossible series.

Sinners

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Sinners                 5 stars

Ryan Coogler’s new movie, Sinners, about vampires invading a small rural Black town in 1930’s Mississippi, defies genre. While it certainly is a horror movie, it is also a gangster movie and a musical featuring an assortment of Blues numbers with varying styles. It’s hard to believe that this is only Coogler’s fifth time directing, previously directing Creed, two Black Panther movies from the Avengers universe and Fruitvale Station. This time it is in a setting he truly makes his own and is something that could only be made by Coogler. And it is also the fifth time he has featured Michael B. Jordan in a prominent role; this time actually making it two roles with Jordan playing twin brothers, Smoke and Stack. The pair were gangsters in Chicago having acquired a fortune during prohibition, and before that were soldiers in World War I, but now they have returned to their hometown and plan to open a juke joint and make more money. The pair are unsavory, certainly and won’t hesitate to hurt someone who crosses them. Smoke is the serious one of the two, while Stack is more flamboyant. The twins buy an old sawmill from a white man, paying cash, being assured that the Ku Klux Klan is a thing of the past, words that will haunt them later in the film. They link up with Sammie (Miles Caton), a young preacher’s kid who is a master Blues player on the guitar and will play a major part in the events to follow. The brothers reunite with a number of the townsfolk they knew from before and it is clear there is a long history at play here, especially with the women that includes Mary (Hailee Steinfeld) and Annie (Wunmi Wosaku). The recruiting of musicians, cooks and patrons for the evening’s entertainment takes a good hour of the movie during which we get a taste of the music of the time. It’s apparent to me that the Blues figures highly in Ryan Coogler’s background. It is only after the party starts that we get a hint at the bloodbath that is to come. But first we get a massive display of the music and dancing created here where we see figures from beyond the present dating back to old African culture and future entertainment with musicians on electric guitars and DJs. After the first of the vampires arrives at the venue, it occurred to me that this resembled Quentin Tarantino’s and Robert Rodriguez’s From Dusk Till Dawn, the vampire movie from the nineties. As the action filled killing progresses, the characters are not sure who they can trust and suspicions fall on those who were previously close. This was a familiar element that I remember from John Carpenter’s The Thing, when a blood test was used to clear the suspects. Here the act is the forced eating of garlic, a plant fatal to vampires. Everything leads to a final confrontation that leaves few survivors. Not only is Sinners easily the best horror film of the year so far, it gives us an impressive collection of cultures that were a part of the South in the 1930’s including Black, Chinese, native American’s and Irish. I don’t know how long Coogler worked on this soon to be classic, but he certainly had a lot to say. Be sure that you stay all of the way through the credits and don’t miss the multiple endings.

Crimson Peak

Crimson Peak                    2 ½ stars

Crimson Peak, a gothic horror movie, was written and directed by Guillermo del Toro who brought us such master works as The Shape of Water and Pan’s Labyrinth. Although the movie is filled with striking visions, elaborate sets and outstanding costumes and camerawork, the story just doesn’t match up to his other works. Edith Cushing (Mia Wasikowska of Alice in Wonderland and Piercing (and whom I saw in person at Sundance)), the daughter of a wealthy businessman in 1890’s New York has an unusual interest in ghosts and likes to write ghost stories. She is swept away by the visiting Thomas Sharpe (Tom Hiddleston of Thor movies, Avengers movies etc. and I Saw the Light), an English inventor and baronet, and quickly agrees to marry him and go to live with him and his sister in England. The sister, Lucille (a sinister Jessica Chastain of The Tree of Life, Zero Dark Thirty and Molly’s Game) obviously has less than trustworthy intensions toward her new family member. In England the scene shifts to one of the most elaborate and creepy haunted mansions seen out of Hollywood. It is immense with long corridors and underground chambers that hold old secrets. It also has a decaying roof, is full of moths and is built on a field of red clay that gives the structure its red color that seems to symbolize blood. Edith’s gift of seeing ghosts leads to her horrifying visions of blood covered spirits that both terrify her and give her clues about what the more human demons have in store for her. The movie is great to look at, but I didn’t find the story to be anything special. For more interesting horror movies check out Relic or Amulet or even The Rental. You could also go back and see del Toro’s The Shape of Water for a real treat.

The Accountant 2

The Accountant 2             2 stars

After eight years, accountant and deadly killer Christian Wolff (Ben Affleck) is back in director Gavin O’Connor’s The Accountant 2, the sequel to the 2016 generically named The Accountant, also by O’Connor. This time around the autistic genius and weapons expert has been recruited by a US Treasury agent (Cynthia Addai-Robinson) to help her investigate a human trafficking ring in Mexico that has extended its reach into the United States. She soon finds out that some of his methods aren’t exactly legal. (But first we get an amusing taste of what it’s like for the socially awkward Christian to try a dating service where his literal way of speaking puts off every woman he talks to.) When it becomes clear just how violent and far reaching this criminal gang is that he is facing, Christian must reach out to his estranged brother, Braxton (Jon Berthal) who is a professional killer in Europe, and persuade him to come back to the US to help him in the case. Only now things are complicated by the appearance of a trained female assassin (Daniella Pineda) whose motives are unclear. But, on Christian’s side is a special group of computer savvy teenagers from a special school for autistic children whose hacking skills go beyond that of the specialists working for the US government. There are many moments of comedic banter between the two brothers that the writer must have thought was important to include, but given the serious nature of the crimes involved, it sometimes seems out of place. Like the first movie, the action and violence go to extreme levels with an absurdly high body count. The risks they take and the kill ratio they achieve go well beyond anything approaching credibility. Some people who are familiar with those who are autistic may find it offensive to portray an autistic character in a movie this way. It certainly doesn’t do much for the cause of those with this disorder. Many movie goers may like this type of comedic action movie, but I am not among them. I found last year’s The Fall Guy, also a popular violent action movie, preferable given its lighter premise. There may be another sequel to The Accountant coming. It won’t bother me if it takes another eight years for it to come out.

The Rainmaker

The Rainmaker                  4 stars

I got a chance to finally see the legal drama The Rainmaker based on the John Grisham novel which I somehow missed back when it came out in 1997. It is a well-paced story that keeps the viewers interest throughout its 2 hour and 15 minute running time. The basic story is rather conventional, a young lawyer just out of law school (Matt Damon) finds himself taking on an expensive law firm representing a corrupt insurance company. The company preys on poor working people by selling health insurance policies that don’t payoff when presented with valid claims. The film helped propel Damon to star status after Harvey Weinstein noticed him and wanted him in the movie. It was directed by Francis Ford Coppola who wanted to make it a movie after just happening to read the Grisham novel. The film is graced with an amazing cast of talented actors that includes Mickey Rourke (as a sleazy lawyer), Danny DeVito (as the oddly named Deck Shifflet), Jon Voight (an even more sleazy lawyer), Claire Danes (who was just seventeen), Teresa Wright (in her last performance), Mary Kay Place, Dean Stockwell, Virginia Madsen, Roy Scheider and an uncredited Danny Glover. The plot is straightforward enough to easily follow and is driven by many dramatic moments in the courtroom. The young Claire Danes finds herself in a subplot with Damon that doesn’t infringe on the main story. Anyone who is a Matt Damon fan or a lover of legal dramas should include The Rainmaker on their to see list.

The Shrouds

The Shrouds       4 stars

David Cronenberg is well known for his mind-bending grotesque horror movies. Who can forget his 1980’s and 1990’s horror movies, The Fly, Scanners, Crash or eXistenZ? Then, three years ago, there was Crimes of the Future that concerned mutations of human organs. Now he is out with The Shrouds, a movie that goes in a multitude of directions as only the mind of Cronenberg can do. It presents a very personal view on how we are affected by the death of a loved one but also delves into the world of international espionage. In The Shrouds we meet Karsh (Vincent Cassel of Ocean’s Twelve and A Dangerous Method), an entrepreneur who makes industrial films, who is on a date. They have gone to a restaurant that he owns that happens to be next to a cemetery he has a close interest in. His deceased wife Becca, who died of a slowly progressing cancer is buried there but this is no ordinary cemetery. Karsh is an investor in an enterprise called Grave Tech, a company that provides a way for the grieving to stay close to their deceased loved ones. Using some advanced technology, the body is wrapped in a metallic shroud that can project a 3D image of the decaying corpse onto a digital screen on the tombstone. With an app on their smartphone the grieving party can access a view of the departed as they slowly rot, certainly a morbid concept. Karsh allows his date to have a peek at his wife who has been dead for several years. (There is not a second date.) While examining the images, Karsh notices several odd-looking growths appearing on his wife’s bones that he theorizes may have been caused by the cancer. Shortly after, several of the graves are vandalized including that of Becca’s, with the culprit sending a video of the crime to Karsh. Other people close to Karsh include his wife’s sister, Terry (Diane Kruger of Inglourious Basterds and Troy), who has a fascination with conspiracy theories to the point that they are a sexual turn-on, Terry’s ex-husband Maury (Guy Pearce of The Hurt Locker and L. A. Confidential) who helped Karsh with some of the technical aspects of this business and Soo-Min (Sandrine Holt), the blind wife of a dying Hungarian oligarch who is interested in acquiring a cemetery plot. Karsh can’t get over losing Becca (also played by Diane Kruger). She appears to him in dreams with her body becoming more mutilated after each cancer surgery causing body parts to be removed and stitches and staples to be put in place. (The term “body horror” comes very much to mind, a common theme with Cronenberg.) Karsh even has an assistant in the form of an AI avatar, (created by Maury) on his phone who can make arrangements for him. Her name is Hunny, and she looks very much like Becca. (She is also played by Diane Kruger.) The movie becomes a playground for conspiracy theorists as Karsh considers the many possibilities that might explain these strange events. Could the Chinese, who built the shrouds be hacking into the graves in an effort to develop an elaborate surveillance system for spying? Could some environmental terrorist group that doesn’t believe in burying bodies be responsible for the vandalism? Could Becca’s cancer doctor be somehow responsible for the growths on her bones? And what about all the other graves that were vandalized? Were they all patients of the same doctor? And then there are the Russians. How are they involved? Or maybe Maury knows more than he says, since he helped create the technology? It seems there is no end to the possibilities. I found it all very intriguing, but more than anything, the movie is about grief and how its effects can stay with us throughout our lives. Horror fans really should check this one out, especially those who enjoy Cronenberg’s films. And those who enjoy conspiracy thrillers should not miss it.

Les Misérables

Les Misérables                  4 stars

There is no Jean Valjean or Cosette or extravagant musical numbers in this movie. Les Misérables is the directorial debut of French-Malian director Ladj Ly. It is a crime thriller drama depicting the extreme racial tensions of the Paris suburbs in which it is set. The town, Montfermiel, is the same place as the events of Victor Hugo’s novel. The strife of the characters also mirrors that of the 19th century book. The movie follows an elite police squad of the SCU who call themselves the Smack Combat Unit. Their job is to keep some sense of order in the mostly black, Muslim neighborhood of high density housing and street shops. Stephane is the new guy who is being introduced to the job, while Chris and Gwada are the experienced hands. An incident occurs involving some of the local teens and the unit must investigate to keep the matter from escalating. When the unit is confronted by a gang of teens, a decision by one of the police causes the situation to spiral out of control, setting the powder keg on fire. The movie is a realistic portrayal of the problems France has been facing with the young, poor, mainly African population and police who sometimes use repressive tactics. It is somewhat based on the riots that occurred around Paris in 2005 where thousands of vehicles were burned. Most of the acting is done by locals who previously had no acting experience. The movie shows several acts of violence by the characters and does not pretend to have any solutions to the problems. It received an Academy Award nomination for Best Foreign Language film as France’s submission.