Category Archives: Family

Marcel the Shell with Shoes On

Marcel the Shell with Shoes On                  4 stars

The stop motion animated feature Marcel the Shell with Shoes On can be described as poignant, heartfelt and fun. This charming “documentary” follows the life of Marcel, a one-inch-tall mollusk shell who has a face with one eye and a pair of sneakers. Marcel lives in a house that is now an Airbnb with his grandmother, Connie, who is also a shell. The latest resident in the house is a man named Dean who is renting the place until he can find a new home. But Dean happens to be an amateur filmmaker and he decides to film Marcel as he goes about his business of living, finding ingenious ways to get around such as using a hollowed-out tennis ball and a bottle of honey. Marcel is quite talented, coming up with makeshift inventions and putting on a show when the time calls for it. He can make telephone calls and has a piece of lint for a pet. But he can also make plenty of mistakes and is very conscious of his shortcomings, making frequent apologies. Marcel is the creation of Jenny Slate, who was on Saturday Night Live for one season and Dean Fleischer-Camp, film director and her then husband. They made short videos of Marcel and placed them on YouTube back around 2010, creating a viral sensation. They then got the idea of making a full movie about the little guy and wrote a story for him. Jenny does the voice and Dean does the filming. Reportedly, they spent seven years making the one-and-a-half-hour movie, released in theaters in 2022. The story is expanded as we learn the house was previously occupied by a couple who fought and split up, but the man took all the other shells that are Marcel’s family with him leaving Marcel and Grandma all alone. So, Dean suggests to Marcel that he can post the videos they make and get the word out about the search for Marcel’s “relatives”. The film has a good message about the value of family and community. It was definitely more entertaining than I initially thought it was going to be. It was nominated for a Best Animated Feature Academy Award.

The Mitchells vs. the Machines

The Mitchells vs. the Machines  4 ½ stars

I caught up with the Netflix 2021 animated feature The Mitchells vs. the Machines which tells how a typical dysfunctional American family dealt with the great robot apocalypse of 2020. This amusing action-filled movie connects well with young and old audiences with its references to how people are dependent, even obsessed with their wireless devices and what happens when those connections go away. 18 year old Katie (Abbi Jacobson) is about to leave home to start film school in California. She has been fascinated about making her own movies and posting them on the internet, but her father (Danny McBride) just doesn’t get her. He thinks it isn’t right that the family is so involved with their handheld screens all the time. So he changes Katie’s plans to fly to California and instead make it into a family road trip with Mom (Maya Rudolph) and son Aaron (Michael Rianda, also the writer and director), who also happens to be obsessed with everything dinosaurs. Katie is more connected to brother Aaron than to either Dad or Mom. These plans are upset when the next generation AI device, a mobile robot is announced by CEO tech wizard Mark Bowman (Eric Andre), which angers the digital assistant app known as PAL (voiced by the amazing Olivia Colman). PAL takes control of the thousands of gleaming robots and sets about on her plan to capture and enslave the entire human population. (Will we never learn what happens when robots are given the capability of AI?) The movie can be described as The Fabelmans meets Terminator. Somehow the Mitchell family along with their ugly pug dog, Doug escape capture, thus it is up to them to defeat PAL and rescue humanity. Entertaining comedy and action follow as the dysfunctional family must work together and come up with plans to battle the robots and find their way to the lair of PAL. They are aided by a couple of malfunctioning robots (voiced by Beck Bennett and Fred Armison) who see something redeeming in the humans. It’s an imaginative take on our dependence on our digital devices and the importance of remaking connections with our family and friends. There is plenty of cartoon violence that can be enjoyed by all audiences.

Luca

Luca       3 ½ stars

Luca, the animated feature from Pixar/Disney and directed by Enrico Casarosa, takes the theme of The Little Mermaid and puts it on the Italian Riviera. Thus we get some Italian flavor including a seaside village, some homemade tagliatelle, and riding bicycles over cobblestone streets. We also see a friendship formed between two young boys, the younger one being Luca and the older one is Alberto. They have a secret though. They are both sea monsters who are masquerading as humans. It seems that these creatures who live in the sea are occasionally glimpsed by humans from the village but after they leave the sea and dry off they can transform into human form and have the ability to walk and speak normally. This experience creates the desire in Luca to learn all about his new surroundings including to ride a Vespa and to make friends with a local human girl, Giulia. Unfortunately, for our sea monster friends they are under constant threat of getting wet which can make them change back to monster form and be revealed to the humans. It has some other elements similar to other Pixar movies like a local bully and a climactic event like a bicycle race so is not particularly original, but should be very enjoyable for the younger audience. Luca is not Toy Story but is worth a look.

The Little Mermaid

The Little Mermaid          4 ½ stars

In 1989 Disney started a new era in their animated films with The Little Mermaid, a fairy tale featuring a female lead that became an instant hit and a classic. Now they have continued with their latest trend of making these animated stories into live action films bringing The Little Mermaid to life with heavy use of CGI as part of their movie magic. The star of the film is relative newcomer Halle Bailey who previously has appeared in sit coms and in some movies as a child. Now she combines her very expressive face and angelic voice to this fairy tale. We follow the story of Ariel, the curious mermaid who longs to see what is out there in the world of humans and so challenges Triton (Javier Bardem), her father’s thinking about staying isolated from the humans. Her curiosity only grows when she spots Prince Eric (Jonah Hauer-King) on a passing ship and has the chance to rescue him from drowning when the ship encounters a violent storm. Everyone knows the story of the mermaid and her transformation into human form, giving up her voice, so she can be with the humans. I will just mention some of the better performances as I saw them. Beside Bailey there is Sebastian (Daveed Diggs from Hamilton) the crab who must keep an eye on Ariel and follow along with her mischief. He does an outstanding job with the Disney classic song Under the Sea. The most comedic role goes to Scuttle, the confused pelican played by Awkwafina of Crazy Rich Asians. She combines with Sebastian to perform a rap number called Scuttlebutt that is very entertaining. Of course Melissa McCarthy is appropriately villainous and glamorous as Ursula the sea witch who schemes to get Ariel’s voice and doom her to captivity. We get a little of her backstory about her being Triton’s brother and a tragedy than befell their mother. Credit must go to the animation too with all the musical numbers that feature the various dancing sea creatures. While making them alive with color and movement, we still get the feeling that they are animated and not just realistic images of animals generated by a computer. Lin-Manuel Miranda, a producer of the film played a significant role in rewriting the lyrics, giving them a more modern take. The film has a length of two and a quarter hours having been expanded from the animated version. This may be a little long for very young audiences, but hopefully it will keep their attention. All this was put together by director Rob Marshall who previously gave us Chicago, Pirates of the Caribbean: On Stranger Tides, Into the Woods and Mary Poppins Returns. It looks like he has another hit.

Elemental

Elemental            3 ½ stars

The new Disney/Pixar animated movie Elemental takes on racism and the treatment of immigrants as well as the question of whether fire and water can coexist. In the much anticipated movie released in June, a couple from the foreign land of Firetown comes to Element City, a metropolis where the citizens are made up of the four elements: Earth, Wind, Fire and Water. They set up a shop in a rundown part of town and soon have a daughter named Ember, who grows up to be a young woman with a very fiery personality. It’s pretty clear that there are racist treatments toward the Fire citizens and that the Water inhabitants are the more privileged class in this modern land. Ember is destined to eventually run the shop, taking it over from Dad when he retires, but she has difficulty controlling a temper that can wreak havoc on the shop and the customers. When she causes a water leak in the basement, a Water city inspector named Wade appears who is overly sentimental and prone to crying spells. Wade threatens to report the shop over code violations, creating the necessary situation where Ember and Wade must work together to find the source of a water leak that endangers much of Element City. There is no bad guy here. It is just a case of decaying infrastructure, but it provides a way to show how the Fire citizens are treated and the excuse to get Ember and Wade together and find out if Fire and Water can exist together. There are some moments of great tension involving a sports arena and enthusiasm for a Wind athlete and one of his greatest fans, and then there are the inevitable meet the parents scenes. There are the usual comedic moments where we find a cute character. This time it is a young Earth kid named Clod who is destined to be a pest when he grows up. It is clear that the writers drew on some of their own experience as immigrants in developing the story, especially with the traditions from the old country and with the Fire people being excluded from certain events. The animation is first rate as expected with Pixar, but the story is a little thin in this one.

Lunana: A Yak in the Classroom

Lunana: A Yak in the Classroom  4 ½ stars

In an Academy Awards first, a movie from the mountainous country of Bhutan was nominated for an Academy Award in the Foreign Language category. Lunana: A Yak in the Classroom takes a familiar theme of a new teacher assigned to a class of poor students and gives it a new take, with a setting in the Asian village of Lunana, a real village in Bhutan that must be one of the most isolated spots in the world. Ugyen is a young man who is fulfilling his government contract as an elementary school teacher who really wants to move to Australia and perform as a singer. His boss remarks that he is the most unmotivated teacher she has ever seen so gives him the assignment to serve one term as teacher in the remote mountain village of Lunana where a post is available. Ugyen, who likes to listen to music on his iPod most of the time has no choice but to make the journey to Lunana, a trip of six days on foot through the mountains accompanied by two guides and three horses. When he finally arrives he is greeted by the village elder Asha who has great respect for teachers who “touch the future”, along with most of the village and the children who are to be his students. Lunana is without running water, has only solar panels for electricity and the main source of heat is burning yak dung because paper is too valuable to burn. Ugyen undergoes something of a transformation from thinking of teaching as an annoyance to seeing its value and having a sense of purpose when seeing the enthusiasm of the students even amid such conditions. He also learns more of the local culture by hearing the music dedicated to the life of a yak herder. The audience feels the transformation going on as Ugyen’s experience progresses. The movie’s premise may sound like a cliché, but it is moving especially since all of the cast has never acted before. The real life residents in the village had never even seen a car or a camera before. The movie’s film crew had to manage in the remote location for a three month shooting schedule as well as make the long journey on foot. I will leave it to you to discover what Ugyen decides to do at the end of the movie.

Haunted Mansion

Haunted Mansion            2 stars

A number of years back Disney came up with the idea of making a movie based on a Disney ride and voila, Pirates of the Caribbean appeared on movie screens and became an instant success. Then just a couple of years ago Jungle Cruise came to the theaters and delighted many movie goers. Now we have the latest Disney release based on a Disney ride but this time you would be better off going to the park than to the theater. Haunted Mansion features a young woman named Gabbie (Rosario Dawson) and her nine-year-old son, Travis, who have taken possession of an old mansion that is over two hundred years old only to discover that it is inhabited by ghosts. She goes looking for help and finds a priest named Father Kent (Owen Wilson), a quantum physicist (LaKeith Stanfield) who has lost his wife, a medium (Tiffany Haddish) and a past his prime college professor (Danny Devito). None of the team can turn down the job because they all discover that once they enter the house, a ghost travels with them wherever they go, so they have to take on the challenge of removing the ghosts from the mansion. After many missteps involving spooky portraits and endless hallways with trap openings they eventually discover there is one ghost present who was a terrible man named Crump, (Jared Leto) who is collecting hundreds of souls in the house, tormenting them for eternity. With the help of a spirit trapped in a crystal ball (Jamie Lee Curtis) and a quest to find an artifact belonging to the horrible Crump some of the group leave on a venture to complete the challenge and rid the world of Crump. It’s quite a gathering of funny talented people that should make it an entertaining movie. The trouble is that it feels like a collection of poor CGI effects that make constant reference to the Disney ride and other past Disney movies. There are the obvious portraits with moving pictures, the descending floor, the guy playing the organ and the dancing spirits. There are even chairs that pick up characters and try to eject them from the property. It all feels like the movie makers are trying to inject everything they can find to mimic the ride. I had grown tired of the silly action by the time it was over. What a waste of comedic talent. I did find Hadish to be funny in her role as the medium and enjoyed seeing Jamie Lee Curtis if only briefly. Nice try Disney. Maybe you should make the movie first and then make the ride based on the movie. Another ghost movie called Ghostbusters comes to mind that I would gladly see again for more laughs.

Trolls Band Together

Trolls Band Together                      3 ½ stars

Just out in theaters is DreamWorks’s third installment of the colorful candy-tone animated Trolls series based on the popular children’s toy of the sixties. This time it is Trolls Band Together with gray-toned Branch (the legendary Justin Timberlake) and pink Poppy (Anna Kendrick of the Pitch Perfect movies) returning for another popular tune filled adventure that will appeal to the kids and to adults alike. As the film opens we get Branch’s origin story finding out that he has four brothers that were part of a popular boy band called BroZone years before. (The opening performance contains obvious references to NSYNC and other boy bands of the early 2,000’s era. At one point one of the brothers says “We’ve gone from boys to men, and now there’s only one direction for us to go: the backstreets.”) Branch was in diapers at that time and was referred to as Baby B. Older brothers Floyd (Troye Sivan), John Dory (Eris André), Spruce (Daveed Diggs) and Clay (Kid Cudi) have all gone their separate ways, but John Dory has returned to seek Branch’s help on a desperate mission. It seems that the pop-star duo, Velvet and Veneer, (Amy Schumer and Andrew Rannells) have been holding brother Floyd prisoner. These two stringy characters have no musical talent of their own, but they have engineered a way to extract the musical gift from the troll and use it themselves, enabling their star status at Mount Rageous. But if the trolls can “band together”, and create “perfect family harmony”, they will be able to free poor Floyd from imminent doom! Poppy insists that Branch must get the family together to rescue his brother. So much for the setup. Beyond that, there are harmonious tunes galore as we take a ride through various boy band songs and medleys of music from the seventies and eighties. It’s all done on the background of some very crafty and colorful animation with the smooth textures and troll hair we have seen in the earlier Trolls movies. And of course, there is the eternal message of togetherness and how brothers will always have one another’s backs. This may not be the best of the Trolls movies but for pure animated fluff, it may be worth an hour and a half of your time.

Guillermo del Toro’s Pinocchio

Guillermo del Toro’s Pinocchio                   5 stars

Pinocchio by Academy Award winner Guillermo del Toro is not your Disney’s Pinocchio. It is not at all like the underwhelming live action Disney version that came out the same year (starring Tom Hanks). Del Toro’s movie is done with creative stop motion animation using physical carved figures and has a very dark aspect to it. There are the same basic elements from the original 1883 story by Carlo Collodi. It opens with Geppetto (David Bradley), the carpenter losing the son he loves, only here it is due to a stray bomb dropped from a war plane during World War II. It is set during the reign of Benito Mussolini, who we actually get to meet at one point. Pinocchio (Gregory Mann) was carved by Geppetto out of grief and was brought to life by some magic spirits. He has some very bad habits, always getting into trouble breaking things and skipping school like someone with ADHD. Like the original story his adventures include joining the circus and encountering a giant fish at sea and having a tiny cricket friend (Ewan McGregor) who looks out for him. In this version Pinocchio is crudely carved and is very puppet-like, with a large head and narrow limbs so that it is obvious he is made of wood. He would not be described as cute. And since he is very gullible it is easy for a carnival master (Christoph Waltz) to persuade him to join the circus. When it is learned that Pinocchio can be brought back to life after being killed, the local Podestà (Ron Perlman) sees that he will make the perfect soldier for the Fascist cause and forces him to join the army. He goes on to meet Il Duce who is not amused by Pinocchio’s antics so promptly shoots him! Each time he “dies” he is instructed by the Blue Fairy (Tilda Swinton) about his fate and the choices he is faced with. The movie has more violence than the Disney versions but even so is still suitable for children. It still has the same positive messages of the importance of love and family like the other versions. It is a natural story for del Toro to tackle adding it to his previous dark fantasy movies like Pan’s Labyrinth and The Shape of Water. It is very deserving of the Academy Award for Best Animated Feature it received.