Category Archives: Drama

Three Billboards Outside Ebbing, Missouri

Three Billboards Outside Ebbing, Missouri             5 stars

I finally got around to seeing Three Billboards Outside Ebbing, Missouri a full year and a half after it was released and now that I have I can say that it is the movie that should have won Best Picture for 2017.  The movie stars Francis McDormand as Mildred Hayes who has lost patience with the local law enforcement’s failure to find any suspects in her daughter’s murder, to the point that she puts up a message on three billboard near her home to bring attention to the case.  This move is not appreciated by the local sheriff (Woody Harrelson) and his second in command racist deputy (Sam Rockwell).  All three lead performances are superb in this complex story about loss, anger and reconciliation as the characters rage against one another and eventually come to see one another’s points of view.  Not only is the story interesting, but the filmmaker, Martin McDonagh seems to have gotten the perfect blend of drama and humor.  The most impressive aspect of the movie to me was how each of the actors were able to display the pain and anguish that each was going through.  I only wish I would have seen this gem much earlier when it was getting so much attention.

The Dead Don’t Die

The Dead Don’t Die         3 stars

The Dead Don’t Die by Jim Jarmusch puts a new comedic twist on an old genre, the zombie movie.  This light but bloody comedy brings together a very talented cast that includes Bill Murray, Adam Driver, Tilda Swinton, Danny Glover, Chloe Sevigny, Steve Buscemi, Rosie Perez, Iggy Pop, Selena Gomez, Carol Kane and Tom Waits.  With this group of actors you wonder how could this film possibly miss.  The movie has more hits than misses so has some moments that don’t hit the mark.  The premise is that polar fracking being done by corporations has caused the earth to move off of its axis leading to strange events throughout the world.  Of course this includes the dead rising from the graves to seek out human flesh to satisfy their appetite which is completely logical, right?  Much of the comedy is delivered by Murray and Driver who both give their lines in the most deadpan manner imaginable.  (Remember, the way to stop a zombie is to Kill the Head.)  Also making a significant contribution is Buscemi as Farmer Miller, the white racist whose accusations have little basis in reality.  There is an ongoing gag involving a new country song that bears the title from the movie.  Tilda Swinton has a most unusual role as the Irish undertaker, a new comer to the small town of Centerville.  It is a very strange role that only Swinton could deliver on.  It being a Jarmusch film, it wanders into the ridiculous at a couple of times that detracted from the overall feel of the movie.  The Dead Don’t Die is not the funniest Zombie movie I’ve seen, but if you are a zombie movie fan you should not miss this one.

Capernaum

Capernaum        4 ½ stars

Capernaum is a very intense depiction of life in a poverty stricken city in the Middle East by Lebanese director, Nadine Labaki.  The film was awarded the Grand Jury Prize at the Cannes Film Festival.  It tells the story of a young boy of about ten or eleven, Zain, who leaves his negligent parents and lives on the streets to be eventually taken in by illegal Ethiopian immigrant Rahil, where he helps her take care of her baby.  The story is tragic and hard to watch at times as you see this young boy struggle to survive and see how this shapes his attitude toward the world.  The movie has a non-linear structure as it starts showing us a civil trial where Zain is suing his parents for the crime of allowing him to be born into such a terrible place.  It then shows us the background of the immense struggle the characters have to face each day.  The director used all non-professionals as actors in making the movie and allowed the actors to improvise some of the scenes.  The result is a compelling story and one that is hard to watch at many points.  I recommend it for those that can take in such a tragic but real story.

Late Night

Late Night           4 stars

Late Night, starring Emma Thompson and Mindy Kaling, (some of my favorite actresses) is a very amusing comedy about a female British talk show host, Katherine Newberry (Thompson) who when threatened with losing her show hires an unknown woman writer (Kaling) onto her otherwise all male writing staff.  The movie tackles sexism in the workplace issues with some biting comedy and some really engaging wit especially from the intelligent and witty Thompson.  Kaling of The Office and The Mindy Project contributes greatly to the telling of the story as both writer and as co-star.  The Newberry character is forced to deal with her staff in a more human fashion as lower ratings threaten her show and Molly, (Kaling’s character) has to deal with the sexism of the staff as she tries to gain acceptance as a capable writer.  This movie was very well received at Sundance this year and was picked up for distribution with a very high bid I have read.  Fans of The Mindy Project will recognize the actor who played Morgan (Ike Barinholtz) from the show.  Also recognizable is Paul Walter Houser who played the idiot body guard in I, Tonya last year.  I finally got to see Late Night in the theaters, having missed my chance at the film festival.  This film is among the best comedies so far this year.

Rocketman

Rocketman         4 stars

From Director Dexter Fletcher comes Rocketman, a dramatic musical telling of the rise of musical prodigy Reginald Dwight into international superstar Elton John.  The film tells the story in a most unconventional way as it uses John’s songs as part of the narrative with characters doing some of the singing to describe their part.  Taron Egerton does a convincing performance as the adult Elton John including doing his own singing.  A central part of the movie is John’s checking into rehab after realizing his problem with drugs and alcohol where he recounts the story of his life to the members of the group.  Key to Elton John’s success is his collaborating partner, Bernie Taupin (Jamie Bell) who stood with him through his difficult journey.  John was a producer of the film and made sure that it told about his many problem’s through the seventies and eighties that included his addictions and lack of acceptance as a homosexual by his family and others.  Bryce Dallas Howard is memorable as the mother of the young Reginald in the movie’s early scenes.  Mostly though the movie is a joy to watch as it shows his many musical creations came to be.

Midsommar

Midsommar       4 ½ stars

Midsommar might be the fright fest of the summer.  This horror movie really establishes Ari Aster as a first rate talent in the horror genre.  Last year he brought us the disturbing “Hereditary” and now he brings us Midsommar, a horror story told in broad daylight.  We start the story with Dani, a young woman who suffers an unimaginable tragedy when her sister and parents are all killed.  She decides to accompany her boyfriend and his graduate school friends on a once in a lifetime trip to a summer festival in a remote Swedish village.  Once there the friends are welcomed to this commune like society and are invited to join in with the villagers in their ancient pagan rituals.  Being involved includes enjoying the effects of hallucinogenic drugs that distort their sense of reality.  The happy mood continues for a good while but things eventually take a dark turn as things are not all what they appear to be. (How could it be any other way?)  Things go from bad to worse for each of the American guests as they discover what their hosts really think of them.  Aster is a master at creating these disturbing scenes that are played out in broad daylight unlike most horror movies.  This movie may also be appropriate for the MeToo movement as it shows how women can react toward the men they are disgruntled with.  Beware, there are several very disturbing images in this one as you would expect from a first rate horror movie.

Can You Ever Forgive Me?

Can You Ever Forgive Me?            4 ½ stars

Last year’s fascinating “Can You Ever Forgive Me?” tells us the true story of Lee Israel, a down on her luck celebrity biographer who upon losing her job embarks on a new career of fabricating personal letters of notable writers like Dorothy Parker and Noel Coward.  Written by Nicole Holofcener, directed by Marielle Heller and starring usually comic actress Melissa McCarthy, this dark comedy drama has some of the best writing I have seen in years.  McCarthy plays Israel like a woman that you love to hate.  The character speaks with some very sharp in that comes from a place of rudeness and a bad temper like I have never seen.  The best scenes are those that she shares with her friend in crime Jack played by Richard Grant.  The two of them can trade insults like masters of the craft.  You get the feeling that McCarthy really is Israel including the fact that she is never really repentant about the crimes she has committed.  Melissa McCarthy received a well-deserved Best Actress Academy Award nomination for this one.  Good for her.  The movie also was nominated for best Adapted Screenplay as the movie is based on Lee Israel’s book.

Project Hail Mary

Project Hail Mary             4 ½ stars

He has been half of a duo in a decades long love affair, a Brooklyn school teacher who makes it a habit of getting high, a man with a doll for a girlfriend, an astronaut walking on the moon and a man who started life as a doll. This time around Ryan Gosling is both a schoolteacher and an astronaut in Phil Lord’s and Christopher Miller’s buddies in space movie Project Hail Mary. Gosling occupies the screen for the entire movie going from well-regarded scientist to public middle school teacher to astronaut to savior of humanity and looks good while doing it. We first find Ryland Grace (Gosling) waking up after a long sleep on a spaceship while sporting a long beard not able to understand where he is. He sees a giant star and realizes that it isn’t the sun so he must be a long way from home. Then he discovers that he is all alone as the rest of the ship’s crew has not survived. Through effective use of flashbacks, we learn the background of his story. Grace was a biologist who published a theory that water may not be necessary to sustain life on other planets, was ridiculed for it then became a schoolteacher in Brooklyn where he inspires his students in science. When it was discovered that there is a space bacteria eating the sun that will eventually make life on Earth extinct, Grace is recruited by Eva Stratt (Sandra Huller of Anatomy of a Fall) to join in the massive research project she leads, to stop the bacteria and save the planet. The team discovers that the bacteria has spread to many stars in the galaxy except for one that has escaped this fate. Thus, if it can be discovered what is unique about this distant star and its planet, a cure could be found. A spaceship that can travel at near light speed is built but before the journey to the mystery planet begins, circumstances change leaving Grace as the best option to join the crew and figure out why that planet was spared. The catch is that there is only enough fuel to get there and not to return, so it will be a one-way trip for the crew. They will have to send their “solution” back to Earth using a deep space probe. (Of course, there are a few credibility issues with the science, such as the large amount of open space inside a spaceship meant to be crewed by only three people.) But that is only half the story. Upon reaching this planet, Grace meets another spaceship that is manned by a lone being from another civilization suffering the same fate as Earth. This species is very different from anything on Earth, having a different chemistry that doesn’t depend on water and looks like a pile of rocks with rock arms. Grace and “Rocky” as he is called cannot share the same atmosphere and have completely different languages, but that doesn’t stop the pair from gradually becoming acquainted and finding a way to work together to solve their common problem. So, it turns out to be a buddy in space movie. “Rocky” depends on the puppetry of James Ortiz who created the puppet and does the translated voice as well. Everything is done to make Rocky appear cute and endearing to the audience so that he feels like another character. Through their struggles, Grace and Rocky grow to really care for each other and as we see they would lay down their life for the other. Besides being an entertaining sci-fi movie, Project Hail Mary gives a message about forming bonds and caring for others that are very different from us. And it likely couldn’t be done nearly as well without the star qualities of Ryan Gosling who has hardly missed in his film roles yet. (Let’s forget about Only God Forgives.) The movie also respects the scientific process and the scientists that work to increase our understanding of the natural world, something we can use today. It is bound to be one of the big hits of the year.

The Last Black Man in San Francisco

The Last Black Man in San Francisco         4 ½ stars

The Last Black Man in San Francisco is a great quality film by some relative newcomers to the industry that is a tribute to the city that they love.  Young actor Jimmie Fails plays a black man of the same name who lives with his best friend, Mont and Mont’s blind grandfather in a tiny rundown house.  Both of them have jobs but the two of them seem to spend all their time together.  Jimmie has an attachment to the old family house, an old Victorian mansion that is now in a gentrified neighborhood so all of the black families have been forced out.  But this doesn’t stop Jimmie from tending to the house without the approval of the rich white owners.  We get plenty of background story about Jimmie’s family and the plight of many in the black community including how some of them live near a toxic dump that is in the process of being cleaned by the government.  The cinematography is outstanding as it shows us a great deal of the city’s beauty and the people that live there and keep it interesting.  The director, Joe Talbot, tells us a story about friendship and what those friends will do for each other.  He also describes a people who have a love for a city even while that city seems to be leaving them behind.  The movie does have a long running time at 2 hours and has scenes that seem to run on for a long time.  Much credit must be given to the lead actor, Jimmie Fails for some intense acting.  The movie was honored by receiving the US Dramatic Special Jury Award at the Sundance Film Festival.

Sirat

Sirat       4 ½ stars

At the opening of Sirat we see the words on the screen telling us that Sirat is the path between heaven and hell and that it is narrower than a strand of hair and sharper than a sword. These words serve as a warning for what the viewer is in for. Sirat, by Spanish film director Oliver Laxe, is the most slow-burning and harrowing film I have seen in a long time. As it progresses it becomes a test of endurance for the movie goer. The movie starts with hands building a large stack of speakers somewhere in the desert. Eventually, they are in place and the music starts. The sound we hear is that of loud rave music with a steady beat and non-melodic sound with over a hundred people seen dancing. They are some where in the Moroccan desert next to a mountain range. Luiz (Sergi López), a middle-aged Spanish man is wandering through the crowd with his young son, Estaban and their dog, showing a photo of his daughter to people asking if they have seen her. His daughter has been missing for months, and she was known to frequent these illegal rave events. Then a truck carrying armed soldiers appears, stopping the event and forcing the dancers to leave. As the crowd starts to drive away, a quintet of rave followers who are part of the crew drives off on their own path and Luiz decides to follow them in the hope that he may learn of the whereabouts of his daughter. There is another rave to be held in the desert in a few days, and they intend to get there driving through the desert. (They are driving a large truck and an RV, but Luiz and his son are in a mini-van that is not equipped for the rough roads.) We hear radio reports making vague references to there being a state of war. Later, they see troop convoys making their way through the desert. This movie is not about the search for a missing daughter, but something much more ominous and existential. Initially, it may look like a road trip movie, but it isn’t Thelma and Louise or even Mad Max. These travelers find themselves in one of the most isolated and unforgiving places imaginable. It is a place practically devoid of human or animal life. The mood of the film changes to something more ominous and is aided by a loud and hypnotic sounding score like nothing I have heard before. There are long stretches of the film showing the voyagers driving through the plains and on dangerous mountain roads with quiet rest stops along the way. As they make progress one gets the feeling of dread and heightened tension while wondering where the film is going. Then the sudden shock comes at the most unexpected time leaving the viewer completely stunned. The film may be described as an obscure arthouse film, but it is absolutely devastating and will not be forgotten. Besides López, all the cast are non-professionals who Laxe found among actual rave goers as he has followed the rave scene for the last six years. Thus, the actors are very authentic. Sirat is nominated for Academy Awards in the Best International Feature and Best Sound categories and is deserving in both categories. Of the nominated foreign films I have seen, I find only The Secret Agent to possibly be superior to this extraordinary film. You are warned though that this one is not for everyone.