Ghost in the Machine     3 1/2 suns

From the Sundance category NEXT, I saw the documentary Ghost in the Machine from director/ screenwriter Valerie Veatch. The subject of the doc was AI but not from a technical standpoint or its development. Rather it was about the power that the titans of the tech industry hold over us. It presents the arguments at a very rapid pace that feels overwhelming and covers a wide range of aspects of AI, most of which I had heard before.  It covered the exploitation of foreign tech workers in very poor countries, the environmental impact of the huge data centers being built around the world, the heavy involvement of the military in AI and the close ties of Sam Altman, Elon Musk and other tech giants to the Trump administration.  I didn’t know much about the origins of AI going back to the start of Silicon Valley.  According to the documentary the beginning of the computer industry was heavily rooted in the development of the field of statistics which really started in the late 1800’s. The pioneers of this field both in the US and in the UK had very racist beliefs, believing that the white race was superior to all other races.  Statistics was developed as a tool to measure intelligence in the races in order to prove their point. What followed then was the belief that eugenics should be used to reduce less desirable traits in the human race. So, then the logic goes that these early racist views still persist in AI and the industry leaders today. (If you read some of the statements said by Elon Musk you could make that correlation.) I can’t say that anything stated in the film is untrue, but have no doubt there are facts being left out.  The director was asked about presenting the other side of the issue, but said there was little point in doing so as you would only hear the same rhetoric that we see in the media. I know that there is great hope and promise for the advancements that can be achieved with AI in the future, but this very biased film is a warning about the costs of embracing this new technology.

Seized.        5 suns

Seized documents the events we were following back in 2023 after the police raid of a small-town newspaper in Marion, Kansas.  The story about the abuse of power that shut down the Marion County Record was covered internationally and highlighted the importance of journalistic ethics and the US Constitution. The director, Sharon Liese tells the story through interviews with the editor of the newspaper, employees including one bright, young man hired just out of college one year after the raid, local politicians, police officers and business owners.  We find that one corrupt person in power with the cooperation of other officials was able to seize the property of the paper, resulting in the death of the 98-year-old owner.  The editor fought back through litigation using arguments framing the issue as a matter of freedom of the press.  The director has created an engaging movie that shows the cost to those affected by this fierce debate.

Everybody To Kenmure Street         5 suns

In the category of World Cinema Documentary comes the story of a community coming together to save undocumented immigrants from deportation.  In 2021 the UK police executed a dawn raid in a neighborhood in Glasgow, Scotland, picking up two men from their home and loading them in a police van for deportation to their home countries.  Before they could leave though, a spontaneous crowd of neighbors appeared in the streets and in an act of civil disobedience they formed obstacles and demanded that the men be freed.  Since this happened in the age of social media there was plenty of video recording being taken and word spread through the surrounding area.  The movie combines the video footage with narration from witnesses and some reenactment of events.  The film could not be more relevant to what is happening in the US today with the current administration.  It shows what can be accomplished with peaceful resistance to a tyrannical government. The movie is inspiring and moving.

The Lake.      4 suns

The Lake concerns an environmental time bomb that is affecting the Great Salt Lake in Utah.  For years the water level in the lake has been dropping as the surrounding area has been using more water for the residents and for agriculture.  The land near the lake is becoming contaminated with carcinogenic chemicals and the wildlife is dying.  When the wind comes huge dust storms threaten the wellbeing of the human population.  Three government researchers are featured in the film who present their findings and talk of the need for more study and for more government funding to reverse the trend.  They express their frustration of getting the attention of elected officials and the people. They emphasize that of all the cases of lakes in decline around the world, never has a lake been saved from disaster. The film ends on a very hopeful note.  The researchers were present and expressed optimism at getting funding to fix the monumental problem.  Only time will tell if the Great Salt Lake and the surrounding environment can be saved.

Coded Bias    4 1/2 Suns

The documentary Coded Bias concerns the biases that have been found present in the algorithms used mainly in facial recognition software and the effect this has on people’s lives.  It follows the efforts of some very smart computer researchers including Joy Buolamwini, an MIT Media Lab researcher.  She discovered that this software when tested on women and non- white people has a markedly lower accuracy rate than on male and white people.  This inherent bias comes from how the software learns what faces look like based on the thousands of images in the database which in turn was provided by the designers.  Other issues raised were how the same technology is being used in China to deny rights and privileges to dissidents by the government as well as the individual’s rights to their own personal data.  The film also speaks of how these algorithms are used to profile people looking for loans and employment.  Some of those concerned about these matters have established the Algorithm Justice League to raise awareness of these issues and find ways of combating the biases of such software.  The issues here are far more complex than I can relate here,  and I hope the film receives wider distribution after the festival. I found it the most interesting documentary I’ve seen so far. 

Saudi Runaway.   4 Suns

Saudi Runaway is an amazing documentary about a young 26 year old Saudi woman who decides to flee her country and her domineering father because of the oppressive laws against women in Saudi Arabia.  Muna connected with the director through social media and secretly filmed her story on her iPhones for a period of two months before making her escape while on her honeymoon which means she also fled from her new husband.  She had to secretly send the phone footage to the director just to have space on the phones for more of the story.  The film is full of Muna’s emotional dilemma and family scenes. In order to live out her dream she must hurt the people she loves including her mother.  I didn’t know what to expect from this film but was very pleased.  It is an important story to tell as Saudi Arabia is one of the most oppressive regimes toward women in the world.  A postscript noted that women are fleeing the country at a rate of 1,000 per year.  I hope this film gets distributed soon. 

One Child Nation                              4 ½ stars

One Child Nation is a documentary about a subject we have all heard something about but that very few of us know the whole story.  The filmmaker, Nanfu Wang tells us in very personal terms about China’s policy of allowing families to have only a single child in the name of improving the productivity of the country.  This policy, that lasted from 1979 until 2015 was responsible for many thousands of forced abortions, sterilizations, infanticide and government abductions of children from their parents.  The film was thoroughly researched and tells the story through many personal interviews with those who were forced to carry out the government policy and with those directly affected by it.  Wang was personally affected by it as she was born in China during the policy and had a younger brother who might have been lost if he had turned out to be a girl.  Wang herself has a boy’s name because her family was hoping for a boy, which is the much preferred gender to have as children.  In the nineties when international adoptions opened up in China, the government started the practice of forcing children to be separated from their parents and placed in orphanages where they could then be allowed to be adopted by western parents.  The film is an important one to see as it shows what an authoritarian government can be capable of.  This is the second documentary from Wang who was only in her early thirties when it was made.  Her films which were filmed in China has brought her unwelcome attention from the Chinese government.  The interviews are done in Chinese, but her narration is all done in English.  Let’s hope that she continues her good work in the future.