Category Archives: Crime

The Duke

The Duke                             4 stars

If the bloody fighting of The Northman or the zany comedy of Everything Everywhere All at Once isn’t for you, perhaps you should try the British comedy, The Duke. Jim Broadbent, the character actor of so many fine films gets his chance at a starring role as Kempton Bunton, a friendly out spoken man who resents the fact that the government expects people to pay for their over the air TV shows and tells the TV police his views when they track him down in his rundown apartment. (I know that they do this in England as I heard about it from a British fellow once.) Kempton and his wife (Helen Mirren) are still aching from the death of their daughter many years earlier. We find out early in the light-hearted comedy that Bunton went on trial for theft. Eventually he concocts a bizarre plan to steal a famous painting of The Duke of Wellington from The British Art Gallery and hold it for ransom, demanding that the government make television free to the elderly. As if this isn’t bad enough, he involves his son in the half baked plot as well. This low key type of comedy with likeable characters should appeal to a wide range of audiences. Sadly, the director, Roger Michell, won’t be making anymore like this as he passed away last year. The movie was actually based on a true story that happened in 1961. It was the only successful robbery of the Art Gallery in history. If you enjoy British comedy you can’t go wrong with The Duke.

Robot & Frank

Robot & Frank                   4 stars

For a simple yet elegant story about aging we go back ten years to 2012’s Robot & Frank starring Frank Langella as Frank, an elderly man living alone who spent time in prison for some heists committed in his younger days. Frank has two adult children who he wasn’t exactly a model parent to, but son Hunter (James Marsden) who looks after him on occasion has decided that Frank needs the assistance of an in home robot that can cook, clean and care for Frank. Frank soon figures out that the talking robot can also be commanded to assist him in committing burglaries so starts a new project training the robot to commit crimes and getting it to tell him the chances of success. It’s a pleasing comedy-drama that is driven by the excellent acting skills of Langella whose versatility has been featured in roles such as President Nixon, Chief Justice Warren Burger, Perry White in Superman Returns and Count Dracula in his long career. The movie was directed by newcomer Jake Schreier, who followed up with Paper Towns in 2015. I was very entertained by this comedy. Look for Susan Sarandon as the town’s librarian and Law & Order’s Jeremy Sisto as the sheriff.

The Bikeriders

The Bikeriders                   4 ½ stars

Mike Nichols’ The Bikeriders (in theaters now) is an homage to the biker films of the sixties, and a remembrance of a culture long gone. The biker club, The Vandals, based on a real gang from Chicago in the sixties, is a collection of misfits, young to middle-aged, working-class men who only belong to each other. We commonly see them in bars at night or in open fields during the day dressed in their grimy clothes and jackets drinking beer. Their jackets sport rebellious patches such as the extended middle finger and German crosses. They are outlaws in a sense as the cops fear them, but they rarely commit any real serious crimes, preferring their typical brawling and riding through small towns. Occasionally, they are seen on the road, riding in a pack somewhere in the Midwest. While it’s not a traditional drama it does have characters you can really feel for, that seem very real. The movie is told in a narrative form with a photographer named Danny Lyons (Mike Faist) interviewing various members and taking their photos. It is based on actual interviews the real Danny Lyons did with club members and their wives and girlfriends in making his photo-anthropology book, The Bikeriders. In the movie the story is narrated by Kathy (Jodie Comer of Free Guy and the TV series Killing Eve) as she relates her story to Danny, about how she met and fell for Benny (Austin Butler of Elvis), a young heartthrob and member of the Vandals. She soon marries Benny, but in a sense also marries the gang, finding her life intertwined with other members. Chief among them is Johnny (Tom Hardy of Inception and Mad Max: Fury Road), the gang’s leader and close friend of Benny. The three of them create a great ensemble of characters whose fates are interconnected. Comer mastered an upper Midwest accent and gives an honest performance of someone attracted to a world she doesn’t really understand. Butler, coming off his roles in Elvis and Dune, Part 2, is a man of few words, but can communicate with a look and a glance with his eyes, a la James Dean. Hardy is his iconic self, a real tough guy, a Marlon Brando type, who can fight when needed, but is aging and realizes his time as leader is fast running out. With the high drama in this story, you can expect there to be tragic consequences. The cinematography is quite arresting with the many outdoor scenes of the Midwest and an impressive collection of classic cars and motorcycles. The outstanding score includes many familiar songs by artists such as The Animals, The Shangri-Las, Bo Diddley and Cream. Nichols is well known for his previous excellent movies including Take Shelter, Mud and Midnight Special. The Bikeriders may be his most classic film yet.

Dr. Broadway

Dr. Broadway     3 ½ stars

Over the weekend I viewed some of a collection of B film noir movies from the forties at a local Chicago theater and enjoyed Dr. Broadway the most. This film was made in 1942 and is rarely seen by audiences. It was written by Borden Chase (known mainly for spaghetti westerns of the fifties, but here he ventured into the crime drama world). The director was Anthony Mann known for El Cid and Winchester ’73 (starring Jimmy Stewart). The movie starred a young MacDonald Carey as Timothy Cane or Dr. Broadway, a medical doctor in New York who makes use of his many contacts among the police and the criminal underworld in his thriving practice. This is one of Carey’s earliest roles who went on to star in Days of Our Lives for three decades. I enjoyed this short movie (1 hour, 6 minutes) mainly for the charming lead character and the classic style of the film. It was intended that this would be the first of a series of films for this character, but no others were ultimately made. In the story Cane is approached by a man who he had put in prison earlier. Cane is asked to give the man’s fortune to his estranged daughter, as the man has a short time to live. Unfortunately, there are others who believe they should get the money instead. Film Noir is regarded as black and white darker stories of crime dramas where the lead individual is tasked with solving the crime. The films were generally made in the forties and fifties by American studios. They are not necessarily dark in tone as the B movies generally had many comic moments which is true of Dr. Broadway. The term film noir literally means dark film and it did not become a widely used term until the nineteen seventies.

See How They Run

See How They Run           4 stars

For a fun time you won’t be disappointed with the new whodunit “See How They Run” by director Tom George and writer Mark Chappell. The comedy mystery does a variation of the play within a play theme, using Agatha Christie’s popular stage play “The Mousetrap” that has reached its one hundredth performance in 1953 London’s West End. There is a plan to turn the hit play into a film version to be directed by Hollywood director Leo Kopernick (Adrien Brody who I have not seen in ages) and written by Mervyn Cocker-Norris (David Ayelowo). Early on in the movie one of the film crew turns up dead at the play’s after party, done in by a mysterious dark figure in a coat and hat. In steps Inspector Stoppard (Sam Rockwell of Seven Psychopaths and Three Billboards Outside Ebbing, Missouri) of Scotland Yard to be aided by rookie officer Constable Stalker (Saoirse Ronan of Brooklyn and Lady Bird) who are tasked with identifying the murderer. Stoppard sets about interviewing the myriad of suspects all of whom seem to have a possible motive while the enthusiastic Stalker tries to help in amusing fashion. (She writes everything down in her notebook including Stoppard’s advice of Do not jump to conclusions.) The suspects even include famous actor Richard Attenborough (Harris Dickinson) who stars in the play. The movie features multiple flashbacks and on screen titles to show the passage of time that all serve to fill in the details. Especially entertaining are the interactions between the experienced but put upon Stoppard and the rookie Stalker who proves to be somewhat annoying, but observant. Of course, we eventually reach the inevitable gathering of the suspects in a room that even includes the famed Miss Christie where the murderer is to be revealed. For Agatha Christie enthusiasts there are many references to her works and characters that I will not go into. The movie is a good time with a story containing many red herrings and a few twists as a good murder mystery should. The advice “Do not Jump to Conclusions” is a very good rule to follow.

Orphan: First Kill

Orphan: First Kill               ½ star

Orphan: First Kill is the prequel to the 2009 movie Orphan about dwarf young woman who passes herself off as a child who also happens to be a psychopathic killer. Judging by First Kill I won’t be seeing the earlier one. The movie explains how Esther, the diminutive 30 year old and the most dangerous inmate of an asylum in Estonia escapes and makes her way to America and convinces a grieving family that she is their lost daughter who disappeared four years earlier. First Kill breaks one of the rules of horror movies at the start by leading with scenes of bloody mayhem instead of waiting the customary 20 minute minimum. After that it asks way too much of the audience to believe as the premise plays out. In the first Orphan Esther is played by a 10 year old playing the part of a 30 year old pretending to be a 10 year old. In First Kill the same actress is a 25 year old playing the part of a 30 year old pretending to be a 10 year old. I can’t tell which is harder to believe. Perhaps we are supposed to blame the victims for falling for such an absurd trick. There are other inconsistencies that are not explained such as the lack of any genetic testing in this modern age of DNA and how the medical doctors could be fooled by the masquerade. There is an attempt to make things more interesting with a twist that is introduced midway through the movie with Esther not being the only one with a secret to hide. I advise everyone to stay away from Orphan: First Kill, especially with so many interesting movies coming out in the next few weeks.

Halloween

Halloween          4 stars

Halloween night is approaching and the kids are out trick or treating in their costumes and the teenagers are having a party. In the small town of Haddonfield that can only mean one thing. Michael Myers is about to unleash terror with a bloody murder spree on the town’s inhabitants. In a freak mishap the insane killer has escaped from the mental institution where he has resided for the past forty years. But Laurie Strode (Jamie Lee Curtis, the Scream Queen) who somehow survived the slaughter all those years ago has been obsessed with Myers and has prepared her house to serve as a fortress with a safe room and an arsenal that matches that of the most devoted survivalists. This version of Halloween is the first of a trilogy made by director David Gordon Green with John Carpenter, the director of the original 1978 Halloween and it stays true to that original movie. You should forget all those other sequels made over the years, most of which are dreadful. This time we get a real feeling of the psychological damage done to Laurie with her obsession being responsible for her losing custody of her daughter Karen (Judy Greer) at age twelve, who now has her own teenage daughter Allyson (Andi Matichak). After the first few victims meet their fate, being battered and slashed (including a pair of unfortunate podcasters from England hoping to research Michael Myers as well as a psychiatrist who only wants to understand what drives this killer) the inevitable showdown will occur with the three women of this damaged family and the man in the white mask. With its camera shots of the killer’s view, the suspenseful scenes of impending doom and the updated theme music, this version of Halloween captures the style of the 1978 classic. Of course we know that the threat didn’t end with this film despite the climactic ending. There are still two more sequels to come!

Till

Till           4 ½ stars

In this season of Halloween when children become little monsters begging for candy, a film has come along that reminds us there are real monsters in the world that bring terror greater than what we see portrayed in the movies. Till brings a retelling of the all too true and familiar story of the kidnapping and murder of teenager Emmett Till who was visiting cousins in 1955 Mississippi and made the mistake of whistling at a white woman in the Jim Crow south. The well-known crime and the trial of the men responsible is told primarily this time from the point of view of Mamie Till-Mobley (Danielle Deadwyler (from The Harder They Fall as a male character!)), the boy’s mother, who went from grieving the loss of her son to becoming an icon of the Civil Rights Movement of the fifties and sixties. The screenplay is a straight forward telling of the events that shows us her concern for her boy’s safety and her historic decision of putting Till’s battered body on display for the world to see. We are fortunately spared any scenes depicting the actual torture and murder, but do see the terror of the family when Till was kidnapped during the night by the two men who committed the act. The importance of the event becomes clear when the NAACP becomes involved and Mobley is encouraged to go to Mississippi to testify at the murder trial. The heartfelt performance of Deadwyler is absolutely engaging as she expresses the pain and resolve of dealing with the overwhelming situation. I definitely look for an Academy Award nomination for Deadwyler. Other than young Jalyn Hall as Emmett the rest of the cast is not nearly as memorable. The highly accurate sets and the use of the popular music of the time evokes the feeling of what fifties were like. As a reminder of where we have come as a country and where we are today, Till needs to be seen. Also, for a good documentary on the history of lynching in the US, I highly recommend Always in Season from 2019.

Victim/Suspect

Victim/Suspect   4 stars

In the documentary Victim/Suspect we are introduced to Rae de Leon, an investigative reporter working for The Center for Investigative Reporting.  She was looking into some cases involving young women who have reported being sexually assaulted only to find that the police then charge them with filing a false police report,  a crime which carries a long jail term.  She starts with a case of a student at the University of Alabama which leads her to many others in all parts of the country.  The documentary shows how through interviews and hundreds of hours of legwork she and her team learn how the police fail to investigate the allegations of rape and then use interrogation tactics including lying about evidence to convince the victim to recant their story.  The recanting is then used to file charges against the women who are often then convinced to accept a plea. The victims are often women in their twenties who have no idea what is coming for them.  This is all done just to make life easier on the police without regard for the lives damaged.  The film by director Nancy Schwartzman tells a compelling story that will outrage the audience.  The film does have a positive outcome with the subject women of the film being exonerated of their charges. de Leon, the director and two of the victims and a lawyer helping them were present for the Q&A. They are planning to spread their message of these police practices with the result being to educate police departments and the public on this important issue. 

A Thousand and One

A Thousand and One   4 stars 

A. V. Rockwell tells a story of a young Black mother raising a son against the backdrop of a gentrifying New York City that tends to deny opportunity from the poorer minorities.  Inez (Teyana Taylor) is living in shelters in the 1990’s and as an act of redemption decides to kidnap 6 year old Terry, from foster care where he has been placed.  But there is a secret kept hidden that can shatter their lives if discovered.  We follow this small family for the next twelve years as they struggle to build something together with her friend and eventual husband,  Lucky (William Catlett). Both Inez and Lucky have criminal backgrounds making things a challenge,  but are committed to keeping Terry in school on a path to success.  It is a moving,  well acted and well written story that keeps you rooting for this loving and unlikely family. The cast was present for Q&A including the little boy who played the young Terry and was really charming. The movie was very well received by the packed in audience. It was an excellent movie that I almost missed.