Category Archives: Crime

The Accountant 2

Leave a reply

The Accountant 2             2 stars

After eight years, accountant and deadly killer Christian Wolff (Ben Affleck) is back in director Gavin O’Connor’s The Accountant 2, the sequel to the 2016 generically named The Accountant, also by O’Connor. This time around the autistic genius and weapons expert has been recruited by a US Treasury agent (Cynthia Addai-Robinson) to help her investigate a human trafficking ring in Mexico that has extended its reach into the United States. She soon finds out that some of his methods aren’t exactly legal. (But first we get an amusing taste of what it’s like for the socially awkward Christian to try a dating service where his literal way of speaking puts off every woman he talks to.) When it becomes clear just how violent and far reaching this criminal gang is that he is facing, Christian must reach out to his estranged brother, Braxton (Jon Berthal) who is a professional killer in Europe, and persuade him to come back to the US to help him in the case. Only now things are complicated by the appearance of a trained female assassin (Daniella Pineda) whose motives are unclear. But, on Christian’s side is a special group of computer savvy teenagers from a special school for autistic children whose hacking skills go beyond that of the specialists working for the US government. There are many moments of comedic banter between the two brothers that the writer must have thought was important to include, but given the serious nature of the crimes involved, it sometimes seems out of place. Like the first movie, the action and violence go to extreme levels with an absurdly high body count. The risks they take and the kill ratio they achieve go well beyond anything approaching credibility. Some people who are familiar with those who are autistic may find it offensive to portray an autistic character in a movie this way. It certainly doesn’t do much for the cause of those with this disorder. Many movie goers may like this type of comedic action movie, but I am not among them. I found last year’s The Fall Guy, also a popular violent action movie, preferable given its lighter premise. There may be another sequel to The Accountant coming. It won’t bother me if it takes another eight years for it to come out.

The Rainmaker

Leave a reply

The Rainmaker                  4 stars

I got a chance to finally see the legal drama The Rainmaker based on the John Grisham novel which I somehow missed back when it came out in 1997. It is a well-paced story that keeps the viewers interest throughout its 2 hour and 15 minute running time. The basic story is rather conventional, a young lawyer just out of law school (Matt Damon) finds himself taking on an expensive law firm representing a corrupt insurance company. The company preys on poor working people by selling health insurance policies that don’t payoff when presented with valid claims. The film helped propel Damon to star status after Harvey Weinstein noticed him and wanted him in the movie. It was directed by Francis Ford Coppola who wanted to make it a movie after just happening to read the Grisham novel. The film is graced with an amazing cast of talented actors that includes Mickey Rourke (as a sleazy lawyer), Danny DeVito (as the oddly named Deck Shifflet), Jon Voight (an even more sleazy lawyer), Claire Danes (who was just seventeen), Teresa Wright (in her last performance), Mary Kay Place, Dean Stockwell, Virginia Madsen, Roy Scheider and an uncredited Danny Glover. The plot is straightforward enough to easily follow and is driven by many dramatic moments in the courtroom. The young Claire Danes finds herself in a subplot with Damon that doesn’t infringe on the main story. Anyone who is a Matt Damon fan or a lover of legal dramas should include The Rainmaker on their to see list.

Les Misérables

Leave a reply

Les Misérables                  4 stars

There is no Jean Valjean or Cosette or extravagant musical numbers in this movie. Les Misérables is the directorial debut of French-Malian director Ladj Ly. It is a crime thriller drama depicting the extreme racial tensions of the Paris suburbs in which it is set. The town, Montfermiel, is the same place as the events of Victor Hugo’s novel. The strife of the characters also mirrors that of the 19th century book. The movie follows an elite police squad of the SCU who call themselves the Smack Combat Unit. Their job is to keep some sense of order in the mostly black, Muslim neighborhood of high density housing and street shops. Stephane is the new guy who is being introduced to the job, while Chris and Gwada are the experienced hands. An incident occurs involving some of the local teens and the unit must investigate to keep the matter from escalating. When the unit is confronted by a gang of teens, a decision by one of the police causes the situation to spiral out of control, setting the powder keg on fire. The movie is a realistic portrayal of the problems France has been facing with the young, poor, mainly African population and police who sometimes use repressive tactics. It is somewhat based on the riots that occurred around Paris in 2005 where thousands of vehicles were burned. Most of the acting is done by locals who previously had no acting experience. The movie shows several acts of violence by the characters and does not pretend to have any solutions to the problems. It received an Academy Award nomination for Best Foreign Language film as France’s submission.

Queen & Slim

Queen & Slim                     4 stars

Queen & Slim, released in 2019 may have been prophetic concerning the racial justice protest movement of the summer of 2020. The film, by director Melina Matsoukas follows the young black couple on a journey across the south being hunted by police. Slim, a Costco worker is portrayed by Daniel Kaluuya who is currently starring as Fred Hampton in Judas and the Black Messiah and who received an Oscar nomination for the horror movie Get Out. Queen, a strong woman who stands up for herself is played by newcomer Jodie Turner-Smith. The pair start the movie on a first date when they are stopped by a white police officer for failing to use a turn signal. When Queen, a defense attorney questions the officer’s reasons for the stop, the situation escalates with Queen getting shot and the officer dead in a clear case of self-defense. The couple are then on the run for the remainder of the film seeking help from sympathizing individuals along the way. However, due to the release of a video they become famous and become folk heroes to many throughout the country. In many ways the movie could be described as a black version of Bonnie and Clyde or even Thelma and Louise. As the pair struggle with the difficulties of coming up with a plan and get to know each other, the audience comes to sympathize with their situation and roots for them to survive. There are also notable performances by Bokeem Woodbine and Chloe Sevigny. The film is hard to classify as it starts as a rom-com, but transforms into a horror story, then into a road trip romance. It is supported by a superb hip-hop score featuring new artists. Kaluuya and Turner-Smith are the real stars here and we can be sure to see more good work and awards for Daniel Kaluuya.

Joker

Joker                                     4 ½ stars

I finally got around to seeing Joker from 2019, the movie where the iconic villain gets his star treatment instead of sharing the screen with Batman. Undoubtedly most movie viewers have seen this film by now so I don’t need to go into the story much. Director Todd Phillips has fashioned not so much an action movie but a character study that explores how Arthur Fleck went from mentally ill loner to violent master criminal prior to becoming the arch nemesis of Batman. The dark mood of the film is created by the score and an expertly depiction of the early eighties in gritty city scenes. And of course the movie wouldn’t be possible without the acting skills of Joaquin Phoenix as the tormented Arthur. Phillips commented on how flexible Phoenix was in changing his approach in each take of filming. He certainly deserves his Best Actor Academy Award for the role. I was not far into the movie before I saw the similarities to Taxi Driver, the Robert DeNiro crime drama of the seventies. Much of the inspiration of Joker had to come from the Scorsese film. DeNiro himself makes an appearance as a famous late night talk show host on a TV set that is a dead ringer for Johnny Carson’s Tonight Show of the eighties. Though it is a dark movie, Joker belongs on the list of best pictures of the year.

True History of the Kelly Gang

True History of the Kelly Gang                    4 stars

Although violent in the extreme, I recommend seeing this modern telling of the story of Ned Kelly, the Irish Catholic outlaw who terrorized Australia in the late 1800’s. George Mackay of 1917 plays the violent adult Ned to perfection as we follow his very troubled life running afoul of authorities (all British) in the Australian outback. The filming of a desolate landscape contributes to the bleak outlook that director Justin Kurzel wants to convey. The varied score that includes punk rock pieces gives the movie a surrealistic feeling. This is a violent, brutal and bloody film that will put many viewers off, but it is necessary to tell what life was like for the Irish lower class under British rule. The first part of the movie shows Ned Kelly as a young boy growing up dirt poor with a drunk Irish father and a foul mouthed mother (Essie Davis of Babadook). The young Ned has encounters with cruel individuals that will form his character including Sgt. O’Neil (Charlie Hunnan) and the thief Harry Power (Russell Crowe). Crowe’s time on screen is short so it is almost criminal that he gets top casting credit while the boy playing Kelly, who is on screen much longer is barely mentioned. Other notable actors playing scoundrels are Nicolas Hoult as a British cop who teasingly alternates between being Kelly’s friend and trying to bring him down, and Marlon Williams as George King, an American who seeks to take advantage of the poor Kelly family. Thomasin McKenzie of Lost Girls and Jojo Rabbit portrays Kelly’s love and mother of his daughter. Besides the violence, there is a theme of cross dressing as the Kelly gang wears flowing dresses while committing their crimes, a practice meant to instill fear in their victims apparently originating in Ireland. None of the characters have any redeeming features, all contributing to the lawless environment they find themselves in. The film has a very violent shootout scene to end on featuring strobe lighting and a seemingly endless supply of blood. This film is not for everyone, but a good one for lovers of Westerns. I strongly advise that you see the movie with closed captions as I find much of the Australian dialect is difficult to understand.

Never Goin’ Back

Never Goin’ Back                              3 ½ stars

Much in the vein of Superbad and Bridesmaids, Never Goin’ Back brings us Angela and Jessie, two teenage girls who are living on their own glide through various bizarre hijinks in their small world in a Texas town. The two girls are without parents and are best friends who work as waitresses in a local restaurant. Angela has a plan to spend a week at the beach to celebrate Jessie’s seventeenth birthday and has spent the rent money on a hotel room. Thus, the girls must scheme to come up with the rent money while dealing with drug dealers, a few days in jail and getting high on some “cookies”. While often vulgar and crude, the movie has a very comedic core made genuine by the talents of the stars, Maia Mitchell and Camilla Morrone who portray the girls as strong women who would die for each other. The movie is loosely based on the memories of writer/director Augustine Frizzell who apparently spent her teenage years in endless mischief with her best friend in a small Texas town. If you can stomach the bathroom humor, projectile vomit and frequent drug use you may want to give Never Goin’ Back a look.

The White Tiger

The White Tiger                4 stars

The White Tiger, written and directed by Ramin Bahrani, and set in modern day India tells the story of a poor villager named Balram who goes from working for his granny in a shack of a tea shop to personal driver for a corrupt rich business family and ultimately to entrepreneur. The film, based on a book by the same name, has an involved plot that shows how Balram’s thinking and view of himself changes from obedient servant who will do anything to please his master to a businessman in charge of his own destiny. There is a great deal of imagery and metaphorical references that explains how people’s position in society is set by the caste system. They are compared to the roosters in a coop that are powerless to alter their own fate. Balram ultimately sees himself as the fabled white tiger, a creature of great rarity and unique features. Much of the movie seems comedic, but about halfway through it takes a very dark turn that was hinted at near the beginning. It uses a nonlinear approach to presenting the plot so that the audience has a sense of where the movie is going. The three main actors, Adarsh Gourav as Balram, Rajkummar Rao and Priyanka Chopra as two of his rich masters are all excellent in their roles. They and the supporting cast help to present a convincing fictional story based in truth. The movie’s contrast of the poverty of the villagers and the corrupt ultrarich that make up the cities is dramatic. We see the rich people that may appear to be kind until their own power and wealth is threatened at which point they turn on those around them to protect themselves. The movie is also illustrative of the rise of India’s position in the modern world. The White Tiger is a nominee of the Academy Award Best Adapted Screenplay.

The Alto Knights

The Alto Knights               2 ½ stars

The latest movie about the mob wars of the 1950’s is The Alto Knights by director Barry Levinson which is out now in theaters. Levinson is probably best known for the movies Rain Man, Good Morning, Vietnam and Bugsy. This time he applies his creative skills to a gangster movie that pits one high level mob boss against an aging underling bent on expanding his realm on the streets of New York. Now, if you are going to make a gangster movie about the Italian mafia, you can’t do any better than casting the eternal gangster, Robert DeNiro in the lead role. And if you want to do even better why not cast DeNiro in two roles in the same movie? That’s what Levinson has done here with DeNiro playing Frank Costello, the boss of the gang in New York, who is in his later years and wants desperately to retire. The only thing is that his childhood friend from the streets, Vito Genovese (also played by guess who? DeNiro) has returned from Italy where he was exiled for many years and now wants a bigger piece of the action, like it was during prohibition. For him this means getting into the narcotics business, something that has a much larger profile with the authorities than alcohol ever did. Frank is all about keeping things calm and steady, while Vito is a real hothead who wants to be feared and will not take No for an answer. Thus, the conflict is set up leading to an attempted hit on Frank. DeNiro is the expert at talking like an Italian gangster, speaking in the coded language we know from such films. He shows us his other side as Vito, whose temper flares at the slightest provocation, much like the roles we have seen Joe Pesci play. But as I was watching I could not help but think I was looking at the Robert DeNiro tribute show. Sure, the two characters look different with the help of some astounding makeup, and Vito is always seen in glasses, but I still wonder how hard could it be to find another grade A actor to play one of the roles? There has to be many such suitable men who could do a great job with it. It was entertaining to listen to the dialogue used by crime bosses, the type we have seen in such classics as Once Upon a Time in America, Good Fellas and Casino, but it eventually gets tiresome. And there is a lot of narration from the aged Frank telling how things used to be. The focus was more on the tension between the two characters than on any of the actual crimes or hits they carried out. In fact, there was surprisingly little violence in the movie. I can only think of three hits in the two-hour movie. I do have to credit Debra Messing in her role as Bobbie, Frank’s wife. It was a great departure from her comedic characters like Grace from Will and Grace. I almost didn’t recognize her at first. Anyway, if you want to see the great Robert DeNiro in a memorable gangster film, go back and see The Irishman from 2019. And if that isn’t enough there will always be The Godfather. Otherwise, forget about it.

The Ugly Stepsister

The Ugly Stepsister 4 1/2 suns

The Ugly Stepsister (from Norway) takes the fairy tale Cinderella and turns it upside down and inside out making it a body horror movie about envy and body image.  In this take of the classic we see things from the point of view of Cinderella’s stepsister, Elvira who is on a mission to get the attention of the kingdom’s prince at the ball and marry him and save the family from poverty. The problem is that she is rather homely and fat. That won`t do so with her mother’s help, a doctor’s facial modifications, a finishing school and an internal parasite, she sets on a scheme to make herself beautiful. Oh, and there is also the little problem of that attractive annoying stepsister that must be dealt with.  I had never heard before that there was so much sex and baudy language in this classic story.  I guess I must have missed something.  The actress playing Elvira really goes through a range of emotions going from a naive yiung girl to a monster who will do whatever it takes to reach her goal.  The body mutilations become more and more extreme as she seeks to become attractive and meet the world’s expectations of female beauty. There were many exclamations from the audience during each cringeworthy step. It all culminates with the fitting of the slipper and the removal of the “parasite”. The theme is on par with last year’s “The Substance” though maybe not to that extreme.  It’s all about how society sees women as objects,  judging them by some impossible standard and how some women seek to meet them.  And for fans of horror genre it’s a lot of fun.