Category Archives: Comedy

Don’t Look Up

Don’t Look Up   2 ½ stars

I was among the first to view Adam McKay’s new satirical comedy Don’t Look Up, just released in theaters. McKay has previously brought us The Big Short and Vice, both inventive and amusing films. In Don’t Look Up we have a star-studded cast in a movie about the approaching end of the world. Leonardo DiCaprio is Michigan State astronomer Dr. Randall Mindy and Jennifer Lawrence (who we haven’t seen much of lately outside of The X-Men franchise) is grad student Kate Dibiasky who have just discovered a new comet in the solar system. Unfortunately for them and the rest of humanity the calculations show that the five to ten kilometer wide comet will crash into earth in just six months and will cause a cataclysmic event and destroy all human life. The Don’t Look Up title refers to the faction of disbelievers who deny the facts before them including the visible comet in the sky. The parallels to the environmental crisis and the denials we see are obvious. Most people are more interested in following social media and watching what is going on with their favorite pop stars than the stories of impending doom. (Good for Ariana Grande mocking herself.) Even President Janie Orlean (Meryl Streep) and her dimwitted son Jason, serving as White House Chief of Staff (Jonah Hill) cannot be bothered with listening to science and just want to move on. (The elections are coming soon.) A lot of the humor is a spot on indictment our media obsessed culture in America, but overall the movie goes overboard on the ridiculous plot, including a tech mogul (Mark Rylance) who is more interested in profiting from the situation than saving the planet. The movie, at two and a quarter hours could have been much shorter and did not have to rely on so much CGI effects to make its point. I read that many of the stars jumped at the chance to be in this satire, but after a while I thought the point had been made. The rest was unnecessary flush and craziness.

Love and Monsters

Love and Monsters         4 ½ stars

It’s almost Christmas so what better time to see a movie about the end of the world? In the action comedy Love and Monsters we follow the exploits of Joel, a young twenty something man on a journey to be reunited with his high school sweetheart. The only thing is that most of the human population has been wiped out by giant mutant creatures that have infested the planet after multiple rockets were fired into space to destroy a comet that was on a collision course with earth. But the pollution from the rockets resulted in said mutant creatures. Does this sound completely implausible? Yes, but don’t worry about it. Joel leaves his underground colony of fellow citizens on an 85 mile journey across hostile terrain to find his love, Aimee, who he has not seen in seven years. Along the way he is accompanied by a dog named Boy who aids him as he battles some giant carnivorous creatures. So far this sounds like a very tame variation on A Boy and His Dog. (If you haven’t seen the movie from the seventies you should check it out.) This movie, though is very family friendly due to the personality of the star, Dylan O’Brien as Joel. Like any family oriented movie it has a positive message like learning to gain self confidence and to appreciate those we love. It deserves some special recognition for some impressive effects that bring the monsters to life. I didn’t know what to expect when I started the movie, but found it enjoyable. It seemed odd though that there was a near lack of firearms with the humans relying mostly on crossbows, spears and swords for defense. Along with an occasional hand grenade.

Your Monster

Your Monster    3 stars

Once again, I had the chance to see a film in the theaters that I missed this year at Sundance. Your Monster by first time director Caroline Lindy is a sort of rom-com horror movie for women coming out of a bad relationship. In the movie Laura (Melissa Barrera of 2021’s In the Heights) is an actor and musical theater geek who has been dating Jacob (Edmund Donovan), a theater director for five years and has been helping him with developing his musical production. That is, until Laura is diagnosed with cancer and the douchebag, Jacob decides to leave her. (It is reported that Lindy came up with the story based on her own experience with a douchebag; hence the movie trailer claim: “based on a true-ish story”). With the help of her only friend, Masie (Kayla Foster), Laura moves into her mother’s house and becomes an emotional wreck (an understatement to be sure). It is there that she discovers that there is a rather fearsome looking monster living in her bedroom closet and that he has been there since Laura was a child. The monster is played by Tommy Dewey who is also the executive producer of the movie. At first, Laura is scared to death of this creature, and he wants her out of the house. But since she has no place to go, they tolerate each other and try to work out a living arrangement. As the two become more familiar, the monster, who sports a beard and has a catlike appearance, encourages her to audition for a part in Jacob’s musical and she gives it a try, landing an understudy role for the part that was originally intended for her. Then as things progress, she finds that this monster also has an interest in literature and theater, so the two become a little too close. Eventually, the monster becomes like an inner voice to Laura, making her realize how she has been wronged by Jacob and should find a way to express her feelings. Naturally, things go a little too far with some brutal and bloody consequences, a requirement of most horror movies even if it is a romcom. Most of the movie though has a light feel to it thanks to the numerous musical numbers that could come out of a forties or fifties musical comedy. I thought it was an interesting take on the comedy horror genre, but I found the monster to be a little too perfect for Laura to really buy it. (If he spends all his time in the closet and under the bed, why should he know so much about the outside world after all.) For a better performance by Tommy Dewey, you should see the movie Saturday Night where he plays the head writer of Saturday Night, Michael O’Donoghue. For a more entertaining comedy horror movie I recommend Ginger Snaps which I reviewed last year.

Something In The Dirt

Something In the Dirt                                                     2 suns

In this story about paranormal activity, Levi has just moved to a new apartment in the Hollywood Hills where he strikes up an acquaintance with long time resident John. Then the two witness the impossible in Levi’s apartment as objects seem to float in the air and light emanates into the room with no source. The dives into endless tangents involving numerology, the Pythagorean Brotherhood, alien fruit, a perfect ratio and long dead city planners as this weird pair of random dudes try to solve the mysteries of the universe. They come up with the idea of making a documentary about the experiences, but their own incompetence gets in the way. Flash forward scenes with interviews of others linked to the documentary lead us to believe that the plan went awry at some point. This low budget movie was made mainly by three close friends in the apartment owned by one of them. It’s a fairly long movie that just is forever following the rabbit hole. It is silly and in the Q&A we learn that at one point the movie was three and a half hours long. We also learn that Something in the Dirt is the fifth movie created by this group of friends. I will not be seeking out their earlier works.

Saturday Night

Saturday Night  4 stars

Chevy Chase at the Weekend Update news desk. John Belushi in a bee costume. A profusely bleeding Julia Child. The infamous Land Shark. These are all very familiar images to the fans of Saturday Night Live in its first incarnation back in 1975. Saturday Night, directed and co-written by Jason Reitman (Whiplash, Juno) takes us back to the night in October, 1975, when in 90 minutes the first episode of a revolutionary new comedy show called Saturday Night is set to go live on NBC. The show went on to become a staple of late night television, but those who were there that night had no way of knowing that. Calling the scenes chaotic would be an understatement. In 90 minutes, we see fights breaking out between actors, a fire burning on stage, the sound system failing, one cast member refusing to sign his contract because of a bee costume, a few confrontations with the network censor who can’t quite grasp some of the script’s sexual references and a studio executive threatening to air a Johnny Carson rerun in place of the show. According to what I have read, much of what we are seeing is based on recollections from those who were there on October 11, 1975. It’s hard to imagine that the show was not better planned and had so many loose ends before airing, but this is what we are to believe. Much of the credit for the success of the movie must go to lead actor Gabriel Labelle, (of The Fabelmans) who portrays producer Lorne Michaels trying to keep his cool and deal with a myriad of mishaps. There are a few familiar faces in the cast that include J. K. Simmons as an arrogant Milton Berle, Willem Dafoe as NBC studio executive David Tebet, Matthew Rhys as the show’s host, George Carlin and Nicolas Braun as both a whiny Jim Henson and nervous comedian Andy Kaufman. Jon Batiste appears briefly as musical guest Billy Preston. The casting of the Not Ready for Primetime Players was spot on. The young cast is made up of practically all unknown actors that I did not recognize, but I had no difficulty picking out who it was they were portraying. The look of the comic actors was near perfect from the style of Chevy Chase, the moodiness of John Belushi to the wackiness of Gilda Radnor. The only cast actors that I did recognize were Lamorne Morris (New Girl) as Garrett Morris and Rachel Sennott (Bottoms) as Lorne Michael’s wife and show writer Rosie Shuster. (Rosie plays an important role in convincing John Belushi not to walk out on the show before it even starts.) We gain some insights about the show along the way including that some studio execs wanted the show to fail and were only using it as leverage against Johnny Carson. And we see how Chevy Chase and John Belushi hated each other. (And how head writer, Michael O’Donoghue hated everybody.) We even catch a glimpse of writing team Al Franken and Tom Davis. Those of you who were around for the beginning of Saturday Night Live should definitely see it to see what happened before Chevy Chase said “Live from New York, It’s Saturday Night!” for the first time. Afterward I went back and watched the first episode again. I must say the magic was still there.

Emergency

Emergency         3 ½ suns

In the comedy Emergency, graduate student Kunle and his best friend, Sean are about to go on an epic journey, partying all night at the fraternity parties at their college campus. But the plans of the two young black men are interrupted when they discover an unconscious white girl on the floor of their house. The pair along with their Latino friend, Carlos realize the danger they are in if the police are alerted to their situation and must improvise to get the girl to safety without endangering their own lives. What follows is a comedy of errors as the men deal with one mishap after another. The film started as a short film from a few years ago that has now been expanded to the full length movie now showing. It is a good combination of silly comedy making a statement about the perceptions that young black men must face despite the levels of success they may reach.

Leonor Will Never Die

Leonor Will Never Die    3 ½ suns

Leonor Will Never Die received the World Cinema Dramatic Innovative Spirit Special Jury Award. The movie fits in well with the name of the award as the premise was especially creative. Set in the Philippines, elderly Leonor Reyes was once a major screenwriter for Filipino action movies. But now she mainly stays at home and can’t pay all her bills to the frustration of her son. One day she takes renewed interest in one of her old movie scripts after reading that the studios are looking for new scripts, but then she ends up in the hospital in a coma after being struck in the head by a falling television. It is then that the film takes us into uncharted territory as Leonor goes about creating an action movie in her mind concerning an action hero names Ronwaldo. She appears in her own movie, manipulating events to her own liking, occasionally reworking scenes that didn’t work out right. The imagined movie then sometimes blends with real life to somewhat resemble ideas out of The Matrix. The film is something of an homage to seventies action movies from the Philippines which was quite an industry in those times. It is especially violent and heavy on heroic scenes for its action stars. I certainly did not know what to expect with this one.

Drive-Away Dolls

Drive-Away Dolls              3 stars

If you are going to see a Coen brothers movie you know you are going to get some violent scenes often with inept crooks, some dark humor and some rather odd characters. Just think of The Big Lebowski, Burn After Reading or Fargo. With this year’s Drive-Away Dolls we only have Ethan Coen directing, joined by Tricia Cooke’s writing, but we do get most of the usual elements. What we also get is a road buddy movie with a pair of lesbians on a mission to get laid, combined with plenty of dick gags. We start out in 1999 with a “Collector” (Pedro Pascal from The Last of Us and The Mandalorian) receiving a package in a briefcase but is quickly robbed and murdered by a pair of goons (Joey Slotnick and C. J. Wilson). We cut to our two heroes, Jamie (Margaret Qualley of The Nice Guys and Once Upon a Time…In Hollywood) and Marian (Geraldine Viswanathan of Bad Education and Cat Person), who are both lesbians and best friends. Jamie is the adventurous one always looking for her next sexual exploit and Marian is the high strung, but intellectual one. They have a plan to do a drive away from New England to Tallahassee, Florida. This is a cheap way to travel by driving a car that the car’s owner needs delivered to another city. Hence, the title: Drive-Away Dolls. Only Jamie also plans to find all the lesbian hangouts along the way so that the repressed Marian can get laid. In Coen fashion the plan gets complicated when by accident the girls pick up a car that was intended for the pair of goons identified earlier and happens also to contain two special “packages” in the trunk. The boss of the criminal enterprise, (Colman Domingo) is none too pleased by the turn of events and tasks the goons to track the girls down and retrieve the packages. What follows then are the sexual adventures of the two women that happens to include an interlude with an all-lesbian soccer team, combined with the total ineptitude of our two goons trying to find them. (They get a little help from another lesbian friend of Jamie’s called Sukie (Beanie Feldstein of Booksmart) who also happens to be a cop. But this meeting doesn’t go well for the goons.) I must not neglect to mention that there is one additional character that appears briefly but is very pivotal to the story. And he is played by Matt Damon. (Also, this character’s penis figures prominently into the plot.) So, anyone who is a Matt Damon fan should not miss it. Overall, the movie has its moments, but it seems like a mixture of two films that don’t mesh very well. It’s good for a few laughs.

Licorice Pizza

Licorice Pizza                      5 stars

Over the past decade or so filmmaker Paul Thomas Anderson has brought us such memorable and entertaining films as Magnolia, There Will Be Blood and Phantom Thread. This year he has done it again with Licorice Pizza, a comedy romance set in early seventies Encino, California, concerning an on again, off again romance between 15 year old Gary (Cooper Hoffman, son of Philip Seymour Hoffman) and 25 year old Alana (Alana Haim). This may sound as inappropriate and implausible but Anderson makes it work and keeps us rooting for Gary in his quest for romance. It is not only Gary’s pursuit of Alana that keeps our interest, but also the many other exploits and situations this unlikely pair find themselves in. Somehow, 15 year old Gary starts a business selling waterbeds with Alana’s help as well as that of his 15 year old friends and later opens a pinball machine arcade. Gary has a mother who occasionally appears, but he is largely on his own in his various pursuits. He is even a frequent customer of a restaurant visited by Hollywood figures. Young actor Hoffman pulls off the part making you love his character, pimply face and all. Alana, who lives with her Jewish family (with her own real life family playing the part) at first finds Gary’s proposals ridiculous but later is drawn in by his persistence. The film is also noteworthy for the choice of music taken from artists of the sixties and early seventies including The Doors, Gordon Lightfoot, Wings and Blood, Sweat and Tears. There are some special supporting roles that deserve mention, especially Bradley Cooper as a narcissistic movie producer with a bad temper. His performance is worthy of an Academy Award nomination. Sean Penn makes an appearance as what seems to be a porn movie producer and John Michael Higgins is a Japanese restaurant owner who makes some very offensive racially insensitive remarks toward Asian women in some controversial scenes. Apparently the film is loosely based on the life of a friend of Anderson’s giving it an element of truth. Through much of the movie I had the feeling that this is completely ridiculous but it is still funny. Maybe in 1973 things like this could have happened. I have no doubt that Licorice Pizza will be nominated for Best Picture and it very well could win the Oscar.

The Worst Person in the World

The Worst Person in the World                  3 stars

The subject of The Worst Person in the World is not a war criminal but a young woman in Oslo, Norway who is trying to manage her love life and find a career that has meaning and that she can stick with. The film is by acclaimed director Joachim Trier, this being the third film of a trilogy. Not having seen any of her earlier work I have only this film to go by. It is billed as a romantic comedy though I would have to say it is untraditional. The actors are first rate and believable, but I did not find them to be very likable. Julie wanders from one career to another including medical student, psychology student, writer and photographer and meets and falls for Aksel, a popular underground comic book artist who draws a catlike character that many women find offensive. At first I found him annoying and needy, but later on I came to empathize with him. Julie is apparently the title character and some of her actions made her deserve it, especially the way she treats Aksel when things get tough. There are also instances where the film veers into fantasy sequences that I could not see the need for. Why does the filmmaker have to get so cute and go in such a weird direction? Also, you should be warned there is some rather graphic sexual talk. The film has created a stir in the film festivals, but I can’t say I shared in the enthusiasm. The film is from Norway and is nominated for International Feature Film.