Category Archives: Biography

American Symphony

American Symphony                      4 ½ stars

The 2023 film American Symphony by filmmaker Matthew Heineman started as a project to follow musician Jon Batiste as he worked on his classical composition “American Symphony” but turned into a much bigger story about life. In 2021 The band leader of Stephen Colbert’s The Late Show had just been nominated for 11 Grammys and granted Heineman access to his life as he worked on this piece. Batiste was writing a classical piece but making it more modern using new styles and musicians from a variety of backgrounds to make it avant-garde compared to traditional classical music. It was quite unusual for a pop musician to enter this genre let alone a black musician, but Batiste gives it all the attention and effort he can. But while this is transpiring on screen, it is discovered that Batiste’s girlfriend/wife Suleika Jaouad has had a recurrence of bone cancer and must undergo lengthy chemotherapy treatments. So, on top of writing the new piece and preparing for the Grammys, Batiste was dealing with the crisis of supporting Suleika through this new crisis. Jaouad is herself a writer and painter producing her own works of art, continuing her efforts through the treatment. The two of them go through tough challenges, encouraging each other, while surprisingly still granting the filmmaker access to their lives. One type of film I especially enjoy is those that show the unfolding creative process of writing music. In American Symphony we see not only Batiste’s struggles with creating his masterpiece, but also the intimate look at a couple going through a difficult time in their lives. The film ends with the finished product being performed for one time only in front of a packed crowd in Carnegie Hall. It is a triumphant finish to a very emotional story. The movie was nominated for the Academy Award for Best Original Song for the song It Never Went Away which is played at the end of the movie.

The Smashing Machine

The Smashing Machine                  4 stars

The Smashing Machine by writer director Benny Safdie (Uncut Gems, Daddy Longlegs) is the recently released biopic about the life of Mark Kerr, the mixed martial arts star of the nineties and early 2000’s. It is not a conventional sports movie where a team or individual overcomes the challenges of their sport and triumphs in the end. Instead, the film focuses mostly on the character of Kerr (played by Dwayne Johnson, the former wrestling star and movie action hero, but forget about Red One) and the struggles he faces in his life within the sport and in his personal life. A few fights are represented, but they only take up a small portion of the total screen time, so don’t expect an MMA version of Rocky. I don’t know much about the sport that became the UFC, but it seems like the objective is to tackle your opponent, hold him on the floor while you beat him in the face turning it into a bloody mess until he gives up. (At least this is what I took from it. The nation will get a first-hand look at UFC next year when it will be featured on the White House lawn on the occasion of President Trump’s eightieth birthday.) Much of the film has the look of being a documentary using long takes, making it seem like you are watching the real Mark Kerr. It shows us the various sides of him. As played by Johnson he is the nicest guy you can imagine while dealing with the public. He is polite in the extreme to the average person, being very humble and restrained. But when he loses a fight for the first time and then only focuses on his next fight he becomes completely absorbed, shutting out those around him. This gets to be a problem for his girlfriend, Dawn (Emily Blunt) as she comes to resent Kerr’s silence at these times. Much of the story is about these two people who can’t understand each other and who question the motives of the other’s decisions. The role of Dawn is a complete change from how we are used to seeing Blunt. Normally, her characters are of women who are adventurous and in complete control of their lives. Here Blunt is not her normal movie star self (think The Fall Guy and Jungle Cruise) but has an understated presence and is subservient to boyfriend Kerr. It is a testament to her acting talents that she can blend into the feel of the movie so effectively. Blunt may be in line for an acting Academy Award nomination for this role. There also seems to be talk of Johnson getting an acting nomination as well. It would be well deserved. The film is recommended, but again you shouldn’t expect a lot of action leading up to a traditional final climactic finish. (I hope I’m not giving too much away, but what kind of sports movie has the winner being awarded the trophy because of a cancelled final match?) You should go to see a person dealing with setbacks in their life and finding a way to get through them.

The Great Hack

The Great Hack                 4 ½ stars

This week I return once again to the Sundance releases to find a compelling documentary in The Great Hack.  The film goes into the details of the Cambridge Analytica scandal of 2017 and 2018.  It uses the personal stories of two individuals who got caught up in the scandal involving the Trump campaign, Brexit and many elections around the world.  The British company (named by Steve Bannon of Breitbart) teamed up with Facebook and used the personal data of millions of people to find ways of changing their behavior through the spreading of millions of social network postings to swing elections in favor of their clients.  Their most famous client was of course the Trump Campaign in the election of 2016.  One of their tactics was to get individuals to sign up for an app that provided not only their personal information, but that of their Facebook friends as well.  The film introduces us to David Carroll, a professor who sued Cambridge Analytica to recover his personal data in a case that was heard in the British courts.  The ruling forced the company to comply with Carroll’s wishes which they failed to do, making Cambridge Analylica in effect a criminal enterprise.  The other story told is that of Brittany Kaiser, a one-time director who worked for the company for 3 ½ years in a role that made her very familiar with the practice of data harvesting and using it for the benefit of their clients.  Kaiser became a whistleblower who revealed what she knew in testimonies in Britain and the US.  Cambridge Analytica is now defunct, but the film gives us a stark warning that this practice of gathering our personal data and using it to change our behavior is only going to continue.  The Great Hack makes it clear that it may be a long time before we can have a true free and fair election again.

Bohemian Rhapsody

Bohemian Rhapsody       2 ½ stars

I finally got the chance to see Bohemian Rhapsody, the 2018 biopic about Freddy Mercury, the lead singer of the legendary rock group Queen of the seventies and eighties.  It has much in common with other biopics about music legends we have seen in the past twenty years, the genius of a young performer, the troubled relationships with family, the flashes of genius and the downward spiral.  One type of movie I really love are those that show the creative process of writing a new song, how it gradually gets put together.  Here the formula is applied to We Will Rock You and Another One Bites the Dust,(both I remember well from the eighties) but it’s like the song is instantly put together in the heat of an argument.  Rami Malek does a good job as Mercury, but the look of his teeth was overdone.  There was some mention of his life style and his contracting AIDS, but for the most part the movie was not about this aspect of his life.  It did serve as a reminder of what the eighties was like, when gay people had to remain hidden even in the music industry and AIDS was ripping through the gay community.  The final scene of the LIVE AID concert was certainly entertaining even though much of it had to be lip synced.  If you watch it on DVD there is an extended version of the concert scene that is even more enjoyable.  There are other musical biopics I liked much better.  The ones about Elton John and James Brown come to mind.

Lizzie

Lizzie     4 stars

The psychological thriller Lizzie from 2018 is a retelling of the Borden family murders in Falls River, Massachusetts in 1892.  It was a personal project of Chloe Sevigny who served as producer and star and is made more relevant by the recent MeToo movement for women’s rights to be heard in cases of sexual abuse.  Sevigny has the title role with Kristen Stewart starring as Bridget, the hired maid for the rich family.  Lizzie’s oppressive situation is clearly outlined with her life being controlled by her domineering father Andrew (a lecherous Jamey Sheridan). The family also includes her step mother (Fiona Shaw) and her sister Emma.  Even though she is 32 years old she is not allowed to leave the house at night.  Lizzie strikes up a close kinship with Bridget (who is called the diminutive “Maggie” by Andrew Borden) especially when it is discovered that her father has been molesting her regularly. In this version their close relationship develops into more than being just friends.  The movie focuses little on the investigation of the murders and the trial and concerns itself mainly with the oppressive situation of the female characters and how they are trapped in their world and can see no escape from it.  Lizzie can’t even count on an inheritance as Andrew takes steps to ensure her life would be controlled by men even in the event of his death.  The way Sevigny plays the role and the way the scenes are shot gives the movie a closed in feeling.  Of course the gruesome scene of the actual murders is included so the audience has no doubt what happened even though the jury could not find a guilty verdict.  Lizzie brings new life to this classic American tragedy.

Blaze

Blaze                     4 stars

Blaze is a sad biopic about Texas singer songwriter Blaze Foley, a promising but tortured talent in folk/country music in the seventies and eighties. This film, written and directed by Ethan Hawke explores the music and life of this little-known musician through three different periods told in nonlinear fashion. We see his early life with Jewish girlfriend/wife Sybil (Alia Shawkat), his later days performing in local bars and diners shortly before his untimely death and a later radio interview where his songwriter friends, Townes and Zee talk about the almost legend. I had never heard of Blaze before who is compared to Willie Nelson and Merle Haggard. I am not really a fan of this type of country music, but the songs sung by star Ben Dickey, himself a rock/country artist are done well and are mesmerizing. The story of a talented musician who shows signs of greatness but whose life is destroyed by his own ego, addiction to drinking and a short temper are all too familiar in the long list of musician biopics we have seen. The largest part of the story is about his relationship with Sybil who does everything in her power to support Blaze and their marriage but is eventually doomed to failure. The tall and large Ben Dickey who is a friend of Ethan Hawke, does a nice job as Blaze making him appear like a poet/philosopher about life. This film seems to be his only acting credit. I recommend the movie to anyone who enjoys folk and country music and would like to learn about this near legend. Fans of Alia Shawkat (Maeby from Arrested Development) would enjoy the movie as well.

Breakthrough

Breakthrough                    2 ½ stars

Breakthrough is a faith based movie that came out last year that looks a lot like Lifetime movies on TV (or at least how I imagine them). The movie is about a true story of a 14 year old boy who fell through ice on a lake and was under for 15 minutes before being rescued, which makes up about the first half hour of the film. The remainder is concerned with his long recovery and how the boy’s mother stays with him and prays that God will heal him in spite of the enormous obstacle ahead of him. For the most part it was well acted featuring Chrissy Metz of This Is Us as the boy’s mother. Topher Grace is horribly miscast as the pastor of the mother and boy’s church. Grace is fine as a wiseass or a good villain, but is not who you would think of for a sympathetic pastor. Of course the nearly two hour film has an inspiring message of the power of prayer and love, but it could have been done in about thirty minutes less.

Harriet

Harriet                  4 stars

Harriet Tubman, the slave girl turned freedom fighter for many slaves in the pre-Civil War south finally gets the big screen treatment in Harriet. Cynthia Erivo does a superb job of portraying the tiny Harriet with her expressive acting and her big voice. We know Erivo from her role in Bad Times at the El Royale and for winning a Tony for The Color Purple. The movie is something of a romanticized account of her escape from her abusive master, her encounters with the people running the Underground Railroad and her coming a legendary conductor, venturing into the South and leading many black slaves to freedom in the North. The anguish that the slaves went through is told in convincing style, but some of the encounters and dangers of the escape attempts seemed to be a bit overdramatic. Some of the movie serves as a good history lesson such as the treatment of The Fugitive Slave Act in 1850 that made it legal to hunt and return escaped slaves in the North and how a plantation owner’s wealth was measured by how many slaves they owned. Some of the violent consequences of the Slave Act are enacted in the film. We also see how some blacks lived in the South as free people, but that required them to carry papers showing their freed status that any white person could require them to show. Notable performances in the movie also include Janelle Monae as Marie Buchanon, a free black woman helping escaped slaves, Leslie Odom, Jr. as Henry Still, one of the leaders of the Underground Railroad and Vondie Curtis-Hall as the reverend who preached obedience to the slaves while also helping to harbor escaped slaves. The movie is two hours long, but seems to move along quickly. I watched the deleted scenes too and was disappointed to see some minor characters removed from the final version. The movie deserves its Oscar nominations for Cynthia Erivo as Best Actress and Best Song performed by Erivo.

A Beautiful Day in the Neighborhood

A Beautiful Day in the Neighborhood      4 ½ stars

What better movie to follow Won’t You Be My Neighbor? than the drama A Beautiful Day in the Neighborhood? Tom Hanks takes the role of TV icon Fred Rogers in this dramatization based on the real life friendship between Rogers and a magazine writer played by Matthew Rhys. The writer, Lloyd, is a cynical man who has many personal problems in his life and is suffering from a broken relationship with his father played by Chris Cooper. The magazine, Esquire, is doing an issue on heroes and Mister Rogers is the only one who would agree to an interview with Lloyd. The movie actually focuses more on Lloyd and his anger issues more than it does Rogers, but it makes an effective story. The miniature sets, puppets and fantasy sequences are used to get him to focus on his family and his relationship with his father (who left his family when Lloyd was young). Fans of This is Us will recognize Susan Kelechi Watson who plays Lloyd’s wife. Hanks captures the personality of Fred Rogers well with his personal style of interacting with children and adults. Dealing with Rogers’ direct and personal approach could be very challenging for many adults as well as his teenage sons which is mentioned. He really shows that Mister Rogers was very much the same man as the character he portrayed on TV for over thirty years. The movie takes place in 1998, only two years before the show ended. I find it preferable for a movie to focus on a short period or event in the life of an entertainer or famous personality instead of the traditional life story we see so often. This film delivers the message of dealing with our feelings and life’s challenges that Fred Rogers was all about.

Won’t You Be My Neighbor

Won’t You Be My Neighbor?       5 stars

The documentary by filmmaker Morgan Neville explores the work of Fred Rogers and his long running children’s TV show “Mister Rogers Neighborhood”. It tells us what a radical departure the show was to what passed for Children’s television back in 1968. By using footage from the show and interviews with his wife, the show’s staff and others that knew him, it gives us a close look at Fred Rogers’ philosophy of life and his way of communicating with young children through his use of puppets and discussing frank issues in a caring way. I confess that I never watched the show when I was young preferring those loud and silly shows referred to in the documentary. The film shows how Fred Rogers was determined to help children make sense of some very troubling issues of the times including violence, death and divorce. The movie is only one and a half hours long and is well worth the time spent.