Category Archives: Biography

Hamnet

Hamnet                 5 stars

We start with watching a woman alone in a dense forest who has tamed a falcon that obeys commands. She appears to be completely at home in this natural environment. Then we see a young man who meets the woman and is instantly taken with her. The pair marry and have three children and will suffer the worst nightmare that can be imagined by a parent. The pair is William Shakespeare and his wife Agnes, and this is the movie Hamnet. Based on Maggie O’Farrell’s novel Hamnet and directed by Chloé Zhao (The Rider, Nomadland), the movie imagines the married life of Shakespeare and his wife and the raising of their three children while he is embarking on a writing career. There has long been speculation that after the death of their son, Hamnet at 11-years-old, the tragedy was the inspiration of one of Shakespeare’s most loved plays, Hamlet (Hamnet and Hamlet being synonymous). Zhao brings the story to life thanks to her style in displaying the closeness of the characters and their grief when Hamnet is taken from them in the pestilence sweeping the country. Much credit must be given to the two actors, Jessie Buckley (Wild Rose, The Lost Daughter, Women Talking) and Paul Mescal (Aftersun, All of Us Strangers), who make us feel their love for their children and their unimaginable pain when the son is lost. Buckley, who has had a string of successful and quirky roles, especially deserves praise for perhaps the most emotional performance of the year. As if that were not enough, she follows this up with pure wonder, when witnessing the first performance of Will’s play Hamlet where the final scene of Hamlet’s lament and death is played out. The scene, in the setting of the Globe Theater can be described as overwhelming.  Audiences will also be very pleased by the performance of young Jacobi Jupe who plays the playful and mischievous Hamnet. The casting was perfect with this choice. The movie will likely be most remembered for Jessie Buckley’s emotional performance as the young mother, so expect there to be a few awards this season for her plus in a few other categories.

Just Mercy

Just Mercy                          4 stars

Just Mercy, written and directed by Destin Daniel Cretton is mainly a legal drama about a young lawyer, Bryan Stevenson (Michael B. Jordan) from the East coast who has taken a case to free a wrongly convicted black man of a brutal murder in rural Alabama in the early nineties.  Walter McMillian (a superb Jamie Foxx) is a private logger who was sentenced to death for the killing of a white teenage girl based solely on the unsubstantiated testimony of a convicted felon who was pressured into identifying McMillian as the killer by a corrupt local sheriff.  There was no physical evidence linking him to the crime.  The film is based on a true story about an attorney who is still active today fighting for unjustly convicted, mostly black prisoners.  It is the type of story we have seen frequently from Hollywood, but is aided by the quiet reflective scenes involving Foxx who just wants his previous life with his family back.  The villains of the story are the usual corrupt district attorney and sheriff who care more about their own records than about justice for the citizens.  The movie is a long one at 136 minutes, but the viewer stays involved due to the performances of the three main actors, Jordan, Foxx and Brie Larson as Bryan’s support advocate.  The movie clearly portrays the prejudices against black men that tear communities apart.  Despite the fact that it has been nearly thirty years since the events in the movie took place, many of these same problems are still with us today.  At the end of the movie, the postscript tells us that prisoners on death row are proved innocent at a rate of one out of nine, clearly an intolerable situation.  Please try to see Just Mercy when you get a chance.

The Irishman

The Irishman                      5 stars

Much has been written about Martin Scorsese’s newest gangster movie, The Irishman, about the relationship between Teamster union president, Jimmy Hoffa (Al Pacino) and mobster hitman Frank Sheeran (Robert De Niro).  It is quite a masterpiece and at nearly three and a half hours in length, a challenge to last through in a single sitting.  There are plenty of brutal murder scenes as one would expect in a mobster movie and strained relationships between family members especially the women involved.  The special language used by the gangsters is always present as the characters have a certain way with words that sanitizes their true intent.  We hear Frank talk about how he is sorry about his life when we all know he doesn’t really mean it.  The movie was especially expensive to make which is partially due to the special effects used to “deage” the main characters to allow us to see them over a span of fifty plus years.  Never before have we seen what aging mobsters are like. (Since they typically don’t live to see their later years.)  Here we see Frank in a nursing home after all his associates are long gone and his family will no longer see him.  I especially want to take note of the performance of Joe Pesci as Russell Bufalino, the Italian mob boss in an understated role different from how we are accustomed to seeing him.  He deserves his Academy Award nomination.  The film earned ten nominations altogether and deserves its standing as one of the best films of the year.

Where’s My Roy Cohn?

Where’s My Roy Cohn?                                 4 stars

The documentary Where’s My Roy Cohn? was on my list to see at Sundance, but I didn’t get the chance to see it then.  Thankfully I found it on cable so just saw it during this time of quarantine.  This film by Matt Tyrnauer tells us about one of the most notorious (and ugliest) figures in the latter twentieth century of American politics.  It covers his career starting with his participating as a prosecutor in the trial of the Julius and Ethel Rosenberg resulting in their execution, extending to the Communist hearings with Joseph McCarthy and his connections with New York mobsters as a defense attorney often getting light sentences for them.  The film features many interviews with his various associates and relatives (including Roger Stone), none of whom have a kind thing to say about his character.  However, the point is made that he was a sharp lawyer who was always ready for a fight and would stop at nothing to destroy his enemies.  Through the seventies and eighties Cohn had close contacts with the administrations of Nixon and Reagan playing a role in some of the harshest right wing policies that continue to this day.  The film also goes into Cohn’s gay lifestyle, how it was no real secret that he associated with gay men and frequented gay night clubs.  Yet he always maintained that he was not gay up to his death from AIDs in 1986.  Included is Cohn’s role as mentor to a young New York real estate tycoon named Donald J. Trump.  According to the film Trump learned to never admit being wrong and to never make apologies.  Cohn successfully defended the Trumps in an anti-discrimination lawsuit involving denying housing to African Americans.  Trump even used Cohn’s mob ties to get his Trump Tower built in New York City in the early eighties.  Given how this man is portrayed, one would probably not describe the film as impartial.  It shows how he made a career of using lies and deceit to destroy lives for sake of personal gain throughout his career and how he had no empathy toward fellow humans.  Whether or not you are familiar with Roy Cohn’s career, I recommend you see this movie.

American Symphony

American Symphony                      4 ½ stars

The 2023 film American Symphony by filmmaker Matthew Heineman started as a project to follow musician Jon Batiste as he worked on his classical composition “American Symphony” but turned into a much bigger story about life. In 2021 The band leader of Stephen Colbert’s The Late Show had just been nominated for 11 Grammys and granted Heineman access to his life as he worked on this piece. Batiste was writing a classical piece but making it more modern using new styles and musicians from a variety of backgrounds to make it avant-garde compared to traditional classical music. It was quite unusual for a pop musician to enter this genre let alone a black musician, but Batiste gives it all the attention and effort he can. But while this is transpiring on screen, it is discovered that Batiste’s girlfriend/wife Suleika Jaouad has had a recurrence of bone cancer and must undergo lengthy chemotherapy treatments. So, on top of writing the new piece and preparing for the Grammys, Batiste was dealing with the crisis of supporting Suleika through this new crisis. Jaouad is herself a writer and painter producing her own works of art, continuing her efforts through the treatment. The two of them go through tough challenges, encouraging each other, while surprisingly still granting the filmmaker access to their lives. One type of film I especially enjoy is those that show the unfolding creative process of writing music. In American Symphony we see not only Batiste’s struggles with creating his masterpiece, but also the intimate look at a couple going through a difficult time in their lives. The film ends with the finished product being performed for one time only in front of a packed crowd in Carnegie Hall. It is a triumphant finish to a very emotional story. The movie was nominated for the Academy Award for Best Original Song for the song It Never Went Away which is played at the end of the movie.

The Smashing Machine

The Smashing Machine                  4 stars

The Smashing Machine by writer director Benny Safdie (Uncut Gems, Daddy Longlegs) is the recently released biopic about the life of Mark Kerr, the mixed martial arts star of the nineties and early 2000’s. It is not a conventional sports movie where a team or individual overcomes the challenges of their sport and triumphs in the end. Instead, the film focuses mostly on the character of Kerr (played by Dwayne Johnson, the former wrestling star and movie action hero, but forget about Red One) and the struggles he faces in his life within the sport and in his personal life. A few fights are represented, but they only take up a small portion of the total screen time, so don’t expect an MMA version of Rocky. I don’t know much about the sport that became the UFC, but it seems like the objective is to tackle your opponent, hold him on the floor while you beat him in the face turning it into a bloody mess until he gives up. (At least this is what I took from it. The nation will get a first-hand look at UFC next year when it will be featured on the White House lawn on the occasion of President Trump’s eightieth birthday.) Much of the film has the look of being a documentary using long takes, making it seem like you are watching the real Mark Kerr. It shows us the various sides of him. As played by Johnson he is the nicest guy you can imagine while dealing with the public. He is polite in the extreme to the average person, being very humble and restrained. But when he loses a fight for the first time and then only focuses on his next fight he becomes completely absorbed, shutting out those around him. This gets to be a problem for his girlfriend, Dawn (Emily Blunt) as she comes to resent Kerr’s silence at these times. Much of the story is about these two people who can’t understand each other and who question the motives of the other’s decisions. The role of Dawn is a complete change from how we are used to seeing Blunt. Normally, her characters are of women who are adventurous and in complete control of their lives. Here Blunt is not her normal movie star self (think The Fall Guy and Jungle Cruise) but has an understated presence and is subservient to boyfriend Kerr. It is a testament to her acting talents that she can blend into the feel of the movie so effectively. Blunt may be in line for an acting Academy Award nomination for this role. There also seems to be talk of Johnson getting an acting nomination as well. It would be well deserved. The film is recommended, but again you shouldn’t expect a lot of action leading up to a traditional final climactic finish. (I hope I’m not giving too much away, but what kind of sports movie has the winner being awarded the trophy because of a cancelled final match?) You should go to see a person dealing with setbacks in their life and finding a way to get through them.

The Great Hack

The Great Hack                 4 ½ stars

This week I return once again to the Sundance releases to find a compelling documentary in The Great Hack.  The film goes into the details of the Cambridge Analytica scandal of 2017 and 2018.  It uses the personal stories of two individuals who got caught up in the scandal involving the Trump campaign, Brexit and many elections around the world.  The British company (named by Steve Bannon of Breitbart) teamed up with Facebook and used the personal data of millions of people to find ways of changing their behavior through the spreading of millions of social network postings to swing elections in favor of their clients.  Their most famous client was of course the Trump Campaign in the election of 2016.  One of their tactics was to get individuals to sign up for an app that provided not only their personal information, but that of their Facebook friends as well.  The film introduces us to David Carroll, a professor who sued Cambridge Analytica to recover his personal data in a case that was heard in the British courts.  The ruling forced the company to comply with Carroll’s wishes which they failed to do, making Cambridge Analylica in effect a criminal enterprise.  The other story told is that of Brittany Kaiser, a one-time director who worked for the company for 3 ½ years in a role that made her very familiar with the practice of data harvesting and using it for the benefit of their clients.  Kaiser became a whistleblower who revealed what she knew in testimonies in Britain and the US.  Cambridge Analytica is now defunct, but the film gives us a stark warning that this practice of gathering our personal data and using it to change our behavior is only going to continue.  The Great Hack makes it clear that it may be a long time before we can have a true free and fair election again.

Bohemian Rhapsody

Bohemian Rhapsody       2 ½ stars

I finally got the chance to see Bohemian Rhapsody, the 2018 biopic about Freddy Mercury, the lead singer of the legendary rock group Queen of the seventies and eighties.  It has much in common with other biopics about music legends we have seen in the past twenty years, the genius of a young performer, the troubled relationships with family, the flashes of genius and the downward spiral.  One type of movie I really love are those that show the creative process of writing a new song, how it gradually gets put together.  Here the formula is applied to We Will Rock You and Another One Bites the Dust,(both I remember well from the eighties) but it’s like the song is instantly put together in the heat of an argument.  Rami Malek does a good job as Mercury, but the look of his teeth was overdone.  There was some mention of his life style and his contracting AIDS, but for the most part the movie was not about this aspect of his life.  It did serve as a reminder of what the eighties was like, when gay people had to remain hidden even in the music industry and AIDS was ripping through the gay community.  The final scene of the LIVE AID concert was certainly entertaining even though much of it had to be lip synced.  If you watch it on DVD there is an extended version of the concert scene that is even more enjoyable.  There are other musical biopics I liked much better.  The ones about Elton John and James Brown come to mind.

Lizzie

Lizzie     4 stars

The psychological thriller Lizzie from 2018 is a retelling of the Borden family murders in Falls River, Massachusetts in 1892.  It was a personal project of Chloe Sevigny who served as producer and star and is made more relevant by the recent MeToo movement for women’s rights to be heard in cases of sexual abuse.  Sevigny has the title role with Kristen Stewart starring as Bridget, the hired maid for the rich family.  Lizzie’s oppressive situation is clearly outlined with her life being controlled by her domineering father Andrew (a lecherous Jamey Sheridan). The family also includes her step mother (Fiona Shaw) and her sister Emma.  Even though she is 32 years old she is not allowed to leave the house at night.  Lizzie strikes up a close kinship with Bridget (who is called the diminutive “Maggie” by Andrew Borden) especially when it is discovered that her father has been molesting her regularly. In this version their close relationship develops into more than being just friends.  The movie focuses little on the investigation of the murders and the trial and concerns itself mainly with the oppressive situation of the female characters and how they are trapped in their world and can see no escape from it.  Lizzie can’t even count on an inheritance as Andrew takes steps to ensure her life would be controlled by men even in the event of his death.  The way Sevigny plays the role and the way the scenes are shot gives the movie a closed in feeling.  Of course the gruesome scene of the actual murders is included so the audience has no doubt what happened even though the jury could not find a guilty verdict.  Lizzie brings new life to this classic American tragedy.

Blaze

Blaze                     4 stars

Blaze is a sad biopic about Texas singer songwriter Blaze Foley, a promising but tortured talent in folk/country music in the seventies and eighties. This film, written and directed by Ethan Hawke explores the music and life of this little-known musician through three different periods told in nonlinear fashion. We see his early life with Jewish girlfriend/wife Sybil (Alia Shawkat), his later days performing in local bars and diners shortly before his untimely death and a later radio interview where his songwriter friends, Townes and Zee talk about the almost legend. I had never heard of Blaze before who is compared to Willie Nelson and Merle Haggard. I am not really a fan of this type of country music, but the songs sung by star Ben Dickey, himself a rock/country artist are done well and are mesmerizing. The story of a talented musician who shows signs of greatness but whose life is destroyed by his own ego, addiction to drinking and a short temper are all too familiar in the long list of musician biopics we have seen. The largest part of the story is about his relationship with Sybil who does everything in her power to support Blaze and their marriage but is eventually doomed to failure. The tall and large Ben Dickey who is a friend of Ethan Hawke, does a nice job as Blaze making him appear like a poet/philosopher about life. This film seems to be his only acting credit. I recommend the movie to anyone who enjoys folk and country music and would like to learn about this near legend. Fans of Alia Shawkat (Maeby from Arrested Development) would enjoy the movie as well.