Category Archives: Action

RRR

RRR                        5 stars

RRR is the blockbuster 3-hour epic action movie that created something of a sensation in 2022 when it appeared in theaters in India and soon spread around the world. The movie stars two popular actors from Indian cinema, Ram Charan and N. T. Rama Rao, Jr. and tells a popularized version of two legendary figures from 1920’s India and floods the screen with heroic action and carefully crafted dance scenes all set to Bollywood style music. The title, RRR, stands for Rise, Roar, Revolt and tells the story of the colonial rule of India by the British and of two men, Rama and Bheem who lead a revolt against them. It all starts with a story showing the cruelty of the English rulers as the rich governor has a young Indian girl kidnapped from her family because of her artistic talents and in the process leaves a few corpses behind. It is meant to show the contempt and racist attitudes of the British toward their brown skinned subjects. That memorable scene is followed with separate action-packed sequences involving Rama and Bheem, (both very muscular men) where Rama fights off a crowd of men in order to apprehend one rock throwing individual and Bheem does face to face battle against a ferocious tiger. The two men have different motives for their actions and we eventually learn more about their backgrounds through flashbacks. The two meet and become friends with each hiding something in their background from one another. At one point, about a third of the way through the movie we experience the grand event of a sort of dance off between the English and the two heroes where the two cultures go toe to toe against one another with Rama and Bheem coming out on top. The number, called “Naatu Naatu” which goes on for several minutes, is a real crowd pleaser and was the winner of the Best Original Song Academy Award two years ago when it was performed live at the ceremony. It is not only entertaining, but it sets the stage for the wider conflict in the movie. Oddly, the movie was not nominated for International Feature. Eventually, the two heroes come together to do battle with literally hundreds of British soldiers in some of the most violent scenes I have seen lately. But don’t worry. It is all comic book style violence and is all done using CGI effects. (And we are assured that no animals were harmed in making the movie.) Whether or not you know anything about the history of India in this period, you will certainly be entertained by the film. And it would be best to see it with a group of friends.
 

Harriet

Harriet                  4 stars

Harriet Tubman, the slave girl turned freedom fighter for many slaves in the pre-Civil War south finally gets the big screen treatment in Harriet. Cynthia Erivo does a superb job of portraying the tiny Harriet with her expressive acting and her big voice. We know Erivo from her role in Bad Times at the El Royale and for winning a Tony for The Color Purple. The movie is something of a romanticized account of her escape from her abusive master, her encounters with the people running the Underground Railroad and her coming a legendary conductor, venturing into the South and leading many black slaves to freedom in the North. The anguish that the slaves went through is told in convincing style, but some of the encounters and dangers of the escape attempts seemed to be a bit overdramatic. Some of the movie serves as a good history lesson such as the treatment of The Fugitive Slave Act in 1850 that made it legal to hunt and return escaped slaves in the North and how a plantation owner’s wealth was measured by how many slaves they owned. Some of the violent consequences of the Slave Act are enacted in the film. We also see how some blacks lived in the South as free people, but that required them to carry papers showing their freed status that any white person could require them to show. Notable performances in the movie also include Janelle Monae as Marie Buchanon, a free black woman helping escaped slaves, Leslie Odom, Jr. as Henry Still, one of the leaders of the Underground Railroad and Vondie Curtis-Hall as the reverend who preached obedience to the slaves while also helping to harbor escaped slaves. The movie is two hours long, but seems to move along quickly. I watched the deleted scenes too and was disappointed to see some minor characters removed from the final version. The movie deserves its Oscar nominations for Cynthia Erivo as Best Actress and Best Song performed by Erivo.

Ford v. Ferrari

Ford v Ferrari     5 stars

Ford v Ferrari tells the story of two individuals who joined forces with Ford Motor Company to build a race car that could challenge the dominating Ferrari in the 24 hours of Lemans in 1966. The superb cast is led by Matt Damon as Carroll Shelby, American car designer and Christian Bale as Ken Miles, British born fearless race car driver. Both display a passion for the craft of racing in convincing fashion. The two have to battle the corporate meddling of the executives at Ford Motor Company who are more concerned with appearances and marketing than understanding what it takes to win a race. Of course the real show are the racing scenes with cars reaching speeds of 240 miles per hour and performing daring maneuvers that could end in disaster or blow a piston at a critical moment. This is all done with the amazing stunts and effective film editing and some great sound effects. It is apparent that CGI has come a long way as the entire movie looks like the real thing. I am not a gear head so I am sure some things got past me, but it looks like the best auto racing movie I have seen. The disadvantage is that since it is a true story, you have a pretty good idea how it is going to turn out in the end. The story does get a little ironic when you stop to consider that Ford is the Goliath here as they take on the much smaller auto company, Ferrari using virtually unlimited financial resources. The film is worthy of its Best Picture Academy Award nomination and its wins in both Film Editing and Sound Editing.

Tell It Like a Woman

Tell It Like a Woman       2 stars

Tell It Like Woman is an anthology series, one of those movies that is a collection of short films that have a common theme or characteristic. In this case, all seven of the films are by different women directors and have women as their primary subject. It is notable for its Academy Award nominated song that plays over the closing credits: Applause by Diane Warren. I do have to say that it is a memorable song. The movie that it’s attached to, not so much. A couple of the stories are interesting like A Week in My Life by Japanese director Mipo O about a single mother who is struggling to go through her daily routine of raising two young children by herself. We see over the course of one week just how challenging this job can be. In Pepcy & Kim directed by Taraji P. Henson, Jennifer Hudson plays a drug addicted prisoner who is trying to keep her act together so that she can be released and see her young son again. Hudson also plays the part of the prisoner’s inner voice that tries to steer her in the wrong direction. The other films were less interesting and incomplete. Unless you are really into seeing some of the directors’ work or the actresses, I recommend that you skip it.

Underwater

Underwater                       2 stars

While watching Underwater, the movie about a deep sea research facility that is suddenly attacked by strange sea creatures, I had the distinct impression that I had seen it before. Much of the elements of it are taken from The Abyss and Alien, both about mysterious creatures attacking a small group of survivors. This does not bode well. In Underwater we have a group of six survivors that must crawl their way through the wreckage of the laboratory that happens to be seven miles below the surface. As you would expect the suspense comes in as you wonder which one will be the next to die. The sets and effects look very authentic so this was an expensive movie to make. We know little about the characters as they try to stay together to protect each other and maintain sanity. The movie was derivative and you might say boring.

The Batman

The Batman        4 stars

In 2022 we got yet another incarnation of the most depicted, depressed superhero in movies, TV or comic books. This time it is Matt Reeves (two iterations of The Planet of the Apes movies) giving us his version of the caped crusader, otherwise known as Batman. What can he do that Tim Burton, Christopher Nolan or Joel Schumacher haven’t already done? Apparently, it is creating the darkest and moodiest Batman yet to hit the big screen. This Batman (Robert Pattinson) has seemingly been suffering from PTSD ever since his parents were murdered some twenty years before. He regularly goes skulking around Gotham City looking for criminal gangs to beat up on and shows them no mercy. Bruce Wayne, the millionaire, does appear in a few scenes, as well as his butler, Alfred (Andy Serkis), but he is not the playboy type that has been seen in other Batman movies. He typically shares in Batman’s moodiness. The entire movie takes place at night, with much of it in the rain to add to the gloomy feel of it. There isn’t even a hint of comedy throughout the movie. In Reeves’ movie Batman isn’t just a crime fighter. He must also take on the role of detective when a series of high-profile murders are taking the lives of the most prominent men in the city including the mayor and the DA. At each crime scene a letter is left addressed to Batman with a puzzling riddle that he, together with Commissioner Gordon (Jeffrey Wright (probably the finest actor in the movie)) must find the answer to. Slowly it is revealed that a web of corruption has infected every level of the local government, and this hidden psychopath has made it his mission to clean things up while also believing he can get Batman to help in the endeavor. Each victim seems to have ties to a crime boss named Carmine Falcone (John Turturro), a real slimeball who operates an exclusive club and hangout for criminals in Gotham City. One other character figures prominently in the story. Selina Kyle (Zoë Kravitz in her most athletic role yet) is a showgirl at Falcone’s club and wants answers as to what happened to her missing friend there. She can help Batman in finding the truth but tends to go off on her own with a vengeance. (She also provides a home for several cats.) There are hints of a love interest as well. When the murdering psychopath (Paul Dano) is finally unmasked, it seems that he and Batman are like two sides of the same coin, each having a deep need to root out the corruption in the city, only the murderer doesn’t care who gets hurt in the process. The Batman combines elements of what we’ve seen in the comics and the more recent movies as well as traditional detective noir stories. It has plenty of action and story packed into its almost three-hour running time. And there is word of another The Batman movie in the works!

Superman

Superman                           4 ½ stars

I finally joined the rest of the world by viewing the new James Gunn take on America’s oldest superhero Superman. This movie takes the very familiar story of the man from planet Krypton who came to Earth and fights criminals and super beings using his super abilities while wearing his familiar red cape and S sign on his chest while updating it for the twenty-first century. The first indication of differences comes at the very start with text on the screen revealing that “metahumans” first appeared on Earth three centuries ago. Then we learn that Superman (David Corenswet of Twisters) has just been defeated by an armored being called the Hammer of Boravia. The broken Superman is left badly beaten in the Antarctic where fortunately he is rescued by his cute companion Krypto, a misbehaving dog with superpowers who also wears a red cape. He is quite an amusing addition and undoubtedly a favorite with the audience. Superman is quickly rejuvenated thanks to his robots and facilities at the Fortress of Solitude. We soon learn that Superman’s troubles are due to his arch-nemesis, Lex Luthor (Nicholas Hoult of Mad Max: Fury Road and The Current War), the CEO of a mega corporation that has been selling billions of dollars in arms to the country of Boravia (clearly a stand in for Russia). We can see clearly that this is a case of the good guy, Superman against the bad guy, though that is not apparent to the public yet. Earlier, Superman became embroiled in world politics when he prevented Boravia from invading their next-door neighbor, Jarhanpur, an act which seems to have set public opinion against him. Luthor adds to Supermen’s distress when he is able to portray Superman as a power-hungry alien with strategically placed propaganda. We get to meet many familiar characters in Metropolis including Lois Lane (Rachel Brosnahan of The Marvelous Mrs. Maisel), the Daily Planet reporter who already knows Superman’s alias identity as Clark Kent and is romantically involved with him. She even interviews Superman in a lengthy scene that reveals just how complex the political situation has become and that Supermen may not have considered all the implications of his actions. Also present are reporter Jimmy Olsen (Skyler Gisondo) and Perry White (Wendell Pierce), the newspaper editor. Unlike earlier Superman movies, this version goes much more into the sci-fi aspects of the story, resembling the old comic books of the fifties and sixties. Luthor has a whole team of tech geniuses working for him and advanced weapons including a female “engineer” (Maria Gabriela de Faria) who has buzzsaws for hands and can act as a human computer server. And he has constructed access to a pocket universe where he can hide from the world’s governments and maintain his own prison where he holds anyone that he thinks has wronged him (even old girlfriends). All is not gloomy for Superman though as he has some allies on his side. There is a comical team of superheroes called “The Justice Gang” as that is the best name they have come up with so far. This unruly crew includes the Green Lantern (Nathan Fillion having a blast), alias Guy Gardner, Mister Terrific (Edi Gathegi of The Harder They Fall) who has an assortment of high-tech gadgets, and Hawkgirl (Isabella Merced). Another superhero, Metamorpho (Anthony Carrigan) who can transform into any element, later comes to Superman’s aid and he needs it when the threats become too much for Superman to handle alone. Gunn, the creator of the Guardians of the Galaxy movies, has given us a complex and entertaining take on a very familiar subject. The cast especially is first rate making some interesting characters, most notably Corenswet as an emotional Superman dedicated to doing the right thing, Brosnahan as a smart Lois Lane and Hoult who makes an especially menacing villain with his bald head. While most movie fans have been enjoying the film, there is a set of those on the far-right that are criticizing the film for emphasizing Superman’s status as an alien refugee who is in America illegally. For them, the commonly known elements of the story are too woke to be included. Fortunately, this view is limited to a small group of the anti-immigrant set. The rest of us can enjoy a traditional story of the good guys triumphing over the bad guys.

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World      4 ½ stars

Last year brought the third chapter of the How to Train Your Dragon trilogy and it is a fitting ending to the story of the young Viking leader, Hiccup (Jay Baruchel) and his close dragon friend, Toothless, who is always by Hiccup’s side. This time the Vikings of Berk are living peacefully with their dragon friends, but things have gotten very overcrowded. You could also call the movie, “How to Train Your Dragon: The Love Chapter”, as there is a new character in Toothless’ life, a female all white Light Fury, who has captured the attention of Toothless. There is a new villain also in the person of Grimmel (F. Murray Abraham), a master dragon trapper who together with the Trappers are seeking to put an end to the peaceful cooperation between the Vikings and their dragon friends. As the leader of the Vikings, Hiccup can see they cannot safely remain in their village and leads humans and dragons with the support of his girlfriend, Astrid (America Ferrera), in a search for the mysterious hidden world, the legendary land from which the dragons originated. The movie excels once again with the Disney animation we have seen in the previous chapters, (which go way back to 2010 believe it or not). Besides giving us the thrills of its action sequences, the movie is best when focusing on the friendship between Hiccup and Toothless, which resembles traditional movies dealing with a boy and his dog (or horse). But this time Hiccup faces the new challenge of facing what is best for Toothless and everyone in his world. This third chapter in the How to Train Your Dragon series, I think measures up to the quality of the original, something we rarely see in this age of multiple movie sequels.

F1

F1                           3 ½ stars

Summer is here and with it comes the time of the summer blockbuster. Leading the way is F1, the very loud and action-filled movie about life on a Formula 1 racing team, the most prestigious motor sport in the world. And of course, a blockbuster must have an A list actor for the lead. Filling that role is Brad Pitt, looking his usual rugged and laid-back self as Sonny Hayes, a veteran driver who gave up the Formula 1 circuit long ago after being injured in a horrifying accident. (Pitt was last seen in last year’s Wolfs which I have not seen.) A blockbuster racing movie also requires plenty of camera shots of fast cars maneuvering around one another and shots from inside the cars showing the intensity of the drivers, all with the roar of the engines filling the room and an announcer describing the action. F1 has all this plus a story of two drivers on the same team often at odds with one another. Hayes is the sixty something veteran who has all the experience and confidence needed to win, while young Joshua Pierce (Damson Idris) is the rookie who has the right stuff but needs the experience. It is the owner, Rueben (Javier Bardem of Dune and Being the Ricardos) who convinces Sonny to come back to the race circuit and save his losing and nearly bankrupt team, APX. Thus, the drama revolves around these two drivers and the team as Sonny has to learn that it takes a team to win and it can’t be up to just one man. F1 deviates from the formula of most racing movies such as Ford v. Ferrari as there is no character portraying the opposition. The other cars and drivers are for the most part nameless faces that furnish the background without being a part of the story. And since APX is one of the worst teams on the track, their objective is not really to win a race, but just to be in the top 10 finishers. So, the premise is not what I am used to in a movie about race car drivers. Some of Sonny’s moves on the track would seem questionable. It’s hard to imagine him not being disqualified for them in a real race. Pitt is naturally at home in the role of the handsome, solemn veteran who can handle whatever is thrown at him, except perhaps for the lasting effects of the injuries he suffered years before. The movie does include a couple of subplots to give it some depth beyond the racing. The team’s technical director is Kate (Academy Award nominee Kerry Condon of The Banshees of Inisherin), an Irish woman who is an expert in her field of designing race car components. She has a few run ins with Sonny, not necessarily confined to race cars. And there is a member of the team’s board who may not share the interests of the team’s owner and seems to have his own agenda. The race scenes are exciting, but viewers who are not familiar with the jargon or the significance of changing the tires for varying conditions may find these scenes confusing. F1 is not my favorite racing movie, but for the action, it is worth seeing. It is of course a good one for Brad Pitt fans to check out too.

Okja

Okja                       3 ½ stars

I went back a few years to see an earlier film by Korean film director Bong Joon Ho. Ho is probably best known for the 2019 Academy Award winning film Parasite, about greed and class discrimination. His earlier movies that I have seen are The Host and Snowpiercer. His imaginative films typically contain elements of science fiction or fantasy with dark undertones, and this is certainly true of Okja, a tale about a genetically engineered super-pig that is loved by a Korean girl named Mija. Mija has been raising Okja from a piglet with her grandfather in the mountains of Korea for ten years and the two are quite close. But Okja is actually a genetically engineered animal intended to be a new food source along with hundreds of other such animals that was created by the conglomerate Mirando Corporation, led by the villainous Lucy Mirando (Tilda Swinton). One day the face of Mirando arrives at the farm in the form of Dr. Johnny Wilcox (Jake Gyllenhaal), a comically self-absorbed TV show host, who is there to take possession of Okja and take her back to New York where she will participate in a sort of beauty contest for the giant pigs before they are taken to slaughter. This doesn’t sit well with young Mija, so she sets off to free Okja before she is shipped to New York. But along the way she encounters a group of animal rights activists, called the ALF, or Animal Liberation Front, led by Jay (Paul Dano), who has some personal issues with violence. This sets off plenty of action and comical situations that are amusing, all created with some ingenious special effects. The movie is enjoyable to watch, though due to language it probably is not suitable for young children. This was Bong Joon Ho’s second English language movie, his first being the manga inspired Snowpiercer. Since that earlier movie didn’t do well in the foreign markets, he decided to go the streaming route teaming up with Netflix. When it was shown at the Cannes Film Festival, the audience booed the Netflix logo, showing their disapproval of the streaming platform. Though overall, the movie was well received. The movie is somewhat predictable and lighter than Ho’s other movies, especially the award-winning Parasite that came out two years later.