Category Archives: 2025

Avatar: Fire and Ash

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Avatar: Fire and Ash        3 stars

As incredible as it sounds it has now been seventeen years since James Cameron brought us Avatar, his spectacular CGI-3D movie about the blue-skinned inhabitants of a distant planet called Pandora and the efforts of humans to dominate and exploit it for its natural resources. The humans developed a technology that allowed them to blend in with the alien race in copies of their bodies. Then in 2022, came Avatar: The Way of Water, which followed a family of the Na’vi race who flee from their own tribe and come to live with the Metkayina, another tribe that has a close relationship with the sea and the creatures that dwell there. Both movies were noted for their colorful and overwhelming special effects using body capture technology and their tales of exploitation of native cultures by a technologically superior race in the search for valuable resources (an indictment of corporate greed). Cameron’s latest incarnation, Avatar: Fire and Ash continues the story, with most of the same characters and the same astounding special effects of the first two films. We follow Jake Sully (Sam Worthington), the fearless Neytiri (Zoe Saldaña) and their family through family drama, their dealings with their Metkayina hosts, adventures with some incredible animal inhabitants and the inevitable conflict with their human pursuers, who seem to never learn from their past experiences. Meanwhile, Jake’s enemy, Colonel Miles Quaritch (Stephen Lang), has not given up on tracking down Jake, who he regards as a traitor for “going native”. (You may remember that Jake and Quaritch were both humans who now inhabit Na’vi bodies, able to breathe the air of Pandora that is toxic to humans.) The movie feels like it has little to add to the story, featuring much of the same conflicts and action that we’ve seen before despite its three and a quarter hour running time. One very notable addition though is the villain, Varang, who leads her tribe, the Mangkwan, who prey on the vulnerabilities of other Na’vi tribes and steal whatever things of value they can find. Varang is ruthless and smart as well, able to adapt to new situations. It doesn’t take long for her to see the value in allying herself with the vengeful Quaritch. Oona Chaplin is perfect for the role of this native leader. (Chaplin is the granddaughter of the legendary Charlie Chaplin.) Overall, this third iteration seems like more of the same including the relentless greed of the humans and the spirituality of the native Na’vi. Of course, the movie did not need to be nearly this long. The word is that James Cameron is planning on two more movies in this series (each probably over three hours). I feel that the story has been played out and it is time to move on to something else. We will see if he follows through on this plan.
 

The Secret Agent

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The Secret Agent             5 stars

A favorite genre of mine is the political thriller and if you share this feeling, you should not miss Kleber Mendonca Filho’s extraordinary movie The Secret Agent. The setting is 1977 southern Brazil, a time of extreme authoritarianism and oppression that feels appropriate for today. Early on we meet Marcelo (Wagner Moura of Civil War and Dope Thief) who is driving a bright yellow VW Beetle through desolate country and stops at an isolated gas station to buy gas. There is a dead body that has been lying on the ground for days with the attendant explaining that he tried to rob the place and got what he deserved. They are still waiting for the police, but the police have their hands full as Carnivale is in full swing. (It is mentioned that there have been 91 deaths reported during Carnivale so far.) When police car does show up, they are only interested in trying to shake down Marcelo for some cash. This movie packs a lot in its 2-hour, 41-minute runtime. There are corrupt cops that engage in killings and disposal of bodies (and body parts), a loose knit organization that protects people in trouble by hiding them and giving them new identities, discoveries of body parts inside the stomachs of sharks, a corrupt businessman who will let no one stand in the way of his greed, a pair of professional hitmen and a mysterious dismembered “hairy leg” that attacks people in a park. What I really like about the movie is the way the story is told. The characters are introduced slowly, and we don’t get much background to start with. Marcelo finds a room to stay, in a house belonging to an old woman who seems to have a lot of connections. He has a young son who is staying with the boy’s grandparents. Other characters are introduced, such as the corrupt police chief, but we don’t know how they are related to Marcelo. Eventually, we learn more using flashbacks and learn that Marcelo was a researcher at a company with government funding. The pacing starts out very slowly, but builds as the characters are developed and the relationships become clearer. Finally, the tension rises to a fever pitch as the paths of the characters finally cross. But that is not enough. The director has added scenes at the end that take place decades later that deliver the message that time does not heal all wounds. This is the way a good thriller is supposed to be made. A nice tough is seeing how communication was done in the age before cell phones and the internet. Everything was land lines and telegrams. There is little doubt about why The Secret Agent was nominated for the Best Picture, Best Actor, Casting and Best International Feature Film Academy Awards this year. Filho has made many other well received films, but as they are from Brazil, I have not heard about them before. He is getting some major recognition this year.

No Other Choice

No Other Choice               3 stars

Man-su is the kind of man who has it all.  A good paying job, a beautiful wife, a house in the suburbs and two children.  He is a successful middle manager in a Korean paper company and a past Pulp Man of the Year.  But suddenly an American company has bought out the company and that can only mean job cuts. Man-su finds himself out of a job and after a year of searching still has not landed a new one forcing spending cuts at home. What can a man do except kill the competition for what openings there are in his industry? This is the premise of Park Chan-wook’s comedy drama No Other Choice.  It seems I don’t see things the same as most of the critics as I didn’t appreciate the change in style going from serious drama to slapstick comedy.  There was too much of a change in tone that bothered me.  Man-su (played by Lee Byung hun of Squid Games) takes out fake job ads for a paper company to find the best candidates so he can find them and murder them.  Then he will be the most qualified man remaining.  The problem is that Man-su is really bad at killing, often getting mixed up in the victim’s lives. Then he bumbles his way through each situation. The movie is a long way from being plausible, but apparently that is what Park has in mind.  I wasn’t buying it, which ultimately made the movie less interesting for me. It doesn’t get my vote for Best Foreign Film Academy Award.

Zootopia 2

Zootopia 2           5 stars

Do you remember following the adventures of Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) as these two adventurers fought to solve crimes in the animal city of Zootopia? Well, they are back officially working together as partners on the police department in the Disney movie Zootopia 2. This time they really messed things up causing multiple mishaps and property damage, resulting in them being referred for remedial training for mismatched partners. In this colorful city where all species of land animals coexist, regardless of predator/prey statis or habitat, there are many amusing popular culture references to notice if you are watching close enough. They have streaming platforms like EweTube and HuluZoo. I saw references to Mulholland Drive, The Shining and Silence of the Lambs. I am sure if you look closer there will be a few more that I missed. In this film we learn of the origins of Zootopia as they are getting ready to celebrate the city’s centennial. Decades earlier the Weather Walls were designed by an ancestor of the Lynx family that made the city of animals possible. Only, all reptiles were excluded since they were regarded as enemies of the other animals and were not to be trusted, so they survive on the outskirts of the city. But at the city celebration Hopps and Wilde make acquaintance with Gary (Ke Huy Quan of Everything Everywhere All at Once), a snake who is out to clear his family’s name. Gary claims that it was his ancestor that created the Weather Walls and it was the Lynx family that stole it from the snakes. Hopps and Wilde are all too willing to accept his story and are off on a new quest to find out the truth. The charming thing about the movie is the way that Hopps and Wilde interact with one another. Hopps is very enthusiastic about the case, and Wilde is interested in his own safety but must go along with Hopps to keep her out of trouble. There is a certain amount of sexual tension between these male and female characters that reminded me a lot of Jake Peralta and Amy Santiago on my favorite cop show, Brooklyn Nine-Nine. (It’s interesting that Andy Samberg is in the cast but here he is Pawbert, one of the Lynx family.) Just like in Zootopia, there is a wide variety of amusing characters, including Dr. Fuzby (Quinta Brunson), Police Chief Bogo (Idris Elba) and a politician named Brian Winddancer (Patrick Warburton). There is even an appearance by the slow moving three toed sloth, Flash Slothmore, one of the favorites from the first movie. Zootopia 2 is fun for all ages and in Disney fashion, teaches a lesson of acceptance of others despite our differences. I look for Zootopia 2 to be nominated for the Best Animated Feature Academy Award and possibly win just like the original. Let me know if you have noticed more pop culture references in the movie.

KPop Demon Hunters

KPop Demon Hunters                     4 ½ stars

I finally decided to see what all the fuss was about for the Netflix animated movie KPop Demon Hunters, so I viewed it months after it was in theaters and viewed by record crowds. I know very little about KPop, having some awareness of BTS but that is about it. The movie is very colorful and action packed, following a very popular female musical trio called Huntrix, voiced by Arden Cho, Ji-young Yoo and May Hong. The story is rather light with the premise being that there are demons trying to get into the souls of music fans by means of capturing them with popular tunes. Huntrix can resist the threat with their own popular tunes as long as they can write and perform the best songs for their fans. The problem for them happens when the main demon character comes up with a scheme to defeat Huntrix by enlisting a boy band that challenges them to a competition to become more popular with their fans. At least that is what I took from it. The real entertainment comes from the very catchy and upbeat tunes in the movie. These include their top hit, Golden. (I kept hearing it in my head for days afterward.) So, if you are ready for some rather mindless entertainment, you should see it. Then you can understand what all the kids are excited about. I understand that it broke the box office record for animated movies. And it is sure to receive an Academy Award nomination for Animated Film and probably will win.

It Was Just an Accident

It Was Just an Accident                  4 stars

It Was Just an Accident, by the noted Iranian filmmaker, Jafar Panahi is a revenge movie but is deeper than that as it questions the cost of revenge. I have never seen any of Panahi’s other films, but I understand that he has many productions to his name and is well regarded. A minor accident at the beginning of the film sets in motion a series of events that will have a lasting effect on the lives of several persons that were held captive in a notorious prison run by the oppressive Iranian government. Vahid is a mechanic who one day hears the sounds of a customer in his shop who is being served by his partner. He thinks he recognizes the customer’s limp as the prison guard who tormented him using “enhanced interrogations” while he was being held in prison years earlier. The man is Rashid, a man with a family, who walks with a limp because he has an artificial limb. Vahid schemes to find Rashid’s home, follow him and kidnap him, then sets about trying to bury him alive in the desert. But Vahid’s problem is he can’t be absolutely sure he has the right man since he was always kept blindfolded while in prison. So, he sets out to find other people who were also held prisoner and tortured by the same guard, bringing them all together to identify Rachid and confront their own past nightmares. They have heated arguments about the situation discussing whether to let him go or execute him. Things get even more complicated for them when they find out that Rachid has a wife who is in desperate need of medical aid and they must help her and the couple’s daughter. They find that given the chance for revenge, the cost to their being and sanity may not be worth any satisfaction they may receive. The ending is very powerful and not what I expected. Jafar Panahi was himself held prisoner by the authoritarian regime and was prohibited from making more films, but he hasn’t let that stop him. You can understand why the Iranian government doesn’t want him to express his views. He made this movie without the knowledge of the government using amateur actors and what could be termed as low production techniques, filming it all in Iran. Nevertheless, he has produced a powerful film, one that achieved critical success and won awards at the Cannes Film Festival last year. I was lucky enough to find it in the theater where I saw the full effect of the drama. Don’t be surprised to see it mentioned in the Academy Award nominations in a few weeks. It happens to be the official Academy Award foreign film submission from France.

Marty Supreme

Marty Supreme                 5 stars

It’s hard to describe Josh Safdie’s new film, Marty Supreme, which recently opened in theaters. You could say it’s a sports movie about a young man’s path to greatness in the world of table tennis, but that would be completely inadequate. The director of Good Time and Uncut Gems has created something unlike anything I have seen before. Marty Supreme is a manic, unhinged joy ride where one wonders what will happen next to top the previous scene. Timothée Chalamet has played a sociopath, a musical genius, a chocolatier, a messiah figure and a cannibal. So why shouldn’t he be a self-absorbed con man who thinks of himself as the greatest thing ever to hit table tennis? Marty Mauser is a very good shoe salesman who also happens to be an incredible table tennis player in 1952 New York and wants to go to the world championships in London to prove it, if only he can get the money to get there even if that means stealing from his boss. Once there he nearly succeeds, but meets his nemesis, a young Japanese player from Tokyo who defeats Marty in the final, thus depriving Marty of the title and all the winnings. (Along the way he makes acquaintance with Kate Stone (Gwyneth Paltrow of Shakespeare in Love), a movie star past her prime, who he also finds ways to con into his plans.) For the rest of the movie, Marty’s singular focus is to get back to the championship the next year and win the title, and he will do whatever it takes to get there. Since he has no money, he will literally beg, borrow and steal (mostly steal) to get the funds that he needs to claim what should be his. Marty’s other talent is his ability to talk his way through any situation he finds himself in. And he is not above involving his friends or even his pregnant girlfriend (Odessa A’zion (I Love LA)) in his various schemes, whether it’s hustling unsuspecting schmucks at a bowling alley or ransoming money from a rich, hardened gangster (director Abel Ferrara) by holding his prized dog. There is some top-notch talent involved in the making of this movie as we can see from the amazingly realistic sets and the fast-paced action. The supporting cast of mostly unknown actors portraying aging characters populating New York make it appear very authentic. But the film really belongs to Chalamet who is essentially in every scene portraying the young man with unlimited confidence who is determined to get his way, no matter who he hurts. This looks like one of his greatest roles yet. You should not miss it. I look forward to whatever is in store for him next.

In Your Dreams

In Your Dreams                 4 stars

From Netflix comes the new animated film, In Your Dreams, that follows the adventures of twelve-year-old Stevie and her little brother Elliot as they venture into the world of dreams. This film arrives after Netflix’s wildly successful KPop Demon Hunters and may not have nearly its marketing or its originality of music, but it does have an impactful message that will appeal to a wide audience. Viewers of course will recognize some favorite tunes in the film including Mr. Sandman, Sweet Dreams and Enter Sandman that are woven into the story. Stevie seems to have a near perfect life with her two parents (Simu Liu and Cristin Milioti) but must put up with annoying little Elliot who came along a few years after her. She becomes concerned when there are signs of trouble in her parents’ marriage and she fears they could split up. One day the siblings discover an old book in a thrift store titled Legend of the Sandman, that tells about the Sandman who can make dreams come true if they believe in him. The two of them try out the instructions in the book and upon falling asleep, they enter the bizarre world of dreams where objects come to life, such as a bed they ride like a horse, breakfast cereal and Elliot’s favorite toy Baloney Tony, a stuffed giraffe who spouts wisecracks (played by Craig Robinson). The promise is that if they can find the Sandman he could make dreams come true and for Stevie this is getting her parents to stay together. The problem is they have to face dangerous situations in the dream land without waking up, something that proves very difficult. In one scene they must do battle with a giant teddy bear. It is all rather amusing but could have the potential of scaring young children. When they finally do find the Sandman (Omid Djalili) he shows them that if they can stay asleep long enough their dream can become reality, so Stevie is determined to make this work. And it does for a while; that is, until it all seems too good to be true. They also meet Nightmara, the creator of nightmares who tells the children that nightmares are there to help us face the bad things in life, but the Sandman wanted to avoid them and make dreams pleasant instead. The movie becomes a life lesson in facing the things that make life difficult and loving each other in spite of the problems that go with being part of a family. There is plenty of color and high intensity action as well as occasional fart jokes that should entertain the youngsters. At an hour and a half, it is about the right length. The writer/director is Alex Woo who previously worked for Pixar. This is his first effort in the director’s chair and I hope we see more to come from his vivid imagination. The movie is available on Netflix.

Ella McCay

Ella McCay          1 star

I was looking for a movie one afternoon, so I was limited to matinees in nearby theaters. I settled on the new comedy Ella McCay by writer/director James Brooks. Brooks is known for such classic comedies as Broadcast News, Terms of Endearment and As Good As It Gets. Ella McCay includes some top actors like Jamie Lee Curtis, Woody Harrelson and Ayo Edebiri, so that seemed promising. Oh, how wrong that is! Most of the characters are one dimensional and involved in one ridiculous subplot after that are disconnected and go nowhere. The idea is that Ella McCay (Emma Mackey, who is the only mildly interesting character in the movie) is the youngest Lieutenant Governor ever in the state and she is about to get promoted to Interim Governor when the Governor (Albert Brooks) is tapped to become a member of the new administration’s cabinet. Ella has a passion for improvement of many issues that the state is facing and has some big plans. The problem is that she is a lousy campaigner and gives boring speeches. Her biggest problem is her messed up family that interferes in her life at the worst moments. Her father (Woody Harrelson) was fired over some sexual harassment claims (while he was married to Ella’s mother). Harrelson is not very funny and doesn’t appear in many scenes. Her husband (Jack Lowden) is a moron, and it has taken sixteen years of marriage for Ella to figure that out. Her younger brother, Casey (Spike Fearn) is agoraphobic, but is a sports betting genius and rich, but is afraid of how to approach his girlfriend (Ayo Edebiri, one bright spot in the whole mess). Lucky for Ella she has Aunt Helen (Jaimie Lee Curtis, in a wasted role) who always has good advice, if only Ella would listen. Rebecca Hall shows up only briefly as Ella’s mother before she quickly dies and disappears. Then there are the brief scenes with Kumail Nanjiani who is on Ella’s state police security detail. That’s another wasted talent. So poor Ella must deal with each crisis while she is supposed to be governing. It doesn’t take long before a scandal erupts. A nosey reporter is threatening to reveal that she has been having trysts with her husband on state property if she doesn’t give him what he wants. How scandalous! I found the whole thing to be boring and was hoping it would soon be over. There is also the matter of aging in the movie or lack of it. Mackey looks virtually the same when her character is sixteen as when she is thirty-four. Obviously, the budget didn’t allow much in the way of makeup or CGI effects. James Brooks has clearly not given this movie the effort he put into his earlier projects in the eighties and nineties. It looks like it is time for him to retire. Let’s hope that Emma Mackey finds some better roles soon. This is easily the worst movie I have seen this year.

Hamnet

Hamnet                 5 stars

We start with watching a woman alone in a dense forest who has tamed a falcon that obeys commands. She appears to be completely at home in this natural environment. Then we see a young man who meets the woman and is instantly taken with her. The pair marry and have three children and will suffer the worst nightmare that can be imagined by a parent. The pair is William Shakespeare and his wife Agnes, and this is the movie Hamnet. Based on Maggie O’Farrell’s novel Hamnet and directed by Chloé Zhao (The Rider, Nomadland), the movie imagines the married life of Shakespeare and his wife and the raising of their three children while he is embarking on a writing career. There has long been speculation that after the death of their son, Hamnet at 11-years-old, the tragedy was the inspiration of one of Shakespeare’s most loved plays, Hamlet (Hamnet and Hamlet being synonymous). Zhao brings the story to life thanks to her style in displaying the closeness of the characters and their grief when Hamnet is taken from them in the pestilence sweeping the country. Much credit must be given to the two actors, Jessie Buckley (Wild Rose, The Lost Daughter, Women Talking) and Paul Mescal (Aftersun, All of Us Strangers), who make us feel their love for their children and their unimaginable pain when the son is lost. Buckley, who has had a string of successful and quirky roles, especially deserves praise for perhaps the most emotional performance of the year. As if that were not enough, she follows this up with pure wonder, when witnessing the first performance of Will’s play Hamlet where the final scene of Hamlet’s lament and death is played out. The scene, in the setting of the Globe Theater can be described as overwhelming.  Audiences will also be very pleased by the performance of young Jacobi Jupe who plays the playful and mischievous Hamnet. The casting was perfect with this choice. The movie will likely be most remembered for Jessie Buckley’s emotional performance as the young mother, so expect there to be a few awards this season for her plus in a few other categories.