Category Archives: 2023

Mission: Impossible – Dead Reckoning, Part One

Mission: Impossible – Dead Reckoning, Part One  4 ½ stars

Returning to the screen in true summer blockbuster form is the seventh Mission Impossible installment in Mission Impossible – Dead Reckoning, Part One. The awkward sounding name teams up Tom Cruise in his iconic role of Ethan Hunt, leader of the IMF team with director Christopher McQuarrie, who directed earlier MI films and last year’s big hit Top Gun: Maverick. The action thriller features no less than a car chase through a European city (featuring a miniature Fiat), a desert gun battle, a thrilling cat and mouse hunt through an airport with a possible explosive, daring hand to hand combat amid the canals of Venice, all capped off with a thrilling confrontation on the orient Express through the Austrian Alps. As usual, these action scenes feature Cruise doing most of his own stunts which includes jumping off a mountain peak on a motorcycle with a parachute. This time around Hunt has accepted a mission with his IMF team to stop The Entity, a digital sentient AI being that threatens to control the world. I hope this is very far-fetched. The key to stopping it is a literal key, the possessor of which could control the entity if they can get the key to the right place. This is all that is needed to set up the usual action sequences vital to a successful Mission Impossible film. Despite the name of the film, it really does stand on its own as a complete film. We are promised a Part Two coming next year which is rumored to be Cruise’s final entry of the franchise. Returning as part of Hunt’s IMF team are Luther (Ving Rhames), Benji (Simon Pegg) and Ilsa Faust (Rebecca Ferguson) who Hunt considers as family and perhaps his weakness. Villainous figures from the past appear including Gabriel (Esai Morales) and the White Widow (Vanessa Kirby) who vie for control of the Entity. One new character deserving attention is a pickpocket appearing at a very inopportune time in the form of Grace (Hayley Atwell) who is “persuaded” to join the IMF team when there is no other choice. The CIA suits who would like to control Hunt are portrayed by Henry Czerny as Kittridge, head of the CIA and Shea Whigham as Briggs, a government agent who seems to follow Hunt’s every movie. Rounding out the villains is Paris (Pom Klementieff) who is mostly silent but very well versed in car chases and hand to hand combat. (You may have seen her as Mantis in the Marvel movies.) The movie strikes the right balance between action sequences and cooled down scenes allowing the audience to catch its breath so that you don’t notice the two-and-three-quarter hour running time of the film. The AI themed plot of the movie is appropriate to our current times and one hopes it isn’t predictive of what is to become. Now I will be looking with anticipation to 2024’s release of Mission Impossible – Dead Reckoning, Part Two!

Oppenheimer

Oppenheimer   4 ½ stars

“Now I am become Death, the destroyer of worlds.” These are the words that J. Robert Oppenheimer, played by Cillian Murphy says early in the Christopher Nolan new epic film Oppenheimer about the life of the theoretical physicist who was chosen to head the Manhattan Project during World War II. We don’t know if Oppenheimer really said this but it demonstrates just how troubled he became as he would come to terms with the incredible destructive power unleashed with the atomic bomb. The film gives us the story of Oppenheimer’s life and how he led the project located in the desert at Los Alamos, New Mexico, including the scandal of an affair and the drama of two court hearings. The movie packs a heck of a lot in the three hour running time. It is about the creation of the bomb, but is just as much a tense political thriller. It follows multiple time lines and a myriad of characters from academics and the military using both color and black and white footage sometimes interspersed with images of explosions and rotting corpses and faces. Nolan often uses short scenes with only a few longer ones all of which are packed with dialogue jumping from one time to another. It would be nice to see the years the scenes occur in, but there are many clues given as the time lines stretch from the nineteen twenties to the nineteen fifties. Oppenheimer’s (Cillian Murphy) main enemy in the film is Lewis Strauss (Robert Downey Jr.), the chairman of the Atomic Energy Commission after the war who first recruits Oppenheimer then seeks to destroy his career. One may be surprised to see that the achievement of completing the first atomic explosion happens about two-thirds of the way through the film with the hearings taking up the remainder of the movie. In the first, occurring around 1954, Oppenheimer is accused of being an agent for the Soviets with communist leanings when it is brought out that his views toward the weapon changed with the development of the H-bomb and that his wife, Kitty (Emily Blunt) may have been a member of the Communist party many years before (the worst accusation in the America of the 1950’s). In the second, a Senate hearing is held for the confirmation of Strauss as the Commerce Secretary for President Eisenhower in 1959. We seem to go through endless testimony from individuals who played a role in the Manhattan Project, some on Oppenheimer’s side and some who are not. Throughout the entire movie, it is Murphy’s performance that makes it a success more than anything letting us see Oppenheimer’s talent as a visionary who is also deeply troubled by the threat brought to humankind by this creation. There are a great many actors with supporting roles in this complicated story that will be familiar to audiences. To mention a few there are Matt Damon, Josh Hartnett, Rami Malek, Kenneth Branagh, Casey Affleck, Florence Pugh and Jason Clarke without going into the individual roles. (Gary Oldman is great as Harry Truman being a real jerk.) To really understand what is going on, one would have to see the movie more than once. I can guarantee that it will keep your attention throughout, thanks to Nolan’s writing and an excellent score by Ludwig Goransson. I would say though that the sex scene in a hallucination that Oppenheimer has could have been left out and nothing would be lost. It is safe to say that this is one of two must see movies of the summer. We will be looking for many Academy Award nominations for Oppenheimer next year, I am sure.

Haunted Mansion

Haunted Mansion            2 stars

A number of years back Disney came up with the idea of making a movie based on a Disney ride and voila, Pirates of the Caribbean appeared on movie screens and became an instant success. Then just a couple of years ago Jungle Cruise came to the theaters and delighted many movie goers. Now we have the latest Disney release based on a Disney ride but this time you would be better off going to the park than to the theater. Haunted Mansion features a young woman named Gabbie (Rosario Dawson) and her nine-year-old son, Travis, who have taken possession of an old mansion that is over two hundred years old only to discover that it is inhabited by ghosts. She goes looking for help and finds a priest named Father Kent (Owen Wilson), a quantum physicist (LaKeith Stanfield) who has lost his wife, a medium (Tiffany Haddish) and a past his prime college professor (Danny Devito). None of the team can turn down the job because they all discover that once they enter the house, a ghost travels with them wherever they go, so they have to take on the challenge of removing the ghosts from the mansion. After many missteps involving spooky portraits and endless hallways with trap openings they eventually discover there is one ghost present who was a terrible man named Crump, (Jared Leto) who is collecting hundreds of souls in the house, tormenting them for eternity. With the help of a spirit trapped in a crystal ball (Jamie Lee Curtis) and a quest to find an artifact belonging to the horrible Crump some of the group leave on a venture to complete the challenge and rid the world of Crump. It’s quite a gathering of funny talented people that should make it an entertaining movie. The trouble is that it feels like a collection of poor CGI effects that make constant reference to the Disney ride and other past Disney movies. There are the obvious portraits with moving pictures, the descending floor, the guy playing the organ and the dancing spirits. There are even chairs that pick up characters and try to eject them from the property. It all feels like the movie makers are trying to inject everything they can find to mimic the ride. I had grown tired of the silly action by the time it was over. What a waste of comedic talent. I did find Hadish to be funny in her role as the medium and enjoyed seeing Jamie Lee Curtis if only briefly. Nice try Disney. Maybe you should make the movie first and then make the ride based on the movie. Another ghost movie called Ghostbusters comes to mind that I would gladly see again for more laughs.

A Good Person

A Good Person                  3 stars

A Good Person, written and directed by Scrubs star Zach Braff and starring Academy Award nominee Florence Pugh (of Midsommar, Little Women and Oppenheimer and Princess Irulan in Dune 2!) brings us into the all too familiar world of drug addiction and PTSD. In this movie it is Pugh who plays the drug addict, Allison, a young woman who had everything going for her including a loving fiancé and an active social life until a tragic accident resulted in her being addicted to OxyContin. Allison has a falling out with her mother (Molly Shannon), is afraid to work and is not above blackmailing former friends in order to score more drugs. Things are bad for Allison but also in pain are her fiancé, Nathan (Chinaza Uche), Nathan’s father, Daniel (the legendary Morgan Freeman) and Daniel’s granddaughter, Ryan (Celeste O’Connor of Selah and the Spades). You see, Daniel’s daughter and mother to Ryan were killed in the tragic accident. Long after the incident these people are trying to get on with their lives, some better than others. Daniel is now responsible for Ryan who has been acting out in high school. Having been an alcoholic before, Daniel is in a position to try to help Allison out of her addiction but it is a painful situation given the loss everyone has suffered. While Florence Pugh puts in a good performance as Allison the film feels rather formulaic on this all too familiar subject. Better movies come to mind like Requiem for a Dream, Rachel Getting Married and Clean and Sober (which features a young Morgan Freeman). There was also Sound of Metal in 2019. (Outstanding!) It’s a tough assignment to measure up to some of these excellent movies. Braff gave it a try, but it was also reported that he specifically wrote the movie for Pugh since the two were at one time involved in a relationship. It’s certainly not great. I will be watching closely for the release of Dune: Part Two which includes Florence Pugh playing the part of Princess Irulan.

Bottoms

Bottoms               4 ½ stars

The newly released Bottoms brings the raunchy high-school sex comedy into the 2020’s. The movie’s writers, Emma Seligman (who also directs) and Rachel Sennott (starring as P.J.) have described it as this generation’s Heathers, (that teen comedy from 1988 starring Winona Ryder). In this fast paced and foul-mouthed story, BFF’s P.J. (Sennott) and Josey (Eyo Edebiri) are gay high school girls starting their senior year, who regard themselves as ugly and are very horny for girls on the cheerleader squad. It’s a tough time for them as all the attention is on the school football team, the Vikings who are about to face their chief rival in the upcoming game. The quarterback, Jeff (Nicholas Galitzine doing some over the top acting) is the boyfriend of cheerleader Isabella, who Josey is hot for. Clearly this forlorn pair need a plan. Under pressure P.J. comes up with the idea of forming a girls fight club hoping to attract some hot girls to join, with Josey in agreement. Their pretext is that girls are in need of self-defense training and it is a way to promote feminist empowerment. Unfortunately, the founders know nothing about fighting so simply punch each other in the face to start things off. (They also invent a story about being in juvie where they supposedly acquired these skills that they don’t really have.) Eventually, their love interests do actually join the club where the girls beat each other up even with their teacher sponsor present (former NFL player, Marshawn Lynch). How long can P.J. and Josie keep this up before their true motives are discovered? You will have to see the movie to find out but in the meantime you can enjoy some of the funniest writing I have seen this year. No topic is too sacred for Seligman and Sennott to poke fun at. While being rather raunchy the movie has a smart feel to it like Booksmart and has a high level of energy like Bring It On, (also a cheerleader movie). You might say it is similar to American Pie, but with queer female characters. Rachel Sennott and Eyo Edebiri previously have done web shorts together on Comedy Central. Sennott previously appeared in last year’s Bodies Bodies Bodies and Edebiri was in this year’s Theater Camp. (One of the cheerleaders in Bottoms is played by Kaia Gerber, daughter of Cindy Crawford, important for my generation.) I think we can count on seeing plenty more work featuring these talents as well as from director Emma Seligman.

Fremont

Fremont              4 ½ stars

We return again to a movie that was first shown at Sundance in 2023 with Fremont by Iranian born filmmaker Babak Jalali. One wouldn’t think that a story about an Afghan immigrant escaping from her war-torn country to the United States would make for a good comedy, but that is exactly what Jalali has set out to do. Donya (Anaita Wali Zada, who herself escaped from Afghanistan) is a young Afghan woman who was a translator for the US Army and now resides in Fremont, California, having left her family behind. She has a job working in a Chinese cookie factory in San Francisco, where she seems to have a very bland life. She lives in an apartment building where many fellow Afghans reside, but has contact with many non-Afghans due to her job. There is her boss at the cookie factory who is always upbeat and seems to care about her, her coworker who is often looking for a date, and her psychiatrist who she seems to have conned into giving her free sessions with her complaints about not being able to sleep. Zada portrays Donya with a deadpan look, never cracking a smile or showing any emotion, yet she is someone that people have empathy for. At the factory she lands the job of writing the cookie fortunes when she convinces the owner that she has the intelligence to write the encouraging yet vague messages that the customers will find interesting. But then she takes the chance of writing a personal message with her phone number and putting it in the cookies in an attempt to reach out to someone. This could change her life but may lead to other unforeseen consequences. The style of the movie done in black and white and with straight ahead shots seems to be from an earlier period of filmmaking and something we haven’t seen in a while. The film is very low key and slow moving, but is guaranteed to get some laughs from the audience. Zada is right for the role of Donya and is very believable as the young Afghan who seems lost yet determined to change her life. Fans of the show The Bear will recognize Jeremy Allen White as the lonely mechanic that Donya meets on one of her adventures. Fremont is a moving story about a lost person who holds on to the possibility of being found. I recommend it.

Dumb Money

Dumb Money                    4 stars

The new based on real events movie Dumb Money by Craig Gillespie (I, Tonya) starts by introducing the players on screen showing us their estimated worth. That way it becomes clear who the good guys are and who the bad guys are in the stock trading world, or who are the billionaire hedge fund managers and the retail traders (who the billionaires refer to as Dumb Money). In the early days of 2021 while America wasn’t watching the news about Donald Trump’s second impeachment, they were following a story about a small publicly traded company called Gamestop that was being promoted by a single nerdy small investor named Keith Gill (Paul Dano of Little Miss Sunshine and There Will be Blood). He broadcast his message of belief in the stock on Youtube and Reddit under the name of Roaring Kitty, convincing thousands of small investors to buy it to show the big guys on Wall Street that the stock was undervalued, making the phrase “I like the stock” a rallying cry. The hedge fund managers are all betting against them, selling Gamestop short, allowing them to make a lot of money when and if the stock crashes in value. (I don’t really understand how this works but the movie helps to explain it.) The billionaires are portrayed by Seth Rogen, Vincent D’Onofrio and Nick Offerman who strut around in their luxury suites and tennis clubs. The little guys who buy into the stock and hold it with religious fervor are a nurse named Jenny (America Ferrera), a retail clerk (Anthony Ramos), and a couple of college students (Talie Ryder and Myha’la) who are all desperate for money. The movie provides some non-investing characters to ask questions about what is happening, allowing Gill to explain it in easy to understand terms. These include his wife, Caroline (Shailene Woodley) and his idiot brother Kevin (Pete Davidson in another well executed smart-ass role). All this eventually leads to the climax of a congressional inquiry when there is an apparent impropriety that protects the billionaires from further losses. The movie effectively tells the story of what happens when Wall Street greed collides with the power of social media combined with the isolation brought on by the pandemic. Dumb Money is not The Big Short by any means but dramatizes a story about stock trading done in a way that makes it relatable to the average viewer. Also, fans of hip-hop artist Cardi B should be pleased by the choice of music.

A Haunting in Venice

A Haunting in Venice      4 stars

For the third time in six years the world’s most famous detective, Hercule Poirot, as portrayed by Kenneth Branagh is on the case to solve another mysterious death. With Branagh again directing, it is after World War II and the world is getting back to normal, with Poirot having become a recluse, quietly retired in Venice. But he can’t stay hidden for long when the renowned American mystery writer Ariadne Oliver (a more subdued yet comical Tina Fey) tracks him down to recruit his services regarding the death of a young woman, Alicia Drake on behalf of her mother, Rowena Drake (Kelly Reilly). The catch is that Poirot must attend a children’s Halloween Party on All Hallowed Eve in a large, dark decaying house to be followed by a séance where the dead Alicia is to be contacted. In that respect the movie is a departure from the two earlier outings, Murder on the Orient Express and A Death on the Nile. The exotic locations are exchanged for the confined setting of a creaky, mysterious mansion on a stormy, rainy night and there is a distinct focus on the supernatural with odd camera angles and sudden noises happening periodically. The séance is conducted by the famous medium, Mrs. Reynolds (Academy Award winner Michelle Yeoh), attended by Poirot, Drake, and Oliver as well as Drake’s housekeeper Olga (Camille Cottin), the doctor who treated Alicia, Leslie Ferrier (Jamie Dornan of Belfast), his 12-year-old son, Leopold (Jude Hill also of Belfast), Poirot’s bodyguard and Mrs. Reynold’s assistant. As you would expect with Hercule Poirot being present, the suspicious séance is followed with one of the participants experiencing a fall which proves fatal. Unable to reach the police, Poirot follows his usual protocol, locking everyone in the mansion, interviewing all the potential suspects one by one until the mystery can be solved. The case is based on one of Agatha Christie’s novels, Halloween Party, but it definitely has a supernatural slant to it with apparitions and strange noises contributing to the mystery. Mystery writer Oliver has another motive it is clear as she wants to find a way to increase her book sales and challenge the great detective’s skepticism of all things spiritual. The film is greatly enhanced by actors Michelle Yeoh, Tina Fey and Camille Cotton, but there is a real treasure in the young Jude Hill who is so excellent as the doctor’s precocious son. Branagh previously cast him in Belfast where he was again the son to Jamie Dornan. It will interesting to see what else awaits this young man. I found A Haunting in Venice to be the best of the three Poirot movies and want to assure viewers that the movie belongs in the world of mystery thrillers and is not a true horror movie. See it while it is still in theaters!

Flora and Son

Flora and Son                     4 ½ stars

I returned again this week to a film that appeared at Sundance but missed at the festival. Flora and Son is the latest creation of writer/director John Carney, who previously brought us Begin Again, Sing Street and his masterwork, Once. Again, the Irish filmmaker has created a simple story about conflict in a relationship that centers around and is resolved by the process of song writing. This time the story is about a young, Irish, working class, single mother, Flora (Eve Hewson (daughter of Bono)) who is struggling to raise her 14-year-old son, Max (Orén Kinlan) in a small Dublin apartment. Max, unfortunately has a habit of stealing and getting into trouble at school and is facing the prospect of being sentenced to a juvenile facility. In an effort to keep him out of trouble, she recovers a discarded guitar, has it restored and gives it to the troubled teen, hoping to get him interested in music. Max wants no part of this plan, but Flora is drawn to the guitar and goes in search of online guitar lessons, and in so doing finds Jeff (Joseph Gordon-Levitt), a musician in Los Angeles who hires himself out for personal lessons online. The pair discuss the chords on a guitar and what it means to write a good song and before long Flora is critiquing Jeff’s songs and suggesting ways to make them better. The discussions get quite personal as they discuss the feelings created by a song and refer to song terms like the verses, the chorus and the bridge, something you only see in a John Carney movie. Occasionally, Jeff is shown in the same room with Flora to show how they are connecting over their discussions. (The viewer must ignore the fact that performing music together via Zoom is not practical due to the time delay.) Carney is always interested in his characters getting closer together, but also in the process of writing good music which I love to see. And ultimately there is hope for her son, Max as he reveals some musical talent as he learns to use a synthesizer to create rap music, and mother and son find that they do have a common bond in music. The movie has the right amount of humor and successfully dealing with family conflict without getting too sappy though it is probably not Carney’s best movie. Flora and Son is newly released in theaters so I suggest you see it there while you can. It is also available on Apple TV+.

Dicks: The Musical

Dicks: The Musical                           3 stars

The title of this movie leads you to believe that it is about dicks. This screen adaptation of a musical play first performed in a basement in New York does deliver. It has two of them. The screenwriters, Josh Sharp and Aaron Jackson play Craig and Trevor, two self-obsessed straight men who are in love with themselves and don’t care who they screw over to get what they want. But then one day they meet each other for the first time, discovering that they are competing to be the best salesman for the same company, Vroomba, selling parts for this mysterious machine. They each have one half of a locket they each got from their parents, making them separated identical twin brothers. Of course they look nothing alike which only adds to the bizarre nature of the comedy. They set about to reunite their two separated parents, Harris (Nathan Lane) and Evelyn (Megan Mullaly) by donning wigs and switching places and persuading the two to arrive at a restaurant for a prearranged meeting. (Has anyone heard of The Parent Trap before?) Evelyn is now a wheelchair bound recluse in an apartment filled with odd knickknacks and horrendous looking wallpaper, and who keeps her vagina in a purse. Huh? Harris has come out as gay and has a secret as he keeps two bizarre looking creatures that he rescued from the sewer, referring to them as the Sewer Boys. Besides the bizarre nature of the premise the movie is going for shock and screams, containing almost nonstop references to sex acts (both straight and gay) and genitalia and plenty of use of the f word. It’s all done to music that is more memorable for the content than for the tunes themselves. There is no doubt that it succeeds in being outlandish, offensive and gross. It tries to reach a status of a cult movie, but I doubt it will be another Rocky Horror Picture Show. There are two other roles that are quite notable. Megan Thee Stallion is excellent as Craig and Trevor’s boss in a boiler plate office where she emasculates all the male employees in “Savage” style. And Bowen Yang of SNL does an admirable job as God who narrates much of the story as only Yang can. Dicks: The Musical is not the funniest movie of the year, but it is easily the most irreverent. It is fun just to see how offensive it can get.