Category Archives: 2023

John Wick: Chapter 4

John Wick: Chapter 4      4 stars

I have missed out on the John Wick movies until I saw Chapter 4, the latest in this action franchise featuring Keanu Reeves as John Wick, the greatest hit man ever. I have heard all about his grudge against a crime syndicate that was responsible for killing his pet puppy, but I didn’t realize the true scope of what is apparently the greatest action movie franchise of the past decade. The story is rather straight forward: There is an international crime syndicate called The High Table that has determined that John Wick must die so under the direction of the Marquis (Bill Skarsgard) hundreds of the organization’s best killers are gathered to track down and kill Mr. Wick along with anyone who helps him. However, the crime families have a rigid set of rules that will allow Wick to gain his freedom from The High Table and guarantee his safety. If he can challenge the Marquis to a one on one duel as a member of one of the crime families and defeat him he will be allowed to go free. The only problem is that there is an army of killers and assassins that have the incentive to kill Wick thanks to the bounty on his head that continues to rise as he kills each with amazing efficiency. The main point of the John Wick movies is to portray the high level of violence and the subdued way that the man in the well-tailored black suit is able to engage and defeat his enemies. The action sequences are done with long takes and moving camerawork that captures both the battling subjects and what is happening in the background. I greatly prefer this method to the closeups with quick editing done by so many action movies. Obviously, this requires painstaking attention to detail and some well executed choreography. (After seeing this movie, I will never think the same when I see France’s Arc de Triomphe.) There are some other important and colorful characters returning from previous outings that include Donnie Yen as Caine, a blind assassin and Shamier Anderson as Mr. Nobody who happens to have a dog that aids in the killing and then there is Ian McShane as Winston, Wick’s friend from the New York Continental Hotel who previously shot Wick. We also must say goodbye to Lance Reddick as Charon, the hotel concierge in one of his final performances. Now that I have a taste of the movie I think I will have to go back and view some of the earlier outings of John Wick.

Guy Ritchie’s The Covenant

Guy Ritchie’s The Covenant                         4 stars

If you have seen any of Guy Ritchie’s earlier films you know that they are action packed and have a style all his own. His movie The Covenant that includes his name in the title certainly lives up to his standards. This time we follow the exploits of an army sergeant, John Kinley (Jake Gyllenhaal) and an Afghan interpreter, Ahmed (Dar Salim) as Kinley and his squad are tasked with hunting down IED factories somewhere in the wilderness of Afghanistan. It is 2018 so it is near the end of the war and Kinley is dedicated to this near impossible task with the threat of a Taliban attack at every turn. Ahmed is there because he is drawn to the job for the money and the promise of a visa to the US for him and his family. He also hates the Taliban for killing his son. As the pair face this challenge they learn to rely on one another despite the great cultural differences especially when they are being hunted by every available Taliban fighter in the area. The characters are not based on any particular men, but their story is symbolic of how the American military came to rely on the Afghan interpreters who were promised relocation to America and safety from the Taliban. The real meaning of the film’s title comes later when Kinley is sent back to the US with his family after being severely wounded, but feels the responsibility to get Ahmed and his family out of Afghanistan. He personally endures the frustration of dealing with government red tape and finally hires high priced mercenaries to help find Ahmed who has gone into hiding and get him to safety. The movie is thrilling as a war movie should be and full of harrowing scenes, and also shows the dedication of an American soldier and the loyalty to his fellow man. This is one that comes highly recommended.

The Starling Girl

The Starling Girl                4 stars

The Starling Girl, the first feature film from director Laurel Parmet appeared at this year’s Sundance and was just released in theaters. It concerns a young seventeen-year-old girl, Jem Starling (Eliza Scanlen of Little Women and Sharp Objects) who is coming of age in a small rural town in Kentucky where she and her parents are part of a fundamentalist congregation. Jem is very devout in her faith, but is starting to realize her sexuality and the limits placed on her in this patriarchal society. She takes pride in the dance troupe she is in, but must heed the warnings from adults not to make it about her and to keep God first. One must be very careful in this setting as straying from the fold can result in requiring a confession in front of the congregation and being sent to a disciplinary camp for rehabilitation. Owen Taylor (Lewis Pullman), a handsome thirty-year-old youth pastor returns from an assignment in Puerto Rico with his wife, having a deep impact on Jem’s world. It is then that the story takes a darker turn with Jem pursuing a relationship with the pastor which he is all too willing to accommodate. The naïve Jem sees it as part of God’s plan to get them together while the audience knows what Owen is up to and that only disaster can result. To some extent the story is predictable, but it is made believable because of the acting ability of the young Eliza Scanlen. I don’t know anything about Laurel Parmet’s background but the film was useful in framing the Christian fundamentalist view of life and the outside world and of the effect on young people within the fundamentalist community.

You Hurt My Feelings

You Hurt My Feelings     4 ½ stars

The new movie You Hurt My Feelings, written and directed by Nicole Holofcener first premiered at Sundance this past year and was one of those I heard good things about but didn’t get the chance to see. Now it is in theaters and thankfully can be seen and appreciated by movie fans. The previous Holofcener movies I have seen, Friends with Money, Please Give and Enough Said all have a special comedic style. They feature relationships between people that care for each other and have conversations where slight amusing cuts are made between them. They are not cute but also are not vicious; they are for the most part honest. In this movie Beth (Julia Louis Dreyfus), a writer and writing instructor is happily married to Don (Tobias Menzies), a therapist. Beth has written a memoir about her relationship with her father that was a success and is now working on a work of fiction but can’t get a publisher to accept it. Her sister, Sarah (Michaela Watkins) is an interior designer and is married to Mark (Arian Moayed), a stage actor. The couple discuss everyday things and go about their jobs until one day Beth and Sarah accidentally overhear Don telling Mark that he thinks Beth’s new book is awful but is afraid to tell her that and instead only gives her more encouragement. This causes great distress for Beth but she is afraid to say anything and is now worried that her marriage is all a lie. All of this is handled in comedic style with the combination of Holofcener and Dreyfus giving us plenty to laugh at. Dreyfus’s acting here is not at all like her angry character in Veep. She plays it more subdued and really brings out Beth’s insecurities toward everything. Holofcener and Dreyfus worked together previously on Enough Said and it’s great to see them collaborating again in a light comedy. I find Julia Louis Dreyfus to be one of the funniest actresses working today. This pair working together has given us a real gem of a comedy.

The Little Mermaid

The Little Mermaid          4 ½ stars

In 1989 Disney started a new era in their animated films with The Little Mermaid, a fairy tale featuring a female lead that became an instant hit and a classic. Now they have continued with their latest trend of making these animated stories into live action films bringing The Little Mermaid to life with heavy use of CGI as part of their movie magic. The star of the film is relative newcomer Halle Bailey who previously has appeared in sit coms and in some movies as a child. Now she combines her very expressive face and angelic voice to this fairy tale. We follow the story of Ariel, the curious mermaid who longs to see what is out there in the world of humans and so challenges Triton (Javier Bardem), her father’s thinking about staying isolated from the humans. Her curiosity only grows when she spots Prince Eric (Jonah Hauer-King) on a passing ship and has the chance to rescue him from drowning when the ship encounters a violent storm. Everyone knows the story of the mermaid and her transformation into human form, giving up her voice, so she can be with the humans. I will just mention some of the better performances as I saw them. Beside Bailey there is Sebastian (Daveed Diggs from Hamilton) the crab who must keep an eye on Ariel and follow along with her mischief. He does an outstanding job with the Disney classic song Under the Sea. The most comedic role goes to Scuttle, the confused pelican played by Awkwafina of Crazy Rich Asians. She combines with Sebastian to perform a rap number called Scuttlebutt that is very entertaining. Of course Melissa McCarthy is appropriately villainous and glamorous as Ursula the sea witch who schemes to get Ariel’s voice and doom her to captivity. We get a little of her backstory about her being Triton’s brother and a tragedy than befell their mother. Credit must go to the animation too with all the musical numbers that feature the various dancing sea creatures. While making them alive with color and movement, we still get the feeling that they are animated and not just realistic images of animals generated by a computer. Lin-Manuel Miranda, a producer of the film played a significant role in rewriting the lyrics, giving them a more modern take. The film has a length of two and a quarter hours having been expanded from the animated version. This may be a little long for very young audiences, but hopefully it will keep their attention. All this was put together by director Rob Marshall who previously gave us Chicago, Pirates of the Caribbean: On Stranger Tides, Into the Woods and Mary Poppins Returns. It looks like he has another hit.

Past Lives

Past Lives            5 stars

Past Lives is another of the Sundance movies from this year that I did not see in Park City. Fortunately, it has hit the big screen and can be seen by all audiences. The movie brings out the concept of In-Yun, a Korean belief that people that are connected to one another and will reunite in other ways in other lives at different times, hence the name of the film. This movie Is a real emotional tear-jerker that is aided by some great performances from the main actors. The story takes place in three time periods. We first meet Na Young and Hae Sung as 12 year olds in South Korea where they are close friends, But Na Young’s family is about to immigrate to Canada so they must separate. Later the story jumps ahead twelve years and Na Young now goes by the name Nora (Greta Lee previously appearing only in supporting roles) and is trying to get established as a writer in New York. Hae Sung (Teo Yoo) stayed in Korea and is doing his mandatory military service, but has never forgotten his childhood friend, so he has done an online search for her and finally found her. The pair carry on an on-screen relationship where the pair relate well to each other and they are obviously close, but they must end things. Seeing one another in person is not practical. In the third act, an additional twelve years later, Nora has married Arthur, an American man, (John Magaro) another writer and received her Green Card. Hae Sung still has not forgotten his friend and arranges a trip to see her in New York. One may think this would create a very awkward situation but the writing of first time director, Celine Song is so honest and subdued that she makes the characters seem very real. There is still an obvious attraction between the two main characters, but the reality of their situations determines that they must remain friends. Hae Sung even says that it hurts to like Arthur, Nora’s husband so much. Greta Lee is impressive as an actress who can express feeling with a simple look and through long pauses that tell a great deal. By the end you are wondering what will be in store in their next lives. Some people have already said this is one of the best films of the year.

No Hard Feelings

No Hard Feelings              2 stars

After taking some time off to be a mom, actress Jennifer Lawrence of The Hunger Games and X-Men fame tries her acting chops in the R rated raunchy sex comedy No Hard Feelings, written and directed by Gene Stupnitsky. We know that Lawrence can hold her own in comedies. (Remember the David O. Russell movies Silver Linings Playbook and American Hustle?) Here she takes on the role of an older woman trying to “date” an introverted nineteen-year names Percy who is about to go to Princeton. It seems that his rich parents, (Laura Benanti and Matthew Broderick) are worried about his lack of experience with women so they put an ad on Craig’s List offering a Buick to a woman who would try to bring Percy (Andre Barth Feldman) out of his shell. Maddie (Lawrence) is in trouble financially since all the rich people moving into town have been forcing her property taxes up, so she is willing to try out this offer. Lawrence can deliver on the comedy which includes a few amusing physical bits, but there is something lacking in the writing making it not feel very authentic. It doesn’t go as far as many raunchy comedies like The Sweetest Thing or Neighbors, but it’s also not quite a romantic comedy given the premise. It feels predictable too as Percy is not supposed to know of this arrangement, but it is inevitable that he will find out, which of course he does. There are also a number of appearances by supporting cast that seem to go nowhere, making me wonder why they were even there. (What was the point for Kyle Mooney to be here?) Unless you are a real Jennifer Lawrence fan you can pass this one up and not lose much. You should check out the movie Causeway from earlier this year that featured Lawrence with Brian Tyree Henry.

Asteroid City

Asteroid City      4 stars

Viewers of Wes Anderson’s Asteroid City will immediately recognize the picturesque style and rapid storytelling techniques of the acclaimed director. This is apparently the eleventh film of Anderson’s going back to Bottle Rocket in the nineties. This one may be the most imaginative one yet. Here we get a story within a story as the film starts with a TV host in a 1950’s Actors’ Studio show telling us about the writing efforts of a famed playwright working on his play, Asteroid City. This part of the movie is in black and white, but when we travel to the play, set in a 1950’s southwestern town in the desert the screen switches to bright pastel colors so typical of Anderson’s movies. The town is the location of the annual Junior Stargazer/Space Cadet convention because it is the site of a crater created by an asteroid many centuries before. There, we see a large collection of interesting characters portrayed by many well-known Hollywood actors, including some regulars that Wes Anderson works with. They include Jason Schwartzman as a war photographer traveling with his Brainiac son, Scarlet Johansson as a Hollywood film star and Tom Hanks as a rich grandfather. Some of the actors have double roles portraying their Asteroid City characters and the actors in the play when they interact with the play’s director (Adrien Brody). There are too many notable characters for me to list here. You will have to see the movie to get the full experience. Eventually, there is a life changing event in the small town that brings the attention of the US military. We do get a fascinating story told with rapid fire dialogue and narration that’s familiar as was done in movies of the forties and fifties. You may experience some confusion about what’s going on as expressed by Schwartzman’s Jones Hall does when talking to the director, Schubert Green (Brody). His advice: “Don’t worry about it, just keep telling the story.” Wes Anderson’s movies aren’t always cohesive. They are more about being something to experience and Asteroid City is all about the experience.

Elemental

Elemental            3 ½ stars

The new Disney/Pixar animated movie Elemental takes on racism and the treatment of immigrants as well as the question of whether fire and water can coexist. In the much anticipated movie released in June, a couple from the foreign land of Firetown comes to Element City, a metropolis where the citizens are made up of the four elements: Earth, Wind, Fire and Water. They set up a shop in a rundown part of town and soon have a daughter named Ember, who grows up to be a young woman with a very fiery personality. It’s pretty clear that there are racist treatments toward the Fire citizens and that the Water inhabitants are the more privileged class in this modern land. Ember is destined to eventually run the shop, taking it over from Dad when he retires, but she has difficulty controlling a temper that can wreak havoc on the shop and the customers. When she causes a water leak in the basement, a Water city inspector named Wade appears who is overly sentimental and prone to crying spells. Wade threatens to report the shop over code violations, creating the necessary situation where Ember and Wade must work together to find the source of a water leak that endangers much of Element City. There is no bad guy here. It is just a case of decaying infrastructure, but it provides a way to show how the Fire citizens are treated and the excuse to get Ember and Wade together and find out if Fire and Water can exist together. There are some moments of great tension involving a sports arena and enthusiasm for a Wind athlete and one of his greatest fans, and then there are the inevitable meet the parents scenes. There are the usual comedic moments where we find a cute character. This time it is a young Earth kid named Clod who is destined to be a pest when he grows up. It is clear that the writers drew on some of their own experience as immigrants in developing the story, especially with the traditions from the old country and with the Fire people being excluded from certain events. The animation is first rate as expected with Pixar, but the story is a little thin in this one.

Sound of Freedom

Sound of Freedom          no review

I have not seen the Jim Caviezel movie Sound of Freedom, nor will I ever see it. The ads for it have been appearing regularly on television. The movie has had some very high box office numbers and has created a stir in the right-wing world so I felt compelled to make a public service announcement and warn people about it. The thriller action movie appears to be part of a crusade against child trafficking and features Caviezel as a sort of one man super hero out to rescue the victims of the sex trade. (Caviezel is best known for his portrayal of Jesus Christ in the Mel Gibson movie The Passion of the Christ.) In reality, it is a propaganda piece put out by the people who adhere to QAnon fantasy conspiracy theories such as the traffickers are harvesting children’s organs and extracting adrenochrome before killing them. The movie appears to be appealing to a mostly older white audience who are there to reinforce their views of what is wrong with the government and the country. Based on what I have read of the movie it is full of implausibilities and condemnations of the government. The movie was reportedly made in 2018 and it took this long to find someone to distribute it as it was considered to be a money loser. I have a suspicion that certain churches and right-wing groups have been buying out theater tickets in order to inflate the numbers. This has been a practice for other such propaganda movies. If you have not seen the movie you are warned to stay away from it. If you have seen it then you have my sympathy for enduring the pain.