Category Archives: 2022

Tár

Tár                          4 ½ stars

I returned to the theater to see Todd Field’s long awaited treatment of a successful female first class orchestra conductor who may be a monster in Tár. Cate Blanchett takes on this challenging role in what must be one of her best performances as the talented and arrogant Lydia Tar who conducts the Berlin orchestra and fills in her time with a book tour, writing original compositions and teaching at Julliard. The movie starts with her doing an interview with The New Yorker about her conducting. Most of the time I couldn’t understand what she was talking about, but Blanchett makes you believe that she is an expert, so convincing is her acting. After seeing examples of how she can control and damage the lives of those around her, including her assistant Francesca (Noemie Merlant), events catch up with her and her world begins to unravel. Much of the movie will make you feel uncomfortable which is what Fields is going for. Some of the scenes are meant to make you believe that Tar is mentally not well. Two of Field’s previous works are In The Bedroom and Little Children, both telling stories that are unsettling. The success of the movie rests on Blanchett who commands your attention every minute she is on screen. It is hard to imagine her not winning the Best Actress Oscar for this performance.

Glass Onion: A Knives Out Mystery

Glass Onion: A Knives Out Mystery           4 stars

Rian Johnson brings us the return of Benoit Blanc, the world’s greatest detective in Glass Onion. The sequel to Johnson’s 2019 hit Knives Out finds Blanc (Daniel Craig) at the scene of a gathering of wealthy friends at a private Greek island owned by entrepreneur Miles Bron (Edward Norton) that includes a giant glass enclosure that Miles calls the Glass Onion. This time the friends are there for a game of whodunit prepared for them as an amusement for one weekend. There we find Bron with his old pals that include Claire (Kathryn Hahn), the governor of Connecticut, Lionel (Leslie Odom, Jr.), an engineer at Bron’s company, Alpha, Birdie (Kate Hudson), a model and “social influencer” who can’t avoid making accidental racial slurs, Duke (Dave Bautista) a YouTube channel host who promotes conspiracy theories among other popular subjects on social media and Andi (Janelle Monae), Bron’s old business partner who dropped out of the business after Miles screwed her over. All were brought here by solving an elaborate box filled with puzzles that revealed the invitation. That is; except for Blanc, who seems to have shown up for mysterious reasons. Bron refers to this group as The Disruptors, but I prefer Blanc’s name for them: the shitheads. Since this is a classic murder mystery we eventually get to a point where bodies start dropping and everybody present seems to have a motive for wanting someone dead. At this point I have to be very careful about not revealing too much of the plot. The situation is well written following the rules for a murder mystery. All of the characters are suspects and we gradually find out more about them and events that happened in the past like as Blanc says, the layers of the onion are peeled back until we reach the center. Each of the actors brings out notable aspects of their character like Norton’s Miles who only cares about himself and Monae’s Andi who has a mysterious air about her. I think I preferred the original Knives Out slightly more, but this one will certainly keep your interest and keep you guessing until the startling conclusion.

Aftersun

Aftersun              3 stars

I picked Aftersun to watch because I saw that one of the stars of the film, Paul Mescal, is up for the Best Actor Academy Award for his role. I would say he does give a good performance, but in a movie that is well understated, telling a story that leaves much to the imagination of the viewer. The entire movie follows Mescal as Calum at about 30, a young father taking his eleven year old daughter, Sophie to a resort hotel in Turkey for a few days. We watch as the two do typical father daughter things like hang out at the hotel swimming pool, play a game of pool, go to the beach and do some Karaoke. We pick up a few details like we know that Sophie lives with her mother in the UK and we surmise that Calum doesn’t have a lot of money. Some of their trip is caught on video camera which is important because years later the adult Sophie is looking back on the occasion, but says nothing about that trip. We have the feeling that things did not go well for Calum in his life. He obviously cares about his daughter, but he is too young and not prepared for fatherhood. In the movie no details about his life before or after the vacation are shared. We really only see this short time that Calum and Sophie share in the hour and a half runtime of the movie. We will have to be satisfied with the writer/director’s (Charlotte Wells) choices in leaving out the background of these characters in this, her first feature film. Some of this information I had to glean from movie reviews as I was left wondering after only watching the movie. Mescal gives a good performance but I can’t help but think what other male performers were passed over for this nomination.

Emily the Criminal

Emily the Criminal            4 stars

I saw this surprise of a movie during my return flight from Sundance, but had not written about it before. When I saw the awards coming its way I thought I should correct that. While completely fictional it represents the situation that many young people find themselves in today’s economy where one cannot escape their past. Emily (Aubrey Plaza of Parks and Recreation) has a load of student loan debt and needs a good job. The trouble is she has a minor record that keeps coming up in job interviews, thus preventing her from reaching her goals. (Background checks can follow you everywhere.) She has to take menial service jobs in the gig economy that allow the employer to take advantage of the workers. So what is she supposed to do? The answer is in the title. She meets a Lebanese man (Theo Rossi) who runs a theft ring where the participants make purchases using stolen credit cards and fake id’s. Emily gives it a try, has some success at it and is undeterred even when getting beaten up a bit in the process. Things escalate when she finds that she is actually good at it and rises in the ranks of this criminal enterprise leading to some dangerous experiences. The movie has an interesting premise, perhaps taking it in an implausible direction, but it is entertaining and keeps your interest mainly due to Plaza’s excellent performance as Emily. Most of her roles have been in comedies, but here she shows that she is equally talented in dramas. The movie received nominations for both Best Lead Performance (Aubrey Plaza) and Best First Feature (Aubrey Plaza and John Patton Ford) at this year’s Film Independent Spirit Awards. I am glad I gave it a try.

Living

Living                     4 ½ stars

A long time ago a masterpiece of a film called Ikiru was created by Akira Kurosawa about a Japanese bureaucrat in the 1950’s who has found out that he is dying of cancer. I never saw that groundbreaking film but feel that much of its feeling has been recaptured in the British remake Living. Bill Nighy (of Love Actually) stars as Mr. Williams, the London bureaucrat in the Public Works department in Oliver Hermanus’s film. The opening sequence looks so much like an early 50’s film you at first wonder if it is a long lost treasure from that era. The first scenes move slowly and feature very stilted conversations among the bureaucrats that convey how repressed British society is at this time and Bill Nighy is the perfect actor to portray a man hiding his emotions. When the cancer diagnosis is made we can hardly tell what effect it has on him. We follow him as he explores various avenues of spending his final months like going out on the town to strip clubs and having lunch with a young woman he used to work with. Ultimately, he decides to make a difference by doing some good for the community, seeing a project to construct a playground to completion, all the while keeping his condition a secret. The slow pace of this film may turn some viewers off, but the challenge the filmmakers took on pays off mainly due to the talents of Nighy in what is probably one of the best roles of his thirty plus year career. I don’t know if he will receive an Oscar for the performance but he certainly deserves his Best Actor nomination.

Puss in Boots: The Last Wish

Puss in Boots: The Last Wish        4 ½ stars

Here is another third film of a series: this time it is Puss in Boots, that Spanish speaking adventurous feline (voiced by Antonio Banderas) back to vanquish villains and seek his own glory in another animated film from Dreamworks. I missed all the Shrek and earlier Puss in Boots movies, but understand that the sidekick character got his own treatment in the prequels after the end of the Shrek movies. In Puss in Boots: The Last Wish, Puss comes face to face with his mortality when he is bettered by the big bad wolf. Puss is informed he is down to his ninth and final life and that he needs to retire. So it is off to the feline home, run by Mama Luna and inhabited by dozens of domesticated cats. Puss must tolerate the arrangement where he meets a new friend in Perrito (Harvey Guillen), a small dog disguised as a cat. (Follow along now.) But retirement doesn’t last long when the Crime family of Goldilocks and the Three Bears (Florence Pugh, Olivia Coleman, Ray Winstone and Samson Kayo) come calling since there is still a reward on Puss’s head. Add to that Puss’s former love interest, a cat called Kitty Softpaws (Salma Hayek), who is also a great battler and a loathsome villain in Big Jack Horner (John Mulaney) who despite having great riches wants to have all the magic in the world. The entire batch of them have learned of the existence of a lucky star that can grant a single wish, thus they are all on a quest to find it in the Dark Forest all the while fighting and playing tricks on each other. The CG animation is very colorful and has really improved in the last twenty years or so. Of course the movie is action filled and has plenty of comedy in its hour and 40 minutes running time. It can be quite a challenge to keep up with all the references to the fairy tales that show up in this story. We can see how Puss in Boots came to be such a legend. Maybe I’ll get to seeing the earlier Dreamworks movies of this collection some day. The movie is nominated for the Academy Award for Best Animated Feature.

Causeway

Causeway           4 stars

I viewed another Oscar Nominated performance in Causeway, the recent movie by director Lila Neugebauer available on Apple tv+. This low budget drama stars Jennifer Lawrence (of The Hunger Games fame) as Lynsey, a soldier recently returned from duty in Afghanistan after suffering a brain injury in an IED attack. At first the movie is about her rehabilitation in New Orleans, seeing doctors and caregivers and going through physical therapy and the frustration  of trying to regain physical function. But it is also about her forming a bond with James (Brian Tyree Henry of Atlanta), a local Black auto mechanic who has suffered his own trauma (though not war related) who sees someone suffering and is in need of a friend. Lynsey also has her mother, but she is very self-centered and of little use in Lynsey’s recovery. The two find that despite their widely different backgrounds there is a connection between them though it gets a bit rocky along the way. It’s a straightforward story without complicating flashbacks that owes a lot to the great acting skills of Lawrence and Henry. Brian Tyree Henry is honored with a deserved Academy Award nomination for Best Supporting Actor.

The Quiet Girl

The Quiet Girl    5 stars

The Quiet Girl is the third award winning movie featuring the Irish I have seen this year, the others being The Banshees of Inisherin and Aftersun. This one actually deserves more attention than it received having been nominated for Best International Feature at The Academy Awards. The film is the first by writer/director Colm Bairead and is one of the most emotional ones I have seen lately. We meet Cait (newcomer Catherine Clinch) a girl of 9 or 10 who is painfully shy and who obviously has a tough life both at home and school. At home she lives with her parents and five siblings on a farm where money is short as is any empathy. Her father is both a drunkard and a gambler and not much of a farmer either. He even complains about how much his children eat. Now her mother is pregnant with the sixth child. The parents agree that in order to make things more manageable, Cait should spend a few months with a relative on a distant rural farm where she can be cared for until the baby arrives. There is no explanation of why her and not any of the other children. The relatives are an older couple and are obviously better off financially than Cait’s family. The woman, Eibhlin (Carrie Crowley) provides attention and care to young Cait like she has never had before. The man, Sean (Andrew Bennett) is at first aloof but then warms up to her, allowing her to help out on the dairy farm and challenging her to run to retrieve the mail as fast as she can. They even buy her new clothes and shows. Cait is still shy through this, clearly a cry for help, but gradually she becomes more talkative, using the dialect of Gaeilge. (Fortunately, the entire movie uses subtitles.) Eventually, we learn of events from the couple’s past that bring these people closer together. It is never forgotten that this arrangement is temporary which makes the ending of the film a truly memorable and emotional moment. The Quiet Girl should especially be seen by anyone who is a parent as well as a wider audience. It could have easily received a nomination for Best Picture. I hope that we see more from director Colm Bairead in the future.

Marry Me

Marry Me            2 ½ stars

I have seen a large number of romantic comedies including some that are really thin on plot. Marry Me starring pop icon Jennifer Lopez and talented funny guy Owen Wilson has to count among the lightest of them. From director Kat Coiro, we get the Cinderella story of recording superstar Kat Valdez (Lopez) who is scheduled to get married to equally super popstar Bastain (Colombian superstar Maluma) during a live concert. This is done to promote her hit song, Marry Me. But moments before the planned ceremony word of Bastian’s infidelity spreads leaving Kat at the altar. What can she do but shout to a single dad in the audience and say she will marry him, (literally some guy)? The guy happens to be Charlie (Wilson) who is a middle school math teacher who is there to accompany his tween daughter, Lou to the concert, along with a work friend (Sarah Silverman). Charlie actually goes ahead with the ceremony in front of everyone, but later has doubts about what he has done. But who wouldn’t want to marry a famous popstar? Kat’s production team is all over the plan as it is great for publicity. The rest of the movie is entirely predictable as the unlikely couple go from reluctance, to being friends, to involved only to run into the inevitable crisis that will bring about the moment of truth. It is good to see these two, who are among the most likable stars in the industry today, but they both deserve more interesting material than Marry Me. Both of them have done better in romantic comedies in the past. I do look forward to seeing Owen Wilson in his upcoming movie, “Paint” later this year.

Human Flowers of Flesh

Human Flowers of Flesh                2 stars

German director Helena Wittmann’s new movie Human Flowers of Flesh has been described as an exercise in elusiveness, with a procession of predominantly maritime imagery (Clayton Dillard). The film is about a woman who lives on a yacht with her crew who sails from Marseilles to Algeria where she becomes fascinated with the French Foreign Legion and then decides to travel to the headquarters of the Legion. I know this from reading the Imdb description of the film as I was not able to discern it from watching the movie. There is very little dialogue in the film itself and what little there is consist of short snatches of conversation among the crew about myths, the work on the ship and the collecting of letters and samples of plant specimens. The woman whose name we rarely hear speaks even less, but does spend much time swimming in the sea. The film focuses mainly on some spectacular images of the sea and marine life. There are some extended shots of a snail crawling a short distance and a long shot of microscopic creatures moving about the screen. The writer/director may be saying something about life being adrift with so much time spent at sea, but I find that very hard to tell from watching the movie one time. I don’t object to a movie having very little plot, but I at least expect to learn something about the characters and what motivates them. We don’t get much of that here. I very much liked Wittmann’s earlier film, Adrift, about a couple on a wrecked yacht trying to survive. But Human Flowers of Flesh left me very confused.