Category Archives: 2022

Framing Agnes

Framing Agnes                  2 suns

Framing Agnes has to be one of the more unusual films I have seen at Sundance. It concerns a study of transgender individuals that was conducted at UCLA in the 1960’s by a Harold Garfinkel. Agnes, a transgender woman is one of the main subjects of the film. All that exists from the study are the transcripts of the interviews that Garfinkel conducted with his subjects, both female and male. Therefore, the filmmakers conduct reenactments of the interviews using transgender actors playing the parts of the participants. You can’t really call this a documentary, but it is more a reimagining of trans history. Some of the participants in the study are said to be less than honest as they use their chance to speak as a way to portray themselves how they want to be seen. The film is both informative and funny, but I have to say not something I can begin to really understand.

Descendant

Descendant        4 ½ suns

My personal favorite for the day was Descendant, a documentary about a community of Black people near Mobile, Alabama who are descendants of slaves that were brought to the area on the last slave ship to arrive in America. The shipment, on a vessel called the Clotilda, was illegal as it was done in 1860 long after the slave trade from Africa was outlawed. When the slaves were freed in 1865 this group of former Africans had been in captivity for only five years unlike the other former slaves born into slavery. They banded together and formed the town of Africatown and their descendants still live their surrounded by industrial areas in an environment dangerous to their health. An additional twist is that the industrial land is still owned by the family of the man who brought the slaves here, Timothy Meaher. The wreckage of the Clotilda has long been the subject of myth, but a search in conducted in the movie resulting in its discovery that promises to improve the lives of the town’s inhabitants. I was very impressed with the quality of the storytelling and the inclusion of the residents along with the background of some of the original founders of the town. I hope the film sees much wider release. I would even watch it again with my movie watching friends!

Marte Um

Marte Um           3 ½ suns

Marte Un means Mars One. In this Brazilian drama that has a special meaning about hope for the future as we see the lives of a working class black family as they struggle to raise their children and survive. The mother, Tercia, has doubts that she may be cursed when things go wrong for them. Each of the four family members face problems when obstacles are put in their way, but eventually they realize they have much to be thankful for. The film was made in 2018 when President Bolsonaro, the extreme right wing candidate was elected. Although this connection was mentioned in the film’s promotional materials I didn’t see how it played into the story, so it wasn’t quite what I expected. But it is still worth seeing.

Klondike


KLONDIKE           5 suns

My personal winner for the day was KLONDIKE. It’s a fictional story about a Ukrainian couple who live in an isolated farmhouse in Eastern Ukraine, but it is set in 2014 during the war of Russian incursion when a Malaysian airliner is brought down by a Russian missile. News footage from the actual events give us more background to the story. Tolik and Irka are expecting a child, but their world faces havoc when this war is brought to their doorstep. Tolik struggles to deal with the damage to their home, the soldiers who demand that their needs be met and a wife who refuses to leave her home. Things are further complicated when Irka’s brother shows up and we find that the family has sympathies on opposite sides of the conflict. The camera work is striking with the very long scenes that slowly reveal the horrors of war in the background while the characters are struggling just to survive. The film is highly relevant to today with its message about the futility of war. It deserves some special recognition.

Emergency

Emergency         3 ½ suns

In the comedy Emergency, graduate student Kunle and his best friend, Sean are about to go on an epic journey, partying all night at the fraternity parties at their college campus. But the plans of the two young black men are interrupted when they discover an unconscious white girl on the floor of their house. The pair along with their Latino friend, Carlos realize the danger they are in if the police are alerted to their situation and must improvise to get the girl to safety without endangering their own lives. What follows is a comedy of errors as the men deal with one mishap after another. The film started as a short film from a few years ago that has now been expanded to the full length movie now showing. It is a good combination of silly comedy making a statement about the perceptions that young black men must face despite the levels of success they may reach.

Leonor Will Never Die

Leonor Will Never Die    3 ½ suns

Leonor Will Never Die received the World Cinema Dramatic Innovative Spirit Special Jury Award. The movie fits in well with the name of the award as the premise was especially creative. Set in the Philippines, elderly Leonor Reyes was once a major screenwriter for Filipino action movies. But now she mainly stays at home and can’t pay all her bills to the frustration of her son. One day she takes renewed interest in one of her old movie scripts after reading that the studios are looking for new scripts, but then she ends up in the hospital in a coma after being struck in the head by a falling television. It is then that the film takes us into uncharted territory as Leonor goes about creating an action movie in her mind concerning an action hero names Ronwaldo. She appears in her own movie, manipulating events to her own liking, occasionally reworking scenes that didn’t work out right. The imagined movie then sometimes blends with real life to somewhat resemble ideas out of The Matrix. The film is something of an homage to seventies action movies from the Philippines which was quite an industry in those times. It is especially violent and heavy on heroic scenes for its action stars. I certainly did not know what to expect with this one.

892

892                                         4 suns

892 was the winner of the U.S. Dramatic Ensemble Cast Special Jury Award. It is a fairly straightforward story concerning a desperate former U.S. marine who has decided to hold employees of a bank hostage so that he can receive what is owed to him by the VA. I thought it seemed a little slow moving for a hostage taking drama. There were few action scenes and most of the film dealt with the negotiations between the marine and the police negotiator. But by the end I realized that this was a representation of an actual event which explains a lot, especially why such a subject was chosen. The acting performances were especially superb including John Boyega of Star Wars as Brian, the marine and Michael Kenneth Williams as the negotiator in what would be his final film role. This film is very unlike one from last year called Prime Time, also about a hostage situation, but was more dramatic and tension filled. Of course that one was a fictional story. 892 serves as a reminder about how our obligations to those who serve often go unfilled.

Nanny

Nanny                                   4 suns

The winner of the U.S. Dramatic Grand Jury Prize was Nanny, a film with supernatural elements that doesn’t quite rise the level of full-blown horror. We meet Aisha, an undocumented immigrant from Senegal, who gets a job as a nanny to a wealthy Manhattan couple taking care of their girl, Rose. Aisha is a mother herself, but has left her young son in the care of a cousin back in Senegal. Her hope is to be able to bring the son to the U.S. to join her one day. However, the situation is less than ideal as her employer’s problems begin to spill over to affect her own life, compounded by a supernatural presence that appears to invade her thoughts and dreams. Hope comes in the form of the grandmother of a man she meets played by Leslie Uggams, whom she can confide in. The film portrays the difficulties faced by immigrants who are parents in the U.S. as well as dealing with issues of mental illness among a population not equipped to handle them. Fortunately, the movie ends with a hopeful note.

All That Breathes

All That Breathes             4 ½ suns

For my final documentary film I saw the winner of the World Cinema Documentary Grand Jury Prize, All That Breathes. This story comes from New Delhi, India where two Muslim brothers, Saud and Nadeem have made it their life’s work to rescue and care for injured black kites. There is a Muslim belief that feeding meat to these predatory birds will help ward off troubles. They often cover the sky and are drawn to the city where they feed on the waste of the human population. But the pollution of the air caused by heavy industry takes its toll on the birds and they often fall from the sky where the brothers and their enlisted crew rescue them, bringing them to Saud’s basement where they can be nursed back to health. The film poetically connects the birds to the entire ecosystem, giving their efforts a higher purpose. We see their efforts to keep the enterprise going including their applying for grant money and Saud’s plan to get more animal rescue training in the United States. All this is going on at a time when anti-Muslim violence plagues the city amid increased religious conflict that the government does little to stop. The film is a lesson about how living things find ways to adapt to their changing environment.

All Quiet on the Western Front

All Quiet on the Western Front  4 ½ stars

This time I went from the horrors of narcissistic billionaires to an even greater horror, the viscousness of all-out war, by viewing the 2022 film, All Quiet on the Western Front. This is the German language film based on the well-known novel of the same name by Erich Maria Remarque. The book was made into the Academy Award winning film in 1930, and now we have the latest version, made with all the special effects of the present day. The film, by director Edward Berger, holds nothing back in presenting how horrible and devastating war can be. (I also happened to take a guided tour of World War I battlefield sites in France around this time so got a first-hand view of some authentic locations where The Great War was fought.) The opening scenes focus on a World War I battle between the Germans and the French showing us what trench warfare was like, with the soldiers seeing their comrades killed in an instant. But then we see the aftermath, with the bodies being gathered for burial as well as the gathering of the uniforms of the dead. The film then follows the path of the uniforms showing how they are cleaned and then mended so they can be reused by the next group of soldiers, giving us the feeling of a never-ending cycle of death. Like the book we follow teenage recruit Paul and his friends who are very enthusiastic about joining the army and the glory that awaits them. They are assured that the war will be over soon, and they will return to their homes as heroes. Of course, this is not to be as we are treated to one scene of horror after another showing the effects of modern weapons of war. Often the assaults result in scenes of hand-to-hand combat between the adversaries but based on my tour and readings, actual hand to hand combat was a rarity in World War I. More common were the artillery bombardments resulting in large casualties followed up with infantry attacks causing the enemy to retreat from their trenches. In this respect the movie and book are not accurate. We are also treated to scenes of comradery among Paul and his fellow soldiers during the quieter times in the trenches and the surrounding countryside. Against these scenes are those showing what life is like for the higher brass who issue the commands sending thousands of men to their deaths. These well-fed men with their large mustaches feast on their wine and cheese seemingly without a thought of concern for what the men are going through. They are only concerned about their own glory by achieving the victory in battle that forever eludes them. The frightening scenes of battle are backed up by an unsettling score and some of the best cinematography I have seen. The movie was the recipient of four Academy Awards which are well deserved. If you are at all interested in anti-war films, All Quiet on the Western Front must be on your list.