Category Archives: 2021

Licorice Pizza

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Licorice Pizza                      5 stars

Over the past decade or so filmmaker Paul Thomas Anderson has brought us such memorable and entertaining films as Magnolia, There Will Be Blood and Phantom Thread. This year he has done it again with Licorice Pizza, a comedy romance set in early seventies Encino, California, concerning an on again, off again romance between 15 year old Gary (Cooper Hoffman, son of Philip Seymour Hoffman) and 25 year old Alana (Alana Haim). This may sound as inappropriate and implausible but Anderson makes it work and keeps us rooting for Gary in his quest for romance. It is not only Gary’s pursuit of Alana that keeps our interest, but also the many other exploits and situations this unlikely pair find themselves in. Somehow, 15 year old Gary starts a business selling waterbeds with Alana’s help as well as that of his 15 year old friends and later opens a pinball machine arcade. Gary has a mother who occasionally appears, but he is largely on his own in his various pursuits. He is even a frequent customer of a restaurant visited by Hollywood figures. Young actor Hoffman pulls off the part making you love his character, pimply face and all. Alana, who lives with her Jewish family (with her own real life family playing the part) at first finds Gary’s proposals ridiculous but later is drawn in by his persistence. The film is also noteworthy for the choice of music taken from artists of the sixties and early seventies including The Doors, Gordon Lightfoot, Wings and Blood, Sweat and Tears. There are some special supporting roles that deserve mention, especially Bradley Cooper as a narcissistic movie producer with a bad temper. His performance is worthy of an Academy Award nomination. Sean Penn makes an appearance as what seems to be a porn movie producer and John Michael Higgins is a Japanese restaurant owner who makes some very offensive racially insensitive remarks toward Asian women in some controversial scenes. Apparently the film is loosely based on the life of a friend of Anderson’s giving it an element of truth. Through much of the movie I had the feeling that this is completely ridiculous but it is still funny. Maybe in 1973 things like this could have happened. I have no doubt that Licorice Pizza will be nominated for Best Picture and it very well could win the Oscar.

The Power of the Dog

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The Power of the Dog     4 ½ stars

Jane Campion’s The Power of the Dog is classified as a Western but is unlike any western that I can remember. There is no gunplay or fist fighting, but there is plenty of conflict and tension in this slow moving drama set on a cattle ranch in 1925 Montana. Phil Burbank (Benedict Cumberbatch), one of two brothers operating the extravagant family ranch, is a swaggering, commanding cowboy who demands as audience. When he sees vulnerabilities in others, he takes advantage of them including his own brother George (Jesse Plemons) who he berates, referring to him as Fatso. Phil’s character is established when the ranchers come across the lonely widow Rose (Kirsten Dunst) and her son Peter (Kodi Smit-McPhee) at a nearby restaurant and Phil sees his chance to berate the young, effeminate teenager. George sees the beautiful qualities in Rose and soon marries her and makes her the woman of the ranch. We all have come across people like Phil before. He is the bully, who despite being highly intelligent, seeks gratification by attacking others to make himself feel important. He even goes out of his way to appear stinky and dirty to embarrass his brother when guests come for dinner. The dialogue is usually kept to a minimum with the camera focusing on the vast landscape with New Zealand standing in for Montana. The score with its eerie sounds serves to magnify the tension that we feel between the characters. I won’t give away the plot but there is a frequent reference to an older ranch hand who has passed away and was the one who taught Phil and George about ranching. This is important. The movie is based on a book and has something significant to say about what it is to be a man. There is a lot going on below the surface with these multilayered characters that makes this a first-rate drama. However, the slow pace and lack of physical action is bound to turn off some audiences.

Parallel Mothers

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Parallel Mothers              4 stars

Filmmaker Pedro Almodovar returns to the big screen with Parallel Mothers, a very feminine movie with a feminine cast, almost three years since Pain and Glory. He once again casts Penelope Cruz in the lead role, this time as Janis, a single woman who finds herself pregnant and sharing a hospital room with a 17 year old girl, Ana (Milena Smit) who is also about to give birth without any partner present. The movie is about close bonds that form between people in spite of some very messy circumstances. It really has two distinct aspects. Besides the feminine relationships that Almodovar is so known for (also Julieta and Broken Embraces starring Cruz), the movie has a political aspect being set in Spain, a country that experienced a civil war in the 1930’s. Janis persuades Arturo, a forensic anthropologist to uncover a suspected grave where the fascists of that period are believed to have murdered and buried her great grandfather and several other men from the area. In so doing we hear the stories of how this terrible event has affected the lives of the descendants so many decades after the events. Janis is a single mother, whose mother and grandmother were all single mothers and still feels ties to family that she was too young to meet. There are several interesting twists in the story about these women that I can’t go into without revealing the plot, but I will say it is about a secret that was kept for too long and the effect that has on others. Look for Parallel Mothers to earn some significant award nominations including for Cruz.

A Hero

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A Hero                  4 stars

For my first new release of 2022 I had the chance to see A Hero, written and directed by Asghar Farhadi, the acclaimed filmmaker from Iran who previously won Oscars for his films, A Separation and A Salesman. This time he brings us a morality play called A Hero, about a man, Rahim, who has been imprisoned for failing to pay a debt, but is allowed a two day leave to visit family. Rahim has a family who stand by him through the ordeal and a girlfriend who has found a lost purse containing several gold coins, so after some consideration, Rahim decides to try to find the owner and return the purse. With the eventual success of reuniting the owner with the lost coins with the help of his girlfriend and some prison officials comes newfound fame as his story is picked up on social media and he is proclaimed to be a hero by the community. With his fame, Rahim hopes he can find a job that will persuade his accuser to allow his release from prison, as Rahim promises to repay the debt. The story then becomes an example of no good deed will go unpunished, when certain details of the story of the returned coins don’t match up and Rahim is not able to prove what really happened. The movie has similar elements to Farhadi’s earlier works, where the characters are neither good nor bad. Their actions fall in a grey area as they find themselves trying to do the right thing in a difficult set of circumstances. I liked the story and the fact that we get to see what life is like in a foreign culture that we are normally not exposed to. The movie is a bit long at just over two hours and it sometimes gets a little tedious as parts of the story seem to get retold a few too many times. Since it is all done with subtitles, one does have to pay close attention to what is said. I expect that Asghar Farhadi will receive one more deserved Foreign Film Academy Award nomination for A Hero.

The Harder They Fall

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The Harder They Fall       4 stars

Jeymes Samuel has created a fantasy western based on real people that existed in the Old West. This is a violence filled movie with heroes and villains much in the tradition of the old Hollywood westerns only with an all Black cast. It seems to be set in the Oklahoma territory where freedmen settled after the Civil War, featuring all Black towns but with white folks nearby. The film is all about style at the expense of historical accuracy, that is to say it is a crowd pleaser. The actual story is not that important, but it is about an outlaw, Nat Love (Jonathan Majors) seeking revenge against a ruthless gang leader, Rufus Buck (Idris Elba) who murdered Love’s parents. Love is picking off Buck’s gang one by one until things change when Buck is freed from prison by his gang that includes badass Trudy Love (a wonderfully cast Regina King). There is plenty of tough talk, faceoffs and shootouts accompanied by a Reggae style soundtrack that will keep the audience engaged through the two and a quarter hour runtime. The dialogue is sometimes not true to the era drifting into more modern lingo, but accuracy is not the point of the film. The ending is a seemingly never ending showdown reminiscent of Quentin Tarantino’s westerns, stretching the limits of credibility. The all star cast is rounded out with Zazie Beetz as Stagecoach Mary, Delroy Lindo, LaKeith Stanfield, Daniel Deadwyler as Cuffee, Damon Wayans Jr. and Deon Cole. If you are looking for a great action movie with some over the top violence, then you should not miss The Harder They Fall, available on Netflix.

Nightmare Alley

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Nightmare Alley                                                4 ½ stars

Four years after creating the weirdly romantic film about a woman and her fish man lover, The Shape of Water, Guillermo del Toro brings us a gritty, lurid film based on the 1946 novel by William Lindsay Gresham that shares the same name, Nightmare Alley. When you see the famed Mexican director’s name associated with a film, you know you are in for something unusual and disturbing. We can sense that this is a story of betrayal and doom. We first meet Stanton Carlisle, a man down on his luck in 1939 as he is burning a body inside an old house. The mysterious Stanton played by Bradley Cooper in one of his best roles to date manages to get hired at a carnival by the boss (Willem Dafoe). The carnival features a very seedy collection of freaks and sideshow performers in scenes that capture the feel of the depression. Stanton is immediately drawn to the carnival’s mentalists Zeena (Toni Collette) and Pete (David Strathairn) and finds he has a gift for reading people, eventually leaving and creating his own act, teaming up with another of the performers, Molly (Rooney Mara), whose beauty makes her stand out from the carnival freaks. As the pair perform their craft in high end clubs, Stanton encounters Lilith Ritter, a wealthy psychoanalyst whose clientele includes politicians, judges and business tycoons. Cate Blanchett plays the role expertly as her very presence commands our attention. She was born to play roles like this. Soon enough this pair devises a plan to separate the elite from their money with an elaborate scheme that is bound to lead to ruin, (though I won’t say whose). The film gets the feel of forties film noir movies that is aided by an astounding collection of gifted A list actors. Nightmare Alley was previously made into a movie in 1947 starring Tyrone Power, but I am sure del Toro did it with a much bigger budget. I am expecting it will receive a few Academy Award nominations later this week.

The Tragedy of Macbeth

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The Tragedy of Macbeth               4 stars

Joel Coen does his take on Shakespeare’s play Macbeth in an unusual style. Oscar winner Denzel Washington is excellent as the power hungry Macbeth who is driven to be the king of Scotland by the combination of his wife, Lady Macbeth (Francis McDormand) and the three witches who help him hatch his murderous plan. Of special note is Kathryn Hunter who portrays the three witches in a scene where she seems not human as she contorts her body into odd shapes and utters the scheming words of all three parts. Brendan Gleeson is very appropriately cast as the loved king who is doomed to die by the hand of Macbeth. The scenery is very stark and minimal with the filming all done in black and white. It serves to bring all the viewer’s attention to the performances on the screen by the very talented actors. Some parts of the film have a fantasy like quality to show how Macbeth seems to be losing his mind as his mad plans fall apart. It has been a while since I heard the story of Macbeth, that is, when I was a senior in high school so I confess I could not follow the whole story. The movie uses the Shakespearean manner of speaking so it will be tough to get used to. If that doesn’t turn you off you would be well advised to see The Tragedy of Macbeth. I have to agree that Washington is deserving of his Oscar nomination for this role.

The Worst Person in the World

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The Worst Person in the World                  3 stars

The subject of The Worst Person in the World is not a war criminal but a young woman in Oslo, Norway who is trying to manage her love life and find a career that has meaning and that she can stick with. The film is by acclaimed director Joachim Trier, this being the third film of a trilogy. Not having seen any of her earlier work I have only this film to go by. It is billed as a romantic comedy though I would have to say it is untraditional. The actors are first rate and believable, but I did not find them to be very likable. Julie wanders from one career to another including medical student, psychology student, writer and photographer and meets and falls for Aksel, a popular underground comic book artist who draws a catlike character that many women find offensive. At first I found him annoying and needy, but later on I came to empathize with him. Julie is apparently the title character and some of her actions made her deserve it, especially the way she treats Aksel when things get tough. There are also instances where the film veers into fantasy sequences that I could not see the need for. Why does the filmmaker have to get so cute and go in such a weird direction? Also, you should be warned there is some rather graphic sexual talk. The film has created a stir in the film festivals, but I can’t say I shared in the enthusiasm. The film is from Norway and is nominated for International Feature Film.

tick, tick…BOOM!

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tick, tick…BOOM!             4 ½ stars

tick,tick…BOOM! takes us into the world of Broadway musical theater in Lin-Manuel Miranda’s movie directorial debut. We are introduced to aspiring playwright Jonathan Larson played exuberantly by Andrew Garfield (who we just saw portray Jim Bakker in The Eyes of Tammy Faye). This musical was actually written by Larson about his own life when he was writing his first musical, Superbia, a futuristic never produced play he has been working on for eight years. Larson went on to write the musical Rent, the hugely successful production but unfortunately he died just before it was performed. tick,tick…BOOM! captures the ambition and desperation of Larson as he struggles to become a success at age 29, hoping not to be just a waiter with a music writing hobby. His behavior is so manic he puts off his girlfriend Susan (Alexandra Shipp) and alienates his childhood friend Michael (Robin de Jesus) who recently left the theater to pursue a successful career in advertising. The performances and music nearly rises to the level of In the Heights, the Miranda creation from last year. The joy and inspiration of the movie is balanced by the tragedy of many of Larson’s friends dying of AIDS. This is 1990, during the height of the epidemic, so there is plenty of sadness going around. There are some very well staged musical routines here with Andrew Garfield being worthy of his Academy Award nomination. I have enjoyed every role I have seen him in including the first film I remember him in, 2010’s Never Let Me Go.

Cyrano

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Cyrano                  4 ½ stars

In Cyrano we get a reimagining of the classic tale of Cyrano de Bergerac, the poetically gifted man who thought himself too hideous to be loved by the woman he adored. This latest version stars Peter Dinklage as the man of wit who is also an expert swordsman able to fight off ten men at once when challenged. The story has been done on film innumerable times with the title role taken by Jose Ferrer, Christopher Plummer, Gerard Depardieu and Kevin Kline among them. There have been adaptations such as Roxanne, The Truth About Cats and Dogs, Megamind and most recently The Half of It. Usually the story is told as a romantic comedy, but here director Joe Wright tells it as a tragic love story with dire consequences for all those involved. We get the added feature of it being a musical with melodious songs sung by Dinklage and Haley Bennett as Roxanne, the object of affection. The singing really adds a new dimension to the story especially with the rich voice of Dinklage, who also has one of the most expressive faces I have seen in the movies. Bennett, previously known for The Girl on the Train and Swallow is effervescent as the woman who is smitten by Christian (Kelvin Harrison, Jr.), a common soldier, but is forever just friends with poor Cyrano. One of the opening scenes at the theater introduces us to Cyrano and the mood of the film where he ridicules a popular actor on stage to the point of humiliation and then proceeds to kill another man in a duel in a sword fight on the stage. We know then that this is no light comedy. Besides the musical numbers there are some interesting dance numbers with swordplay by soldiers to music. Cyrano is a welcome addition to the musicals of the past year that includes West Side Story and tick, tick…BOOM! Without giving too much away the movie is tragic, but with a ray of hope by the time we get to the end.