Category Archives: 2018

Ready Player One

Ready Player One             4 stars

Ready Player One, directed by Steven Spielberg seems like an appropriate movie for now as we isolate from one another and communicate through electronic devices.  In this movie, set decades in the future, most people live in poverty while a small segment live well working for giant corporations.  The masses escape their reality by venturing into the Oasis, a virtual world where people meet through their avatars and compete to find the treasures that its creator, James Halliday left behind but he died.  Our hero, Wade Watts is determined to do what no one has been able to do, find the hidden keys that will lead to the Easter Egg, giving the recipient total control over Oasis.  Of course there is a sinister corporation called IOI headed by the evil Sorrento, who will stop at nothing to get control of Oasis even if it means hurting Wade and his friends.  The movie is filled with pop culture references to movies, comic books and video games that others will appreciate even more than I did with what I managed to notice.  I especially liked the scenes from The Shining.  The references to Saturday Night Fever, Back to the Future and The Iron Giant were fun as well.  Even though I am not a video game player I enjoyed the action sequences and the visual effects.  The scenes continually alternate between reality and the virtual world with the result being a well put together story.  I was not at all bored through the two hour and twenty minute running time.  Be sure and watch for the appearance of one Simon Pegg!

Bohemian Rhapsody

Bohemian Rhapsody       2 ½ stars

I finally got the chance to see Bohemian Rhapsody, the 2018 biopic about Freddy Mercury, the lead singer of the legendary rock group Queen of the seventies and eighties.  It has much in common with other biopics about music legends we have seen in the past twenty years, the genius of a young performer, the troubled relationships with family, the flashes of genius and the downward spiral.  One type of movie I really love are those that show the creative process of writing a new song, how it gradually gets put together.  Here the formula is applied to We Will Rock You and Another One Bites the Dust,(both I remember well from the eighties) but it’s like the song is instantly put together in the heat of an argument.  Rami Malek does a good job as Mercury, but the look of his teeth was overdone.  There was some mention of his life style and his contracting AIDS, but for the most part the movie was not about this aspect of his life.  It did serve as a reminder of what the eighties was like, when gay people had to remain hidden even in the music industry and AIDS was ripping through the gay community.  The final scene of the LIVE AID concert was certainly entertaining even though much of it had to be lip synced.  If you watch it on DVD there is an extended version of the concert scene that is even more enjoyable.  There are other musical biopics I liked much better.  The ones about Elton John and James Brown come to mind.

High Life

High Life              3 ½ stars

I missed High Life in the theaters but finally got the chance to see it on video. This highly unusual film by Claire Denis is a confusing science fiction story concerning a group of people, all young and attractive, on a space ship hurtling through the solar system.  The movie has a slow pace and includes little in the way of special effects for a science fiction film. It is filled with symbolism and morally ambiguous characters.  High Life starts with Monte (Robert Pattinson) and his baby daughter on the mysterious spaceship.  The ship is completely self-sustaining including a green house and recycling of human waste.  Before long it is discovered that there was a whole crew on the ship who are now all dead, leaving the two remaining passengers to carry on.  The rest of the movie is a flash back that shows us the crew on the voyage and reveals (sort of) what happened to them.  We learn that this is an experimental space ship where all of the crew are criminals who have committed capital crimes and they are on a mission to a mysterious black hole, never to return.  There is a doctor named Doctor Dibs (Juliette Binoche), also a murderer who is the one in charge and who also performs medical experiments on her subjects which include trying to get some of them pregnant without their knowledge.  The crew all have some type of aberrant behavior leading some to commit murder and suicide.  Some seem to be trying to atone for their past misdeeds such as Monte being a caring father or Dibs trying to create new life after taking lives while on Earth.  I have not seen many movies by Denis, but have read that she always tries to make the audience uncomfortable which she has certainly done this time.  I also must warn you that the ending may be less than satisfying!  Once again here is a fine performance by Robert Pattinson.

Lizzie

Lizzie     4 stars

The psychological thriller Lizzie from 2018 is a retelling of the Borden family murders in Falls River, Massachusetts in 1892.  It was a personal project of Chloe Sevigny who served as producer and star and is made more relevant by the recent MeToo movement for women’s rights to be heard in cases of sexual abuse.  Sevigny has the title role with Kristen Stewart starring as Bridget, the hired maid for the rich family.  Lizzie’s oppressive situation is clearly outlined with her life being controlled by her domineering father Andrew (a lecherous Jamey Sheridan). The family also includes her step mother (Fiona Shaw) and her sister Emma.  Even though she is 32 years old she is not allowed to leave the house at night.  Lizzie strikes up a close kinship with Bridget (who is called the diminutive “Maggie” by Andrew Borden) especially when it is discovered that her father has been molesting her regularly. In this version their close relationship develops into more than being just friends.  The movie focuses little on the investigation of the murders and the trial and concerns itself mainly with the oppressive situation of the female characters and how they are trapped in their world and can see no escape from it.  Lizzie can’t even count on an inheritance as Andrew takes steps to ensure her life would be controlled by men even in the event of his death.  The way Sevigny plays the role and the way the scenes are shot gives the movie a closed in feeling.  Of course the gruesome scene of the actual murders is included so the audience has no doubt what happened even though the jury could not find a guilty verdict.  Lizzie brings new life to this classic American tragedy.

Solo: A Star Wars Story

Solo: A Star Wars Story                  4 stars

By now everyone has seen the origin story of Han Solo titles Solo: A Star Wars Story, part of the Disney expansion of the Star Wars universe.  So I won’t go into any great detail about the story, other than to say it was an interesting departure from the other Star Ward movies.  Here story is that of an outlaw, Han Solo, joining with other outlaws to put together a colossal interstellar heist to steal some valuable treasure from some very sinister folks.  There is little mention of the empire or the force and we only see a couple of the characters that are so familiar from the other movies.  There is no shortage of action be it high speed chases, shootouts or space dog fights.  It looks like the critics were split on this one and I come on the side of those who thoroughly enjoyed the film.  Woody Harrelson does his usual bad guy impression as Beckett, the outlaw that Solo teams up with.  Paul Bettany is a convincing evil villain who you better not cross and we even get to see how Chewbacca and Han got together.  Also, Donald Glover and Phoebe Waller-Bridge make a well matched and very mouthy pair.  I could see there being a follow up film starring Alden Ehrenreich as the young Han.  If you haven’t seen it yet, what are you waiting for?

Blaze

Blaze                     4 stars

Blaze is a sad biopic about Texas singer songwriter Blaze Foley, a promising but tortured talent in folk/country music in the seventies and eighties. This film, written and directed by Ethan Hawke explores the music and life of this little-known musician through three different periods told in nonlinear fashion. We see his early life with Jewish girlfriend/wife Sybil (Alia Shawkat), his later days performing in local bars and diners shortly before his untimely death and a later radio interview where his songwriter friends, Townes and Zee talk about the almost legend. I had never heard of Blaze before who is compared to Willie Nelson and Merle Haggard. I am not really a fan of this type of country music, but the songs sung by star Ben Dickey, himself a rock/country artist are done well and are mesmerizing. The story of a talented musician who shows signs of greatness but whose life is destroyed by his own ego, addiction to drinking and a short temper are all too familiar in the long list of musician biopics we have seen. The largest part of the story is about his relationship with Sybil who does everything in her power to support Blaze and their marriage but is eventually doomed to failure. The tall and large Ben Dickey who is a friend of Ethan Hawke, does a nice job as Blaze making him appear like a poet/philosopher about life. This film seems to be his only acting credit. I recommend the movie to anyone who enjoys folk and country music and would like to learn about this near legend. Fans of Alia Shawkat (Maeby from Arrested Development) would enjoy the movie as well.

Won’t You Be My Neighbor

Won’t You Be My Neighbor?       5 stars

The documentary by filmmaker Morgan Neville explores the work of Fred Rogers and his long running children’s TV show “Mister Rogers Neighborhood”. It tells us what a radical departure the show was to what passed for Children’s television back in 1968. By using footage from the show and interviews with his wife, the show’s staff and others that knew him, it gives us a close look at Fred Rogers’ philosophy of life and his way of communicating with young children through his use of puppets and discussing frank issues in a caring way. I confess that I never watched the show when I was young preferring those loud and silly shows referred to in the documentary. The film shows how Fred Rogers was determined to help children make sense of some very troubling issues of the times including violence, death and divorce. The movie is only one and a half hours long and is well worth the time spent.

Generation Wealth

Generation Wealth         2 ½ stars

Filmmaker Lauren Greenfield has made a series of documentaries dealing with obsession. A few years ago she made The Queen of Versailles, a film about billionaires David and Jackie Siegel who tried to build the largest house in the country. It’s all part of a career of examining the excesses and materialism of our modern society. Now she brings us Generation Wealth which examines obsession with wealth and the appearance of wealth. She examines the lives of several Americans and some foreign cultures as well as they strive to achieve vast sums of wealth or spend money like they are wealthy. She has been examining this subject as a photographer for her whole career going back to the nineties when she was looking at spending habits of teenagers and has amassed a collection of hundreds of thousands of photos. She looks at so many aspects of the phenomena that I though the film tended to lose focus. Not only does she talk about billionaires, she also looks at American’s obsession with beauty, plastic surgery, child beauty pageants, work and even pornography. Ultimately, she examines her own life and her indulgence in her own career as a photographer. Her subjects are some of the people she has been following in her work for years and ultimately they come to realize that their pursuit of wealth and material possessions does not bring them fulfillment. It’s a depressing movie that was not quite what I was expecting. It could have been more interesting with more limited subjects and without all of the late regrets. I do recommend her earlier work though, The Queen of Versailles.

Wildlife

Wildlife                 3 ½ stars

One type of movie I like to find are the dramas set in small rural towns in the West, South or Midwest. Usually these films feature characters who face bleak prospects and have troubling family problems. Set in 1960 rural Montana, Wildlife fits that description well. It’s about a young couple, Jerry and Jeannette (Jake Gyllenhaal and Carey Mulligan) and their teenage son Joe (Ed Oxenbould) who have recently moved to town and are struggling financially. Then Jerry loses his job at the country club, so Jeannette and Joe have to pitch in with low paying jobs. In a seemingly desperate act, Jerry volunteers to help fight the forest fires that are ravaging the area for little pay. Of course Jeannette is outraged at the decision, but can do little to change Jerry’s mind. It is here that the film takes a dark turn as Jeannette meets a local wealthy man (Bill Camp) on her job at the YMCA and begins to see him outside of work. She also enlists 14 year old son Joe in the affair by not hiding anything from him. The acting from Oxenbould and Mulligan is excellent and the representations of 1960 America in the cinematography is spot on. The actions that Jeannette and Jerry take often seem unrealistic contributing to an uneven tone throughout the movie.

Burden

Burden                 3 stars

I Missed Burden at Sundance 2018 as it was a hard ticket to get and was an award winner at the festival. Then somehow it wasn’t released to theaters until 2020. Burden is a true story about a poor white man, Mike Burden (Garrett Hedlund), raised on the hatred toward blacks so prevalent in the South. Mike serves the KKK in the small town of Laurens, South Carolina and works as a repo man for a small rent to own company. In both roles he works for Tom Griffin (Tom Wilkinson) who is the Grand Dragon of the local KKK chapter and to whom he regards as a father. Griffin, who preaches white supremacy and violence, has acquired the local dilapidated movie theater in town and turned it into his dream, a museum to the KKK called The Redneck Museum, where the exploits of the Klan such as lynching and cross burnings are glorified. The town has a substantial black population so the museum soon catches the attention of Rev. David Kennedy (Forest Whitaker) who leads protests against the racist museum but in a peaceful manner, in the spirit of Martin Luther King Jr.  Kennedy still honors his uncle who was lynched by the Klan decades earlier. Then we follow the challenges that Mike faces when he starts seeing Judy (Andrea Riseborough from 2018’s Nancy and 2020’s gorefest, Possessor), a dirt poor single mother who does not approve of Mike’s involvement with the KKK. The movie gives us a picture of the hatred and violence that blacks continue to receive, but this has been done so often in movies before. (See Blackkklansman) The movie is set in the 1990’s so what I don’t see is a representation of the much more subtle forms of racism that are common today. Think of Charlottesville, 2017 and the treatment blacks get from some white police officers. The acting is very good. Hedlund was made for this kind of role, a head strong uneducated white southerner redneck (see also On the Road and Mudbound). I thought the movie didn’t give us enough reason to believe his transformation that led to him leaving the Klan. Though the movie is based on a true story, it has a predictable feel to it. Burden is worth seeing but I wouldn’t call it an award winner.