Category Archives: 2018

Green Book

Green Book        4 ½ stars

I finally viewed Green Book the much acclaimed Best Picture winner by director Peter Farrelly about Tony Lip, an Italian American bouncer from the Bronx who is hired by Dr. Don Shirley a world class black pianist to drive him on a concert tour that takes them to the Deep South.  Set in the early sixties, the travelers must depend on the Green Book, a travel guide published to allow black people find safe places for them to stay and eat in the days of segregation.  The two very different characters must learn to understand each other and deal with their differences to allow them to safely navigate some of the perils they are bound to face in this time of troubled race relations.  While certainly not a perfect movie, it has certain charms that will please audiences and first rate performances from Viggo Mortensen as Tony and Mahershala Ali as Don Shirley.  While the film touches on issues of racism in America showing us some the effects of it, it is not a deep study of the roots of the problem.  Green Book works best as a human drama showing us the value of trust despite our differences.

At Eternity’s Gate

At Eternity’s Gate            4 stars

At Eternity’s Gate is director Julian Schnabel’s portrayal of painter Vincent Van Gogh through the last years of his life, when he produced some of his best paintings.  This film stars Willem Dafoe as the master painter in a truly outstanding role.  The story is not told as a typical biopic however, as it includes some very artistic expressions of the emotions that Van Gogh experiences in his life.  Some of these methods may turn off some viewers, but they certainly are imaginative.  Despite the troubles that Van Gogh has, the movie tries to show us the great optimism he has as he tells how he feels about nature and how it can lead people to meaningful experiences and bring us together.  It also shows how he was misunderstood which led to his being placed in an asylum for a period and the alternate theories surrounding his mysterious death.

Diane

Diane                                    4 ½ stars

I happened upon Diane purely by accident as I was intending to see something different but was foiled in getting to the theater on time.  Diane is a low key movie starring Mary Kay Place as a sixty something woman living in a rural area who selflessly looks after the well-being of those around her who are in need, whether they be sick friends, the poor needing to be fed at the soup kitchen or her drug addicted adult son whose life is a wreck.  At the same time she loathes those who could make their lives better but refuse.  While Diane appears to be a saint there is something in her past that she clearly regrets and has not gotten over how she wronged someone close to her.  This movie is something you don’t see very often in film, a serious treatment of a person from rural America as a realistic subject.  I really got the feeling that this was a real person going through some very troubling times, thanks to the very realistic and emotional performance by Mary Kay Place.  The film was aided by some outstanding performances by the supporting cast as well.  If you run across this film in your search for movies don’t pass this one up.

The Miseducation of Cameron Post

The Miseducation of Cameron Post          4 stars

I recently saw The Miseducation of Cameron Post, a little seen movie from last year by director Desiree Akhavan and recipient of the Sundance Film Festival Grand Jury Prize.  The film tackles the subject of gay conversion therapy for wayward teens in 1993, which was a prevalent thing then.  It stars Chloe Grace Moretz as Cameron Post, the teen girl caught making out with her female best friend who then gets sent off to a Christian gay conversion camp by her relatives.  The topic has been tackled before but feels real here as Moretz gives a convincing performance that is aided by two costars playing teens that she connects with at the camp.  The camp directors (John Gallagher Jr. and Jennifer Ehle) use half thought out methods on their subjects that seem to mainly make the kids feel badly about who they are.  (Each has to create an iceberg on paper that lists what they don’t like about themselves.)  One nice thing about it is how the film is not all heavy drama but includes several moments of comedy (making it different from Boy Erased also from last year).  Miseducation does show us the pain that these young people go through as they experience what can only be described as abuse.  One scene near the end involving a troubled teen is especially shocking.  See it if you can find it.  It is just too bad that so few people saw it when it hit the theaters.

Capernaum

Capernaum        4 ½ stars

Capernaum is a very intense depiction of life in a poverty stricken city in the Middle East by Lebanese director, Nadine Labaki.  The film was awarded the Grand Jury Prize at the Cannes Film Festival.  It tells the story of a young boy of about ten or eleven, Zain, who leaves his negligent parents and lives on the streets to be eventually taken in by illegal Ethiopian immigrant Rahil, where he helps her take care of her baby.  The story is tragic and hard to watch at times as you see this young boy struggle to survive and see how this shapes his attitude toward the world.  The movie has a non-linear structure as it starts showing us a civil trial where Zain is suing his parents for the crime of allowing him to be born into such a terrible place.  It then shows us the background of the immense struggle the characters have to face each day.  The director used all non-professionals as actors in making the movie and allowed the actors to improvise some of the scenes.  The result is a compelling story and one that is hard to watch at many points.  I recommend it for those that can take in such a tragic but real story.

Can You Ever Forgive Me?

Can You Ever Forgive Me?            4 ½ stars

Last year’s fascinating “Can You Ever Forgive Me?” tells us the true story of Lee Israel, a down on her luck celebrity biographer who upon losing her job embarks on a new career of fabricating personal letters of notable writers like Dorothy Parker and Noel Coward.  Written by Nicole Holofcener, directed by Marielle Heller and starring usually comic actress Melissa McCarthy, this dark comedy drama has some of the best writing I have seen in years.  McCarthy plays Israel like a woman that you love to hate.  The character speaks with some very sharp in that comes from a place of rudeness and a bad temper like I have never seen.  The best scenes are those that she shares with her friend in crime Jack played by Richard Grant.  The two of them can trade insults like masters of the craft.  You get the feeling that McCarthy really is Israel including the fact that she is never really repentant about the crimes she has committed.  Melissa McCarthy received a well-deserved Best Actress Academy Award nomination for this one.  Good for her.  The movie also was nominated for best Adapted Screenplay as the movie is based on Lee Israel’s book.

Never Look Away

Never Look Away                                             4 ½ stars

Never Look Away is an epic storytelling of a young German artist who lived through the time of Nazi Germany and Communist controlled East Germany growing as an artist and developing his own special kind of painting.  Its three hour length covers a great span of time from the thirties to the sixties, starting with 10 year old Kurt witnessing a display of “degenerate art” and the horrors accompanying the Nazi’s waging war against the world.  After the war, Kurt, the young man (Tom Schilling) works as an artist for the Communist regime of East Germany producing art of the Socialist workers, but you can tell his talent calls for him to be something better.  Fortunately, he meets Ellie, a young pretty woman supplying new pencils to the artists.  Of course the two fall for each other having secret night rendezvous destined for disaster, given that her father is a former SS Nazi in hiding.  Eventually, the two of them escape to the West at the time of the wall going up where Kurt’s artistic career is advanced with the help of prominent artists of the growing movement of contemporary art.  The movie is at its best when we see Kurt being inspired to do his best work by the beauty of the world around him, but also influenced by some of the horror he has experienced from his younger days.  He develops a way of painting photographic images while blending them together in haunting black and white images.  The story is apparently loosely based on the life of real life artist Gerhard Richter, an admired painter of the 20th century.  Never Look Away was nominated for Best Foreign Language Film at the Academy Awards and is one that should not be missed.

Crazy Rich Asians

Crazy Rich Asians                              4 stars

Last year’s Crazy Rich Asians was one of the big hits of the summer, a return of the rom-com that seems to have been missing from Hollywood for years.  Only this time it’s one featuring an all Asian cast, something extremely rare in mainstream Hollywood.  Rachel Chu, a young New Yorker is persuaded by her boyfriend, Nick to accompany him to his best friend’s wedding in Singapore.  But the thing she didn’t realize is that Nick’s family is rich, but not just that. They are insanely rich or crazy rich.  Also, Nick happens to be one of the most sought after bachelors in the country.  She meets his family and friends including Nick’s former girlfriend and learns about the trappings and baggage that goes along with belonging to a fabulously wealthy family.  She faces some sobering challenges and ultimately faces them making some tough choices.  The film is definitely a comedy with very funny moments featuring some funny cast members.  Included among these is Awkwafina who plays Rachel’s best friend, a role that seriously raised her profile in the industry.  Crazy Rich Asians doesn’t have a political statement to make but is special because of its all Asian cast which shows they are to be taken seriously.  It’s a light enjoyable movie that appeals to a wide audience and is something of a throwback to classic Hollywood comedies.  Among the notable cast is Michelle Yeoh (Captain Georgiou of Star Trek: Discovery) as Nick’s controlling mother in an especially outstanding role.

Mary Poppins Returns

Mary Poppins Returns   3 1/2 stars

I finally got to see last year’s Mary Poppins Returns, the long overdue sequel to the original Mary Poppins from the sixties starring Julie Andrews.  This time around it is Emily Blunt taking on the title role, a daunting task that she lives up to very well, capturing the personality and always in control attitude of the magical nanny.  This time she is back to take care of the new Banks family with young Michael (Ben Whishaw) who is widowed and Jane (Emily Mortimer) all grown up and in a crisis as Michael’s own employer is about to foreclose on the family house.  Mary takes the three children on some thrilling adventures through animated lands much like in the original movie and finds time to rescue the family from their troubles.  It is also fun to see Lin-Manuel Miranda as the always smiling and cheerful lamplighter, Jack and Dick Van Dyke in a brief special role as the owner of the bank.  There also memorable appearances by Meryl Streep, Colin Firth and Angela Lansbury.  It is very tough to be compared to such a masterpiece as Mary Poppins, a movie I loved watching repeatedly as a child.  The musical numbers may not be quite up to the level of the creations that made the original movie so memorable.  The tunes don’t stick with me the way they did, but then I’m not a nine year old anymore.  Maybe today’s kids will find Mary Poppins Returns to be as enchanting as the original seemed to me way back then.

Colette

Colette                 4 ½ stars

Another movie from last year that I just caught up to is Colette, a film that created a lot of buzz at Sundance in 2018.  This film stars Keira Knightley as Sidonie-Gabrielle Colette, the acclaimed female French writer of the early twentieth century.  In the film, the young Colette from rural France marries the successful Parisian writer, known as Willy (Dominic West) and is transported to be among the intellectuals in Paris.  Willy is not really that much of a writer but he has created an industry of creating literary works by having writers ghost-write under his name.  Soon he figures out that Colette has a talent for writing and persuades her to write about her experiences creating the series of novels about “Claudine”.  What follows is a story of redefining gender roles and telling of stories that overcome the societal restraints of the time.  Some of these norms that are overcome even involve women in bisexual or homosexual relationships, quite a break from the traditions of the early 1900’s even in France.  Eventually, the couple reaches a crisis when Colette asks that she be given the rights to her own work.  The film was directed by Wash Westmoreland and was co-written by him and his partner, Richard Glatzer.  Sadly, Glatzer did not live to see his project reach the screen.  But you can have the opportunity to see Keira Knightley’s acting talents in this film based on the true story of one of France’s finest female writers.