Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

Avengers: Infinity War

Avengers: Infinity War   2 stars

I finally got around to Avengers: Infinity War, the continued adventures of the Marvel characters that was in theaters two years ago.  This two and a half hour extravagant CGI production is about all the superheroes in the series joining forces to battle their greatest enemy ever, Thanos, a supervillain who has such great superpowers he aims to destroy half the universe to create his vision of what the universe should look like.  He can accomplish his mission by collecting all the special stones scattered throughout creation and putting them in his gauntlet, a special weapon created just for him.  This story is scattered through so many different worlds and includes so many different characters that many of them seem to get lost and buried in the background.  There is the usual wit and personalities that we remember and the usual giant set pieces of battles between the heroes and the various villains.  Why do stories like this have to threaten the entire universe?  The writers pretend that we have no concept of how vast the universe is, like one individual could affect all of creation.  In my view there is only one franchise/science fiction story that could involve the whole universe and that is of Doctor Who.  All others need to limit themselves to a portion of the universe.  Infinity War is memorable for its overblown special effects and super-being battles, but I don’t recommend it for much beyond that.  Everybody probably knows how it ends by now, but I won’t mention that, except that there is a sequel after this.

Damsel

Damsel                                 3 stars

I went looking for movies that premiered at Sundance Film Festival again and found Damsel, a comedy western made by the Zellner brothers (David and Nathan).  Previously, they brought us Kumiko, The Treasure Hunter, a very quirky comedy.  Here we follow Samuel Alabaster (Robert Pattinson), a pioneer who has come out west to marry his sweetheart, Penelope (Mia Wasikowska) and is accompanied by Butterscotch, a miniature horse as a wedding gift.  Samuel has enlisted the service of Parson Henry (David Zellner, also the writer and director), a drunkard and a preacher, so that he can immediately marry Penelope.  The surprise is that this is not only a romantic journey, but is also a rescue mission as it seems that Penelope has been kidnapped and is being held captive in a cabin deep in the woods.  To give you an idea of the comedy of the movie, the opening scene of a pair of travelers waiting for a stage coach at an isolated station, where one of them loses his mind seems unrelated to the rest of the movie.  The characters play their roles seriously and very well, especially Pattinson and Wasikowska, so the comedy comes with the absurdity of the situations the characters find themselves in.  Just as you think what you just saw was strange, something even more peculiar will follow.  Besides the miniature horse, there is a perpetually bent rifle barrel still in use, an abundance of dynamite and the bizarre reactions of Pastor Henry who is always lost in his life journey.  The pace of the movie is rather slow and it has a type of comedy that may not be for everyone.  Robert Pattinson previously has starred in The Lighthouse and High Life showing he is equally comfortable in drama, horror and comedy.  And I am looking forward to seeing him in the upcoming sci-fi thriller Tenet!

Christopher Robin

Christopher Robin            3 ½ stars

Christopher Robin brings us a new chapter in the story of the boy who went on adventures in the Hundred Acre Woods with his slow witted friend, Winnie the Pooh and his many friends.  This Disney movie picks up the story thirty years later when Pooh seeks out Christopher (Ewan McGregor), now a grown man with his family living in London and working for a luggage company.  It’s a charming story with a good family message about friends supporting each other through their trials.  The animal characters are done with CGI effects that make them look like talking stuffed animals and they keep their familiar characteristics from the cartoons.  This animation is much preferable to the new trend in Disney movies that make animals look as real as possible.  The character of Eeyore, the depressed donkey is especially entertaining as he always puts himself down and sees the worst side of every situation.  Christopher Robin isn’t quite as good as the original animated movies based on A. A. Milne’s children’s stories, but it is entertaining.  The audience is probably older than the children that enjoy Winnie the Pooh as there is certainly a darker tone of Christopher dealing with his family and work troubles.

The Smashing Machine

The Smashing Machine                  4 stars

The Smashing Machine by writer director Benny Safdie (Uncut Gems, Daddy Longlegs) is the recently released biopic about the life of Mark Kerr, the mixed martial arts star of the nineties and early 2000’s. It is not a conventional sports movie where a team or individual overcomes the challenges of their sport and triumphs in the end. Instead, the film focuses mostly on the character of Kerr (played by Dwayne Johnson, the former wrestling star and movie action hero, but forget about Red One) and the struggles he faces in his life within the sport and in his personal life. A few fights are represented, but they only take up a small portion of the total screen time, so don’t expect an MMA version of Rocky. I don’t know much about the sport that became the UFC, but it seems like the objective is to tackle your opponent, hold him on the floor while you beat him in the face turning it into a bloody mess until he gives up. (At least this is what I took from it. The nation will get a first-hand look at UFC next year when it will be featured on the White House lawn on the occasion of President Trump’s eightieth birthday.) Much of the film has the look of being a documentary using long takes, making it seem like you are watching the real Mark Kerr. It shows us the various sides of him. As played by Johnson he is the nicest guy you can imagine while dealing with the public. He is polite in the extreme to the average person, being very humble and restrained. But when he loses a fight for the first time and then only focuses on his next fight he becomes completely absorbed, shutting out those around him. This gets to be a problem for his girlfriend, Dawn (Emily Blunt) as she comes to resent Kerr’s silence at these times. Much of the story is about these two people who can’t understand each other and who question the motives of the other’s decisions. The role of Dawn is a complete change from how we are used to seeing Blunt. Normally, her characters are of women who are adventurous and in complete control of their lives. Here Blunt is not her normal movie star self (think The Fall Guy and Jungle Cruise) but has an understated presence and is subservient to boyfriend Kerr. It is a testament to her acting talents that she can blend into the feel of the movie so effectively. Blunt may be in line for an acting Academy Award nomination for this role. There also seems to be talk of Johnson getting an acting nomination as well. It would be well deserved. The film is recommended, but again you shouldn’t expect a lot of action leading up to a traditional final climactic finish. (I hope I’m not giving too much away, but what kind of sports movie has the winner being awarded the trophy because of a cancelled final match?) You should go to see a person dealing with setbacks in their life and finding a way to get through them.

One Battle After Another

One Battle After Another                             5 stars

It’s only October and I feel I may have seen one of the Best Picture nominees or even the Best Picture with Paul Thomas Anderson’s One Battle After Another. Anderson, the master storyteller (remember Licorice Pizza, Phantom Thread and There Will Be Blood) has created a film that is part social commentary and part family saga. It tackles matters that are relevant to today’s social situations and has some exceptional heart pounding action sequences. The main story follows an ex-revolutionary figure named Pat or Bob (Leonardo DiCaprio) and his sixteen-year-old daughter, Willa (Chase Infiniti in her first movie role) as they try to escape an enemy from their past, a certain army colonel named Lockjaw (Sean Penn) who is trying to hunt them both down. But first we must learn what led to this situation through the first part of the movie. Bob and Perfidia (Teyana Taylor) are part of an anti-establishment revolutionary group called the French 75, a loosely organized group of freedom fighters who try to free detained undocumented aliens and cause general chaos through destructive actions. Perfidia is one of leaders of the group while Bob has skills with explosives. Their actions could fit in almost any time period, but here it seems to be the early 2000’s. They run afoul of Colonel Lockjaw, a hardnosed tough as nails army officer with a really bad haircut who literally has a hard-on for black chicks. He is also part of a secret Neo-Nazi white supremacist society (called the Christmas Adventurers Club) which creates a conflict when he meets Perfidia during one of the 75’s missions. Pat and Perfidia have a baby daughter, who they are raising together that is, until most of the gang gets rolled up after a bank heist, including Perfidia. She is convinced to reveal names by Lockjaw and is placed into witness protection only to flee into the wind. Sixteen years go by during which time the gang goes dormant and Bob must live off the grid while raising the baby, now named Willa on his own. Bob is no criminal mastermind and by now has become a stoner regularly getting high and drunk. Other than his skills with explosives, he is not good for much. But DiCaprio is very convincing as a father who has a real attachment to his daughter. Bob has a real problem when he is alerted through his underground contacts that the authorities are on to them and he and Willa will need to disappear. Fortunately for Bob, there are still a few members of the group around that can help keep him and Willa out of the hands of the government. They include Sensai Sergio St. Carlos (Benicio del Toro also of Inherent Vice) and Deandra (Regina Hall of The Hate U Give) who finds Willa and gets her out of harm’s way (at least for a while). The latter part of the movie is very intense as Bob and Willa try to stay one step ahead of Lockjaw’s soldiers who are closing in. The scenes are aided by a fast-moving original score by Johnny Greenwood. The audience will really be glued to the screen during two car chase scenes, with an outcome that is not expected. (Also, look for Alana Haim in a small role. Anderson featured her in his film, Licorice Pizza.) I fully expect One Battle After Another to earn several Academy Award nominations. It could be Paul Thomas Anderson’s best to date. Do not miss it.

The Color Purple

The Color Purple              4 stars

In 1985 Steven Spielberg made the movie The Color Purple based on the 1982 book. Then in 2006 it was made into a Broadway musical and revived in 2015. In 2023 it was again brought to the screen. I just recently came to view it. By now the story of Celie, a poor uneducated black woman in early 20th century rural Georgia who suffers brutal abuse at the hands of her father and then her husband is familiar to audiences. In this musical version the role of Celie, originally done by Whoopie Goldberg in the Spielberg movie, is performed by Fantasia Barrino of American Idol fame. Her voice in her musical numbers and her acting in scenes as she quietly endures abuse from the men in her life are the best things about the movie. (She is actually reprising the role from the Broadway production and is certainly right for the part.) She is equally engaging in the moments of expressing joy when she is with her sister, Nettie (Halle Bailey and Ciara) and others that she loves. (According to Fantasia’s resume, this is her only notable film role.) Other actors of note are Danielle Brooks (Clemency) as the outspoken Sofia (originally done by Oprah) who won’t stand for the abuse heaped on women by men, but is later beaten into quiet submission by the blatant racism of the South, as well as Taraji P. Henson as blues singer Shug Avery who brings hope to Celie by showing her the sheer joy of living when one is near the ones they love. Also excellent is Colman Domingo in the part of Mister, Celie’s abusive husband who only sees her as the equivalent of a slave that must be regularly beaten into obedience. Not only do we experience his cruelty but get a sense of how he came to be this way, enduring his own pain, and we eventually see how he realizes the error of his ways and seeks to make amends. The musical numbers are lively and cinematic, but they tend to overshadow the central message of the story, which is love of family and treasuring time together. This movie directed by Blitz Bazawule is almost entirely focused on Celie as she overcomes adversity and finds her voice. Though I enjoyed the movie, I find that I prefer the original Spielberg film over this reimagining.

The Great Hack

The Great Hack                 4 ½ stars

This week I return once again to the Sundance releases to find a compelling documentary in The Great Hack.  The film goes into the details of the Cambridge Analytica scandal of 2017 and 2018.  It uses the personal stories of two individuals who got caught up in the scandal involving the Trump campaign, Brexit and many elections around the world.  The British company (named by Steve Bannon of Breitbart) teamed up with Facebook and used the personal data of millions of people to find ways of changing their behavior through the spreading of millions of social network postings to swing elections in favor of their clients.  Their most famous client was of course the Trump Campaign in the election of 2016.  One of their tactics was to get individuals to sign up for an app that provided not only their personal information, but that of their Facebook friends as well.  The film introduces us to David Carroll, a professor who sued Cambridge Analytica to recover his personal data in a case that was heard in the British courts.  The ruling forced the company to comply with Carroll’s wishes which they failed to do, making Cambridge Analylica in effect a criminal enterprise.  The other story told is that of Brittany Kaiser, a one-time director who worked for the company for 3 ½ years in a role that made her very familiar with the practice of data harvesting and using it for the benefit of their clients.  Kaiser became a whistleblower who revealed what she knew in testimonies in Britain and the US.  Cambridge Analytica is now defunct, but the film gives us a stark warning that this practice of gathering our personal data and using it to change our behavior is only going to continue.  The Great Hack makes it clear that it may be a long time before we can have a true free and fair election again.

Ready Player One

Ready Player One             4 stars

Ready Player One, directed by Steven Spielberg seems like an appropriate movie for now as we isolate from one another and communicate through electronic devices.  In this movie, set decades in the future, most people live in poverty while a small segment live well working for giant corporations.  The masses escape their reality by venturing into the Oasis, a virtual world where people meet through their avatars and compete to find the treasures that its creator, James Halliday left behind but he died.  Our hero, Wade Watts is determined to do what no one has been able to do, find the hidden keys that will lead to the Easter Egg, giving the recipient total control over Oasis.  Of course there is a sinister corporation called IOI headed by the evil Sorrento, who will stop at nothing to get control of Oasis even if it means hurting Wade and his friends.  The movie is filled with pop culture references to movies, comic books and video games that others will appreciate even more than I did with what I managed to notice.  I especially liked the scenes from The Shining.  The references to Saturday Night Fever, Back to the Future and The Iron Giant were fun as well.  Even though I am not a video game player I enjoyed the action sequences and the visual effects.  The scenes continually alternate between reality and the virtual world with the result being a well put together story.  I was not at all bored through the two hour and twenty minute running time.  Be sure and watch for the appearance of one Simon Pegg!

Bohemian Rhapsody

Bohemian Rhapsody       2 ½ stars

I finally got the chance to see Bohemian Rhapsody, the 2018 biopic about Freddy Mercury, the lead singer of the legendary rock group Queen of the seventies and eighties.  It has much in common with other biopics about music legends we have seen in the past twenty years, the genius of a young performer, the troubled relationships with family, the flashes of genius and the downward spiral.  One type of movie I really love are those that show the creative process of writing a new song, how it gradually gets put together.  Here the formula is applied to We Will Rock You and Another One Bites the Dust,(both I remember well from the eighties) but it’s like the song is instantly put together in the heat of an argument.  Rami Malek does a good job as Mercury, but the look of his teeth was overdone.  There was some mention of his life style and his contracting AIDS, but for the most part the movie was not about this aspect of his life.  It did serve as a reminder of what the eighties was like, when gay people had to remain hidden even in the music industry and AIDS was ripping through the gay community.  The final scene of the LIVE AID concert was certainly entertaining even though much of it had to be lip synced.  If you watch it on DVD there is an extended version of the concert scene that is even more enjoyable.  There are other musical biopics I liked much better.  The ones about Elton John and James Brown come to mind.

High Life

High Life              3 ½ stars

I missed High Life in the theaters but finally got the chance to see it on video. This highly unusual film by Claire Denis is a confusing science fiction story concerning a group of people, all young and attractive, on a space ship hurtling through the solar system.  The movie has a slow pace and includes little in the way of special effects for a science fiction film. It is filled with symbolism and morally ambiguous characters.  High Life starts with Monte (Robert Pattinson) and his baby daughter on the mysterious spaceship.  The ship is completely self-sustaining including a green house and recycling of human waste.  Before long it is discovered that there was a whole crew on the ship who are now all dead, leaving the two remaining passengers to carry on.  The rest of the movie is a flash back that shows us the crew on the voyage and reveals (sort of) what happened to them.  We learn that this is an experimental space ship where all of the crew are criminals who have committed capital crimes and they are on a mission to a mysterious black hole, never to return.  There is a doctor named Doctor Dibs (Juliette Binoche), also a murderer who is the one in charge and who also performs medical experiments on her subjects which include trying to get some of them pregnant without their knowledge.  The crew all have some type of aberrant behavior leading some to commit murder and suicide.  Some seem to be trying to atone for their past misdeeds such as Monte being a caring father or Dibs trying to create new life after taking lives while on Earth.  I have not seen many movies by Denis, but have read that she always tries to make the audience uncomfortable which she has certainly done this time.  I also must warn you that the ending may be less than satisfying!  Once again here is a fine performance by Robert Pattinson.