Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

God Save Texas

God Save Texas: The Price of Oil. 4 stars

God Save Texas is a series of episodics produced by Richard Linklater with three of them showing at Sundance. All are directed by native Texans and reflect some subject about conditions in Texas that affect the entire country. The Price of Oil was directed by Alex Stapleton who is from the Houston area and is Black. The focus of the episode is on the black population of Texas, their contribution to development of the oil industry, and the marginalization they have suffered for its profits. The doc goes back to the 1830’s when Texas won its independence but followed the practice of slavery. It shows how blacks were left out of the history of the state. With the discovery of oil in the early twentieth century, blacks did not receive their share of employment in the oil industry, but have suffered from the environmental dangers of having the refineries placed next to their neighborhoods. The director made it personal by showing how some of her own relatives were impacted by these practices. The episode was largely made during the pandemic. I recommend seeing the series. It was inspired by the book God Save Texas: A Journey Into the Soul of the Lone Star State by Lawrence Wright.

Between the Temples

Between the Temples 4 stars

I happened to accidentally find one of the better comedies of the festival with director Nathan Silver’s Between the Temples. Jewish Cantor Ben (Jason Schwartzman of Rushmore and The Darjeeling Limited) has a lot on his mind. It has been a year since his wife died tragically and he is living with his two moms (Caroline Aaron and Dolly de Leon (who was brilliant as the Philippino worker on the doomed luxury yacht in Triangle of Sadness). He is depressed and is unable to sing in temple. And one of his mothers is trying to set him up on dates. But he is still guiding his bat mitzvah students as they prepare their studies. Then he gets a new student in Carla (a hilarious Carol Kane (Annie Hall and Taxi)), a widowed woman in her seventies who never had her bat mitzvah before and wants to correct that omission. Only there is something familiar about her as Ben remembers her as his music teacher when he was a boy. So Ben must navigate this new situation while not fully revealing the circumstances to all the interested parties. It’s a sweet screwball comedy with perfect leads in Schwartzman and Kane. I found it similar in style to Moonstruck especially when it came to a certain dinner scene with all the characters gathered together. The director and writers were present for Q & A and told how a real story provided the idea for the movie’s premise. We also learned that they did three versions of the final scene over two days. Nathan Silver is an accomplished director with many credits only I was unfamiliar with his movies. Maybe I will see more of them now.

Girls Will Be Girls

Girls Will Be Girls 4 1/2 stars

In Girls Will Be Girls we find a coming of age story set in India in the Himalaya mountains. In a strict boarding school, Mira has just earned the title and responsibilities of Head Prefect. She has the pressures of keeping her grades up and dealing with a strict mother, but then a new boy arrives at the school that takes an interest in her. It’s a story of discovering desire and romance for the first time from first time writer-director Shuchi Talati. Mira has to be very careful about what she reveals to her mother about the relationship, but the mother takes an interest in the boy’s wellbeing too, setting up a conflict between mother and daughter. It is a well told story done with slow building tension. Both of the young actors were present for the Q & A. It was one of the best movies of the fest I have seen so far.

Love Machina

Love Machina 4 stars

How would you like to transfer the consciousness of a loved one into a robot so that they could continue to exist and be with you after they passed away? It sounds unimaginable but that is the aim of futurists Martina and Bina Rothblatt. Marina has been conducting this project since 2006 so that his beloved wife can continue to love as a machine. The robot consists of only a head and can listen and speak with the help of AI and it is named Bina48. Martina has been gathering data that defines Bina’s thoughts and digitizing them. The result at this point is regarded as a simulation but it is quite remarkable what has been accomplished so far. It seems like the stuff of science fiction, and would seem to be something we couldn’t have dreamed of only a few years ago. The movie presents other great advancements that have been made in technology recently and shows the hope that we have for the future. It gives a very positive picture of what the future holds.

Agent of Happiness

Agent of Happiness 4 stars

One of the more unusual government functions I have heard of is the measurement of happiness. In Agent of Happiness the filmmakers follow a pair of government agents through the mountains and villages of Bhutan as they survey the population with a series of questions to find out the state of happiness of their citizens. Its purpose is to help guide the government in the future development of the country. The film focuses mainly on one agent named Amber who is about 40 years old and actually has his own story to tell. The survey asks questions about people’s possessions like refrigerators, TV’s and farm animals, but also how they rate their own happiness. Like any of us, the people have misfortunes they talk of like deaths in the family, abusive mates, alcoholism and even living as a transgender person. But they also reveal the hopes they have for the future. Amber’s own story is about caring for his aging mother and of a girl friend that he wishes he could marry. Unfortunately, Amber is not a Bhutanese citizen being of Nepalese descent, thus he cannot leave the country. And that is enough to deny him of his dream of a wife and settling down. Thus behind all the beauty of this land and the optimism lies the stories of pain and loss and how like people everywhere, they find a way to carry on.

Ferrari

Ferrari                   4 stars

There is a lot of heat and noise coming from the fast cars on the roads of Italy in Michael Mann’s new movie Ferrari about the man behind the sports car company that bears his name. There is also a lot of heat being generated off the track too coming from Ferrari’s wife, Laura (Penelope Cruz in one of her finest performances) who is unhappy with her place in her marriage to Enzo Ferrari (Adam Driver). This auto racing movie set in 1957 does concern competition between drivers of the world’s fastest machines on land, Formula One race cars, but it is also about the challenge Ferrari is facing, trying to save his company from bankruptcy while also keeping his life with his mistress, Lina (Shailene Woodley) secret from his wife. Early on we see what Laura is capable of as her fiery temper leads her to fire a gun, nearly hitting Ferrari. There is no hiding her feelings as only Cruz can show. She is still hurting from the death of her only son who died one year before that she blames on Enzo. But Ferrari needs to accommodate Laura as she controls most of the automobile company. The company is not selling enough sports cars to keep it afloat, but if one of its race cars can defeat Maserati in the famous Mille Miglia, the thousand-mile race across the hills of Italy, then it will be possible to sell many more of the expensive cars and save the company. Ferrari must also convince the right investor to help finance his venture so he must manipulate them into seeing things his way. You can see that Enzo has a lot on his mind. The movie viewer has a lot on his mind too as there is a lot of drama going on when not on the racecourse. Of course, there are plenty of exciting scenes of the race cars hurtling around the track and competing against each other on the road around hairpin turns through the countryside. I can’t imagine how it was possible to film scenes like this, but they are thrilling. There is no hiding the hazards of the sport in this era as is shown by some very graphic scenes that will silence the audience. Adam Driver displays his usual intensity, though not exploding with rage like he has in other roles. He keeps a subdued presence, but you can imagine him boiling beneath the surface as Ferrari maintains control over how the drivers are to handle the cars in the race and deal with a hostile wife at home. We don’t really get to know the drivers well, other than one who is especially eager to win at all costs. Patrick Dempsey portrays Piero Taruffi, the most experienced driver who has somehow survived to an advanced age for racecar drivers. There are some interesting things to see from this time, such as cars that carried two passengers and how the occupants sometimes have to work on a disabled car during a race to get it running again. There is so much packed in the two-hour plus running time that by the end of the race it is almost immaterial who the winner is. The movie is not for everyone, but anyone with a passing interest in auto racing should see it. As well as any fans of the talented Penelope Cruz.

Nimona

Nimona                 4 stars

From the studios of Annapurna and Netflix comes the animated movie, Nimona, originally a graphic novel by ND Stephenson. This energetic story takes place in a futuristic medieval kingdom where knights wear suits of armor, carry swords that fire energy beams and ride around in flying cars through the streets of a busy metropolis. Everyone there is aware of the legend of Gloreth, who defeated a fearsome monster a thousand years ago and is still revered. In the present we meet Ballister (Riz Ahmed), a knight who has few friends, but is close to fellow knight, Ambrosius Goldenloin, a descendant of Gloreth. It is clear that the two men have a romantic relationship, with this being the most gay-friendly animated movie I can remember. Early is the story, poor Ballister is framed for a murder and the knights of the kingdom are tasked with hunting him down. But Ballister is befriended by a young girl named Nimona (Chloe Grace Moretz) who isn’t all she appears to be at first. Nimona is a shapeshifter, a being that is not human and can assume the appearance of any creature in an instant and is practically invulnerable to things that would be fatal to a human. She is also a thousand years old and the only one of her kind. Ballister and Nimona see something in each other with Nimona wanting to protect Ballister and clear his name of the crime. She protects him by changing into a rhinoceros, an ostrich, a small bird and even a whale among other animals and runs circles around the hapless knights. Besides fighting knights she loves to wreck things destroying structures and statues that get in the way and doing it all in a bright shade of pink. It is apparent that the character is a stand in for a transperson. She is reviled by all and at one point says she doesn’t know what is worse, knowing that everyone wants to drive a sword through her heart or wanting them to do it. Nimona is seen as a monster to the population, but we learn that this image is really a creation by a society unwilling to accept someone that is different from everyone else. She is alone in this world and desperately needs to connect to someone. Besides the message, the movie has plenty of comic bits for the kids and plenty of action that will keep their attention. The movie was originally a project of Blue Sky Studios, which was acquired by Disney. Disney apparently thought the film was too gay for them and shut it down at which point Annapurna took over to complete it. The LGBTQ nature of the characters will not be lost on anyone. Good for the filmmakers for having the vision to see the project through.

àma Gloria

áma Gloria                          4 stars

From France comes the movie áma Gloria directed by Marie Amachoukeli in her first time directing solo. We meet six-year-old Cléo who is cared for full time by nanny Gloria, a native of Cape Verde. Cléo loves Gloria as she is the only mother she has known since her real mother died when Cléo was a baby. Gloria has her own family in Cape Verde, but sees them only occasionally. Being a nanny in France is the only way she can earn money to support them. But then a family tragedy back home means that Gloria must return to Cape Verde permanently, meaning she must say goodbye to little Cléo. In order to lessen the pain for the six-year-old, her father agrees to letting Cléo stay with Gloria in Cape Verde for one last summer together. It is a touching relationship between the two main characters told both with the lens and animation sequences to illustrate Cléo as a baby with Gloria and life in Cape Verde. Both actors did an amazing job in bringing out how close they are. In the Q and A the director told how the young girl, Louise Mauroy-Panzani was the first girl that auditioned which is amazing since it normally takes a year to find the right child actor. When the part of the nanny was cast the director rewrote to screenplay to set it in Cape Verde, the actress’ home country. The movie did not premiere at Sundance, but appeared previously at the Cannes Film Festival. The movie was in French and Creole. This was one of my favorites.

Never Look Away

Never Look Away                             4 stars

The documentary Never Look Away tells of the extraordinary life of CNN camerawoman Margaret Moth who spent 16 years going to war-torn countries to record the conflicts on film and bring the reality of war to our screens back home. The documentary is directed by first time director Lucy Lawless who is widely known from her TV character, Xena on the show Xena: Warrior Princess which she played for six seasons. Lawless, a native of New Zealand jumped at the chance to direct this film as Margaret Moth was a fellow New Zealander and Lawless was highly motivated to have this story told. Through interviews with old boy friends, colleagues at CNN and family members we learn how dedicated and fearless Moth was in entering such warzones as Bosnia-Herzegovina, Lebanon and various African conflicts. She believed it was critical that people should know just how terrible it is for the local people living in warzones. Footage from the conflicts is shared showing how perilous the locations were. For some especially significant locations 3 dimensional dioramas were created to the bring the impact of the events to life. The documentary is an impressive achievement for Lawless. She appeared at the theater for Q and A where she said the movie was finished just in time to make it to Sundance.

May December

May December                 4 stars

As director Todd Haynes’ movie May December opens, we see a family gathering at a southern mansion with teenagers and neighbors having a backyard barbecue. It seems like a normal family scene except for the menacing score intimating something dark going on. Gracie (Julianne Moore of Still Alice, Boogie Nights and The Kids Are All Right) is preparing food and conversing with the neighbor when her husband, Joe (Charles Melton of Riverdale) comes in for a beer and Gracie questions if he has had too many. Right away we get the feeling that this is not an equal relationship as Gracie is the one who controls every aspect of this marriage. Things look more peculiar when we realize that Gracie is an older woman in her sixties, while Joe, who is half Korean is in his mid- thirties. Then we learn that the couple is expecting a visitor, a Hollywood actress, Elizabeth Berry (Natalie Portman of Black Swan and Closer) who has asked to shadow the couple as she is preparing to portray Gracie in an upcoming movie role. As the movie progresses, we learn more about their story. When Gracie was previously married with a family, she started an affair at the pet store where she worked with a new employee, Joe, who was 13 years old at the time. She served time in prison for the “indiscretion”, got divorced then married Joe whom she started a second family with. Now they have three teenage children, two of whom are about to graduate from high school, making the unusual couple soon to be empty nesters. (There is an intentional similarity to Mary Kay Letourneau’s story.) Things get more interesting and troubling as Elizabeth interacts with the couple individually and interviews others affected including Gracie’s ex-husband (D. W. Moffett of Switched at Birth and Chicago Med), her son from the earlier marriage, her defense attorney and the pet store owner. The intruder, Elizabeth, has a disruptive effect on this marriage the more she is present and even mimicking the actions of Gracie. Previously suppressed emotions come to the surface, especially for Joe as he starts to experience a mid-life crisis, realizing that he is treated more like a teenager than as a husband. The tension is thick thanks to the acting talents of Julianne Moore who is the expert at turning on the tears and to Portman in her best role since Jackie. Director Haynes has created a real showcase for the actors, making a dramatic character study for all three main parts. Haynes and Moore have previously worked together in Safe, Far from Heaven, I’m Not There and Wonderstruck. It’s clear that these two create movie magic when paired together. Moore, a previous Best Actress winner and five-time Academy Award nominee has again been nominated for the Best Actress Academy Award for her role.