Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

Furiosa: A Mad Max Saga

Furiosa: A Mad Max Saga              5 stars

Mad Max. The name conjures up visions of gangs on roaring motorcycles and tricked out old cars racing through the desert wasteland after a nuclear holocaust has destroyed most of civilization. This is the world first created by George Miller back in 1979 with the release of Mad Max. Now we have Furiosa: A Mad Max Saga, the fifth installment of the series and it is as full of action and mayhem as any of the others. Plus, we get a fuller view of the life of Furiosa, the woman who raged across the desert against a murderous gang in the movie Fury Road that starred Charlise Theron nine years ago. Furiosa gives us the young hero’s origin story told over five acts and two and a half hours of car and motorbike chases with death defying stunts and murderous mayhem with some of the weirdest looking odd balls we’ve encountered since Fury Road. And it is the first time that Mad Max, last played by Tom Hardy, does not appear in the movie. For the first hour we follow the journey of the young girl, Furiosa (Alyla Browne) who is abducted from The Green Place, a sort of paradise in the desert, by a group of biker degenerates and brought back to the base of their outlaw gang, but only after Furiosa’s mother tracks them and kills almost all of them. There, she meets the leader of the gang, a self-absorbed psychopath named Dementus (Chris Hemsworth playing the villain in a most unusual casting choice). Dementus kills the mother, giving the young Furiosa the rage that so defines her character in the times to come. In this society, located in the Wastelands of Australia, the various gangs are led by warlords who rule cruelly over their subjects. They live in places with names like The Citadel, Bullettown and Gasland. These characters have some very descriptive names like The People Eater, Rictus Erectus and Scrotus. Eventually, Furiosa is traded to one of these warlords where she is to live with the leader’s harem of women. There, she learns the ways of the gangs, disguised as a boy, taking on a new role as a valuable sidekick to Praetorian Jack (Tom Burke). The adult Furiosa is played by Anya Taylor-Joy, the striking model from Last Night in Soho and The Queen’s Gambit. Taylor-Joy has an intensity in the role that can be seen in her face as she methodically goes about making repairs on the war-rig, stares down her enemies or puts a bullet in them. One feels the pain she goes through and can then better understand the actions of her future self in Fury Road. George Miller said that it was after seeing Anya Taylor-Joy in Last Night in Soho, that he knew he had found the young Furiosa. Taylor-Joy can seemingly easily handle maneuvering a car in the desert though she says she has never had a driver’s license. The action set pieces as imagined by George Miller are astounding in their execution. In one sequence we see a chrome plated diesel truck defended by the white War Boys from an attacking horde of bikers, some of them on hang gliders. One by one each attacker is picked off by physical assault, gunshot or being crushed by the truck’s wheels. This scene lasts probably fifteen minutes and is accompanied by a heart pounding steady beat the entire time. Such scenes are designed to get the viewers’ adrenaline pumping and they succeed. This is just one of the many thrilling action scenes brought to the screen. I understand that the story was actually written by Miller before Fury Road was filmed and that it took ten years of preparation to assemble the collection of hot rods, bikes and trucks to make such a wonder of a film. If you are a fan of action movies, this is the one you should not miss this summer.

Emily the Criminal

Emily the Criminal            4 stars

I saw this surprise of a movie during my return flight from Sundance, but had not written about it before. When I saw the awards coming its way I thought I should correct that. While completely fictional it represents the situation that many young people find themselves in today’s economy where one cannot escape their past. Emily (Aubrey Plaza of Parks and Recreation) has a load of student loan debt and needs a good job. The trouble is she has a minor record that keeps coming up in job interviews, thus preventing her from reaching her goals. (Background checks can follow you everywhere.) She has to take menial service jobs in the gig economy that allow the employer to take advantage of the workers. So what is she supposed to do? The answer is in the title. She meets a Lebanese man (Theo Rossi) who runs a theft ring where the participants make purchases using stolen credit cards and fake id’s. Emily gives it a try, has some success at it and is undeterred even when getting beaten up a bit in the process. Things escalate when she finds that she is actually good at it and rises in the ranks of this criminal enterprise leading to some dangerous experiences. The movie has an interesting premise, perhaps taking it in an implausible direction, but it is entertaining and keeps your interest mainly due to Plaza’s excellent performance as Emily. Most of her roles have been in comedies, but here she shows that she is equally talented in dramas. The movie received nominations for both Best Lead Performance (Aubrey Plaza) and Best First Feature (Aubrey Plaza and John Patton Ford) at this year’s Film Independent Spirit Awards. I am glad I gave it a try.

Living

Living                     4 ½ stars

A long time ago a masterpiece of a film called Ikiru was created by Akira Kurosawa about a Japanese bureaucrat in the 1950’s who has found out that he is dying of cancer. I never saw that groundbreaking film but feel that much of its feeling has been recaptured in the British remake Living. Bill Nighy (of Love Actually) stars as Mr. Williams, the London bureaucrat in the Public Works department in Oliver Hermanus’s film. The opening sequence looks so much like an early 50’s film you at first wonder if it is a long lost treasure from that era. The first scenes move slowly and feature very stilted conversations among the bureaucrats that convey how repressed British society is at this time and Bill Nighy is the perfect actor to portray a man hiding his emotions. When the cancer diagnosis is made we can hardly tell what effect it has on him. We follow him as he explores various avenues of spending his final months like going out on the town to strip clubs and having lunch with a young woman he used to work with. Ultimately, he decides to make a difference by doing some good for the community, seeing a project to construct a playground to completion, all the while keeping his condition a secret. The slow pace of this film may turn some viewers off, but the challenge the filmmakers took on pays off mainly due to the talents of Nighy in what is probably one of the best roles of his thirty plus year career. I don’t know if he will receive an Oscar for the performance but he certainly deserves his Best Actor nomination.

Cocaine Bear

Cocaine Bear      3 ½ stars

The title of the hit horror “Cocaine Bear” tells just about everything you can imagine about this movie. “Inspired by true events”, in 1985 the body of a drug dealer with a failed parachute Is discovered in Tennessee, accompanied by a duffle bag of cocaine. Somewhere in a forest in Georgia the rest of the plane load of cocaine was dumped leading to a trio of the dead man’s drug dealer colleagues going in search of the missing drugs. Unfortunately, for them and the rest of the characters in this comical and bloody situation, a 500 pound bear has discovered the drugs first, getting stoned out of its mind after eating at least one brick of cocaine. What follows for the next hour and a half are some of the most hilarious encounters between said bear and the humans unlucky enough to cross paths with the ravenous animal. Besides the drug dealers (including the late Ray Liotta) there are the two teenage kids, Dee Dee and Henry, Dee Dee’s mom (Keri Russell), the local park ranger (Margo Martindale) who has gotten a raw deal on recent mishaps in the park, her activist friend, Peter (Jesse Tyler Ferguson), a trio of teenage boys who get their kicks out of attacking park visitors and a local cop (Isiah Whitlock, Jr.) who aims to get to the bottom of the bizarre happenings in his jurisdiction. All find their way to the woods where the insane bear is hunting its prey. Although it is a comedy, Cocaine Bear deserves its R rating since there is no shortage of blood and gore as one person after another meets their fate at the claws and teeth of the angry bear that includes some missing limbs and at least one disembowelment. There also may be some valuable lessons to be learned when confronted by a bear in the woods, though I wouldn’t be real sure about that. The movie is directed by longtime actor and occasional director Elizabeth Banks known mainly as Effie Trinket in The Hunger Games movie series and is much in the tradition of recent horror comedy movies Werewolves Within and Shadow in the Clouds.

Puss in Boots: The Last Wish

Puss in Boots: The Last Wish        4 ½ stars

Here is another third film of a series: this time it is Puss in Boots, that Spanish speaking adventurous feline (voiced by Antonio Banderas) back to vanquish villains and seek his own glory in another animated film from Dreamworks. I missed all the Shrek and earlier Puss in Boots movies, but understand that the sidekick character got his own treatment in the prequels after the end of the Shrek movies. In Puss in Boots: The Last Wish, Puss comes face to face with his mortality when he is bettered by the big bad wolf. Puss is informed he is down to his ninth and final life and that he needs to retire. So it is off to the feline home, run by Mama Luna and inhabited by dozens of domesticated cats. Puss must tolerate the arrangement where he meets a new friend in Perrito (Harvey Guillen), a small dog disguised as a cat. (Follow along now.) But retirement doesn’t last long when the Crime family of Goldilocks and the Three Bears (Florence Pugh, Olivia Coleman, Ray Winstone and Samson Kayo) come calling since there is still a reward on Puss’s head. Add to that Puss’s former love interest, a cat called Kitty Softpaws (Salma Hayek), who is also a great battler and a loathsome villain in Big Jack Horner (John Mulaney) who despite having great riches wants to have all the magic in the world. The entire batch of them have learned of the existence of a lucky star that can grant a single wish, thus they are all on a quest to find it in the Dark Forest all the while fighting and playing tricks on each other. The CG animation is very colorful and has really improved in the last twenty years or so. Of course the movie is action filled and has plenty of comedy in its hour and 40 minutes running time. It can be quite a challenge to keep up with all the references to the fairy tales that show up in this story. We can see how Puss in Boots came to be such a legend. Maybe I’ll get to seeing the earlier Dreamworks movies of this collection some day. The movie is nominated for the Academy Award for Best Animated Feature.

Creed III

Creed III               4 stars

Creed III finds Adonis Creed (Michael B. Jordan, returning as the star but also directing) retired from his world championship and now the owner of his own boxing gym ad quite well off with his music producer wife Bianca (Tess Thompson) and young daughter. It is the third in the series and the first that his mentor, Rocky Balboa does not appear in. The story starts with the young teenage Adonis at a group home with his buddy Damian who is making it in the boxing world when things take a bad direction and the two of them get caught up in an act of violence. Skip ahead about eighteen years and Creed is preparing world champion Felix for his next title match when a figure from the past, Damian (Jonathan Majors) appears at his door. Having just gotten out of prison, it soon becomes clear that Damian is interested in more than getting reacquainted with his boyhood friend. He has dreams of reaching his goal of becoming a champion and will stop at nothing to get it including exploiting Creed’s feelings of obligation toward him a well as cheating in the ring. Creed is warned that trouble awaits if he follows this path, but that matters little to him. Tragic events follow in a movie that is also about race in addition to being a boxing film. It is about two connected lives that took very different paths because of a single event involving young black men and the justice system. Inevitably, the film goes to the final confrontation between the two fighters in a showdown of a fight that is filmed like it is disconnected from the real world around them. The fight scenes are not as good as in the first Creed movie, but how could they be? That was a legendary film. The events surrounding these two characters may seem implausible in the real world making it quite a stretch, but it is entertaining to see these two talents and very well-conditioned actors performing together.

Causeway

Causeway           4 stars

I viewed another Oscar Nominated performance in Causeway, the recent movie by director Lila Neugebauer available on Apple tv+. This low budget drama stars Jennifer Lawrence (of The Hunger Games fame) as Lynsey, a soldier recently returned from duty in Afghanistan after suffering a brain injury in an IED attack. At first the movie is about her rehabilitation in New Orleans, seeing doctors and caregivers and going through physical therapy and the frustration  of trying to regain physical function. But it is also about her forming a bond with James (Brian Tyree Henry of Atlanta), a local Black auto mechanic who has suffered his own trauma (though not war related) who sees someone suffering and is in need of a friend. Lynsey also has her mother, but she is very self-centered and of little use in Lynsey’s recovery. The two find that despite their widely different backgrounds there is a connection between them though it gets a bit rocky along the way. It’s a straightforward story without complicating flashbacks that owes a lot to the great acting skills of Lawrence and Henry. Brian Tyree Henry is honored with a deserved Academy Award nomination for Best Supporting Actor.

The Quiet Girl

The Quiet Girl    5 stars

The Quiet Girl is the third award winning movie featuring the Irish I have seen this year, the others being The Banshees of Inisherin and Aftersun. This one actually deserves more attention than it received having been nominated for Best International Feature at The Academy Awards. The film is the first by writer/director Colm Bairead and is one of the most emotional ones I have seen lately. We meet Cait (newcomer Catherine Clinch) a girl of 9 or 10 who is painfully shy and who obviously has a tough life both at home and school. At home she lives with her parents and five siblings on a farm where money is short as is any empathy. Her father is both a drunkard and a gambler and not much of a farmer either. He even complains about how much his children eat. Now her mother is pregnant with the sixth child. The parents agree that in order to make things more manageable, Cait should spend a few months with a relative on a distant rural farm where she can be cared for until the baby arrives. There is no explanation of why her and not any of the other children. The relatives are an older couple and are obviously better off financially than Cait’s family. The woman, Eibhlin (Carrie Crowley) provides attention and care to young Cait like she has never had before. The man, Sean (Andrew Bennett) is at first aloof but then warms up to her, allowing her to help out on the dairy farm and challenging her to run to retrieve the mail as fast as she can. They even buy her new clothes and shows. Cait is still shy through this, clearly a cry for help, but gradually she becomes more talkative, using the dialect of Gaeilge. (Fortunately, the entire movie uses subtitles.) Eventually, we learn of events from the couple’s past that bring these people closer together. It is never forgotten that this arrangement is temporary which makes the ending of the film a truly memorable and emotional moment. The Quiet Girl should especially be seen by anyone who is a parent as well as a wider audience. It could have easily received a nomination for Best Picture. I hope that we see more from director Colm Bairead in the future.

Marry Me

Marry Me            2 ½ stars

I have seen a large number of romantic comedies including some that are really thin on plot. Marry Me starring pop icon Jennifer Lopez and talented funny guy Owen Wilson has to count among the lightest of them. From director Kat Coiro, we get the Cinderella story of recording superstar Kat Valdez (Lopez) who is scheduled to get married to equally super popstar Bastain (Colombian superstar Maluma) during a live concert. This is done to promote her hit song, Marry Me. But moments before the planned ceremony word of Bastian’s infidelity spreads leaving Kat at the altar. What can she do but shout to a single dad in the audience and say she will marry him, (literally some guy)? The guy happens to be Charlie (Wilson) who is a middle school math teacher who is there to accompany his tween daughter, Lou to the concert, along with a work friend (Sarah Silverman). Charlie actually goes ahead with the ceremony in front of everyone, but later has doubts about what he has done. But who wouldn’t want to marry a famous popstar? Kat’s production team is all over the plan as it is great for publicity. The rest of the movie is entirely predictable as the unlikely couple go from reluctance, to being friends, to involved only to run into the inevitable crisis that will bring about the moment of truth. It is good to see these two, who are among the most likable stars in the industry today, but they both deserve more interesting material than Marry Me. Both of them have done better in romantic comedies in the past. I do look forward to seeing Owen Wilson in his upcoming movie, “Paint” later this year.

The Mitchells vs. the Machines

The Mitchells vs. the Machines  4 ½ stars

I caught up with the Netflix 2021 animated feature The Mitchells vs. the Machines which tells how a typical dysfunctional American family dealt with the great robot apocalypse of 2020. This amusing action-filled movie connects well with young and old audiences with its references to how people are dependent, even obsessed with their wireless devices and what happens when those connections go away. 18 year old Katie (Abbi Jacobson) is about to leave home to start film school in California. She has been fascinated about making her own movies and posting them on the internet, but her father (Danny McBride) just doesn’t get her. He thinks it isn’t right that the family is so involved with their handheld screens all the time. So he changes Katie’s plans to fly to California and instead make it into a family road trip with Mom (Maya Rudolph) and son Aaron (Michael Rianda, also the writer and director), who also happens to be obsessed with everything dinosaurs. Katie is more connected to brother Aaron than to either Dad or Mom. These plans are upset when the next generation AI device, a mobile robot is announced by CEO tech wizard Mark Bowman (Eric Andre), which angers the digital assistant app known as PAL (voiced by the amazing Olivia Colman). PAL takes control of the thousands of gleaming robots and sets about on her plan to capture and enslave the entire human population. (Will we never learn what happens when robots are given the capability of AI?) The movie can be described as The Fabelmans meets Terminator. Somehow the Mitchell family along with their ugly pug dog, Doug escape capture, thus it is up to them to defeat PAL and rescue humanity. Entertaining comedy and action follow as the dysfunctional family must work together and come up with plans to battle the robots and find their way to the lair of PAL. They are aided by a couple of malfunctioning robots (voiced by Beck Bennett and Fred Armison) who see something redeeming in the humans. It’s an imaginative take on our dependence on our digital devices and the importance of remaking connections with our family and friends. There is plenty of cartoon violence that can be enjoyed by all audiences.