Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

The Lost City

The Lost City                       2 ½ stars

Anyone who pays any attention to the media has seen the promotions for The Lost City a hundred times by now. This is the newest lost treasure adventure rom-com that stars Sandra Bullock as an adventure/romance novelist and Tatum Channing, her book cover model. The movie follows a tried and true formula for these types of movies that goes back to Romancing the Stone. In this one Bullock’s character, Loretta Sage, is kidnapped by the billionaire adventurer Abigail Fairfax (Daniel Radcliffe, against type, cast as the villain) because he believes Sage can translate an ancient fragment from a lost civilization that can reveal the location of an ancient treasure. Thus, most of the action takes place on a remote island in the Atlantic Ocean. The dimwitted Alan, Channing’s character believes that he can rescue her pretty much on his own, setting up a variety of comic scenes between the two leads. Bullock does her best with her comic sense in this very predictable relationship. There is a decent set of comedic supporting cast that includes Da’Vine Joy Randolph, Oscar Nunez of The Office, Patty Harrison and SNL’s Bowen Yang. Credit must also be given to Bullock’s wardrobe of the magenta sequined jumpsuit that she wears through most of the movie. It appears so often that it deserves its own credit, figuring into the plot of the movie. Anyone who has seen the promotions will recognize it. There is little that could be called original in this comic caper, but it can easily be watched on an afternoon when you don’t have to be completely absorbed with what is happening on the screen. And you certainly should not be thinking about what is credible in the story line.

The Duke

The Duke                             4 stars

If the bloody fighting of The Northman or the zany comedy of Everything Everywhere All at Once isn’t for you, perhaps you should try the British comedy, The Duke. Jim Broadbent, the character actor of so many fine films gets his chance at a starring role as Kempton Bunton, a friendly out spoken man who resents the fact that the government expects people to pay for their over the air TV shows and tells the TV police his views when they track him down in his rundown apartment. (I know that they do this in England as I heard about it from a British fellow once.) Kempton and his wife (Helen Mirren) are still aching from the death of their daughter many years earlier. We find out early in the light-hearted comedy that Bunton went on trial for theft. Eventually he concocts a bizarre plan to steal a famous painting of The Duke of Wellington from The British Art Gallery and hold it for ransom, demanding that the government make television free to the elderly. As if this isn’t bad enough, he involves his son in the half baked plot as well. This low key type of comedy with likeable characters should appeal to a wide range of audiences. Sadly, the director, Roger Michell, won’t be making anymore like this as he passed away last year. The movie was actually based on a true story that happened in 1961. It was the only successful robbery of the Art Gallery in history. If you enjoy British comedy you can’t go wrong with The Duke.

Horizon: An American Saga – Chapter 1

Horizon: An American Saga – Chapter 1                  3 ½ stars

If you go to see Kevin Costner’s sweeping epic of the Old West, Horizon: An American Saga, you had better make sure you are in for the long haul. The movie clocks in at more than three hours and has a multitude of characters for you to keep track of. As the title implies, this is chapter 1 of what will eventually be a four-part series of movies, all of which lead to and center on a growing community in the American Southwest called Horizon. Early in the movie there is a scene of a celebration at a barn dance one night in the new town. Some nearby Apache Indians are not so enthralled with their new neighbors, so a group of them launches an attack on the new settlers in one of the most brutal scenes I can remember in the movies. (It’s on a scale of what I remember in The Revenant.) The town ends up destroyed with most of the residents dead, including many of one family, the Kittredges who put up a tremendous fight. The matriarch, Francis (Sienna Miller) and her daughter alone survive. There is a nearby US Army outpost with a contingent of soldiers that comes to the rescue, though they are too late to be of help. One soldier in particular, Lt. Gephardt (Sam Worthington) delivers a message to the survivors that they should reconsider their decision to come to this land inhabited by hostile Indians, but the settlers are unwilling to take this advise and there lies the drama and the message of the film. The lure of this land to be settled by the white travelers (and other races) leaving their former homes cannot be quenched. They must stay and others like them will continue to come, drawn by the promise of a better life. Repeatedly we see a poster about Horizon, promising unlimited land to those brave enough to make the journey. Other story lines also find characters finding their way here, one of them involving a horse trader who has found various ways of making a living named Hayes Ellison (Kevin Costner). Ellison, who is very accomplished at handling a gun, finds his life entwined with a young woman, Marigold (Abbey Lee) who is on the run from men who would like to see her dead. This mysterious man will be drawn to Horizon as well. An additional story line focuses on the Apache Indian tribe and the internal divisions that occur as a result of the incursions of the white folk. One of them, Pionsenay (Owen Crow Shoe) is the leader of the war party, but he cannot defend his people from the inevitable retaliation from the armed settlers who practice scalping the dead for bounty. Finally, we follow a wagon train coming from Kansas on the Santa Fe trail, also seeking the new land, led by Matthew (Luke Wilson) who must deal with all the internal problems of the pioneers and be concerned about Indian attacks as well. It is a challenge for the viewer to keep up with the various stories and so many characters as the story seems so expansive. It is likely this is what Costner intended as this series has long been a dream of his that is now becoming reality. There is plenty more promised as we see at the end of the movie from a long montage of scenes involving our characters and some new ones that preview what is to come. Horizon should be considered to be more of a mini-series than a movie. Chapter 2 is expected sometime this fall, with additional chapters next year. Chapter 3 is about to begin production. Chapter 1 felt like a marathon. I am hoping that the next ones will be less than three hours!

Wolfwalkers

Wolfwalkers                       4 ½ stars

From the Irish studio Cartoon Saloon who brought us The Secret of Kells in 2009 comes their latest creation, Wolfwalkers, an animated tale set in Ireland about two girls from vastly different backgrounds who form a fast bond against troubling circumstances. Robyn is an English girl who has been brought to Ireland by her father who has the task of ridding the woods of its inhabitants of wolves. The wolves are very troubling to the local farmers as they attack their livestock. Robyn, being English is not at all accepted by the Irish children of the village, so she finds her own adventures. One day, disobeying her father’s instruction, she wanders into the woods where the wolves live and meets a strange redheaded girl, Mebh, who is very wild and outspoken and who happens to be one of the last of the Wolfwalkers, a mythical creature who is human by day, but transforms into a wolf at night when their human body falls asleep. Though very different, the two becomes fast friends and Robyn is convinced she must do whatever it takes to help Mebh and the wolves survive, even if it involves disobeying the orders and warnings of her father and the villagers. There is a villain involved in the form of the English Lord Protector, who believes he can only stay in power by gaining favor with the locals by having all the wolves killed or run out of the woods. It is an intense story about young people having to face the challenges of an adult world, but also about adults who have something to learn about the magic of childhood. I also enjoy the animation style of the movie as it is very colorful and full of movement and done is an imprecise manner. It is one that adults and children can both appreciate.

Top Gun: Maverick

Top Gun: Maverick          4 ½ stars

By now everyone has heard about Top Gun: Maverick, probably the most highly anticipated movie of the year. The sequel to the 1986 movie, Top Gun has been in the making for years and was delayed until it was finally released last month. Most have heard of the premise of the film, how Pete “Maverick” Mitchell is brought back to the military’s top flight school to instruct a group of the Navy’s best flyers, for a top secret mission against an enemy that goes largely unnamed, but is critical to US and NATO security. Maverick (Tom Cruise in his most famous role) is still a test pilot for the Navy having passed on promotions repeatedly and is still much the fearless risktaker he was in the original film. But certain events and relationships have had their impact on him, especially those related to Bradley “Rooster” Bradshaw (Miles Teller), the son of “Goose”, Maverick’s deceased wingman from over thirty years previous. One actor that doesn’t really have much to do is Academy Award winner Jennifer Connelly who plays the woman that owns the bar where the Navy flyboys tend to hang out. I’m not really sure why she is in the movie. This is all background for the story, but the main impact of the movie are the thrills and performances of the navy jet flyers in the training exercises and the ultimate mission that involves the highest level of danger for our flying heroes. This is a movie that must be seen on the big screen to get the full experience of the speed and sounds of flying a jet at high speeds with the dangers of combat. Whatever you may think of Tom Cruise, you should not miss this movie while it is still playing in the theaters.

Swallow

Swallow                               4 stars

Swallow is a difficult movie to describe. It may be a thriller turned horror movie about female empowerment in an environment controlled by men. It does concern a little known psychological disorder called pica. Hunter Conrad (Haley Bennett) is a newly married housewife whose husband is a rising star in the corporate world. Hunter is put on display in 1950’s wardrobe in a lavish, isolated house where she is expected to be the perfect wife and home decorator. The husband, Richie, is very controlling and her in-laws are judgmental toward her. The pressure only grows when it is learned that she is pregnant. It is then that the mental illness surfaces as Hunter finds satisfaction from swallowing inanimate, inedible objects and then “recovering” them. She does all this in secret trying to get greater satisfaction with more and more dangerous objects. I felt the movie gave a realistic feel for why someone would seek to cause harm to themselves when there was little they could do to control the world around them. I heard about the film when the pandemic was just starting and finally picked it as one to watch. I feel it fits in well with what we were facing in 2020 when events were controlling what we could and could not do. Haley Bennett gives an excellent performance as the housewife who is dominated by the men around her. Eventually, some additional context is offered to help explain this mental condition. There are some scenes that the squeamish may have a little trouble with, but there is no violence in the film. The film received well deserved favorable attention at film festivals before getting its brief theatrical run when Covid struck.

Crimes of the Future

Crimes of the Future                       3 ½ stars

After a long absence from filmmaking, David Cronenberg, the master of the “body horror” film, has returned with his new offering “Crimes of the Future”. People familiar with his work will recognize him for such sci-fi horror films as Videodrome, Scanners, The Fly and eXistenZ. His style includes images of gory, grisly mutilations of bodies and he is not letting us down in Crimes. So get ready for the gore. There is too much to describe here, but the setting is a time in the future when evolution has removed the threat of pain and infection from our lives and some people have gained the ability to rapidly evolve their own bodies. One such person is Saul Tenser (a handsome Viggo Mortenson), a performance artist who allows surgeries to be performed on him in public by his associate Caprice (Lea Seydoux) by means of an autopsy machine that is operated by a remote control that seems to resemble a vagina. During these autopsies any new “organs” that Saul has managed to grow inside his body are removed and displayed with Caprice making sketches of the new creation. As Tenser says, surgery has become the new sex and it is there to be viewed by a live audience. Tenser gains the attention of many individuals including the director of The National Organ Registry, a man seeking his skills for a “live autopsy” and a “New Vice Unit” agent seeking information on illegal activity. The feel of the movie is aided by the scenes of bodies being cut open with automated steel scalpels  and some interesting furniture pieces including a bed that looks like an open cocoon and a chair made of bones. There is a lot of talk about the meaning of art and beauty and many dark interior scenes and secret meetings. Unfortunately, the film seemed to end rather abruptly leaving one with a rather empty feeling at the end. This is a true Cronenberg film. It will not be for everyone.

Watcher

Watcher                               4 stars

Imagine what a moviemaker would do if asked to make a horror movie set in Romania that did not involve vampires. That task is accomplished by relatively new director Chloe Okuno in the horror thriller Watcher. The movie stars Maika Monroe as Julia, the lonely American housewife who has followed her Romanian speaking husband Francis to Bucharest for his new job. Monroe has made a career of being the victim in many horror and drama movies that include It Follows, Villains, Greta and Bokeh. In Watcher, Julia has no friends because of the language barrier and wanders the city going to shops and diners while her husband is working. But she is not entirely alone as there is a dark figure of a man in the window of an apartment across the street that seems to always be present looking at her apartment. To increase the threat there is a story of young women in the city mysteriously getting their throats cut by a serial killer. Could the murders be linked to the man in the window? Not wanting to be another victim, Julia, the watched becomes the stalker, following the mysterious man through the neighborhood. This has to be one of the slowest developing horror movies I have seen recently, but it’s done well as the tension builds constantly until the startling conclusion. Monroe does a believable job as a woman who refuses to be another victim. Watcher was featured at this year’s Sundance Film Festival. I had not heard of writer director Okuna before, but after seeing Watcher I look forward to seeing Bodies Bodies Bodies, a comedy horror movie that she has a writing credit for. (It is due to be released later this summer.)

Eurovision Song Contest: The Story of Fire Saga

Eurovision Song Contest: The Story of Fire Saga                  2 ½ stars

I doubt that many people have heard of the Will Ferrell movie Eurovision Song Contest: The Story of Fire Saga that came out near the beginning of the pandemic. I had not heard of it until 2021 and just now looked it up on Netflix. This comedy starring and written by Ferrell tells about the dimwitted Lars Erickssong, a native of Iceland who has dreamed of winning the annual competition of the Eurovision Song Contest since he was a boy and sings as part of the group Fire Saga. There is plenty of stupid comedy which is pretty similar to anything that Ferrell has done in the past. The other half of the Fire Saga dual is Sigrit (Rachel McAdams) who worships Lars and is “probably not” his sister. She does a creditable job at comedy in what is not a typical role for her. Even though they are not all that talented the pair manage to qualify to be Iceland’s entry into the annual event featuring performers from over forty European countries. The musical numbers are overproduced and the movie gets a little too involved in its ridiculous plot. A bright spot is Dan Stevens who portrays a self-absorbed Russian singer who does some overly sexualized musical numbers with his male performers and is too interested in Sigrit to suit Lars. It’s a good one for Will Ferrell fans but it has a few dry spells where the comedy falls short.

Robot & Frank

Robot & Frank                   4 stars

For a simple yet elegant story about aging we go back ten years to 2012’s Robot & Frank starring Frank Langella as Frank, an elderly man living alone who spent time in prison for some heists committed in his younger days. Frank has two adult children who he wasn’t exactly a model parent to, but son Hunter (James Marsden) who looks after him on occasion has decided that Frank needs the assistance of an in home robot that can cook, clean and care for Frank. Frank soon figures out that the talking robot can also be commanded to assist him in committing burglaries so starts a new project training the robot to commit crimes and getting it to tell him the chances of success. It’s a pleasing comedy-drama that is driven by the excellent acting skills of Langella whose versatility has been featured in roles such as President Nixon, Chief Justice Warren Burger, Perry White in Superman Returns and Count Dracula in his long career. The movie was directed by newcomer Jake Schreier, who followed up with Paper Towns in 2015. I was very entertained by this comedy. Look for Susan Sarandon as the town’s librarian and Law & Order’s Jeremy Sisto as the sheriff.