Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

The Perfect Neighbor

The Perfect Neighbor 3 suns

In the U.S. Documentary category comes a documentary dealing with a subject that plagues America; that is, the proliferation of guns and the violence inflicted on our neighborhoods. In particular, is the use of Stand Your Ground laws that excuses the use of guns to settle disputes. Everyone remembers the 2023 case in Marion County, Florida of a young black mother being shot to death by her neighbor, an older white woman. The neighbor shot her through her own locked door as the mother was responding to the way her children were being treated by the woman as they played in the open lot next door. The filmmakers tell the entire story using police bodycam footage of their many interactions with the woman and the neighbors over a period of many months. The woman made numerous calls to the police to report the noisy children and the police had many responses and meetings with her. We get to see how the situation went on and on until it finally escalated in the death of Ajike Owens, the young mother. The movie is painful to watch as the dangers go unrecognized and especially upon seeing the reactions of the family when they realize that Ajike is gone. At the end a graphic explains how the passage of Stand Your Ground laws has led to an increase in gun deaths in the states where they were enacted. While it is a compelling story, the use of the police footage almost exclusively does get to be repetitive. After the film, the filmmakers and friends and family of Ajike were present for Q & A. The director, Geeta Gandbhir is a renowned filmmaker who also happened to be friends with the affected family. She almost immediately sought to document the event after the tragedy happened. The presence of the friends and Ajike’s mother at the showing emphasized just how real these events are and how devastating it is to the family. Four small children are now left without a mother because of the thoughtless actions of one individual. The film ends showing that the shooter was sentenced to 25 years for her crime.

Prime Minister

Prime Minister 5 suns

Prime Minister is an engaging documentary in the World Cinema Documentary category, from New Zealand covering the five years of the administration of the country’s first woman prime minister, Jacinda Ardern. She was filmed from just before she became leader of the Labour Party in 2017 up to her departure in 2023. The filmmakers had access to her personal life,  filming her and her partner at home as well as in her office.  The film begins and ends with connections to America as she makes visits to Harvard University inferring she has a message for Americans. Her service was quite revolutionary as she was not married to her partner and she was pregnant as she was about to take office. She expressed how she was actually more afraid of winning the office than losing.  We see how things can rapidly change for elected officials and the same is true for Ardern. She came in planning to deal with climate change and abortion rights.  But during her time in office, the mass shooting at a mosque happened, forcing the country to deal with automatic weapons and hate.  New Zealand responded with a ban on such weapons.  Then there was the eruption of a volcano killing many.  Finally,  came Covid in 2020 and the government response.  New Zealand had the distinction of enforcing a shutdown that successfully eradicated the virus from the country and Ardern played a large role in this effort.  We also see the right wing response from those who believed the conspiracy theories and objected to the Covid vaccine. These were the same beliefs of the vaccine causing the deaths that we saw in America. It was refreshing to see how she redefined leadership in a modern country while at the same time dealing with the pressures of being a mother.  America could learn a lot by paying attention to this model. Be sure to look for this movie.

The Ugly Stepsister

The Ugly Stepsister 4 1/2 suns

The Ugly Stepsister (from Norway) takes the fairy tale Cinderella and turns it upside down and inside out making it a body horror movie about envy and body image.  In this take of the classic we see things from the point of view of Cinderella’s stepsister, Elvira who is on a mission to get the attention of the kingdom’s prince at the ball and marry him and save the family from poverty. The problem is that she is rather homely and fat. That won`t do so with her mother’s help, a doctor’s facial modifications, a finishing school and an internal parasite, she sets on a scheme to make herself beautiful. Oh, and there is also the little problem of that attractive annoying stepsister that must be dealt with.  I had never heard before that there was so much sex and baudy language in this classic story.  I guess I must have missed something.  The actress playing Elvira really goes through a range of emotions going from a naive yiung girl to a monster who will do whatever it takes to reach her goal.  The body mutilations become more and more extreme as she seeks to become attractive and meet the world’s expectations of female beauty. There were many exclamations from the audience during each cringeworthy step. It all culminates with the fitting of the slipper and the removal of the “parasite”. The theme is on par with last year’s “The Substance” though maybe not to that extreme.  It’s all about how society sees women as objects,  judging them by some impossible standard and how some women seek to meet them.  And for fans of horror genre it’s a lot of fun.

LUZ

LUZ 5 suns

This international drama deals with estranged family and loss and efforts to heal, covering two different families who are a world apart. There is an element of technology in the form of virtual reality that links the two stories together. The first is set in the Chinese city of Chongqing about an older former gangster who has lost touch with his grown daughter who now makes a living streaming on the internet. In the second story a woman in Hong Kong travels to Paris to be with her stepmother whose health has started to fail. The stepmother is played by Isabelle Hubert who unfortunately couldn’t be at Sundance! The two stories are connected by a painting of a deer in the woods painted by the young woman’s deceased father and is now in a night club connected to the ex-gangster. Both individuals are drawn to a world in virtual reality called LUZ where the players interact and search for the mystical deer in the painting. There they meet and try to find answers to what they are searching for. The stories share themes of brokenness and healing between family members. At the Q & A writer/ director Flora Lau talked of the long process in making the movie and the iterations it went through. There were rewrites even after filming started where she made it less about the virtual world in favor of the family stories. I’d say it was a successful decision. The audience loved it. This movie is in both Chinese and French. Isabelle Hubert appeared in a recorded message greeting Sundance before the film. Wish she could have been there!

Nightbitch

Nightbitch           3 stars

Director Marielle Heller (Can You Ever Forgive Me?) and star Amy Adams (Hillbilly Elegy, American Hustle) bring us a different kind of horror movie in Nightbitch, a novel adaptation about the wonders of being a mother. But, of course, who are we kidding? Motherhood is anything but easy and can be downright maddening as Adams demonstrates in this movie. She has left her job at an art gallery to become a full-time mom to her two-year-old son. When she meets a former coworker who exclaims how wonderful it must be to spend so much time with her child, she responds with a long monologue of the confusion, disappointment and pain associated with this decision and then rewinds, saying yes, it’s wonderful! We see scenes of the endless monotony of cooking and cleaning she goes through taking care of the adorable toddler. Dad (Scoot McNairy of Argo and A Complete Unknown) is often away on business trips and is not all that much help when he is at home, sometimes being a clueless moron, oblivious to the strains that mom is facing and sometimes making it worse by complaining about the things she has not taken care of. (His cluelessness is undoubtedly a representation of what many fathers are really like.) As the pressures mount the movie suddenly switches to body horror, as mom starts to grow hair on her body and sprout what looks like a tail. When outside she attracts the attention of neighborhood dogs who follow her around and bring her gifts of animal carcasses. Mom accepts these changes, fully embracing them as she wolfs down food without hands and goes digging in the dirt, seemingly transforming into a canine and going for a run with other dogs. Whether this change is real or symbolic it is transforming for her character, enabling her to look at her situation differently and make the most of it. Amy Adams puts a full effort into this role making us believe she is the mom in this film, especially with how she relates to the little boy playing her son. The movie shows the full extent of how tough it must be being a mom, even though the story seems rather contrived. I can’t say how true it is to the book, but it could be viewed as a mild variation on the genre of werewolf movies without the violence.

The Brutalist

The Brutalist       5 stars

Brady Corbet’s (The Childhood of a Leader) The Brutalist is a three-and-a-half-hour epic tale about a Hungarian Jewish architect who escapes post-war Europe, makes his way to the US and pursues the American dream, but in the process is nearly consumed by forces around him. The movie is told on a grand scale over a period of decades using some astonishingly large set pieces. The story is so grand it has a feeling on par with The Godfather movies. Adrien Brody (The Pianist) is Lázsló Tóth, an accomplished architect who arrives in New York on a ship shortly after the end of the war. Nobody knows of his work there, so he gets a job with his cousin in Philadelphia working as a carpenter. The cousin (Alessandro Nivola), who is also Hungarian has assimilated to American society and is accepted by the locals. Fortunately, the business finds a wealthy client in the form of the son of a rich industrialist who hires the company to build a library in the mansion of the father as a surprise. But unfortunately, the man, Harrison Lee Van Buren (Guy Pearce (Mary Queen of Scots, The King’s Speech)) is not at all pleased with what he believes to be a mess of the project, kicking them out without pay and leaving Tóth with nothing. It is only much later that Van Buren learns of Tóth’s accomplishments in Europe, tracks him down seeking to make amends. Lázsló has had to resort to shoveling coal by this time. Van Buren, who has fabulous wealth, has a dream to build a multipurpose community center for his town and wants to hire Tóth to design it and help to realize his dream. This job is an incredible opportunity, but it of course comes with a price; that is, being a virtual slave to Van Buren with few options. As the great project takes shape, we get to see what it is like to tackle such a huge construction job. Cost overruns happen forcing compromises in design that has a dramatic effect on poor Lázsló. We get a close-up view of the whole construction process and what it is like to be one of the workers on such a job. I don’t know what it took to build the sets for this movie, but it must have taken years. Lázsló is blessed though as having this job afforded him the chance to bring his wife, Erzsébet (Felicity Jones) and young niece, Zsófia (Raffey Cassidy), who have been stuck in Hungary to America to join him. All of this so far is the set up to what the movie is all about. Tóth’s work is a great opportunity for him, but he comes to realize that his employer, Van Buren, has little respect for his foreign and Jewish background and only seeks to exploit him for what services he can provide. Van Buren is all too willing to cast him aside at the first sign of difficulty and the contempt extends to Tóth’s family as well. In the final scenes this rich man makes it all too clear what his thoughts are toward these foreigners. Being so long and expensive, this movie is about a lot of things. It feels like it is really several movies. Besides the plight of the working man, it concerns the place of Jewish people in America and of course the effect of the holocaust. The story is entirely fictional but is meant to reflect the immigrant experience of many in coming to America. The score is amazing, contributing to the feel of the film. A great deal of the credit in making this a great movie must go to Adrien Brody in his portrayal of the emotionally devastated Tóth (parallelling his performance in The Pianist). I feel like the Best Actor Academy Award is a near guarantee for this actor. This movie is best seen on the large screen, so take it in when you can. (There is a fifteen-minute intermission which you will need.)

Another Round

Another Round                 4 stars

This year’s Academy Award winner for Best Foreign Film comes from Denmark in the form of Another Round by director Thomas Vinterberg and stars Mads Mikkelsen who is Denmark’s most recognized actor. Martin is a high school teacher in Copenhagen who seems to have everything, a wife and family and a good job teaching history to his students. But there is something missing so he joins in a plan with three of his fellow teachers at the school to start an experiment where the four agree to steadily drink on the job on the theory that maintaining a blood alcohol level of 0.05% will improve their performance in their daily life. The rules are no drinking after 8:00 pm or on the weekends. So you are probably thinking what could possibly go wrong with such a plan? Apparently nothing, that is until one of their group challenges them to take things up a level and increase the alcohol intake. What starts out as a comedy takes a dark turn into a serious drama when each one finds out the price of such behavior to their professional and social lives. Much of the success of the movie belongs to Mikkelsen’s Martin who can express a wide range of emotion. (See his earlier work in After the Wedding, A Royal Affair and At Eternity’s Gate) Many of his scenes must have been improvised to great success. This collaboration of writers, director and actors takes a silly premise and makes it into an emotional, dramatic story about what is important in life.

Cruella

Cruella                  4 ½ stars

Disney films make their return to the theaters with an origin story of that most iconic Disney villain, the evil and chic Cruella de Vil. The live action comedy crime movie stars Academy Award winner Emma Stone as young street urchin Estella who through tragedy must live on the streets of 1970’s London with her young thief friends Jasper (Joel Fry of Yesterday) and Horace (a funny as always Paul Walter Hauser). The incredibly smart and ambitious Estella’s greatest desire is to break into the world of high fashion. Somehow she snares a low level job working at the House of Baroness where she gains the attention of owner and CEO Baroness von Hellman (played by two time Academy Award winner Emma Thompson) and is promoted to dress designer to turn out very eye catching designs for the London elite. An additional star of the film is the amazing dresses that appear throughout. Is it too early to predict the winner of the Best Costumes Oscar? Of course, we finally arrive at the appearance of Cruella with her signature white and black hair and learn how she came to be with her evil intentions and especially her motivation for going after dalmatians for their skin. The best Disney movies feature some of the most evil villains imagined and that title must go to the Baroness who is a true psychopath as played by the brilliant Thompson. She delivers some great lines (“Gratitude is for losers.”) and is rarely taken off her game as she treats people with contempt including her own employees. Cruella is aided greatly by a sound track featuring classic rock songs of the sixties and seventies that are well placed throughout the movie (The Zombies’ Time of the Season). I had to do a second take on the dogs in the film to realize they are some of the best CGI creatures I have seen. With Cruella and the earlier release of the Disney Maleficent movies we seem to be having a new trend of classic villains getting their own star treatment and with it a more complete picture of their life stories.

The Boss Baby: Family Business

The Boss Baby: Family Business                 3 stars

The wild baby adventures continue in the sequel to the 2017 movie The Boss Baby. In The Boss Baby: Family Business, brothers Tim and Ted who are now full grown adults are recruited by Tim’s baby daughter, Tina and Baby Corp. to return to their child selves (with an advanced baby formula) and once again save the world from an evil corporate plot. The conspiracy and the motive for the crime aren’t particularly important, but serve as the background for a colorful, action packed story involving the two going undercover at Tim’s daughter, Tabitha’s school to investigate the plot and stop it from succeeding. The plot is certainly confusing, but it serves mainly as a way to bring the two estranged brothers together and to give Tim a way to boost the confidence of his second grade daughter who is attending the ultramodern school for gifted children. The movie does have some social commentary on parents’ expectations put on their children to perform academically and the modern addiction to technology. The movie is at least equal to its predecessor in entertainment value and is suitable for children who probably will miss some of what is going on. I didn’t detect any bathroom humor, though there are plenty of baby drool jokes to see.

The Father

The Father          4 ½ stars

In The Father, an aging man suffering from dementia is portrayed by Anthony Hopkins, in a role that is said to be especially written for him. Anthony is being watched after by his daughter Anne (Academy Award winner Olivia Colman) who has moved him into her flat in London, and is faced with the difficulty of finding a caregiver who can tolerate Anthony’s behavior and insistence that he doesn’t require help. There have been films about family caring for a person with dementia before, like Amour in 2012 and Still Alice starring Julianne Moore in 2014. (Another new movie, Supernova, deals with the subject but I haven’t seen it.) Those movies were mainly focused on the people doing the caregiving and not so much the person with the disorder; whereas Florian Zeller’s The Father strives to show us the pain and disorientation that Anthony is going through. Zeller does this by sequencing scenes such that time is an unknown quantity, by making subtle changes in the color and furnishings of the flat, and by using scenes that may be a hallucination to Anthony making things all the more confusing to him. His goal is to make the viewer share in the discomfort and fear one must face when they can no longer make sense of their surroundings. He goes so far as to have some actors change their roles within the film, causing a more disorienting feeling. Hopkins is masterful in the role as the intelligent man who can be charming one minute and then cut a person down in the next. I have no doubt that he deserved the Best Actor Academy Award he received. Even in his eighties he shows why he is considered one of the best. (Hopkins was asleep at home when the Best Actor award was announced and released a recorded acceptance speech the next day.) Colman, who may be Britain’s finest actress is also brilliant as the daughter who is trying to cope, but sometimes is about to break down at what she sees.  The other actors too are among England’s finest including Rufus Sewell, Mark Gatiss and Olivia Williams. The film gives us a realistic conclusion of Anthony’s decaying mind, thankfully without being sensational. It has a deep emotional impact in its short hour and 37 minute running time.