Author Archives: Ron

About Ron

I like to watch movies and share my thoughts on them. I have been writing reviews and distributing them since 2013.

Hillbilly Elegy

Hillbilly Elegy                      2 stars

Ron Howard’s Hillbilly Elegy is the screen adaptation of the J.D. Vance memoir about his life growing up in a dysfunctional family in Middletown, Ohio, but with roots in the hills of eastern Kentucky. We see J.D. in two parallel timelines, one as a teenager dealing with his abusive drug addicted mother Bev (Amy Adams) and the other as a Yale Law School student called home to handle his mother’s latest episode of a heroin overdose. The movie is a series of abusive situations in which the family reacts to Mom’s explosive temper, brought on by a lifetime of disappointments. The acting by Adams and especially Glenn Close as the Mamaw, the matriarch of the family is realistic. Close has been transformed with a wig and baggy T-shirts into a gruff meanspirited grandmother who uses tough love to keep her grandchildren from falling into the pattern of failure familiar to her family. (Though there is a scene where she sets her husband on fire, but never mind that.) Close deserves the Academy Award nomination she received for the role. Unfortunately, it takes more than good acting to make a good movie so Hillbilly Elegy doesn’t deserve the same praise and is hard to watch as the characters put themselves through such misery. I didn’t read the book which is reputed to be a social commentary on poor working-class white America. Sadly, the many social and political issues raised in the book did not carry over into the movie that can be described as a series of face-slapping, door-slamming and drug fueled abusive scenes. It’s a collection of talented actors in a movie in search of a purpose. The director of Cinderella Man and The Da Vinci Code has missed the mark with this one.

Star Wars: Episode IX – The Rise of Skywalker

Star Wars: Episode IX – The Rise of Skywalker                     3 ½ stars

The long Star Wars saga that started back in 1977 finally comes to a conclusion in 2019’s The Rise of Skywalker. J. J. Abrams packs a lot into the 2 hour, 20 minute running time bringing many familiar characters together for the last go round. We have the usual gang, Chewbacca, C-3PO, R2-D2, BB-8, Rey, Poe and Finn. There are also appearances by the dead including Luke Skywalker and Han Solo, and a pieced together role for the late Carrie Fisher as Princess (now General) Leia. Naturally, there is one more cute droid in this one who goes by the name Coneface. There are all the usual elements in a Star Wars story such as X-Wing dogfights, light saber duels and a character (Rey here) seeking to find their true identity and purpose. This time the evil emperor Palpatine has mysteriously returned from the dead and seeks to control Darth Vader’s grandson, Kylo Ren (Adam Driver, excellent in the role) to bring Rey (Daisy Ridley) to the dark side and destroy the resistance to the Sith and the First Order for good. It’s a long story of how this comes to be, but suffice it to say, at least the final battle is not a repeated sequence like The Force Awakens was. There are a few too many minor characters that clutter up the story including Lando Calrissian (now 83 year-old Billy Dee Williams) that have little to do in advancing the story. While Skywalker doesn’t rise to the level of A New Hope or The Empire Strikes Back, it is certainly superior to the dreaded The Phantom Menace. Now that the Star Wars story has come to a definite conclusion will there be more sequels to come? Do not bet against it.

A Complete Unknown

A Complete Unknown   4 ½ stars

Legendary folk singer/song writer Bob Dylan finally gets the biopic treatment in A Complete Unknown, by Director James Mangold (who previously did the same for Johnny Cash in Walk the Line). The movie focuses on the short span of time from Dylan first appearing on the music scene in Greenwich Village in 1961 to his rise to stardom in 1965. You can tell from the opening scenes you are in for a treat when the 20-year-old Bob Dylan, arriving in New York from Minnesota, seeks out his idol, an ailing Woody Guthrie (Scoot McNairy) in a hospital and sings ’Song to Woody’ which he personally wrote for Woody. Watching the private performance is folk singer Pete Seeger (Ed Norton) who was well known by this time. Both men can see that they will see more of this kid. Likewise, we the audience see something iconic in the actor portraying Dylan, Timothée Chalamet, who is already well known to movie audiences from appearances in Dune, Wonka and Don’t Look Up. He plays the notes and sings in a warbly voice that is more than just an impression. He gives a performance that raises your expectations for the movie wondering what he will do in later scenes. In the movie, Dylan forms relationships with people in the industry including Joan Baez, Seeger and management types like Albert Grossman. He crashes with girlfriend Sylvia (Elle Fanning) who, through her activist causes, gives Dylan an awareness of the crises headed for America, inspiring his songwriting. You can see why he wrote The Times, They Are a Changin’. It is through the relationships with these characters that we get a sense of how Dylan is changing and that he is charting his own course. I was glad that unlike some biopics the movie did not go into his upbringing, (think Rocketman and Ray) leaving some sense of mystery about him. Of course, the fact that Bob Dylan himself was a producer of the film probably has something to do with how he is portrayed. There are several different venues depicted from small nightclubs to the Newport Folk Festival, giving a sense of Dylan’s rising fame. The movie culminates at the popular music festival where the drama of whether Dylan will follow the tradition set by the festival or go full loud volume electric guitar. The critics say that there was much playing around with the events depicted, meaning the movie isn’t exactly accurate. Since I don’t remember anything of that time I can’t say, but it sure makes for some good movie drama.

Wallace & Gromit: Vengeance Most Fowl

Wallace & Gromit: Vengeance Most Fowl             5 stars

Wallace & Gromit: Vengeance Most Fowl by the British team of Nick Park and Merlin Crossingham continues the tale of these two close buddies in the second feature film of the series. There are many short films featuring these lovable characters though that are masterful in their use of stop motion animation. This time inventor Wallace has fallen on hard times as he can’t pay his bills, though he keeps on inventing gadgets that help him with his morning routine. He has come up with something new in the form of a robot that looks like a gnome called “Norbot”. Norbot is fully automatic and is programmed to do the chores around the house, something not very welcome to Gromit, Wallace’s canine friend, who sees Norbot’s work in the garden as an intrusion, not something helpful. The constant happy look on Norbot’s robot face is also disquieting. Soon Wallace starts a business renting out Norbot to neighbors doing their yardwork. There is another disturbing character in this story and that is the master criminal Feathers McGraw, the penguin who was sent away to prison long ago thanks to Wallace & Gromit. So, when McGraw finds out what Wallace has done with his gnome robot, he comes up with his own very inventive plan to get revenge on the pair. He is able to access Norbot’s programming via the internet and change its setting from Good to Evil. Norbot then sets about creating duplicates of himself to form an army of robot gnomes that are themselves programmed to create havoc in the neighborhood. The resulting crime wave gets the attention of the bumbling chief inspector Albert Mackintosh and his sidekick PC Mukherjee who trace the troublesome gnomes back to Wallace, just as the evil Feathers McGraw has intended. Of course, this leaves the solving of the crimes up to the faithful, but silent Gromit who must identify McGraw as the real criminal and find a way to stop him. Poor Wallace just can’t imagine that Norbot, his creation, could do anything wrong. There is plenty of action and comedy in this animated tale, that has more than a few references to the James Bond and Mission: Impossible movies that adults will enjoy. McGraw’s manner and master plans will remind you of the supervillains in these movies. Besides being fun and cute, the movie raises questions about the place of automation in our society and whether it is preferred to have that human touch of doing things ourselves. The movie is a short 79 minutes making it very easy to go through it in one sitting. Of course, there are certain things that will appeal more to British audiences, but it’s fun for everyone else too. Wallace & Gromit was nominated for the Best Animated Feature Academy Award, which is well deserved.

Avengers: Endgame

Avengers: Endgame                        4 stars

Avengers: Endgame picks up where Avengers: Infinity War left off with the defeat of the Avengers at the hands of supervillain Thanos (Josh Brolin) leaving many of the heroes turned to dust along with half of all living creatures. Earth has been left a shell of its former self with many of the remaining Avengers: Tony Stark/Ironman (Robert Downey, Jr.); Bruce Banner/Hulk (Mark Ruffalo); Steve Rogers/Captain America (Chris Evans); Natasha Romanoff/Black Widow (Scarlett Johansson); Thor (Chris Hemsworth) and Clint Barton/Hawkeye (Jeremy Renner) struggling to adapt to bleak prospects without so many of their companions and family. Then five years later Ant-Man (Paul Rudd) suddenly reappears from the past giving the heroes the idea of time traveling to the past, collecting the six Infinity Stones from before the tragedy and bringing everybody back to life. Any story involving time travel and superpowers is going to be mind bending, but the overall premise seems to work in this culmination of the Avengers story that was started back in 2008 with Ironman. The movie is certainly bloated with too many characters and an over long at a three-hour running time. But it has plenty to offer with memorable scenes (like Tony Stark meeting his long gone father), comic relief (especially from fat, alcoholic Thor and Smart Hulk) and of course all that action with our heroes battling the evil Thanos and his army of bizarre creatures. With so many characters it is inevitable that many of the cast are reduced to just cameo appearances displaying brief acts of heroism. (There’s Black Panther (Chadwick Boseman), Scarlett Witch (Elizabeth Olson) and Falcon (Anthony Mackie) to name a few.) I hope it is not a spoiler to suggest that events in the movie would tend to rule out additional Avengers movies, but we shall see. Even though I have not seen anything close to all of the movies of the series, I think the latest film should be satisfying to the devoted fans of the franchise.

Shadow in the Cloud

Shadow in the Cloud                       4 stars

In this year’s Shadow in the Cloud we follow a young female pilot, Maude (Chloe Grace Moretz) on a secret mission on a World War II B-17 bomber out of New Zealand. This is without a doubt the best B-movie of the year so far. You can tell it’s a B-movie at the outset by the seventies style rock music so you know you are in for a treat. Maude is a last minute passenger on the mission and the all male crew is not at all happy about it, as they berate her with sexist language and force her to ride in the Sperry turret in the belly of the plane, the only place where there is room. We soon see that she can handle herself well in the aircraft as she maneuvers the turret, and fires the machine gun at approaching enemy aircraft. Then there is the matter of an actual gremlin on the outside of the plane who is determined to rip it apart and kill everyone inside. For much of the movie we only see Maude in the turret as she must content with the abusive crew, enemy planes and the destructive creature. After we see the premise of the movie, things only get more intense as Maude performs incredible stunts with determination to stay alive and defeat both monster and Jap fighters with actions that only get more and more preposterous. Like any good B-movie the audience must take it all in stride and just go along for the action. Moretz is very convincing in the role making us believe she is a 40’s star who can dish it out better than she gets. Shadow in the Cloud is the best B-movie I’ve seen since 2018’s Revenge, also a movie where the female lead must take command of life-threatening situations with implausible results. The movie is available on Hulu and is recommended for all action movie lovers!

In the Heights

In the Heights                    4 ½ stars

For my first 2021 movie to be viewed in the theater I saw the musical extravaganza In the Heights. This is the film adaptation of Lin-Manuel Miranda’s first Broadway musical about the joys of living in New York City’s Washington Heights, a primarily Latin community. Along with the wonder of the neighborhood are the struggles the main characters go through trying to find their place in life. The scenes go well beyond what could be done in the confines of a stage production using large set pieces with what must be hundreds of dancers and carefully choreographed numbers with moving cameras. The story centers on four or five young people who are all facing challenges and tough decisions as they search for their calling, be it in the community or in a new setting. The young cast is impressive but it is Anthony Ramos of the original Hamilton on Broadway who really steals the show with his convincing role as Usnavi, the Dominican Republic native who runs the bodega that he inherited from his parents. His well delivered hip hop lyrics to Miranda’s songs are masterful. The movie was released on home video, but it is best to see it on the big screen to really get the full experience.

I Am Not Your Negro

I Am Not Your Negro                      5 stars

It has been four years since this documentary about writer and social critic James Baldwin was released and I finally got to see it. The renowned author of several books, plays and essays concerning Black’s place in American history was working on a new project when he passed away in 1987. The book was to be called “Remember This House” and concerned Baldwin’s personal memories of his friends Medgar Evers, Malcolm X and Martin Luther King, Jr. all of whom were assassinated when they were still young. This excellent documentary shows how articulate and eloquent he was through footage of speeches he gave and appearances on The Dick Cavett Show as well as readings from the unfinished manuscript read by Samuel L. Jackson. The scenes of angry white mobs and portrayals of Blacks in popular culture illustrate just how bad race relations were in America. More recent scenes indicate that we still have a long way to go, but there is hope. As Baldwin has suggested, you can’t study the history of America without studying the history of the Negro in America. The film is expertly put together and is deserving of the Academy Award nomination it received for Best Documentary.

A Shaun the Sheep Movie: Farmageddon

A Shaun the Sheep Movie: Farmageddon                              4 ½ stars

That most mischievous animal on the farm, Shaun the Sheep is back for another full length animated picture, but this time around he is battling wits with a new visitor, the kind that arrives from outer space. The production company Aardman Animation has made this new stop motion animation movie using the lengthy process of photographing the clay figures one frame at a time, with wonderfully entertaining results. Shaun is up to his usual fun playing all sorts of pranks on the Mossy Bottom farm to the chagrin of poor Bitzer, the dog who must keep order. Things change one day when the visitor from space arrives in the form of a cute little alien with special powers who seems to just want to have fun too. Thus, Shaun and the alien get along quite well whether they are sampling the candy at the local store or navigating the alien spacecraft. The farmer in the meantime gets the idea of constructing a theme park on the farm with the name “Farmageddon” to take advantage of the craze about aliens that has taken ahold of the locals, only his herd of sheep are the ones that have to build the park. As you might guess there are obvious flaws in this plan. At the same time there is a government agent who has been sent to the town to track down the sightings of a mysterious UFO. All of these events combine to form a very amusing movie that will appeal to all ages. Be sure to watch for all the references to past science fiction movies and TV shows.

Nickel Boys

Nickel Boys         5 stars

Nickel Boys by filmmaker RaMell Ross, based on Colson Whitehead’s novel about the experiences of two black teens sentenced to a racist boy’s reformatory in the deep South is certainly one of the most unusual films to come out in the past year. Its depictions of the nightmarish treatment of young blacks by white men in the south of the early sixties, while shocking, is not unfamiliar. There have been many films depicting the abuses suffered in the Civil Rights Era. (To Kill a Mockingbird, Raisin in the Sun, Selma). What makes this film unique is the way that Ross chose to construct the shots. From the beginning we see everything from the point of view of the main character, Elwood (Ethan Herisse of When They See Us), from his time as a young boy rolling in the grass, to his time with his grandmother and when he is offered the chance to go to a Florida university with all expenses paid. While walking to the college, Elwood is picked up on the road by a friendly driver, not knowing that the car is stolen. When they are stopped by the police, Elwood is falsely accused of the crime and is sentenced to the racist Nickel Academy, a hellhole based on the Dozier School in Florida. While there he makes acquaintance with another teen, Turner (Brandon Wilson of the Ben Affleck movie The Way Back) who befriends him. Then we start to see other scenes shot from the point of view of Turner with the scenes alternating between Elwood and Turner. The technique seems like a gimmick at first but pays off as it gives the viewer the feeling that they are experiencing the abuses suffered firsthand. The two boys have different outlooks on their situation. In Elwood we see the optimist as he records his activities in a secret notebook thinking that he will be able to reveal the truth of what Nickel is like and escape the brutal punishment. Turner is practical as he looks for ways to survive the abuse. It is all set against the backdrop of the Civil Rights struggle as we see clips of Martin Luther King and the moon mission of Apollo 8. There are flash forward scenes with Daveed Diggs playing the adult Elwood as he researches via the internet about an investigation of the Nickel site where bodies are being unearthed, reminding us of the wider abuses of the time. Plus, it assures us that Elwood survives the experience. Viewing Nickel Boys is an experience to be taken seriously. You will be thinking of it long after leaving the theater. The movie is one of the Academy Award Best Picture nominees, an honor certainly deserved.